NYPD Blue Season 3 Episode 3 One Big Happy Family
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00:00this is the same floor james was on i hope james doesn't overdo it today yeah first day back
00:17yeah yeah i'll tell you adrian uh you know you visited him as much as you did when he was at
00:23home with soup and whatnot i i think that had a lot to do with james's speedy recovery you think
00:28he got sick of me no i i meant as a morale booster hi what do we got guy stopped at the light takes
00:35four 22s to the face drives himself here then walks in hi i'm detective lesniak this is detective
00:48medivoy and this is a lucky man shorter than need for dentures mr biad you should make a full recovery
00:55if he could write his answers i'd rather he didn't talk poor biaggi uh do you know who did
01:02this to you mr biaggi not an enemy in the world do you remember anything from the attack that might
01:19help us
01:20one bullet lodged in his nasal cavity one exited through his right cheek and two were actually
01:38embedded in the metalwork well he he had braces no his mouth had been wired to stabilize some
01:44mandibular fractures he already had a broken jaw fortunately for him as things turned out
01:49we wired you up last wednesday wasn't it mr biatch how'd you get the busted jaw
01:56a man with a rake attacked you
02:08a man with a rake attacked you
02:08he got hit with a baseball bat who hit you
02:17a man with a man with a man with a man with a man with a man with a man with a man with
02:22a man with a man with a man with a man with a man with a man with a man with a man with
02:23a man with a man with a man with a man with a man with a man with a man with a man with
02:24Mmm.
04:24I believe I've never seen that?
04:27Well, I figure there's a guy that got shot and he repaired himself automatically.
04:31Yeah, it's giving me something to aim at.
04:34Hey, I already took one bogus check from the student.
04:37Look, the check is good.
04:39My bank's around the corner.
04:40Hey, besides, he owes me 500.
04:42This number here is a two.
04:43Bobby, you think that Silky, the pimp that helped us with that McCabe thing last year?
04:48Yeah.
04:49What we said, you heard it.
04:51I agreed to get my money back.
04:52Mr. Kirby said he'll make partial payments now.
04:55Look, the rest, when I get paid.
04:57I can't give you what I don't have.
04:59Andy, you remember those rapes last spring where the perp used to ask to make a phone call to his wife?
05:05Check out this other guy here.
05:07White mail, gold hoop earring, two-tone backpack.
05:11I'm going to check him with the lieutenant, Bob.
05:13Hey, James, take it easy to that.
05:15I'm going to check which cheek he wants to sit on.
05:18Yeah.
05:20Sarge, what's going on out there?
05:24Simmons is on radio patrol.
05:26Black guy flags him down.
05:28Says the other guy bounced a check on him last month.
05:31You want to look at this guy for the rape?
05:33Yeah.
05:35Let me see if I can contact some of the victims.
05:37I'm trying to get him upstairs.
05:38No way.
05:39I'm not taking this check.
05:41It's not what we agreed.
05:42What's going on, Silky?
05:44Hey, uh, detective.
05:45Simone.
05:46Yeah, what's going on?
05:48No, I'll tell you, detective.
05:50A few weeks ago, I'm having a little cash flow problem, you know, because I'm out on the life.
05:56So I decided to sell a few of my personal possessions.
05:59Uh-huh.
05:59So I sold Mr. Kervis here my video camera.
06:02Mr. Kervis checked box.
06:04He's agreed to make partial restitution.
06:06No, yeah, I told him I would pay him the rest within a few days.
06:09So, uh, we're going to have to keep Mr. Kervis here until this check clears.
06:14Right?
06:16Right.
06:17But I got a job to go to.
06:19What's your first name?
06:20Julian.
06:20Yeah, yeah, I'm sorry about that, Julian.
06:22Why don't you come on upstairs and wait with me until, uh, Silky here cashes your check.
06:26You will call, right, Silky?
06:29Uh, yeah, absolutely.
06:33Come on, Julian.
06:36Hey, hey, hey, detective, I'm going to spread the word.
06:38This department goes to best for everybody.
06:42Look, I forgot to enter another check.
06:44I wound up overdrawn.
06:45Hey, the only perfect guy I heard about died 2,000 years ago.
06:48So what's the big deal?
06:50Business slow for you people?
06:51What's your address, Julian?
06:53579 Westbrook.
06:55What do you need that for?
06:56It's department paperwork.
06:58You know, every time I deal with somebody now, I got to count for my time.
07:01Have a seat right here.
07:02Can you just give me a call here?
07:03Uh, it's Detective Russell.
07:05Can I, uh, get some coffee or something?
07:07Can I call my job?
07:09Absolutely, absolutely.
07:10Donna, good morning.
07:11Mr. Kervis here, use your phone?
07:13Sure.
07:15Thanks.
07:15What do you work?
07:19Wall Street, Commodities Desk, Marienthal and Grimm.
07:24Oh, high finance, huh?
07:26Man, that stuff's all Greek to me.
07:28It's just trading the rice to buy or sell a given product at a given price.
07:32See, you say it and it makes sense.
07:34Commodities Desk.
07:38Yeah, it's Julian.
07:40Uh, I'm going to be late.
07:43I'll explain when I get in, okay?
07:45Just have a seat until we hear from the bank.
07:58You hear anything from my rape complaints?
08:02She's working it, too.
08:04I don't hate it so far.
08:06I got his address.
08:07I'm going to run through in Seattle.
08:10Mrs. Tanner, this is Detective Sipowitz from Detective McBride.
08:14Please give me a call when you get a chance.
08:17The guy who got shot's a regular mother to raise it.
08:22You know, loves everybody, no enemies, can't imagine who'd want to hurt him.
08:28Meanwhile, last week, someone tried to brain him with a Louisville slugger.
08:31No IDs on that one either?
08:33No, uh-uh.
08:34Uniform did a preliminary.
08:36We'll recanvise where I got shot.
08:38We're going to see if his wife's got any idea.
08:40She was at her mother's house.
08:41We'll talk to her this afternoon.
08:43The guys at construction will look into that.
08:45See maybe if he's hooked up.
08:47Well, talk to Mike Francis at OCID on a mob angle.
08:53Hey, uh, should, uh, we use James on some of the phone work?
08:59Good.
08:59Sure.
09:01It's good to have him back, huh?
09:02Mm-hmm.
09:04You know, that's, uh, the end result of, uh, Adrian's soup.
09:12Could you please call me for a good night?
09:14Detective Simone Silky on line three?
09:17Yeah, Silky.
09:18Yeah.
09:22Uh-huh.
09:23Uh, yeah, all right.
09:29No, I-I'll tell him myself.
09:31Check clear?
09:34Two days, right, for the rest of it.
09:37Okay.
09:39Don't grab my receiver without asking you.
09:42Sorry.
09:44All right.
09:50Listen, Julian.
09:53Let me be candid with you here.
09:57You know, we're working on this gas station robbery where you fit the description.
10:02Are you kidding me?
10:04Look, my sense of you and my first impressions on people are usually right on.
10:08It's that you're a decent, hard-working guy, right?
10:11If you can spare us just another hour, we can straighten this whole thing out.
10:14This is crazy.
10:15Yeah, I know.
10:17You're standing in a lineup, and then we won't have to bother you anymore.
10:20Detective Russell.
10:21You can't say anything, and I can't-
10:23A lineup.
10:24Yeah, Detective Russell.
10:26What happened?
10:31You want to keep me here?
10:32I want a lawyer.
10:33Whoa, whoa, whoa, Julian.
10:34Julian, come on now.
10:36Now, I-I'm-I'm asking you this for your own convenience.
10:39I'm serious.
10:40This is probably a total mistaken identity deal.
10:42Julian.
10:42Bobby, you guys got to make a living.
10:47We'll show this to the gas station guy.
10:49We probably won't have to bother you no more.
10:55Excuse me.
10:58Okay, listen, uh, can you wait for me?
11:00I think he's distressed.
11:03I like this guy.
11:04No hits on those calls.
11:09I left messages.
11:10I've got a family situation.
11:12Am I sick?
11:13I'll explain later.
11:15Would you tell the lieutenant?
11:16Yeah, sure.
11:16All right.
11:45Okay.
11:45all right go ahead go to your sister see if i care dad he hit me diane because you're stupid
11:56because you don't think a couple of months the dog is gonna be walking you knock it off
12:01he hit her two good shots she wants to stay at aunt ruthie's one second does the uh bar
12:09not have a beef yes this place got empty when dad started chasing her i think some glasses
12:14got broken stay with mom stay with mom for a minute
12:18did you vaginal yeah i called you if i can make it right with the bar owner can we make the assault
12:24go away yeah i think uh the magic number is two hundred dollars the guy's uh name is car right
12:31you know you ought to get your dad some help i'm gonna absolutely mr car i'm uh detective russell
12:40and their daughter yeah i don't care who they're related to they cleared my joint and broke some
12:45very expensive glasses how much damage you figure you sustained i don't know several hundred dollars
12:51would uh 200 make it right you're talking cash here yeah and um i'll do you a favor how's that
13:04yeah
13:06you're all right thanks
13:11okay he's all right you got the rest of it you want us to stay no no thanks thanks a lot
13:18look she pissed me off so i came down here for a drink and she calls the other one and they
13:33follow me down here like i really wanted their company it was a secret invitation i'm not gonna
13:39take this anymore go to ruthie's dad if you touch mom again you're gonna get locked up if i have to do
13:48it myself diane she subscribes to magazines because she thinks that she's gonna win a million dollars
13:5778 dollars worth of subscription did you hear what i said so i slapped her once that's once too many
14:05he slapped her twice oh another county heard from hey where'd you learn that dean eyesight a radio barn
14:13shut up five eight five an hour now i want you to stay at my place until my shift's over look don't
14:21talk to me like a child you're the only one that had an ounce of common sense i want you to stay there
14:27and if i call and you don't pick up i'm gonna send a radio car looking for you
14:43take him to my place all right he's okay come on i'll drive you home i was worried about him
14:51well see that's the reason i called it's okay it takes two to make a disagreement that's all i'm
14:57gonna say further come on dad i'll take you over you sure you won't lose your position i mean they
15:04won't replace you with a broom let's get in the damn car
15:21in public did you do it on anybody
15:28well you got some tea down there that tea seemed to help
15:36all right look uh don't get angry with me sylvia i'm gonna inquire should you go home
15:42i was only asking you sylvia all right listen uh i'll talk to you later i hope you feel better
15:55so be a sick of her stomach yeah huh the address the curb escaped there was a mail drop
16:09yes this is detective simone from the 15th squad miss williams if you can please call
16:15it really is convenience this connection with the case hey listen can i talk to you say
16:26you're looking at biaggi case huh we uh we just zeroed on a canvas this uh ex-con that i helped
16:33out called about a half hour ago he's got something on that he's coming in the guy's a little hinky i'll
16:39probably meet him outside but i'll let you know what he's got okay thanks handy yeah
16:44i'm sorry i sent this up bobby hey i had the fatn operator run that guy through him on the vehicles
16:58curtis yeah and bci kicked out a voided arrest on this guy so we're having a cop who filled out the 61 to
17:07come up what's going on with this family situation my dad was doing some interior decoration on joe's bar
17:23oh yeah it's brown too after he knocked my mom around at home
17:27is he okay i gotta get him some counseling any charges on the bar that went away detective
17:41sipowitz sarge says there's a bruce krieger downstairs yeah tell him i'll be right down
17:47you're situation all right yeah thanks andy
18:06hey andy you sure you don't mind walking i still get a little uptight being in police stations no let's
18:13walk you know anything about this guy paul biaggi getting shot yeah it's our case why you know something
18:23i know this broad ends up she's the guy's wife a couple of weeks ago she gives me a call
18:31she says her husband's in the hospital when he gets out she wants me to run the guy over
18:37you know take him out she knows i did some time i guess she figures that makes me a killer
18:43okay i'm doing okay with the towing business andy i told her to get lost i even changed my telephone
18:51number and i heard he got shot i figured i should talk to you
19:02yeah you think you could arrange another meet
19:06she's right there hey dougie hey how's dad he'll be okay for a while he discovered your cable
19:19gets two different espn's so yeah come here
19:23dad understands he's got to stay at my place tonight i think he's planning to talk you out of that no
19:37he's not going to talk me out of it maybe mom should go to aunt ruthie's for a while i should get back
19:45to work before they replace me with a broom oh dougie you know how daddy gets yeah i know i'm not excusing
19:53him i'm just saying try not to let him hurt you die you're the family success story and you're the
20:01sweetest guy i've ever met you deserve to be happy all you need is to start believing in yourself
20:15thanks thanks i'll stay with mom tonight okay
20:24all right see you die see you dougie
20:27she wanted him run over yeah it's probably her had him bopped on a ball bat and shot
20:38andy says this tow truck guy's willing to wear a wire on the wife he met with her before in the
20:43diner about a half a block down from their crime scene james you want to contact intelligence set it
20:51up for somebody to wire this guy i'll tell you i was thinking i'd call it a day okay no problem
20:58intelligence sometimes gives you such a run around yeah you can be half an hour those people on on the
21:04simplest matter yeah actually i'm not feeling that great your legs give me a problem no i got a total
21:10feeling no numbness i'm just uh i'm a little tired all right great why don't you run james home
21:17yeah sure all right adrian you want to do that well i called terror about the wire okay sure uh
21:27come on james metta boys livery yeah heat the fade like this i remember how tough andy was when he got
21:34shot where i got shot i had a lot more padding take it easy good night james night easy i'm gonna warm
21:44some of that soup andy you know that cop voided the arrest on kirbis did you talk to him yeah the
21:55cop says kirbis rings a doorbell from this woman's apartment says he's got a delivery so the woman's
22:01looking through the peepo she gets this really weird vibe so she tells him no no i'm sorry i got
22:06to get dressed meanwhile she's dialing 911. kirbis is standing there he starts getting nervous so he books
22:11from the building the cops they grab him on the street nothing to charge him with well they roughed
22:17him up a little so they filed the voided arrest form for record just in case they turned around
22:21the suit that could be live for those rapes if one of these women would call back
22:33put the coffee grounds in the filter pour the water in the machine and then you push the button
22:38do it now daddy just do a practice run and then you won't worry all night
22:45okay beat me if it doesn't work bye
22:55everything he should be thinking about his biggest worry is how he's going to get his coffee in the morning
23:00my dad was that way too you break his routine he's like a fish flapping on the pier
23:11you think i should be over there
23:17no i don't know the situation diane i should be
23:21i sat outside my building 20 minutes and
23:28just gets me so crazy how he is with us
23:33hey you got to take care of yourself too
23:38i take care of myself pretty good
23:41my brother he stops there every day before work and after and just takes my dad's abuse i
23:49do
24:05hi daddy did you push the button
24:10left side of the machine
24:12okay there you go
24:19daddy i'm gonna check with those referrals i gave you 10 o'clock tomorrow morning and i want to hear that you called
24:28yeah and then you can go home
24:30uh
24:33uh no i'm gonna
24:36stay here at my girlfriend she's still worried about this prowler
24:43me too
24:47daddy use this time to think all right
24:53okay good night
25:00he doesn't abuse me i'm
25:11his precious one
25:14like i'm his accomplice while he makes my mom and my brother miserable
25:28make love to me
25:33make love to me
25:36okay
25:38just make love to me
25:39so
25:48so
25:50so
26:52Grape homicide. No forced entry. Victim's name, Andrea Levine. Boyfriend founder, Michael Barnett, lives in Queens.
27:00What do we think of this boyfriend?
27:02Seems pretty torn up. He's in the bedroom.
27:05I can go get some sleep. Let's see.
27:07We're out of here.
27:09Okay, let's go.
27:13This is manual strangulation. See, there's no ligature marks here.
27:17All right. Keep that clear. Okay, gotcha.
27:24She put up some fight. All our nails are broken.
27:32Well, let's hear this boyfriend.
27:39I'll, um, I'll start interviewing the neighbors.
27:42Mr. Barnett, I'm Tucker Simone.
27:57Um, I know you're upset right now, but I need to ask you some questions while your memory's still fresh.
28:03She's dead because of me.
28:05Why would you say that, Michael?
28:09Believe me.
28:12When did you last see Andrea alive?
28:15Two days ago.
28:16But I talked to her last night around a quarter to nine.
28:20And while we were on the phone, she said there was a delivery guy at the door.
28:23He was at the door while you were talking?
28:25Yeah.
28:26I, I told her to have him leave the package.
28:29It just seemed too late for delivery.
28:32So I heard her say, could he leave it?
28:34And he said that he needed her signature, and he, and he also needed to use the phone to call his boss.
28:40She said he seemed like he was all right, but I said, no, do not let him in, you know?
28:44And, uh, and I had to get off because I had to get to work.
28:50I told her that I wanted to hear her tell him to come back tomorrow, and once I heard that, then, then I, I had to get off.
28:57Wait, you had for what?
28:59Yeah.
29:00But I called her at 4.15 this morning to wake her up.
29:04She's a nurse.
29:06She does it six to twos.
29:07Mm-hmm.
29:09And when I didn't get an answer, I drove over here.
29:12I bet the second she hung up the phone, she went and opened the door to that guy.
29:20I mean, I, I got busy at work.
29:23I should have called back.
29:25Where do you work, Michael?
29:26I'm a dispatcher.
29:28Fulton's car service in Queens.
29:32You got people over there can verify where you were?
29:34Yeah.
29:36Bobby.
29:36Bobby.
29:38All right.
29:40All right, hang tight.
29:42The guy we were looking after those rapes yesterday?
29:47Curvis.
29:48I'm driving home last night.
29:50I stopped at one of the complainants.
29:51That Connie Williams.
29:52Yeah, she give up anything?
29:54She wasn't home.
29:55This here is the same apartment, same color building, one block over.
30:00Maybe this asshole Curvis got squirrely from our rouse.
30:03Looked to start shutting the witnesses up.
30:05Well, you don't recognize it's the wrong woman?
30:07If he didn't get a good look last spring, or when he sees she's wrong, his joint's up, he does her anyway.
30:14We ought to check out that building.
30:16I'll take this.
30:17It's 3B, 515 5th Street.
30:21Connie Williams.
30:22We need to get a cop to bring over that Connie Williams case folder.
30:26Yeah, I'll meet you over there.
30:27I want to look at this cop, 61.
30:29All right.
30:29I had a bad feeling about this guy, and I let him walk.
30:37There's nothing you could have done, Bobby.
30:40Hold that, please.
30:56Who is it?
31:01Miss Williams, police.
31:04Good morning.
31:05I'm Detective Simone.
31:06This is Detective Russell.
31:07I've got your message on my machine.
31:09What's developed on my case?
31:11Well, that was in reference to someone that we had in custody yesterday.
31:14Let's see if you can make an ID.
31:16There you go.
31:17Is he in custody now?
31:20No.
31:20We had to release him.
31:22We'd like to show you some photos, see if you can make an ID.
31:25Can we come in?
31:25Uh, yeah, sure.
31:40Take a look at these.
31:41Is he the man you had in custody yesterday?
31:56How do you know that man, Miss Williams?
32:00He's the man that raped me.
32:03Uh, Miss Williams, this man knows that we suspect him in your attack and several others.
32:08And we think that he may be looking for you.
32:11He's the man you released?
32:13Miss Williams, there was a homicide early this morning, a block over from here.
32:17And it had a number of similarities to your case.
32:20Oh, my God.
32:20What we'd like to do is set up here in your apartment.
32:24You mean he was trying to kill me?
32:26It could be coincidence.
32:28But we'd like to stay on the side of caution.
32:30Yeah, we think it'd be a good idea for you to vacate for a few days, Miss Williams.
32:34And if we can set up a detail.
32:35Do whatever you need to.
32:38Whatever you need to catch him.
32:42Easy, that's going to be a cop.
32:45That's Detective Sipwich.
32:49Hey.
32:51G.I.D. to me.
32:53Yeah.
32:54Hi.
32:55Boy, I hope James has a better day today.
33:10I'd worry he'd overdue.
33:12Yeah.
33:14First day back, he pushed too hard.
33:16You should have seen him go for that special Lesniac soup last night.
33:23The minute he walked through the door.
33:27Greg, none of us wants James coming back to be any harder than it has to, right?
33:34Yeah.
33:35And if he's coming back, and he's trying to get back into the swing of things,
33:39and then he's disappointed, that could be a setback, don't you think?
33:45Yeah.
33:48Greg, James and I are friends.
33:50That's what we're going to be.
33:52We're not going to be an item.
33:54And I'd really be grateful if you could tell him this.
33:57I thought you weren't seeing that doctor anymore.
33:59That doesn't make any difference.
34:01Adrian, don't you think you should tell James this yourself?
34:06Marie's in my marriage counselor says that expressing unpopular feelings
34:11is the key to successful communication with your partner.
34:15Does your marriage counselor tell you what to do when the other person won't listen?
34:21You don't think that something could develop, huh?
34:23Down the road?
34:25Greg, I'm gay.
34:28Hi.
34:29Sorry, Emily.
34:29You got me sweating, Mrs. Biagi.
34:32Here we go.
34:32She's in.
34:33I've taken out your husband, and now he gets shot.
34:36I didn't get one dime, and now I can get jammed up in some kind of conspiracy thing?
34:41I think I deserve a couple of grand just for how much I'm sweating.
34:45Nothing is going to happen to you.
34:47Now, how do I know whoever you hired to shoot him, they don't say I was in on the plan?
34:51I'm an ex-con.
34:52They've got to come looking for me.
34:54Listen to me.
34:55Nobody is going to say anything.
34:58I got my boyfriend to do it, okay?
35:01Do you think he's going to let anything happen to me?
35:04And besides, my idiot husband doesn't even want to prosecute.
35:08He thinks it was random violence.
35:10He wants to forgive and forget.
35:13Look, can't you just wait until he's dead?
35:18I had someone recommend it to me.
35:20A professional.
35:22It's very difficult walking around knowing what I know.
35:26I got to think about my situation.
35:28What about my situation?
35:31Do you know what it's like living more poorly?
35:33The man makes me physically ill.
35:36God, I hate him.
35:37That marriage is in trouble.
35:39Excuse me, I got to...
35:40But you've had several boyfriends.
35:42And now I have a girlfriend.
35:44Is that all right?
35:45Of course.
35:47That's your prerogative.
35:51I just don't know why you didn't tell James about this.
35:53I shouldn't have to tell either one of you, should I, Greg?
35:56I mean, no should be enough.
36:00I see.
36:01Can I take your point?
36:04Yeah.
36:09What about any information you can provide us with?
36:14Well, if you think of anything, that might be helpful.
36:19Okay.
36:21Okay.
36:22Aiello signed off on the plan.
36:24The woman's already out of the apartment.
36:26Okay.
36:26Why don't you set it up?
36:27Do a 4 to 12 with Diane?
36:29All right.
36:30Okay.
36:31So there's nothing in this guy's pattern shows him using a weapon?
36:34No.
36:34Mm-mm.
36:35How's your access?
36:36We're in the bedroom three steps away.
36:38As soon as he lays hands on me, they'll take him.
36:40Detective Russell?
36:44Dad.
36:48It's a bad time?
36:50Excuse me for a second.
36:55How you doing, guys?
36:56How you doing?
36:58Good.
36:58I'm going to go in here.
37:00All right.
37:00How'd it go?
37:09They got some Lulus at that center, I want to tell you.
37:12Some real sick types.
37:14Are you set up there, Daddy?
37:17Three times a week.
37:19Good.
37:20You caught me at a bad time.
37:22We've got to go out on a case.
37:23Diane, I want to tell you something.
37:26Striking your mom was wrong.
37:27And getting crazy there at Joe's was wrong.
37:31You're going through with that course, Daddy, or I'll get the charges reinstated.
37:36I will go through the course.
37:38I will sit with all the Lulus because my daughter insists on it.
37:44Okay.
37:46I'm so proud of you, Diane.
37:49Detective third grade Diane Russell.
37:52Solving murders, solving robberies, and straightening out her family squabbles.
38:00I've got to go, Dad.
38:02Maybe I can talk to you later, all right?
38:03Okay.
38:04All right.
38:05Did you talk to your mom yet?
38:07Yes.
38:08She knows you're coming home tonight.
38:10Did you talk to her about the subscriptions?
38:11I talked to her about ways for the two of you to get along better.
38:19Good.
38:19Good.
38:21Why don't you go?
38:21I'll just pour myself a cup of coffee.
38:23Take your time.
38:25A big part of her and me getting along, Diane, is no new subscriptions.
38:29Yes.
38:42I can talk now.
38:47Good.
38:48That's great.
38:51Mr. Biagi, I think we should talk in private.
38:55No, this is my brother.
38:58Oh, you changed his diaper.
39:00Mike Biagi.
39:01Hello.
39:02How are you doing?
39:03Mr. Biagi, it appears your wife is responsible for these incidents.
39:11We believe you were shot at by her boyfriend.
39:15What did I tell you, Pauly?
39:16I told you she was trouble from the first day you said you were going to take her hand.
39:20It's impossible.
39:23Can't you just wait until he's dead?
39:25I had someone recommend it to me, a professional.
39:31Do you know what it's like to live with Pauly?
39:34The man makes me physically ill.
39:37God, I hate him.
39:39Do you hear that, Pauly?
39:41That's her with reference to you.
39:43I don't think that's Angela.
39:45That is Angela.
39:46We're going to charge her with conspiracy to commit murder, Mr. Biagi.
39:50And we want you as corroborating complainant.
39:52My wife and I, we love each other.
39:58She doesn't have no boyfriend.
40:00This boyfriend you're talking about, was named me Sal?
40:04Sal Pantola.
40:05You know where I can find Sal?
40:08Pantola was a part, up by Shea Stadium.
40:10This is not true.
40:12None of this.
40:13You probably took that out of context.
40:17And I ain't corroborating nothing.
40:18You put her in jail, but I'm going to bail her out.
40:24You're supposed to bail, Pauly.
40:26I'll kill you.
40:27She's my wife, man.
40:29She's my wife.
40:30She's my wife.
40:30So you're going to keep it like this?
40:53No, I'm not going to keep it like this.
40:55I'll take a shower.
40:56It'll go right back the way it was.
40:57Good.
41:01What?
41:02You don't like my hair straight?
41:03Hey, wait.
41:06I saw this before.
41:07The book.
41:08Ink and water in this stuff makes it clear again.
41:10Old days, new days.
41:13Tar, blood, and rust are gone in an instant.
41:16You've got to see it to believe it.
41:19You can change it.
41:20And you'll become a believer in the amazing...
41:2215 Squad, a guy in a uniform just entered the building.
41:25...15 Squad, 10, 4K.
41:29But we've got some of the worst here.
41:32There's a bottle of ink.
41:33I've got that already.
41:35There's some iron dye.
41:36Now, that stuff...
41:37If you get it on your skin, you've got a letter.
41:43Yeah.
41:45Federal delivery.
41:46I got a delivery for Connie Williams.
41:48Okay, 3B.
41:5315 Special.
41:54Okay, this is our guy.
41:55Everybody take positions.
41:5610, 4K.
41:57Careful.
41:57Mm-hmm.
42:08Federal delivery.
42:12Yeah, can you leave it or do I have to sign?
42:14Actually, you've got a sign for it, ma'am.
42:20Okay.
42:23These better be my slippers.
42:25I don't know what's in the package.
42:28Do you have a pen?
42:30It's right on top of the clipboard.
42:31I see it.
42:34Wow, looks like I'm your first delivery, huh?
42:36You don't remember me from last night.
42:41Sure.
42:43I'm afraid to lay hands on somebody.
42:45Lay hands on me.
42:46Lay hands on me.
42:47Come on, lay hands on me.
42:49I'm taking this.
42:50Would you shut up for a purpose?
42:52This is hard to believe, but right now I'm the best friend you've got,
42:55so you better stay real close to me.
42:57But what did I do?
42:59What did I do?
43:00Not say, what did I do anymore?
43:02What did I do?
43:06I got nothing to say to you guys.
43:26You don't want to cooperate with us?
43:28No problem.
43:29We just want to let you know what that means.
43:30Sit down.
43:33Thanks, but I know what the law is.
43:34Oh, you know what the law is.
43:36So then you know that that burglary and assault, that's a done deal.
43:40That's a felony, Julian.
43:41You're looking at five years just for that.
43:43I had a reason for being there, which I'll explain to my lawyer.
43:46That's the burglary and assault at Connie Williams' apartment today.
43:51This is the Connie Williams that got raped in that same apartment six months ago.
43:56This is the Connie Williams who is now coming back into town from Michigan, rushing back
44:01so that she can ID you, Julian.
44:03That's another 15 years for her rape.
44:05Yeah, I didn't rape anybody.
44:07Then there's the big one, Kerbis.
44:09There's the homicide.
44:11You didn't rape anybody, and I didn't kill anybody.
44:13I said sit down.
44:16What are these scratches from, huh?
44:18That woman in that wrong apartment give you those?
44:20I need to sound familiar, Kerbis.
44:22Federal delivery, I think I will take that package.
44:26Do you remember anybody saying that to you last night?
44:29This is a case of mistaken identity, just like your gas station robbery.
44:34You know what the difference here is, Julian?
44:36That woman that you raked and strangled last night?
44:39The neighbor down the hall, she saw you go into that apartment.
44:43She saw the whole thing.
44:45How you knocked on the door, then the woman wouldn't let you in,
44:48then you tried to leave, and then she called you back.
44:50She saw you, Kerbis, and this neighbor, she's a very happy woman right now.
44:55You know why?
44:56She watched O.J. every day.
44:57She's been practicing her witness skills.
45:00She's coming in, too.
45:01Let me ask you something, Kerbis.
45:04You're not stupid enough to think it was an accident
45:07that we were sitting at Connie Williams' apartment.
45:10Do you think that we don't know what you're doing?
45:13You figure we're onto you for those rapes,
45:15so you are going to try to eliminate these victims?
45:18Starting with Connie Williams.
45:20Except you go to the wrong damn apartment.
45:23You are one block over.
45:25But you figure, what the hell, I'm here.
45:27I popped the chubby.
45:28I might as well rape and kill this girl, too.
45:32And then you go home, you get a good night's sleep,
45:35and you go back to get Williams,
45:37and lo and behold,
45:39your dumbass actually finds the right apartment.
45:42Except she's not there, we're there.
45:45Now you take a minute, Julian.
45:48Now you think about how all this looks.
45:57You're wrong about this.
45:59Hey, if there are extenuating circumstances here,
46:01if you hadn't intended...
46:02Listen, what I'm intending is to talk to a lawyer.
46:06Good.
46:06You ask him if he wants to take your injection for you.
46:13You got good veins there, Kerbis?
46:16Because when they're strapping your ass down,
46:18trying to tap for a good one,
46:20sometimes they gotta poke around three and four times,
46:22and you're thinking to yourself,
46:24Is that it?
46:24Is that it?
46:25Is that it?
46:25Is that it?
46:40What do I have to do to take execution off the table?
46:50You give us a statement,
46:51and I really like your chances.
46:54Burden, uh, midnight oil, huh, James?
47:09Yeah.
47:10I got all involved with the monthly statistics here.
47:13How could we be down 22% in robberies
47:16and up 11 in burglaries?
47:18Yeah.
47:18I don't know.
47:20I hear you made a color.
47:22The guy with the bullets in his teeth.
47:24Yeah, who was the wife?
47:27Hey, she used her boyfriend to try to whack him.
47:31I don't know how far it's gonna go through the system.
47:34The husband don't want to cooperate.
47:36Yeah, we catch him, we don't cook him.
47:38Right, Greg?
47:39Yeah.
47:39Um, listen, uh, I had occasion to, uh, speak with Adrian
47:49on the subject of the two of you.
47:53Is that right?
47:57Adrian wants to be your friend, James,
48:00which she feels she's failed to convey.
48:04My friend?
48:05You know what that means when a girl says that?
48:09Yeah, I mean, if you go to dinner, you go Dutch.
48:15She told you to tell me this?
48:17Hey, I got your rage, your charisma.
48:22I, I, I, I, I pay a month's salary to have your prospects
48:26that the minute your availability is known.
48:29Jeez, I thought she was warming up towards me.
48:31Um, Adrian has made a change, James,
48:42in, in, in, in terms of her preferences.
48:47Yeah, away from me.
48:50And towards women.
48:52Get out of here.
48:54She's absolutely her prerogative, you know?
48:57But I gotta say, I'm, I'm shocked.
48:59She told you this straight out?
49:02Right in the surveillance field.
49:04Wow.
49:06Why didn't she tell me?
49:08Yeah, she, she more or less blurted it out.
49:11You know, I, I, I, I think her position on it was, uh,
49:14she felt she shouldn't have to tell anybody.
49:17But, uh, you know, she, she was,
49:19she was getting exasperated, uh,
49:22because her, her no wasn't being heard.
49:26Wow.
49:26Wow.
49:29Good night, Adrian.
49:37Good night, James.
49:38Hey, I, uh, I talked to Greg,
49:40and, uh, he relayed your message to me.
49:43You're gay now, huh?
49:46I just always liked you as a friend, James.
49:49Yeah.
49:50Well, I, I hope you're happy.
49:53I hope you are, too.
49:54Is, uh, she someone I know?
50:03Good night, James.
50:05Yeah, good night.
50:06That was good coffee, and good brownies, Dot.
50:26He went to that course.
50:28Hope it'll help him.
50:32Mom, you have to think about yourself, too.
50:37If you feel like you should go to Aunt Ruthie's,
50:39then you absolutely should.
50:41I'm hoping this'll help.
50:47I told him at the course, uh,
50:49we're gonna be married 36 years.
50:51Yeah.
50:5336 years, April.
50:54Yeah.
50:55Must be doing something right.
51:00Look at those bottles.
51:03She leaves them over here by the door
51:05so that she don't forget.
51:07Hauls 40 of them down there to a machine.
51:11Pays her a buck.
51:12It's for the ecology, too.
51:14I think that's good.
51:15Hey, I'm saying I think it's great.
51:18Well, here he is.
51:22The boombox mogul.
51:24Hey, Dougie.
51:25Hey, Don.
51:27I made brownies, Dougie.
51:29Yeah.
51:31Aren't you going to, uh, have a brownie
51:33and then come out here and tell us
51:34what you know about the world of answering machines?
51:38Well, Dottie, you got my beer bottles in there.
51:42It's better than just throwing them away.
51:45The machine doesn't take beer bottles.
51:48So she hauls them down there for nothing.
51:51The homeless people take them
51:53to another recycling place.
51:55The homeless people are thieves and junkies.
51:58If they don't turn those bottles in for drug money,
52:01they use them for weapons.
52:03Isn't that right, Diane?
52:04Are not most of the homeless people criminals?
52:08Daddy, why don't you just let Mom
52:10take the bottles where she wants?
52:12Hey, you're right.
52:13She can do anything she wants.
52:16Hey, take all the bottles down there.
52:19Get your 50 cents.
52:21Hey, I know.
52:22Why don't you take the homeless,
52:27all these friggin' magazines you subscribe to,
52:30and maybe they can read them.
52:32Dad?
52:33Gourmet magazine.
52:34Who are you?
52:35Dorothy Russell.
52:36Gourmet shit.
52:37Daddy, shut up.
52:39He's just trying to make a joke.
52:40Yeah, God made a joke.
52:47Made a couple of them.
52:50I have to go.
52:52I gotta go now.
53:03What did I say?
53:10I have to go now.
53:40I've had two beers.
53:47I'm about to go to Boilermakers.
53:53And I wanna stop.
54:05Well, let's get out of here, then.
54:08You straight with this bartender?
54:10Yeah.
54:12Come on.
54:23Should you, uh, call Andy?
54:28I called who I wanted to call.
54:30I'm gonna do it.
54:31Yeah.
54:32I'm gonna do it.
54:33Oh, my God.