Miami Vice Season 1 Episode 8 No Exit A K A Three+Eyed Turtle
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00:00Hey everybody, Stanley Swiatek, uh, coming at you from beautiful downtown Miami Beach,
00:13where the temperature is 102 degrees at 7 of the a.m.
00:20So why don't you all just kinda sit back, relax, and let ol' Stan here do the drivin'.
00:32Yeah!
00:34Offshway.
00:36What's our ETA on these huckleberries?
00:52Five more minutes.
00:54Where can we get some Cafe Cubano around here?
01:00Are you kidding?
01:04Let's work those arms, work that body, work that body, work that body, let's move it, let's do it!
01:12Those people keep up that kinda pace, uh, none of them are gonna make lunch.
01:22Sorry.
01:28Listen, uh, I'm starting to get a convention here.
01:32Bro, what time is this supposed to go down? Are we gonna pop this guy or what?
01:36Everybody stay loose, there's too many people around.
01:40Tell me about it.
01:42The girls can't last too much longer.
01:44I hope you're right.
01:46Let's move it!
01:48One, two, three, four!
01:50Should have seen him in the fifties.
01:52He was the best!
01:54I did see him in the fifties.
01:56I did see him in the fifties.
02:02This is wrong all wrong.
02:04Pack it in.
02:06I'll pick up Tubbs and Zeto.
02:08I'll pick up Tubbs and Zeto.
02:10leave a donation.
02:12ä»– and his songs.
02:16I hope you enjoyed that.
02:18Here's a good one.
02:24Do I pay?
02:56Everybody hold.
03:15Tito, no time for dessert.
03:18Get them out of here.
03:20Okay, guys.
03:21Let's get up.
03:22Actually, we're going to take a walk.
03:24Okay?
03:25We're going to go inside.
03:26Hey, come on.
03:27Let's go.
03:28That's him.
03:29It's a go.
03:30Hey, take the chairs with him, man.
03:31Zeno.
03:44We got the grenades.
03:46You got the cash.
03:48Well, I ran into a little snag.
03:51I'm only need a couple more days.
03:52Hey, no snag.
03:54No more days.
03:56The money's in the bag.
04:01Open it, please.
04:03Okay.
04:07All the police!
04:18You got the money.
04:19I'm only need a little snag.
04:23I'm only need a little snag.
04:24I'm only need a little snag.
04:24I'm only need a little snag.
04:25I'm only need a little snag.
04:26I'm only need a little snag.
04:26I'm only need a little snag.
04:27I'm only need a little snag.
04:28I'm only need a little snag.
04:29I'm only need a little snag.
04:30I'm only need a little snag.
04:31I'm only need a little snag.
04:32I'm only need a little snag.
04:33I'm only need a little snag.
04:33I'm only need a little snag.
04:34I'm only need a little snag.
04:34I'm only need a little snag.
04:35I'm only need a little snag.
04:36I'm only need a little snag.
04:37Oh, my God.
05:07you all right hell no i'm not all right
05:19you all right lady
05:23i hate machine gun what's the problem i hate machine gun what are you yelling about when i
05:33get shot at by a 30 caliber m60 machine gun i get scared and when i get scared i get angry you
05:43hey hey hey hey i want to know selling you punks machine gun hey calm down tub calm down i will not
05:51calm down machine guns affect my ability to perform and i don't like that
06:03so
06:12so
07:43Look, we don't care about the errand boys.
07:45Who do they work for, huh?
07:50The hell's a way to start the day, huh?
07:53You're killing me.
07:54Bring this shit.
07:56Breakfast with an M60 machine you got.
07:59Yeah.
08:04Lieutenant, we've got that information we've been looking for.
08:09The runner's name is Tony Amaro.
08:12We need court orders for a tap on the phone, the house, the boat, the office, the car, everything.
08:18The whole enchilada.
08:21Mato's an international gun merchant.
08:25Sometimes smuggler.
08:29Why the street?
08:31That's what we want to find out.
08:32I doubt this hillbilly is throwing us a fake.
08:37No.
08:40Mato's not a name you pull out of a hat.
08:46Let's get into this laundry.
08:48It's probably dirty.
08:49Lester.
08:55Come on, I got a job for you.
08:56Come on, I got a job for you.
08:57Come on, I got a job for you.
08:58Come on, I got a job for you.
09:17That's our boy.
09:26Come on, you got a job for me.
09:56Let's go.
10:26No one's here?
10:28Uh, no.
10:30Good.
10:35We'll have 30 seconds to shut off the alarm once the circuit is broken.
10:41Where's the switch located?
10:43That's a million-dollar question.
10:5030 seconds.
10:53Eight to five, it's in the closet.
10:56One, two, three.
10:59Two, three.
11:00One, go.
11:07One, go.
11:10Two, one.
11:11Two, three.
11:12We've got 20 seconds.
11:3513 seconds.
11:42James Bond, my man.
12:1215 seconds.
12:1915 seconds.
12:24I'm not talking about the kind that has tags on it that read machine washable either.
12:54You know, I hate going through people's dirty laundry.
12:59Yeah, well, if you want to get a line on someone, that's what you got to do.
13:03This guy's a real swinger.
13:06Check this out.
13:08The Arsenal of Democracy.
13:10Your perfect catalog for any last-minute Christmas shopping.
13:14You want to put it in an order?
13:15The gift wrap?
13:18Look at that, man.
13:20Prices, specifications, everything.
13:22Yeah, just like a Sears Roebuck catalog.
13:29Yeah, I think you better put this back where you got it from, but...
13:32Yeah.
13:33I think we'll put the eye on this guy from the bay.
13:37Sounds like a winner.
13:38How's it going, Lester?
13:48Take a look, Toots.
13:49So, now, what's this doohickey here?
13:59That changes the power.
14:01Uh-huh.
14:02You got times 10 now.
14:04That's times 20.
14:06That's 9.
14:07It goes to times 200.
14:09Oh, man, that's great.
14:16I've put each bug on a separate channel.
14:21There are two tape recorders, voice activated.
14:25So, if you're monitoring one bug, you can record another and listen to it later.
14:30This is a sonic integrated digital reader for the phone.
14:34Oh, yeah, right.
14:35The Sada Fortis and the Ratabum and the Antoon Rantoon.
14:40Come on, Lester.
14:41You want to give me that in English now?
14:43Someone punches a telephone number.
14:45This records the tones.
14:47When you play it back, the numbers appear here.
14:50Just in case you want to know the number they dialed.
14:53Amazing.
14:54Not really.
14:56See, the telephone is a digit to tone to digits.
14:58Hey, not that, man.
15:00This.
15:01Check this out, man.
15:03Ooh, this chick is some kind of limber.
15:08Hey, Crockett, come check this thing out, man.
15:11Oops.
15:14Uh-oh.
15:17What is it?
15:18Yeah, I see some turkey over there watching me watching him.
15:23What?
15:24Here, take a look.
15:25Let me see.
15:30Hey, we got company.
15:38Federal agents.
15:41Buddy, stay right where you are.
15:42Bag it down, Clem.
15:45Miami Vice.
15:46Miami Vice.
15:48Uh, listen, I wouldn't go poking around back there, bub.
15:53Hey.
15:56What are you doing here?
15:57Stake out.
15:58What are you doing here?
16:00Boy, you're staking out.
16:02Tony Armato.
16:03Holy shit!
16:05There's a damn alligator back there.
16:07He's as big as a house.
16:08Honey snake, he's as big as a house.
16:10He's really back there.
16:15Honey snake!
16:15We're here to take over your operation.
16:19We're in place.
16:20You're not.
16:21That's easily changed.
16:23You can have your bugs cleaned out and ours installed by tomorrow.
16:26Look, you guys are out of your league on this.
16:29Yeah, what we are is here.
16:31What we're not is leaving.
16:34Now, be with that and we can all get what we want.
16:36Namely, Tony Armato.
16:38Or you can start playing games and you'll flush them.
16:41And then we'll all get exactly what you little boys in Washington generally shoot at.
16:46Nothing.
16:47All right, we'll piggyback your bugs.
16:49But our mission takes precedence.
16:52Maybe.
16:53Maybe not.
16:55Just what is your mission, Mr. Phelps?
16:57A national armory was busted into it.
17:00Big score.
17:02Tony Armato's about to deal her weapons.
17:04M60 machine guns?
17:06That's not our major concern.
17:08Well, it would be if you had one of them trying to tattoo mother on your chest.
17:14What is?
17:15A crate of stingers.
17:18Talking about ground-ass stings?
17:20Got it.
17:22Missiles?
17:23Guided missiles?
17:24What do these guys do?
17:26Back up a semi?
17:27No, no, no, no.
17:29These are small, handheld, about this big.
17:33Weigh about 30 pounds.
17:35Put one on your shoulder, aim, press the trigger, and bingo.
17:39They have a range of what?
17:41Three and a half miles.
17:43A guidance system sophisticated enough to knock out an F-15.
17:46This is what we're really scared of.
17:49A commercial jetliner.
17:51You want Tony Armato?
17:52You want him?
17:55All right, we'll dance.
17:57We want the missiles.
18:00McIntyre stays here with you.
18:03With the alligator, Nick?
18:04Looks like Tony and his lady are going to a party.
18:29So, where in the hell do you think you're going in this?
18:48All you did is...
18:49You're so stupid.
18:53You can't address yourself and say,
18:56Oh!
18:58Oh!
19:00This guy's a real sweetheart.
19:03This is, uh, formal.
19:06You get in there!
19:08Change!
19:09What do you want me to wear?
19:12What do I care?
19:14Whatever you wear, you're going to button it wrong.
19:17Why don't you just go without me?
19:20Yeah, you want something to wear?
19:21Where it is!
19:25There you go!
19:27Are you getting dressed?
19:28Sounds like he's killing her.
19:31What's he doing?
19:33He pushed her into the pool.
19:35This guy's scum.
19:42Let me take a look.
19:44You won't get dried off.
19:46You won't get dressed.
19:47And you will go with me.
19:49I'm sick and tired of waiting for you.
19:54Divorce me.
19:56It will never happen.
19:57Send me.
19:57I can't.
19:58That will never, ever happen!
20:04I didn't become a cop to spectate.
20:11Let's nail this pig.
20:19I want you to go to the airport tomorrow morning.
20:22Get a guy coming in from Jamaica.
20:26Tucson.
20:26Tucson, Tupas, something like that.
20:29Do you know what he looks like?
20:30No, I never met him.
20:32He's going to look for the Maserati at the baggage area.
20:36Come on, let's get out of here.
20:38What about Mrs. Amato?
20:42The hell with her.
20:49All that, then he leaves her anyway.
20:55What a joke.
21:02Hello?
21:05Rita?
21:08Rita?
21:09Oh, God.
21:11Rita, what is it?
21:16I can't take it anymore.
21:18I can't take it anymore.
21:20He never stops.
21:23It...
21:24Do you want me to arrange the meeting?
21:30Rita?
21:32Oh, he'll know.
21:35He won't.
21:37He will.
21:39He always knows everything.
21:42Rita, there's no other way.
21:45You've tried them all.
21:47Rita.
21:47I'm scared.
21:50I don't know how you've lasted this long.
21:53I better go.
21:56Do you want me to set up a meeting?
22:01Rita?
22:09Yes.
22:10Okay.
22:11I'll set it up.
22:12What was that all about?
22:31What was that all about?
22:32Offhand, I'd say Rita just made a decision to have her husband killed.
22:49You'd better go. You'd better go.
22:52Do you want me to set up a meeting?
22:55Gentlemen, gentlemen, listen to the tape again.
23:01She's going to ice him.
23:03I don't make that correlation.
23:05And we don't have any more time for your passion plays, Detective.
23:09Our priority is to get those missiles back.
23:12We're not gonna just stand around and let some citizen get shot,
23:16even if he is lower than dirt.
23:18Look, if she takes him out, it blows us all out of the water.
23:23I'm willing to take the chance that that is not going to happen.
23:26You've got Tony Amato under a lot of eyes.
23:28He's safer now than he's ever been.
23:31Dupas is arriving today. Amato has never seen him.
23:34We're in an ideal position to move to the next step.
23:37We're gonna pick up Dupas at the airport and replace him with Paul.
23:46Paul?
23:47How long have you been doing undercover?
23:51I've done some assignments along the way.
23:54Yeah, and I'll bet you took drama in high school.
23:58No offense for him, but I think we'll handle this.
24:03What do you think?
24:04What's wrong with Paul?
24:05What's wrong with Paul?
24:06Oh, my father.
24:07I don't know.
24:08What?
24:09Who did you think?
24:10Oh, yeah.
24:15Quite what wait.
24:16I love you.
24:24Not bad at all.
24:25I know whooped...
24:28I know that there's no Alejandro,
24:29but we don't know what God knows,
27:00We might be able to meet you somewhere.
27:04There's a park on Fulton Street.
27:06I know the one.
27:07I'll be at the southeast corner in an hour.
27:37I'll be right back.
28:07I'll be right back.
28:14I'll be right back.
28:21I'll be right back.
28:28I'll be right back.
28:35I'll be right back.
28:42I'll be right back.
28:51I'll be right back.
28:58I'll be right back.
29:00I don't think I can go through with this.
29:10I'll be right back.
29:11I'll be right back.
29:17I'll be right back.
29:19I'll be right back.
29:20I'll be right back.
29:26I'll be right back.
29:27I'll be right back.
29:33I'll be right back.
29:34I'll be right back.
29:40I'll be right back.
29:41I'll be right back.
29:47I'll be right back.
29:48I went to the police.
29:51They said to get a lawyer.
29:54Last month, I got a lawyer.
29:58I told them I didn't want Tony's money.
30:03I just want it out.
30:05Tony tried to buy the lawyer off, but he couldn't.
30:09The lawyer said, I had a right to leave if I wanted to.
30:14And I had a right to hire a lawyer.
30:17Tony says, is that so?
30:20And he hires these two animals.
30:26And they follow the lawyer's wife until she's alone.
30:31And they get her.
30:36And they were through with her.
30:39They told her to tell her husband that if he didn't mind his own business,
30:51their daughter would be next.
30:58Their daughter.
31:01And he would.
31:04Tony could do that.
31:09I should never have gone to that lawyer.
31:12What happened to his wife is my fault.
31:14Your fault?
31:16He didn't know what Tony was like, but I did.
31:20I have no place to turn and I can't take it anymore.
31:29I can't.
31:34So you want me to kill him?
31:37I thought I did.
31:43But now you don't?
31:45I wish him dead.
31:49Every.
31:50Every.
31:51Day.
31:52Every.
31:53Minute.
31:54For what he's done.
32:01But not his way.
32:08I can't do it this way.
32:10I'm sorry.
32:12Don't be sorry.
32:13I'm not who you think I am.
32:18I'm a cop.
32:21I want you to listen to me very carefully, Rita.
32:25We have your house booked.
32:38There's a listening device in every room.
32:40And taps on the phone.
32:42You know, Tony's in big trouble.
32:55The federal government wants him.
32:57We want him.
32:59And we're gonna get him.
33:01You don't know him.
33:03Oh, yes, we do.
33:06He's killed people.
33:08I know that.
33:10He's smart.
33:12He's so smart.
33:14We know he's smart.
33:19And we know he's tough.
33:21But he's not smart enough for all of us.
33:25We can put him away, Rita.
33:28But we need your help.
33:31We need you to go back home.
33:44If you don't, Tony will get suspicious.
33:49He might discover the house is bugged.
33:52He'll know we're on to him.
33:54And we'll lose him.
33:57A couple of days.
33:59That's all.
34:01And then we'll put him away where he can't bother you anymore.
34:06We'll be right there every minute.
34:13Can you do that, Rita?
34:17Can you buy us some time?
34:27Okay.
34:37We haven't heard from everyone on this one.
34:43There's got to be someone else waiting in the wings.
34:48In Washington.
34:50Oh, no, no.
35:16A demonstration you wanted's costing me a lot of money.
35:18a lot of money. Hey, Johnny. Hey, you're pretty smart to check this out, man. I mean, they
35:24have had a bad rep, but that's all been worked out, man. They got a new guidance system now.
35:31But to be safe and sorry. So you're an expert on this weapon, ma? Hey, man, I mean to tell you,
35:38good old Uncle Sam spent every bit of six months teaching me all there was no, man.
35:43You're talking army? No, man. National Guard.
35:51Say, Tony, how about us letting one of these birds fly, man?
36:00Okay, the number at the top is a target distance. The readout at the bottom is a firing sequence.
36:07Looks very complicated, ma. Oh, no, man. Any knucklehead with a GED can light one up.
36:13Okay, now, to turn on the tracking system, all you have to do is flip this here.
36:20Hey, wait a minute, man. This ting not gonna go off, is it?
36:22No, man. Not until we tell it to. Okay, now, hold it steady. See this switch here?
36:29Yeah, ma.
36:30Okay, now you push that forward with your thumb. Okay, hold that there. Okay, now that Pacific
36:36image is locked into the computer tracking system. The missile will seek out that target and that
36:42target only. And as it gets within striking range, the heat seeker automatically integrates
36:48with the base system and the missile homes in. Now, here's another little twist that a lot of
36:55people don't know nothing about. What's that? Armoring the warhead is optional.
36:59Yeah? Yeah. I don't understand. Let's say your target is a commercial plane, and you want
37:09to make it look like it crashed accidentally. Well, you just flip this little switch, and
37:16the missile goes right up the wing, probably ripping the wing off the airplane. And down
37:22she goes, but no explosion. Makes it look like it just crashed accidentally, man, like engine
37:29failure. Just that pure and simple. Let me get this straight now. I take this, and I shoot
37:35the airplane, and either it explodes or not, but it still knocks the plane down. Right.
37:41Yeah, it'll hit like a great big bullet. But hey, talk's cheap, right? That's what we're
37:46here for, to pop the cap on this baby. Gentle, here she comes. Right. Okay.
37:56How many missiles we're talking about? Ten. Nine now. Can you get more? No, man. Getting
38:23in was just a flu. The sergeant left me and Ramon here, the guy at the armory, while he
38:30went out to get pizza. So I called my boys over, and we picked up a few of them and a couple
38:36of the M60s, and then they booked up. Gentle, gentle. Easy with the details, all right? Oh,
38:42yeah, man. I'm sorry. The price is $75,000 each, as we discussed.
38:50So are we just talking here, or what? We're talking. But I'll take out the inventory. Hey,
39:00man, that's what we want here. Right, Ramon? After I inspect the merchandise, then we'll
39:09talk about delivery. I don't deliver. Well, then the $75,000 ain't $75,000. $65,000 if I have
39:16to handle transport. We're talking about port of entry, man. $67,500 and you got a deal.
39:24Cool. Hey. Good. We see how we get some chow. No, thanks. I have other commitments. When
39:40do we finish our business? When do I see the inventory? Tomorrow. That's when we finish our business. Good. Good night.
39:52Good night.
39:54Good night. I want to dance if you say you live. Rita!
39:59Stay with me.
40:15Spend just one more day with me. Maybe you can rearrange your plans. I know there's a whole new world. Easy does it, Rita. Hold your mind. Here. Look what I got you.
40:44Don't make me standing here. Don't make me standing here. Just stranded on the ground. So won't you stay with me? Stay with me.
40:59I don't like her. I can't bear to see it in this way. What's the matter? You know still a lot of joy about this. If I could spend one night with you. You would last my whole life down to me. You have to understand that. Come here. All the nights I've held you. I said come here!
41:27Come here!
41:29Tonight's the night that means the most. So stay with me. Tonight I'll show you that our love is something beautiful. I'm gonna give you all something beautiful. Come on!
41:55Tonight I'll show you that our love is something beautiful. For the rest of your life. Never won't be. Won't you stay with me? Stay with me? Spend just one more day with me.
42:23Spend just one more day with me. I'm sorry, Rita. Are you out of your mind?
42:29Damn it! We can't pick him up!
42:35Oh, yes we can. We've got a hook on the van with the M60 and the Spend Stinger Tubman.
42:41Off the threat of a ten year fall for that, we can leave the location of the other nine missiles out of them right now.
42:47We're this close. This close. We can have a motto. We can have it all.
42:53Getting those missiles off the streets is what this operation has been about from the start. We cannot risk losing this opportunity.
43:01Have you people ever heard of a tale? Don't you see it, Pappas? We can have it all.
43:07I mean, we got our motto covered like a rug, man. He goes out for an ice cream cone that looks like a damn parade.
43:16You'll get yours. Just let us get a chance to get Tony our motto, not just the missiles.
43:23There's something about this deal that you haven't told us? Another element, maybe?
43:28No. Why? To your eyes.
43:33I want the stingers off the street.
43:38What kind of chance to get a motto?
43:41Give us till tomorrow.
43:43When tomorrow?
43:45Tomorrow! Tomorrow!
43:47Morning, afternoon, when?
43:50They're gonna call me tomorrow at noon.
43:55I'm inspecting the inventory.
43:58Amado, Gentle, Ramon, and your missiles.
44:02Everything.
44:03In one place, at one time.
44:06That's when we'll bust them.
44:08All nice and easy.
44:14All right.
44:28Don't tell me.
44:32Play poker, too.
44:33Yeah.
44:34You got a buck?
44:35A what?
44:58Tony.
44:59Tony.
45:00The guy's not here.
45:01He checked out.
45:02What?
45:03Where'd he go?
45:04Don't know.
45:05Just like that?
45:06No message?
45:07Nothing?
45:08Nope.
45:09Nothing.
45:10What do you want me to do?
45:11Get back here.
45:28He spotted the buck.
45:48What are you gonna do?
45:50I'm trying to save this thing, man.
45:58Come on.
45:59Answer it.
46:00Yeah.
46:01It's Dupas.
46:02Don't talk.
46:03I'm not talking.
46:04I'm not walking, man.
46:05I'm flying right out of here.
46:06What is this kind of trick bag you got me backed up into anyway?
46:09What?
46:10They got surveillance all over me.
46:11You can consider me and my money gone.
46:13No, no, no, no, no.
46:14The deal can go down right now.
46:15What are you talking about?
46:16I can't talk.
46:17Listen, meet me where we picked you up.
46:18In one hour.
46:19In an hour.
46:20Good.
46:21I'm not talking.
46:22I'm not talking.
46:23I'm not talking.
46:24I'm not walking, man.
46:25I'm flying right out of here.
46:26What is this kind of trick bag you got me backed up into anyway?
46:28What?
46:29They got surveillance all over me.
46:30You can consider me and my money gone.
46:32No, no, no, no.
46:33The deal can go down right now.
46:35What are you talking about?
46:36I can't talk.
46:37Listen, meet me where we picked you up.
46:38In one hour.
46:39In an hour.
46:40Good.
46:41Good.
46:49Pappas.
46:50Forget tomorrow.
46:52It's going down right now.
46:59See it out.
47:11Rocket.
47:12They're moving.
47:17Look, stay with the van.
47:21When you get an idea where it's going, sing out.
47:24Don't give me an idea where it's going up.
47:38Wait wherever that's going to go, sony.
47:41Excellent.
47:42Let's go.
47:43It's going down right now.
48:15Hey, what you doing in mine?
48:25Just check in.
48:30Just check in.
48:40We lost whoever was on us.
48:43You sure about that?
48:44Yeah, yeah, I'm sure.
48:46Hey, look, we can close this deal right now.
48:50I'm thinking about getting on an airplane, man,
48:52and getting out of here, you know.
48:53I don't feel too secure.
48:55What are you trying to do, guide me on the price?
48:57No, man.
48:57Then what?
48:58What is it?
48:58Look.
49:00All right, look.
49:01You check the inventory out.
49:03Then you don't feel secure, you get on a plane.
49:05Boom, you're out of here, and we can close the deal long distance.
49:08Capisce?
49:11Cool.
49:11All right.
49:16All right.
49:32Bingo.
49:33Hold it.
49:33Where's the van?
49:38We got the van, Crockett.
49:40It's in the parking lot next to the power station.
49:43Where are you guys?
49:45We're on the drawbridge on second half.
49:47Well, you can tell everyone I'm a dumb disgrace.
49:54Drag my name all over the place.
49:57I don't care anymore.
50:05You can tell everybody if I stay down in.
50:09You won't catch me crying, cause I just can't win.
50:14I don't care anymore.
50:16I don't care anymore.
50:21I don't care what you say.
50:27I don't play the same games you play.
50:38Cause I've been talking to the people that you call their friends.
50:43And it seems to me there's a meanness to one and they don't care anymore.
50:49Going down on the boat.
50:58I don't care anymore.
51:07I don't care no more.
51:11I don't care what you say.
51:16You come with me.
51:17Cito, you wait for the backup.
51:19We never played by the same rules.
51:24Anyway.
51:28I won't be there anymore.
51:32Get out of my way.
51:35Let me by.
51:37I got all better things to do with my time.
51:41I don't care anymore.
51:43I don't care anymore.
51:47I don't care anymore.
51:52I don't care anymore.
51:57Well, I don't care now what you say.
52:03I'll do all right by myself.
52:30Yes, I know.
52:46Cause I remember all the times I tried so hard.
52:52And you laughed in my face.
52:54Cause you held the cards.
52:56Don't care anymore.
52:58Can I really bother what you think I'll mean?
53:08Cause all I want only you is just to let me be.
53:12I don't care anymore.
53:16You hear me?
53:16I don't care no more.
53:18I don't care what you say.
53:27Merchandise.
53:28I never did believe you.
53:31Money.
53:31I never did believe you.
53:31I never did believe you.
53:32Anyway.
53:36I won't be there no more.
53:40So get out of my way.
53:42Let me buy.
53:45I got better things to do with my time.
53:49I don't care anymore.
53:53You hear I don't care anymore.
53:57I don't care no more.
54:01You listen, I don't care no more.
54:05No more.
54:06Better all ain't good.
54:09Put up your hands.
54:11Get it.
54:15Hold out, you son.
54:16There's no way off that ship.
54:19It's a rock.
54:28Freeze!
54:28Miami Vice.
54:49You're a cop?
54:53Rita.
54:56We got him.
54:57Is he dead?
55:00No.
55:01We're taking him in now.
55:03He's going to be away for a long, long time.
55:27He's getting me.
55:27He's getting me.
55:29We're trying to stay.
55:30We're coming.
55:30We're on.
55:49Ah, you know what I feel, fellas? Relief.
56:00Things have been very tough lately, but under a lot of pressure,
56:04it's gonna be like a nice little vacation.
56:07Not today, buddy. It's not, huh?
56:11I have a court order for the release of Tony Amato.
56:16Release?
56:17He hasn't even been charged.
56:20And he won't be.
56:22Amato is useful to us.
56:25No outside intervention, huh?
56:27We were about to arraign Amato when they showed up.
56:30I don't like this any more than you do.
56:33Who are you? FBI? CIA?
56:36What difference does it make?
56:38What is this scum to you?
56:41Amato leads us to certain factions.
56:43Look, we're not here to play 20 questions.
56:45We're here for Amato. Release him.
56:47He's their end of a conduit.
56:49Through him, certain factions in Central and South America
56:52are supplied without embarrassing us.
56:55Supplied?
56:57Guys like Dupas?
57:00Yeah.
57:03Give me the key.
57:06Lieutenant.
57:06Lieutenant.
57:07The lieutenant's been here before. He knows how it goes.
57:23I tried to tell you, fellas.
57:37I got the juice.
57:42Rita.
57:44You're letting him go.
57:46Rita?
57:47Rita?
57:47No!
57:48No!
57:48No!