La Promesa Capitulo 370
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TVTranscript
00:00 [MUSIC PLAYING]
00:03 [MUSIC PLAYING]
00:05 [SCREAMING]
00:07 [GRUNTING]
00:08 [SPEAKING SPANISH]
00:12 [SPEAKING SPANISH]
00:15 [SPEAKING SPANISH]
00:16 [SPEAKING SPANISH]
00:18 [SPEAKING SPANISH]
00:21 She lacks experience.
00:22 And what makes you think I can be the solution?
00:25 Because I'm sure you'd listen to her.
00:27 You won't stop telling Lope I'm your girlfriend, will you?
00:29 You are.
00:31 I'm your girlfriend because I have no other choice.
00:33 If you want me to fall in love with you, that won't happen.
00:36 I love Lope, and you already know that.
00:39 I know you're making moves to put my daughter Catalina in a mental hospital.
00:42 Me? Catalina?
00:44 You're getting out of there. I know the job is my wife's initiative.
00:48 She's worried about her stepdaughter. It's normal.
00:50 Don't tempt fate, Lorenzo.
00:52 The job is out of the question.
00:54 You're worried about this, and this is nothing.
00:57 What hurts me is seeing you.
00:59 -See me? -Yes, seeing you.
01:01 If you think about it, maybe you'll understand.
01:03 What's really wrong with Catalina is...
01:06 is Pelayo. That's why she lost her mind.
01:10 My daughter deserves the chance to wake up on her own,
01:12 and I won't deny it.
01:14 I understand we cancelled the plan to put Catalina in a mental hospital.
01:18 Yes, but only for now.
01:20 Go on.
01:21 Tell her to come. I have to go to the toilet.
01:23 And don't worry.
01:25 Everything will be just fine, as always.
01:27 The thing is, Gregorio is a free man.
01:33 But who's going to protect us? My son and me.
01:35 Mine, Mrs. Adarre.
01:36 I have power over my lands.
01:39 I've been part of the Civil Guard to prevent them from breaking their promise.
01:42 I'm talking about the Spanish army.
01:44 No less.
01:45 Are we going to sell jam to our army?
01:48 Most likely.
01:50 As I told you, López, the experiments are over.
01:52 It's time for the classic jams.
01:54 Strawberry, peach, the ones everyone likes.
01:56 Is there anything else besides profitability?
01:58 Yes. I'm sorry that the original spirit of Catalina's business is lost.
02:03 The only spirit of a business is to make more money.
02:06 We're talking about jams, for God's sake.
02:08 But she has to think she's not alone.
02:10 I feel very alone.
02:12 No, she's not. We're all going to help her.
02:15 Nothing's going to happen to her. With the Marquis' help, everything will be fine.
02:18 Thank you very much, Ricardo.
02:21 You're welcome.
02:22 Lately, you've been piling up more clothes than you've ever worn.
02:27 Where do you think you want us to light them?
02:30 At the party organized by the Marquis of Sotoblanco every year on these dates.
02:34 I don't know, Alonso, I don't have the strength to go to something like this,
02:37 leaving my son in the limelight.
02:39 I find it strange that María Antonia gets angry over something like this.
02:42 What if you talk to her and we get out of doubt?
02:46 We've made you take care of us and we've forgotten
02:49 that you also have your own sorrows.
02:52 He put his hand like this.
03:00 And suddenly, everything was possible.
03:04 - What you said about Martina. - What?
03:08 Playing a game with her at the backgammon.
03:10 I'd like to do it. It would be a way to get closer to her.
03:13 - You're adorable. - I know.
03:16 - Martina, please. - What?
03:18 - What, mother? - You don't have to get like this.
03:21 Look, this...
03:24 This man may have earned his affection with slaps and flirts,
03:28 but it won't work with me because I know what kind of person he is.
03:32 [dramatic music]
03:35 ♪ ♪
03:42 [dramatic music]
03:45 ♪ ♪
03:52 [screams]
04:03 - What are you doing?
04:05 - Salvador!
04:07 - I hit you hard.
04:09 - I'm sorry, I'm sorry.
04:11 I thought it was Gregorio. Are you okay?
04:13 - Why? - Because you're bleeding!
04:15 - Yes, yes. She said I hit hard.
04:17 - I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry.
04:20 - Don't worry, Mrs. Pia.
04:22 Although I do feel a little bad.
04:24 - You're in a mess. What the hell happened here?
04:27 - I thought it was Gregorio.
04:29 - The cart?
04:31 - I'm fine, I'm fine. It's okay.
04:34 - But how are you going to act? Your head just opened.
04:37 - Maria, I'm sorry. I'm sorry. - Don't worry, Mrs. Pia.
04:39 The blood is very scandalous. It was just a scratch. That's it.
04:42 - Don't worry, Mrs. Pia. I'll clean it up in a parquet.
04:45 With fresh water.
04:47 - What the hell happened here?
04:53 - Nothing.
04:55 - An unimportant accident, Mrs. Petra.
04:58 Salvador got caught when he came in
05:00 with the snack that he was going to bring to Mrs. Pia.
05:03 - Ah, what a silly slip.
05:05 - To Mrs. Pia?
05:08 And who do you think you are to be brought the snack to your bedroom?
05:11 The queen of Shaba?
05:13 - Uh ... uh ... sorry.
05:15 - You have more privileges than the rest of your classmates.
05:18 Like you were downstairs. Like everyone else.
05:21 - Sorry.
05:23 - Anyway, if you are not able to take on the new position of maid,
05:28 it will be better for you to leave
05:30 and leave the position to someone else who values it more.
05:32 - Mrs. Petra will not happen again, really.
05:34 - It was my fault, Mrs. Petra.
05:36 I wanted to have a detail with her and that's why I brought her the snack.
05:39 But I'll take care of this.
05:41 - And I'll help you.
05:42 And we pick this up in a parquet,
05:44 that this with a rag and a broom,
05:46 we pick it up in a bicycle.
05:48 - Make it cleaner than the gold spills.
05:52 - Like the sultana the Pope will be.
05:54 Mrs. Petra.
05:56 [Music]
06:10 [Music]
06:20 [Music]
06:30 [Music]
06:40 [Music]
06:50 [Music]
07:00 [Music]
07:10 [Music]
07:20 [Music]
07:30 [Music]
07:40 - Martina, this doesn't make any sense.
07:47 - Yes, we totally agree on that.
07:49 I don't understand why you try to give it to him.
07:51 - The only thing I intend is that you and I get along.
07:54 I think your mother deserves the attempt.
07:56 - Stop trying to manipulate me.
07:58 Please, it won't work with me.
07:59 All I want, really, is for you to leave me alone.
08:01 - I'm not trying to manipulate anything.
08:02 - Enough!
08:03 Take off that mask you're wearing.
08:05 Stop your performance. It's pathetic.
08:07 - Martina!
08:08 - It's okay.
08:09 We'll talk later.
08:13 - That's it. Go away.
08:15 But forever if possible. I love him from afar.
08:18 - Don't defend him, please.
08:20 Look, it may be that this man has clouded his mind,
08:22 but he doesn't see the obvious.
08:24 It's not about trusting. Look at him.
08:26 Look how he pretends to be the victim.
08:27 How easily he runs away when the truth is being told to his face.
08:30 - What are you saying?
08:31 - Well, it's okay.
08:32 Stop saying things that don't make any sense.
08:35 - If it doesn't make sense, it's because you're as guilty as he or more.
08:38 - Well, this is getting very personal.
08:41 I'll leave you alone.
08:43 - Daughter, I ask you to calm down, please.
08:46 Because you don't know what you're saying.
08:47 - Yes, I know what I'm saying perfectly.
08:49 I'm tired of that man taking advantage of you and laughing at both of you.
08:53 - Taking advantage of me? But you hear yourself.
08:55 - If you weren't going, leave.
08:57 - What I was missing, that a child tells me what I have and what I don't have to do.
09:00 - That's it, get your real self out, show my mother what she really is.
09:03 - That's enough!
09:04 I don't want to hear another word.
09:06 I haven't educated you to have that behavior.
09:08 And I don't allow you to keep talking to him like that.
09:11 So what I ask, please, is that we relax.
09:14 Let's let this go.
09:16 And let's talk about it at another time, more calmly.
09:18 Because of course, this cannot continue like this.
09:21 - I don't want this man to continue like this here.
09:24 Mother, you are a weak and interested woman.
09:28 Capable of anything to safeguard your own interest.
09:31 - I don't deserve those reproaches.
09:33 I'm fed up, daughter.
09:35 I'm fed up with nonsense.
09:37 So the count and I will get married and leave you alone.
09:41 Because that's it, right? Is that what you want?
09:43 - Look, he can cheat himself as he wants.
09:45 He knows full well that my desire is not to ruin his life with a scoundrel like him.
09:49 And if he does, he will surely lose me as a daughter forever.
09:52 - Daughter, please, why do you have to make everything so difficult?
09:54 - I'm not complicating anything at all.
09:56 You are blind.
09:58 And I don't understand what kind of witch you have subjected that undesirable.
10:01 - Maybe you are the one who is under a spell.
10:03 And you are unable to see reality.
10:04 - Don't talk to me.
10:06 - You are going to tell me to shut up.
10:07 - I don't want you to talk to me.
10:09 I don't want you to look at me, I don't want you to cross paths with me.
10:11 I don't want to be in the same room as you.
10:13 And I don't want to breathe the same air you breathe.
10:15 Because what I want is for it not to exist.
10:17 - Let's see, can you tell me what's going on here?
10:20 - I'm fed up, aunt. I can't take it anymore.
10:22 - Let's see, you are very upset. What's wrong?
10:25 - I'm fed up.
10:26 I'm fed up of seeing how my mother drags herself and makes a fool of herself.
10:29 - Daughter, can you try to understand me, please?
10:31 - I've made it very easy for him.
10:33 - You can continue with this grotesque relationship you have with the Count of Ayala.
10:37 You can get married.
10:38 You can be very happy.
10:40 But when he finds out what he really is, don't come looking for me because I won't be there to comfort you.
10:45 - Let's see, Martina.
10:48 Why don't we leave, you and me?
10:50 And we have a quiet conversation with a cup of tea in hand.
10:53 - I can't be calm watching everyone here laughing at him.
10:56 It's unwanted.
10:57 - It turns out that if it is unwanted, now he is the man I love.
11:00 So it's better that you assume it, if you don't want to hurt yourself anymore.
11:04 [Music]
11:11 And it's better that you assume that you just lost a daughter if you don't want to hurt yourself anymore.
11:15 [Music]
11:39 - Yesterday he was a child and today he is almost a vegetarian.
11:42 - Don't exaggerate, Alonso.
11:44 You still have a long way to go.
11:46 - Life is a sigh.
11:47 - I agree with that.
11:49 But maybe it's always to come.
11:51 - Inescapable discouragement.
11:53 You never get tired of showing good humor.
11:56 - I also have my quits, like everyone else.
11:59 But I try not to always rely on them.
12:01 - Yeah, and I always ruin them.
12:04 - There is the secret, Alonso.
12:06 It is the first lesson I learned after my husband's death.
12:09 - It must have been a very hard blow.
12:13 - The hardest in my life.
12:15 I could have sunk and let myself be dragged by the pain, but ...
12:20 I had a moment of lucidity.
12:23 And all the good we had lived together.
12:26 I was going to celebrate the happiness of everything I have lived with tears and sorrows.
12:31 - It is a very wise position.
12:33 - And practical at the same time.
12:35 Because the time of lamentations is a wasted time.
12:38 That is why we must enjoy our existence to the fullest.
12:42 - Talking to you is contagious with enthusiasm.
12:45 - You liked the orenga then.
12:47 - Let's say it inspired me.
12:49 And for a moment I forgot the delicate situation we are living with Manuel and Curro in front of us.
12:55 - If you remember it again, you will break your spirit again.
12:59 - You're right. You're right.
13:02 - The recipe is not to ignore the harsh reality.
13:06 But it is not advisable to focus all the time on it either.
13:10 - Cruz is very lucky to have a friend like you close to him.
13:14 A light in the middle of the fog.
13:19 - I think that when you help someone you really appreciate,
13:24 the main beneficiary is yourself.
13:27 Cruz and I have been separated for a long time.
13:30 Now I want to be with my friend and enjoy her company.
13:33 - So you're not upset with her?
13:38 And why would you be?
13:40 - I think my wife is afraid that you have felt bad about her negative
13:44 to attend the party of the Marquis de Sotoblanco.
13:46 - Did she really think that?
13:49 Well, that's silly, please.
13:50 - You know she is very susceptible.
13:52 And the last thing you need is to add one more concern to all she has.
13:57 - Well, calm down Alonso, don't worry.
13:59 I'll talk to her.
14:01 Look, there are knots that are impossible to undo.
14:05 They get caught in the throat.
14:07 But there are others.
14:08 There are others that can be undone on their own.
14:10 You just have to pull a little bit of the loop.
14:13 - And this is one of the seconds?
14:15 - This?
14:16 This is not even a knot.
14:18 It's a misunderstanding without importance.
14:21 - Thank you, Maria Antonia.
14:25 [Music]
14:35 - Ouch!
14:36 - It's so itchy and itches.
14:38 - Don't be so jealous.
14:39 Don't get mad if I'm throwing you a bow.
14:41 - Besides, what itches is sanitary.
14:43 - Take it off.
14:44 - It depends. If your eyes itch, it's not very good.
14:47 - Well, and that's what Salvador knows for a while.
14:50 - But anyway, now we're talking about the color.
14:54 It seems less flashy.
14:56 - It seems that the wound is not very deep
14:59 because the blood has been cut off quickly.
15:01 - Yes, it seems to me that this boy complains more.
15:03 - I think the wound must have occurred
15:05 because of a piece of broken glass,
15:06 more than the blow itself.
15:08 - The truth is that Mrs. Piate laughed with desire, huh?
15:11 It must be true that fear infuses strength.
15:14 - Quick strength, that he shoots me like a tiger.
15:16 - How well he does, defending himself.
15:19 Giving things like he is with Gregorito,
15:21 going around there.
15:23 - Well, this is done.
15:24 Move your head, see if the wound touches you
15:26 with the neck or the vest.
15:28 - No, no, it's perfect.
15:30 - Well, don't wash it off at your house,
15:32 that it scars.
15:33 And don't tear your ribs.
15:35 - Well, I'm going to pick up the wounds.
15:42 - I hope I don't have to take it out in a season.
15:45 - Besides, I'll tell you something, huh?
15:48 Next time you go to see Mrs. Pia,
15:52 before entering, you give a sign.
15:55 - Now I'm going to be to blame.
15:57 - Man, knowing that your nerves are at full blast, kid.
16:01 You were very reckless, huh?
16:02 Going around there and the bravas.
16:04 - I need to defend myself,
16:05 that's what I had to do.
16:06 - Don't make the boy angry anymore,
16:08 that he just took a blow to the butt.
16:10 Besides, he was the one who realized
16:12 that Gregorio was roaming around here.
16:14 - That's true.
16:17 - Oh, how brave you were, my hero.
16:20 - That kiss has suited me well.
16:25 I think that ...
16:27 if you give me another one,
16:29 I just healed from a sentiment.
16:31 - You took advantage of it.
16:32 - I wasn't a hero?
16:34 - A hero and a take advantage of it, both.
16:36 - Hey!
16:40 Don't turn on, huh?
16:44 I'm not going to have you two alone here.
16:47 Your healer is here, right?
16:49 Or come on, walk.
16:51 - You are here.
16:59 I'm worried about Martina's attitude.
17:02 - What happened?
17:04 - She has thrown a fit.
17:05 With her mother and with the count of Ayala.
17:07 - She doesn't admit the relationship they have.
17:10 - Let's see, I don't even get a pinch of grace, huh?
17:13 But hey, they are already adults to know what they do.
17:16 Although I'm afraid Martina won't finish taking it in
17:19 and I don't know if she will someday.
17:20 - Yeah.
17:22 - It hurts me to see her like this.
17:24 But on the other hand, I can't allow
17:26 such behavior in the palace either.
17:29 She has to keep her shape and maintain her education.
17:32 As much as she doesn't like what she sees.
17:34 - I'm going to get ready for dinner.
17:39 - What's wrong? You are not interested in what I'm saying?
17:43 - It's just that I have nothing to contribute.
17:46 - Did something happen to my husband?
17:57 - As far as I know, no.
17:59 At some point we were having a chat about the most amicable things.
18:02 - Oh yeah? What were you talking about?
18:04 - Everything and nothing.
18:06 About how fast life goes by.
18:07 That it slips through your fingers and your hands.
18:10 - Do you want a drink?
18:12 - And have you gotten so deep about something in particular?
18:18 - Or biases of people that are getting older.
18:23 - You don't want to tell me.
18:26 Are you upset with me about something?
18:29 - A lot.
18:31 For not wanting to go with me to the Sotoblanco marquises party.
18:34 - Oh, really?
18:35 - I was just lucky, silly.
18:37 How could I get upset with a friend for a nymph like that?
18:41 - I don't know. I had noticed something annoying.
18:45 - Alonso told me.
18:47 But it's a baseless suspicion.
18:49 - I had seen you a little more ... dry.
18:53 - It's your imagination.
18:55 For God's sake, Cruz.
18:57 I would never get upset with you for such a silly thing.
19:01 - Well, thank goodness.
19:02 I hope you don't get upset with me for such a meaningless thing either.
19:06 - Look, it's so meaningless that I'm starting to feel like going to that party.
19:12 Maybe.
19:14 What do you think if we call the modist to make us some dresses?
19:18 - Let me call mine. You will love it.
19:23 [phone ringing]
19:25 [music]
19:54 - I thought you were going to come through my window and say good night.
19:57 - I'm not in the mood to talk, Margarita.
20:01 - Yeah, but it's just that without your good night I can't make my dream come true.
20:05 Well, in the end I'm going to end up making this Gonzay jealous.
20:12 I hope you pay me so much attention.
20:15 - If I can't, I could grow up uncontrollably.
20:18 And that's the last thing I want.
20:20 - Yeah.
20:22 I guess that's what I should have done with my daughter Martina.
20:25 Before she went out of control.
20:27 But I think now ... now it's too late.
20:30 Ignacio, I really feel in my soul the atrocities she has done to you.
20:36 - You're not the one who should apologize.
20:39 - I admit it myself.
20:41 - I just ... I don't know how to win her over.
20:47 Every time I try to get closer, her attitude is more hostile towards me.
20:50 - I know. I know. And it hurts me a lot when she talks to you like that.
20:54 Even more than when she calls me a bad mother.
20:57 - A mother is not responsible for her daughter's behavior.
21:00 - Come on, Ignacio.
21:02 I must have failed in something in her education.
21:04 I know. I know I've done wrong.
21:06 - No. Don't carry that burden.
21:09 It doesn't belong to you.
21:11 - I promise I'll try to understand her and that ...
21:15 Well, I can understand.
21:17 - It's hard to see your mother with a suitor when you are alone.
21:20 - That's an selfish attitude.
21:22 She should be happy for you instead of sabotaging your happiness.
21:26 - I'm sure she's the one who suffers the most with this behavior.
21:29 - Well, it also makes us suffer a lot.
21:32 Margarita, the last thing I really want is for you to face your daughter because of me.
21:39 But she's taking me to a dead end.
21:44 - I'm sorry.
21:46 - You are the one who has the reins in this relationship.
21:56 You know that, whenever you want,
22:00 I am prepared to stop being a suitor and become something else.
22:06 - I wish it were that easy.
22:09 But I don't see myself with the strength to face something like this if that means losing her.
22:13 - Are you going to put her consent before your will?
22:16 That leaves you tied up.
22:19 I'm sorry.
22:21 I'm sorry, don't answer me.
22:24 I don't want you to feel pressured.
22:27 [Music]
22:54 - You're back early this morning, Simona.
22:58 - I can't go back in the middle of the afternoon.
23:02 Because the little trip is dragging on.
23:04 - That's why you stayed up, right?
23:06 - Well, I did what I could.
23:08 I had to leave before the sun came out to make it on time.
23:12 - Well, I slept well today.
23:16 Look, Vera gave me an eucalyptus infusion.
23:20 That's what I asked for.
23:22 And look, holy hands.
23:24 - Well, at least you've rested. I'm glad.
23:28 - Look, I slept like I was hit in the head with a hammer.
23:31 So round.
23:33 Come on, I even had pleasant dreams.
23:35 No nightmares.
23:37 - And who did you dream of?
23:40 Or what?
23:42 - The slaughter.
23:44 - A slaughter that you find pleasant?
23:47 - The slaughter of the gorrinos, right?
23:50 I remember when they sacrificed the pigs in my town.
23:53 And we sang all over the house of the fire
23:56 while we stuffed the guts to make the chorizos.
23:59 - Jesus.
24:00 What good, weirder dreams you have, Candela.
24:03 - Oh, but you see how well I had a good time, you whore.
24:07 - Well, I just think about the screams of the gorrinos
24:09 and I get chills.
24:11 - For me, the best time of the year.
24:14 I don't change a slaughter,
24:16 or a fair, or even a drink.
24:19 I just have to take more infusions of eucalyptus.
24:24 And how did it go for you?
24:26 - Oh.
24:28 I really like those visits.
24:32 It's a shame I have to run away
24:35 so that no one finds out.
24:36 - The bad thing is that you have to do it with so much secrecy.
24:40 Don't you think it's time I told you?
24:43 - No.
24:44 I don't want to make things worse than they are.
24:47 I know my virtue is that I would never approve it.
24:50 - Look, it's going to cost you anyway.
24:53 Don't let your daughter know,
24:55 because sooner or later she will find out.
24:57 - I know.
24:58 - And the best thing is that you tell her first hand,
25:01 and that she doesn't find out through other means.
25:04 - I prefer to leave it like this.
25:05 Try to lengthen it as much as possible.
25:09 - Yeah.
25:10 And I hope it lasts a long time, huh?
25:13 But I'm afraid
25:15 it will never be enough.
25:18 - What?
25:33 How's the blow you got, Mrs. Pia?
25:35 - Good.
25:36 I still don't see the strength it has, with how little it seems.
25:39 Besides, it was discharged at ease
25:42 and it just hit me in the spine.
25:45 - Did it still hurt?
25:46 - A little.
25:47 But hey, every time I run into María,
25:49 she makes a face at me, Antonia, and ...
25:50 and it heals everything.
25:52 - It's just ...
25:53 Who would have thought?
25:54 - Salvador.
25:55 - It was a mistake.
25:56 Surprising Mrs. Pia like that, with the anguish she's in,
25:58 was a mistake.
25:59 - Another one.
26:00 Just like Mrs. Candela.
26:01 They gut me and on top of that, I get rat powder.
26:04 - Okay, well, I won't bother you anymore.
26:06 - You calm down, I already have the lesson learned.
26:08 In the form of a memory in my head.
26:12 - And also, if I'm honest with you,
26:14 I'm glad that Mrs. Pia knows how to defend herself with such force.
26:18 That if she finds Gregorio's undesirable,
26:20 she can hit him a lot, like the one she gave me.
26:22 - Yes.
26:23 Because that murderer doesn't deserve less.
26:25 He tried to poison her and her son.
26:28 - And they leave him on the street.
26:30 They will call him justice, but it is not fair at all.
26:33 - I bring fresh news from Teresa.
26:35 - Oh!
26:36 Yes? What is it about?
26:38 Are you happy?
26:39 - Well, how can I not, Castañuela?
26:40 Only good things from the house of the Duchess of Abronte.
26:43 - How nice!
26:44 - And apart from talking about the gentlemen,
26:49 she also talks about her companions.
26:51 - Come on, don't miss us.
26:53 - Well, she says they are all like a pineapple,
26:55 that they form a family.
26:57 - So she already found another family.
26:59 - Well, she also says that she misses us a lot,
27:02 so don't be jealous.
27:03 - It was impossible that we had not left a trace.
27:06 Well, I'm very happy.
27:09 I'm glad I found people who welcome her.
27:11 I remember my time in Madrid when I worked in the restaurant and ...
27:14 I felt quite alone.
27:15 - But you already have me here, close again.
27:18 - And in case Teresa is not well,
27:20 we are going on a trip to nothing more and nothing less
27:23 than the United States of America.
27:25 - Where is Miss Leonor?
27:28 And what has she lost in Ultramar, Teresa?
27:31 - Well, she is going to accompany the Duchess of Abronte on a luxury cruise.
27:34 - Wow, well ...
27:36 What a dream trip, right?
27:38 - Even Teresa, your lady, wants to stay away from war as much as possible.
27:41 - I would like to be able to leave the problems behind, in that way.
27:44 A trip in first class and goodbye anguish.
27:47 - Well, I told him to write us some letters,
27:50 telling us absolutely everything,
27:52 with hairs and signs, that he has to know about beautiful places.
27:55 - I want you to tell me how it is a luxury cruise.
27:58 - Well, as far as I understand,
27:59 he doesn't have to envy anything to the best of the hotels.
28:02 They have gyms, elevators, lounges with domes,
28:05 and even a theater where he can perform plays during the journey.
28:08 - Do they have more things than a luxury?
28:10 - A lottery, as far as Teresa is concerned.
28:12 - Yes. Well, that number was for you, Maria.
28:15 Don't you feel envy?
28:17 - No, of the healthy one. Of the healthy one.
28:19 - No, that exists.
28:21 Well, you see what I'm telling you?
28:23 That I am happy from the bottom of my heart.
28:25 Because Teresa deserved to be a little lucky.
28:27 - Well, yes.
28:28 That Teresa, better than anyone, deserves life to make her a wink.
28:31 Let's have more fun with Feliciano's loss.
28:34 - Yes.
28:35 Thank you.
28:38 - Well, I would like an original dress.
28:49 One that is not unnoticed.
28:51 - Mine that draws much more attention than my friend's, huh?
28:54 - My daughter Leonor, who is an expert in fashion,
29:01 recently told me about a young Basque fashion designer
29:05 who is familiar with French high couture.
29:08 Cristóbal Valenciaga, could it be?
29:11 - Yes, I've heard about him.
29:13 - Of course, he has a name that is not unnoticed.
29:16 As you said, Valenciaga.
29:18 - Valenciaga.
29:19 - I haven't met him in person,
29:20 but the Marquise of Casa Torres speaks wonders of his designs.
29:24 - I know Doña Micaela.
29:25 Have we ever met in Verané or San Sebastián?
29:27 - You usually go there a lot.
29:29 - She loves the beach of La Concha.
29:31 - Of course, Doña Micaela is his white daughter.
29:33 They have an exquisite taste.
29:35 - I admit, but they are also lucky to have a seamstress
29:38 who does wonders in their service.
29:40 Precisely, the man Cristóbal is the son of that woman.
29:44 - Now everything fits. The circle is closed.
29:47 - That is why the Marquise of Casa Torres has taken him as a protector.
29:51 - Very good.
29:52 - The maids told me that they wanted to see me, aunt.
29:55 - That's right, yes.
29:56 Look, this is Don Miguel Espiao.
29:58 He is the fashion designer of my friend María Antonia
30:00 and he is available to help you make a new dress.
30:03 - For the reception of the Marquises of Soto Blanco.
30:06 - At your service, miss.
30:08 - Thank you, but I don't think I need anything.
30:11 Come on, I have a lot of things in the closet.
30:13 - What nonsense are you saying, Martina?
30:15 There is always room for a new dress.
30:17 Besides, you are not going to reject a gift
30:19 that your aunt is making you with all her love.
30:21 - Well, if she gets like that ...
30:23 - Here, take a look at this magazine
30:26 and choose the model you like best.
30:28 - I would not reject such a generous offer.
30:31 - By the way, I haven't told your mother about Don Miguel's visit
30:38 because I didn't want to cause a new disagreement between you two.
30:42 And if they make me choose between one or the other,
30:45 I have no doubt about the truth.
30:47 - Cruz, please!
30:48 - What's wrong? I'm being honest.
30:51 I have a weakness for my niece Martina.
30:54 Maybe she is more interested in this magazine.
30:56 She has much more ... young and daring models.
30:59 - Well, thank you, Mr. Spy.
31:03 - These kinds of things seem frivolous,
31:08 but deep down, they help a lot to cheer up.
31:11 And it's time for us to have a little joy in this house.
31:15 - Well, yes.
31:18 I wish some simple dresses could make us forget
31:21 that infamous war in which Manuel and ...
31:24 - They won't, but at least they will keep us busy.
31:31 - What do you think of this dress?
31:34 Too short.
31:36 - Yes, yes. - Not at all.
31:38 - What do you mean?
31:40 - Oh, dear Martina.
31:43 The truth is that with your age and your figure,
31:45 any little cloth feels wonderful.
31:50 - I'm going to take it off.
31:52 - Hurry up!
31:58 You're going to be a turtle and you're going to make me crawl.
32:01 - A little patience.
32:02 - At this rate, we will never finish putting the boxes in.
32:05 And I still have to prepare the lunch table.
32:08 - Come on.
32:10 Come in.
32:11 You haven't heard the saying "dress me slowly, I'm in a hurry."
32:16 - That saying is the perfect excuse for those
32:18 who want to justify their incompetence.
32:20 - Are you calling me incompetent? - Me?
32:22 No. Not at all.
32:26 Now, if you think you're smart,
32:28 the one who gets caught is the one who gets eaten.
32:30 Come on, look.
32:31 That saying is much more appropriate.
32:33 - Santos.
32:36 Mrs. Petra is asking you to come to her office as soon as possible.
32:39 - And has she told you what she wants?
32:41 - Not a clue.
32:43 - Can you finish the boxes yourself?
32:46 - Yes. I have plenty of them.
32:48 - Don't hurt yourself.
32:50 [♪♪♪]
32:53 [♪♪♪]
32:56 [♪♪♪]
33:22 - Did you iron that sheet, Mrs. Alvarrez?
33:25 - Well, yes. Yes.
33:27 The truth is that I can't fold it.
33:30 - That's what I thought.
33:32 - But it's not because I'm not in the mood.
33:35 It's all because of ...
33:37 because of fatigue.
33:39 - Hasn't she rested well tonight?
33:41 - Well, no.
33:43 The truth is that sharing a room with Hanna
33:45 makes me feel more protected, but ...
33:48 but it still puts more ...
33:50 anxiety.
33:52 - Of course.
33:53 That criminal is out of jail and it is a danger.
33:56 - Mr. Pellicer, I know that everyone makes an incredible effort
33:59 to make me feel protected, but ...
34:01 but I can't ...
34:03 get rid of this anguish.
34:05 - But don't demand more than possible.
34:07 You are human.
34:09 And you have fears and normal fears.
34:11 It would be strange if you were so camping.
34:14 - Well, in the end, Salvador was the one who paid for the consequences of my fears.
34:18 What a blow I gave him.
34:20 Thank goodness everything ended in vain, because ...
34:22 - Besides, tomorrow you have this effort.
34:25 Although I get the feeling that you will need help to fold that rebellious sheet.
34:31 Come on, let me help you,
34:33 that between the two of us we can do it in a pinch.
34:35 - Very well.
34:37 Mr. Pellicer,
34:43 I know it's normal to be afraid in my situation, but ...
34:46 What I don't think is fair is having to live with this anguish while that ...
34:50 criminal, Campasso Sánchez ...
34:52 - You are absolutely right about that.
34:54 - But that man tried to kill me. And I have witnesses.
34:57 Really, there is no justice in this country.
35:00 And what is supposed to happen to me now?
35:04 What am I supposed to do?
35:06 Wait for that criminal to come for me?
35:08 I refuse to condition my life and that of my son because of a bad birth. I refuse.
35:14 - You have every right in the world to scream into the sky.
35:17 Even to take on despair.
35:20 But you know something?
35:22 I'm useless to you.
35:25 And I think you are the main victim of all this.
35:28 - That's good, but then what?
35:31 - Well, don't lose your cool.
35:33 Or your calm.
35:34 It's the only way you have to get rid of that man.
35:37 - I don't know, I would love to ...
35:39 I would love to love him, but ... - Believe me.
35:42 - Believe me.
35:44 - Well ...
35:48 I'm going back to my homework.
35:52 - Yes.
36:19 - Are you looking for this apple? - Yes, I left it in the box.
36:23 Thank you.
36:24 - Hey, sorry, sorry, sorry. What a nuisance. I'll take it right away.
36:27 - No.
36:28 I'll do it.
36:30 - López, I'm sorry.
36:34 - Well, if you feel it, stop treating me like that.
36:36 - What do you mean? I don't know what you're talking about.
36:39 - Wait, I've already told you.
36:40 I don't want you to be kind to me, I don't want you to be afraid of me.
36:43 You and I are not friends.
36:45 I don't want to be your friend, I don't know what part you don't understand.
36:48 - I don't know what part you don't understand.
36:50 - I don't know what part you don't understand.
36:52 - I don't know what part you don't understand.
36:54 - I don't know what part you don't understand.
36:56 - I don't know what part you don't understand.
36:58 - I don't know what part you don't understand.
37:00 - I don't know what part you don't understand.
37:02 - I don't know what part you don't understand.
37:04 - I don't know what part you don't understand.
37:06 - I don't know what part you don't understand.
37:08 - I don't know what part you don't understand.
37:10 - I don't know what part you don't understand.
37:12 - I don't know what part you don't understand.
37:14 - I don't know what part you don't understand.
37:16 - I don't know what part you don't understand.
37:18 - Do you have a lot left?
37:26 - Well, this and another basket that I have in removal.
37:30 It's just that Mrs. María Antonia is very vulgar.
37:33 She wants her dress washed several times before putting it on.
37:36 How can you tell that she's not the one who rubs it? Come on.
37:38 - If you want, I can help you.
37:39 - Well, no, because apart from vulgar, the lady is Tiki Miki.
37:43 With the marks of the tweezers.
37:45 - So the lady is hard at work, huh?
37:47 - Well, yes.
37:49 What you can do is pass me the garments.
37:51 And I'll go on tending them.
37:53 Well, what do you tell me?
37:57 - Me?
37:59 Nothing.
38:01 - Something must have happened to you, right?
38:06 - The usual.
38:08 - Something's going to happen to you.
38:11 It won't be the blow that has left you so stunned.
38:14 - What's going on? It doesn't even hurt me.
38:16 In fact, I haven't thought about the wound even once.
38:18 - Well, that's because you're so well treated.
38:20 I don't have to envy Hanna as a nurse.
38:22 It's going to be true that everything sticks together, except for beauty.
38:25 And if that doesn't happen to you, what happens to you the day before?
38:31 - It's a mess.
38:33 - It doesn't matter, it doesn't matter. Besides, it's already done.
38:36 - Are you going to stop being mysterious and tell me?
38:39 - Well, I want the best for you, María.
38:42 I want you to have the best life possible and, because of me,
38:44 you're depriving yourself of doing many things.
38:46 - Well, explain it to me better. I don't understand.
38:49 - You should be the one packing up your things right now
38:52 to go to America in a luxury transatlantic.
38:54 - That's it, right?
38:55 - That's it, yes.
38:56 Because that job was for you and not for Teresa.
39:00 And you rejected it for me.
39:02 - Well, I rejected it because I really wanted to.
39:04 - Well, and because you were on my side too.
39:06 - And to help Teresa.
39:09 - And because you were on my side too.
39:12 - You think you're very important, don't you?
39:15 - I'm not.
39:16 - You know too much. My favorite place is wherever you are.
39:20 - And if I went, for example, to hell itself, what?
39:23 - Well, no. Because in hell you would be dripping with heat.
39:26 - Well, but if we're together.
39:29 - Well, if we're together, to hell I'm going head first.
39:33 - Yes.
39:34 - The cut of the dress you chose is going to cause a bad feeling, you'll see.
39:44 - Oh, I don't know if I've been too bold.
39:47 I'm not used to showing my ankles.
39:49 And I don't know if it's the right time either.
39:51 - On the contrary.
39:52 It's at these parties when you have to prove that you are in the latest fashion.
39:55 Even if you live on this farm so far from the big cities.
39:58 - The truth is that there is nothing worse than looking like a peasant.
40:03 - Ah ...
40:04 - It's a shame not to have Leonor here to advise us.
40:08 Are you going to write her a letter soon?
40:11 - Well, if you want, I can forward my letter.
40:14 - Well, yes. Write it.
40:16 And tell her how our dresses are. Let's see what she thinks.
40:19 - The only thing is that her answer will arrive in a few months.
40:22 Keep in mind that the letter has to go and come back from the United States
40:26 and that now, with the war, there is a great delay in the transcontinental mail.
40:30 - Yeah, you're right. What would I be thinking?
40:33 By the time we receive her answer, the party will have already passed for a long time.
40:37 - Yes, I'm afraid so.
40:39 What if we send her a cable?
40:41 - No, I prefer to avoid it.
40:44 That is always a hassle and much more expensive.
40:46 - You're right, yes.
40:48 - Anyway, we will have to trust our own judgment.
40:52 - No, go on. Go on with your nonsense.
40:57 I don't want to interrupt this private meeting.
40:59 I just came to bring a letter to my daughter.
41:02 Romulo gave it to me. It just arrived.
41:04 - But do you know who it is from?
41:06 - Oh yes. We checked it yesterday. It wasn't from Manuel.
41:09 - It's from ... from ... Asdrúbal Ibañez de Caicedo.
41:15 - The great-grandson of the Marquises de Caicedo?
41:19 A very good family.
41:21 - Well, and ...
41:22 - And what does he want?
41:24 - It's an invitation to go with him to ... to the opera.
41:29 - Oh? Well ... Well, I know him.
41:32 And he has gone from being a green-haired boy
41:35 to a young, charming and attractive one.
41:39 - Well, I think it's a great opportunity for you to go out and have some fun, daughter.
41:43 So I, like you, would answer as soon as possible.
41:45 If you want, I can help you write the letter.
41:47 - No, no, it's not necessary.
41:48 To decline the invitation, I'll be fine on my own,
41:50 because I'm not going to go to the opera with him or anywhere.
41:53 - Martina, please. Don't close yourself in command, give him a chance.
41:56 - I said no. And I mean no.
41:58 - It's a 7 with the apron, right, Mrs. Simona?
42:23 - Yes, I got stuck at the oven door.
42:25 - And with the roast on, there you go. It's all done.
42:28 The luck is that it didn't burn and we all came out burning.
42:31 Like with Mrs. Ximena.
42:33 - God have her glory. Poor thing, the mark is over.
42:36 - It's just that when you don't get your head right ...
42:39 Well, anyway. And why did you end up getting stuck in the oven?
42:44 Were you in a hurry or ...?
42:45 - I felt the whistle of the sharpener and ran out like an arrow.
42:49 - The truth is that we have all the knives, blunt and blunt.
42:52 And the scissors, more than the same.
42:54 - So it wasn't a matter of him leaving, but it wasn't the same sharpener?
42:57 This man who was a man of few words?
42:59 Who came from the north, right?
43:01 - Yes, from Orense. But he went to his homeland.
43:03 - The new sharpener is the son. It's a family business.
43:06 - No, I didn't know.
43:07 - Well, the boy still talks less than the father.
43:09 Drier than a towel.
43:11 And he has a face of a pimp that can't run.
43:13 - You're so bad, Candela.
43:15 - Well, I think I remember that he knew a lot about herbs and remedies.
43:20 I think his mother was a witch or something.
43:23 - No, Meigas. That's what they call him, Meigas.
43:25 Let's see, this is done, Simona.
43:29 - Oh! A wonder, like new!
43:33 - If you embroider, I embroider.
43:35 - Mrs. Pia.
43:36 - Let's see, I don't do it as well as Teresa, but I do what I can.
43:39 - I miss her.
43:41 - We all miss her.
43:43 She was so good and so sweet.
43:45 - When will we see her again?
43:47 - If we see her again.
43:49 - Well, however far she is, we will always carry her in our hearts.
43:52 - Since she is going to America, I could pay her a visit, the Italian lady.
43:56 - And what are you laughing at?
44:00 - Well, Mrs. Candela, America is very big.
44:03 And it can take many months to go from end to end.
44:06 - Well, the same thing happens in the same place.
44:10 - Yes, it would be a great coincidence.
44:12 - But who knows?
44:13 - Well, who knows, of course.
44:15 - Who knows, of course.
44:16 - What are you doing here at this hour?
44:44 - I have finished this novel.
44:45 Can you believe that it took me an eternity to read it?
44:48 And yet I feel like I didn't find out anything.
44:50 - That's because you have too many worries in your head.
44:53 - Incompatible with literature.
44:55 Thank goodness my friend Maria Antonia is here to cheer me up.
44:59 - Good luck with yours.
45:01 - Listen.
45:04 I've been thinking about Catalina and the asylum.
45:11 Do you mean that wonderful idea to get rid of your stepdaughter,
45:15 which turned out to be fatal because your husband threw her out?
45:18 - That's right. That one.
45:20 - And have you come to any conclusion, apart from that we have to suspend the plan?
45:24 - Well, no.
45:26 But nevertheless, I don't get out of my head what Alonso told me.
45:30 I'm sure there's a plan to get her back.
45:33 - And what could it be?
45:35 Have you seen that not even for her brother's birthday she is worthy of stepping foot in the palace?
45:39 - Well, I have no idea.
45:41 But knowing my husband, I'm convinced that there is a plan.
45:45 He wants that insolent woman to react for herself,
45:49 but I'm sure he's going to provoke her in some way.
45:52 - It's all very abstract, man.
45:55 Why don't you ask him? See what he tells you.
45:58 - Lately I have the feeling that he doesn't trust me much.
46:03 - Go, ask him.
46:06 I don't know why you're so worried.
46:08 - Can I?
46:09 - I prefer you to get ahead of my requests.
46:12 - Okay, as you wish.
46:15 I'll take care of this.
46:17 - And what are you going to do?
46:19 - To start figuring out what your husband is up to.
46:23 If we don't know what we're up against, we won't be able to sabotage it.
46:29 - I'm going to take advantage of tomorrow to change the sheets.
46:32 - Mine too?
46:34 - Sure, you don't have to worry about anything.
46:37 - Are you okay?
46:44 - I'm fine.
46:46 - I'm fine.
46:48 - I'm fine.
46:50 - I'm fine.
46:52 - I'm fine.
46:54 - I'm fine.
46:57 - Are you okay?
46:58 - No, I'm fine, but I'm ...
47:00 I'm tired.
47:02 I'm going to the kitchen to get a glass of milk, to see if I can get some sleep.
47:05 - Don't worry, I'll go down and cook it.
47:07 - Hanna, no, really, we need to go.
47:09 - Well, I've already climbed enough stairs today.
47:11 - Thank you very much, Hanna.
47:14 - Of course, when I walk in through the door, I'm going to scream.
47:17 I don't want him to get me with something in my head.
47:19 Hot milk, right?
47:25 - Yes.
47:53 - I told you, Alonso, a dress is the best tonic to lift a woman's spirits.
47:57 - It has worked, it is much more jovial.
48:00 I will never understand the intercourse of the feminine mind.
48:03 - Don't worry, Alonso, it happens to all men.
48:07 - It's just as easy to cheer you up as to upset you.
48:10 - Well, not so much either.
48:12 And don't sing victory so soon, let alone cross-dressing.
48:15 - Well, at least he has woken up early and gone out to check his roses.
48:19 That's a big change.
48:20 - I'm very happy.
48:22 The pity is that he doesn't want to share his good mood with me.
48:25 - Good morning.
48:29 - Good morning.
48:30 - How strange, he's not with us.
48:33 - I guess the visit of the fashion designer yesterday has been short-lived and he had to go out to make more expenses.
48:40 - He's taking a walk in the gardens.
48:42 - We didn't want to put you on the test of having to order a new dress.
48:47 - No, no, don't worry.
48:49 I don't need anything. I have plenty of clothes.
48:52 In fact, I could wear a different dress every day of the month.
48:56 In any case, those dresses you have ordered will only be used to make a mess in the closet.
49:02 - What are you trying to tell us?
49:05 - That the Marquis de Soto Blanco is going to invite us to that party.
49:09 - And why not?
49:11 - Well, because it's public and unknown, he doesn't want to know anything about the Rouhanis.
49:16 [Music]
49:19 [Music]
49:21 [Music]
49:23 - Who is it?
49:50 - It's me, Tadeo.
49:51 - What do you want?
49:53 - Open, please, miss.
49:55 I promise I'm not going to entertain you much.
49:58 - The more times I say I don't want to see anyone, the more you are going to come.
50:04 - It seems a lie that at this point you don't know me and don't know that obeying is not within my main virtues.
50:12 - What is Tadeo coming for?
50:14 If it's to insist on that boy, save the speech.
50:17 I don't know him or I'm not interested at all.
50:19 - Well, now you're going to have the opportunity to meet him.
50:21 I brought him with me.
50:22 - What did he bring him? He didn't hear me. I don't want to meet him.
50:25 - Adrián, come in.
50:27 - Don't worry, miss, I don't feel like talking to you either.
50:40 - And now I put the forks on him and I'll put this back in a moment.
50:48 - I had a couple here but they must have fallen down when I was cleaning the stairs.
50:52 - Well, don't worry, I'll look for them.
50:54 - I'm sure there are some new ones around here.
51:03 - What's wrong?
51:08 What's wrong?
51:12 [Adrián gasps]
51:41 - Gregorio.
51:42 - Mercutio.
51:47 - He's been here. Gregorio has been here.
51:51 - Let's see, Mrs. Pia, calm down. Look at me. Nothing happens.
51:56 Right now, you and I are alone in this room and no one else.
51:59 Breathe, calm down.
52:01 - Clara, listen to me. He found me and he's going to kill me.
52:04 - No, Mrs. Pia, that's not going to happen.
52:05 - What are you whistling at? I wasn't here in the morning.
52:07 [Adrián gasps]
52:08 - That means he could have left it a while ago and he could still be around.
52:14 Mrs. Pia, I have to tell everyone to stop him.
52:17 - But I hope you can't leave him alone.
52:19 - Okay, don't worry, he'll be alone in a moment.
52:22 I'm going to tell someone to come here and stay with you, okay?
52:25 - Yes.
52:26 - And in the meantime, don't move.
52:28 - No, no.
52:29 [Adrián gasps]
52:30 - The unfortunate Gregorio has been in Mrs. Pia's room.
52:45 - And that man could come back?
52:47 - But let's see. The first thing will be to find and look for where he came in and where he left.
52:52 - That's the problem, Salvador.
52:53 For now, all we know is that he has entered, but ...
52:56 We are not sure of that exit.
52:58 - I don't know who you think you are to talk to me like that.
53:00 You have no idea who I am.
53:02 - Yeah, but you must admit that everything I have said is true.
53:05 It's very easy to play the poor when you have everything.
53:09 - How dare you judge me if you don't know me?
53:11 - I know what I see.
53:12 We will split up into pairs to search in all the rooms and all the accesses to the palace.
53:17 - And what do we do if we find him?
53:18 - Try to find us, that's the first thing.
53:20 - And if he sees us?
53:21 - Tell him as soon as possible to ...
53:23 To bring the area closer.
53:25 - Let's do it.
53:26 - I'm not afraid of that man.
53:28 If that bastard is still here, we have to catch him as soon as possible.
53:31 - Are you accusing me of something, Ignacio?
53:36 - Of course I am.
53:38 I know what you're up to with all this. I know you.
53:41 - I don't know what you mean.
53:42 - Yes, you do.
53:43 - They have been very clear, perhaps in excess.
53:46 They have cut us a hair in saying that the Marquises of Lujan do not make up the guest list.
53:52 The reasons they claim are solid, no matter how much they weigh on us.
53:54 - Oh yeah? And what are they?
53:56 What justification do they have to humiliate us that way?
53:58 Calm down, please.
53:59 - No, I'm not calming down, Alonso.
54:01 The last name Lujan is in the middle of the speech.
54:03 It is in everyone's mouth.
54:04 Even Alfonso XIII himself.
54:06 And not for good, precisely.
54:08 - Man ...
54:10 Joy, huh?
54:12 To see you here.
54:14 Because lately,
54:16 you shouldn't come for your own will in this area.
54:19 - The tasks you have on the plate.
54:22 - Hello, excuse me.
54:24 How do you say?
54:27 - You have a beautiful speech left.
54:30 But it seems a lie that you,
54:32 that you are a lady,
54:34 have forgotten that married couples have always existed.
54:38 And that's what you and I are.
54:40 - Well, when I came,
54:42 I found her writing I don't know what.
54:44 And suddenly she has hidden it.
54:46 - Yeah, and she told you that she was writing down her homework, right?
54:49 - I found her yesterday in the courtyard doing the same thing, with her notebooks.
54:53 - And what is she writing?
54:54 Because the thing about what to do is not for anyone to believe.
54:56 - No, of course not.
54:57 - What's up? Do you doubt it?
54:59 - Of course I doubt it.
55:00 Because what your husband and Maria Antonia have told you is nothing more than a bunch of lies.
55:04 - Explain yourself.
55:06 - Of course, the excuse that the Sotoblanco have given
55:09 not to invite you to that party is not to contradict the king.
55:12 But,
55:13 who is behind that negative is none other than your dear in-laws.
55:18 The dukes of the Infantes.
55:21 [Dramatic music]
55:23 ♪ ♪