Igra sudbine 1112 Epizoda - Igra sudbine 1112 Epizoda
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00:00I don't doubt that you know men well. I mean, I say that in a good way.
00:13Well, you see, I've met enough of them to be able to recognize all their shortcomings right away.
00:19But I've never been with any big men.
00:24However, I was faithful to one of them, but he ran away from me.
00:29What do you mean, he ran away? That's normal. There's something missing in that guy.
00:34Is it really possible that he ran away?
00:36Well, I don't know if it's possible.
00:39And that's how I spend my nights, lonely, like an abandoned dog.
00:43Like a dog.
00:45The truth is that I am lonely.
00:48I mean, I have a lot of admirers, but nothing serious.
00:53I need a strong man for something serious.
00:58Logically, I mean, you're a strong woman.
01:02You recognized that.
01:04Many others would say that I'm aggressive.
01:07I don't know who would say that, but whoever would say that wouldn't be right.
01:14Believe me.
01:16Thank you.
01:18Thank you.
01:23Thank you.
01:32It's a very romantic night.
01:34Yes.
01:35We have a light show.
01:37Yes.
01:38This is a bit like...
01:41Here, look.
01:42Literally like a disco.
01:45Do you know that I've never been to a disco?
01:49You've never been to a disco?
01:51I can't believe it.
01:53Well, I'll take you whenever you want.
01:56You're safe by yourself, and in the disco, and next to it, everything.
02:00Yes, you're so wonderful, because you're reliable, and you do such a dangerous job.
02:06Ljubinka, my first interest is to be reliable.
02:10And my second interest is danger.
02:13So...
02:15And if you want to show me how you report a robbery again.
02:18Of course.
02:20Can I?
02:21Yes.
02:22Code 10-52.
02:24A dangerous armed person is currently on the move.
02:28At a medium speed.
02:30Between Hotel Balkan and Hotel As.
02:33I'm asking for a reception.
02:35I think I've noticed him on the sidewalk.
02:37Code 10-52. Reception.
02:41Ivanović!
02:42The sun is shining on you, but you're getting dirty again.
02:45Let me call you again, and I'll send you a message.
02:50I don't know what to turn on.
02:56Ljubinka, Ljubinka.
02:58I don't know what else to do to impress you.
03:03Don't worry, you're doing well.
03:06Maybe you'll see how I play Russian roulette.
03:11Is that the one with the gun?
03:12Yes.
03:13Don't, don't, that's dangerous.
03:14Don't be afraid.
03:15But don't, come on, pack it, please.
03:17I'm not scared.
03:18Come on.
03:20Wait, don't.
03:21Come on, put it down.
03:22Put your hand down so I can explain.
03:24This is a general test.
03:26I'm going to do something bad to myself,
03:29only if you don't love me.
03:31Can I do that?
03:32I'll kill myself only then.
03:33Can I?
03:34Don't.
03:37Ljubinka.
03:44How did you do that?
03:47Years and years of experience,
03:49and practice, my dear.
03:51I'll save it for later.
04:02Well, Milo,
04:04that's enough.
04:06What's going on between you and Kaja?
04:09We were arguing about the conflict of interest in our relationship.
04:16Translate.
04:18She wants to punch one, I want to punch the other.
04:23What are you talking about?
04:25Didn't I tell you not to mess with Kaja?
04:29Listen, Milo,
04:30I've had enough of Luka's nonsense.
04:33All I need now is yours.
04:35I've solved Luka's marital problems.
04:41Unfortunately, unsuccessfully.
04:43And I won't even know about yours.
04:46I'm trying, Pančić.
04:48What are you talking about?
04:50You're trying.
04:51At least Luka was married,
04:53and you're not.
04:55You always define the problem nicely.
04:58That's right, I've told you everything.
05:00And you get ready.
05:01You have to make up with Kaja.
05:04Otherwise, I'll throw you in the pool.
05:06Don't, Pančić, because I'm afraid of water.
05:08More than you.
05:09I'll jump into a bomb on you in the pool.
05:12That's dangerous.
05:14Then decide who you're more afraid of.
05:16I'm waiting.
05:24There's no peace, not even for a second.
05:28I'm not afraid of anything in English.
05:35Save it.
05:37Take it.
05:38You're really amazing.
05:40I've never seen this in a movie.
05:42Look, baby,
05:44I'll show you something.
05:46I'll show you something.
05:47I'll show you something.
05:48I'll show you something.
05:50I'll show you something.
05:52I'll show you something.
05:54I'll show you something.
05:56I'll show you something.
06:00I'm the organ of peace and order.
06:02I'm on a visit.
06:04Are you?
06:05Yes.
06:06Good.
06:07Do you think, internal organs,
06:09that a child has to sleep at night?
06:12Dad, I'm not a child anymore.
06:14Be quiet, please.
06:15You are to me.
06:17Look, boy.
06:18Tell me, uncle.
06:19What happened?
06:22Colleague, I...
06:23We can't take him now.
06:25It's too late.
06:26Come on.
06:28I know he can't drive.
06:30He's all dolled up.
06:34Okay.
06:35Where are you going to sleep?
06:37Where are you staying?
06:39We'll rent an apartment here.
06:42That's what we'll do.
06:44We're cops, but we're not thugs.
06:47I don't know if you're thugs or not.
06:50But I know there are no free apartments.
06:54But there must be one, dad.
06:57There is one.
06:59I'm sorry.
07:00I was walking.
07:01In the car.
07:03There's an apartment down there,
07:05where you parked him.
07:06Come on.
07:07Hurry up.
07:08Come on.
07:09Okay.
07:10If that's the case,
07:12we'll sleep in the car.
07:14In the car, in the car.
07:17Good night.
07:20And you, listen to me carefully.
07:22I'll send your colleague,
07:24if he can,
07:26to the car.
07:28In front of me.
07:30Come on.
07:31Colleague, I'm going to the car.
07:33Let's go.
07:34Okay, okay.
07:35Come on.
07:38Listen, man.
07:39Do you have a roommate?
07:41Come on.
07:42No, I don't have one.
07:44Get in the car.
07:46Hey, Mr. Janovic.
07:48I'm calling you now, but you're not answering.
07:51I'm...
07:52I'm going to...
07:54Wait, wait.
07:55Calm down.
07:56Wait.
07:57Get on my chest.
08:01That's it.
08:02I'm going to bed.
08:04Okay, okay.
08:05Do you have a roommate?
08:06Show him to me.
08:07I don't have one.
08:08In the car.
08:09Get in the car.
08:10I have to...
08:12We have a special operation, Mr. Janovic.
08:14Come on.
08:15Come on.
08:16One step ahead.
08:17Watch out.
08:18Watch out.
08:20Watch out.
08:21What was that?
08:22What was that?
08:23Easy, easy.
08:29You were right.
08:30The food is...
08:31Bellissimo.
08:32Bonissimo.
08:33I don't know how you say it.
08:34I'm new here.
08:35But it's really good.
08:36I know.
08:37Life in Italy can really be...
08:39Delightful.
08:40Yes.
08:41Believe me.
08:42But I just made you dinner.
08:44What?
08:45No dinner, please.
08:46Don't get up early.
08:47I just get up early.
08:48I have to do these calculations.
08:49And these expenses.
08:50And that...
08:51Next time.
08:52Oh, please.
08:53I think you'll be able to do it.
08:56I think that...
08:58Look, I saw the staff.
09:01Okay.
09:02The designs are top.
09:04And the most important thing is...
09:06The materials are top-notch.
09:08We don't agree on anything less than absolute quality.
09:12Congratulations.
09:13And I wanted to ask you...
09:14Where do you get the materials?
09:17I mean...
09:18Which company?
09:19Which supplier?
09:20Who do you work with?
09:21Why are you asking me that now?
09:23I'm just asking.
09:24Professionally.
09:25You know what you want.
09:26Nothing more.
09:28Because you call it professionally.
09:30You know what you want.
09:31It took me years.
09:32Years of work.
09:33In this business.
09:34I see.
09:37And that's years of work with the best.
09:39Of course.
09:40You can see.
09:41You can see.
09:42And I wanted to thank you for that.
09:43Congratulations.
09:45Suppliers are my professional secret.
09:49I'm sorry.
09:50I was stupid.
09:51I asked about things that are your part of the job.
09:53I shouldn't interfere.
09:54But...
09:55Something came up and I asked.
09:56So I asked.
09:58I'm sorry.
09:59But that's in Milan.
10:00We all keep our little and big secrets.
10:03Yes.
10:15SELJANOVIĆ
10:18Oh, Seljanović.
10:20Look how drunk you are.
10:21Look, look, look.
10:23This can't be...
10:28Where are you going?
10:29I'm going home.
10:31These two idiots will stay here all night.
10:34All night.
10:35There you go.
10:36Seljanović and Trivanović?
10:37Yes, them.
10:38What do you want Bilčin to do here?
10:41Don't ask me anything, dear.
10:42Listen, Trivanović.
10:43My son-in-law is interested.
10:45And this is mine.
10:46It looks like I'm crazy about him.
10:48You can't...
10:50Don't mention it.
10:52Okay.
10:53I'm waiting for Ida.
10:55Thank you for healing me.
10:57By pulling my hair.
10:59But you didn't completely heal me.
11:01What do you mean?
11:03Can she stay between us?
11:05Of course she can.
11:06Speak freely.
11:07Say whatever you want.
11:08Let her stay between them.
11:09Between whom?
11:10Between me and you.
11:11Speak freely.
11:12Listen.
11:13I actually got sick.
11:15Why?
11:17Because I don't have the courage to ask...
11:22Wait a minute.
11:24Wait a minute, wait a minute.
11:25I feel it.
11:26I feel it.
11:28You want to get married, right?
11:30That's right.
11:35What do you want me to ask?
11:36What do you want?
11:37Yes.
11:38What do you want?
11:39Yes.
11:40But I don't have the courage.
11:41I don't even know her that long.
11:43That's great.
11:45Believe me, Ida.
11:46It's better that you don't know her.
11:48Because if you do,
11:49you'll never get married.
11:50That's why you have to get married as soon as possible.
11:53And that's it.
11:54But...
11:55But now it's so obvious.
11:56You're so obvious.
11:58I see it.
12:00Just sit down.
12:01Listen.
12:02Do you want me to give you an advice?
12:04Yes.
12:05Listen.
12:06It's better for you to hang yourself on the first tree
12:09than to get married.
12:11Do you mean...
12:12No, I don't mean anything.
12:14I know, man.
12:15I've explained myself.
12:16I'm still hanging.
12:17My legs are still shaking,
12:19if I weren't...
12:20You're hanging.
12:21You know, and so on.
12:22My kayaks, for God's sake.
12:24But you see,
12:25if you die,
12:27you die.
12:29Wait, Ida.
12:30I wrote a speech.
12:32Speech?
12:33What was that?
12:34You're talking too much.
12:36Why don't you go to Sarajevo
12:38to hold a speech at the cemetery?
12:40That's not a speech.
12:42Let me see.
12:43What is it?
12:45Read the speech.
12:46I will.
12:49My dear,
12:50I love you,
12:51you...
12:52You started well.
12:53My dear Kayo,
12:55my heart is a huge green meadow.
13:00Poetry.
13:03So, a green meadow,
13:05and you, Kayo,
13:06are the only cow that grazes on it.
13:10What cow, man?
13:11Maybe it's a better cow.
13:13What cow?
13:14Are you normal?
13:15One horse?
13:16What cow?
13:17That's a metaphor.
13:18A metaphor of a stylistic figure.
13:20Are you normal for a year?
13:22No.
13:23What can I say?
13:24I'm still hanging.
13:26Listen to me.
13:27Tomorrow morning,
13:28you're going to my place
13:29to train for a speech.
13:30Is that clear?
13:31I...
13:32I can?
13:33Of course you can.
13:34Thank you, uncle.
13:35I'm full.
13:36I will make you a real speech.
13:39And you, please,
13:40choose the right one.
13:41I am.
13:42You are?
13:43I am.
13:44If you're not,
13:45take two meters of hemp.
13:47Okay.
13:48And throw it over the branches.
13:50Over the branches?
13:51And clap.
13:53Hemp throws over the branches,
13:54but what's a clap?
13:56That's the sound
13:57of a broken table.
13:59Clap.
14:03And this?
14:05What will my table do?
14:09Nothing.
14:16Maybe you didn't think
14:17about the speech?
14:18No, I didn't.
14:19I'm not dead.
14:20I'm...
14:21No, I can't.
14:22You're really rejecting the speech?
14:23I'm really rejecting it
14:24because...
14:25Because I can't.
14:26Come on, promise me
14:27one more time.
14:28You can.
14:29I promise.
14:30As you said.
14:31Okay.
14:32But, you know,
14:33a night like this in Milan
14:36usually means
14:38a kiss at the end.
14:50Let's go to bed.
14:53Okay, let's go.
15:19First of all,
15:20did you serve in the army?
15:22Not yet.
15:23No?
15:24No.
15:25That's a shame.
15:26Look,
15:27self-confidence
15:28requires strength,
15:29you know?
15:30But I want to try
15:31and somehow
15:32manage it all
15:33and improve,
15:34you know?
15:35There's nothing to improve.
15:36Let's start right away.
15:37The plan is like this.
15:38Listen.
15:39Listen.
15:40Every day
15:41you have to cut
15:42at least a meter of wood.
15:43Yes, yes.
15:44And then,
15:45in the morning,
15:46breakfast,
15:47ham.
15:48I love ham.
15:49You're so diligent.
15:50You're so diligent.
15:51Be patient.
15:52Wait, let me explain.
15:53Another thing.
15:54Then let's go
15:55to tactical-psychological preparation.
15:57Do you understand?
15:58No.
15:59What does that mean,
16:00tactical-psychological?
16:02It means
16:03that you have to
16:04gather all of these elements
16:05in one place
16:06to strengthen all the women
16:07so that you don't demoralize,
16:08you know,
16:09when you cut them.
16:11Wait, wait.
16:12All the women
16:13and Kaja, you mean?
16:15And Kaja.
16:16Okay,
16:17and why would Kaja
16:18She wanted to demoralize me.
16:20Why would she?
16:21So she can see how much you're going to put up with
16:23and not ask me stupid questions like cabbage head.
16:25I just asked nothing.
16:27Listen, if this plan fails, and this mess,
16:29tell me, what's wrong with me?
16:31There's nothing.
16:32See, there's nothing.
16:33Is that clear?
16:34It's clear.
16:35I don't know what the problem is.
16:37Oh, my hands are shaking.
16:38Do you see?
16:39Do you see what I'm seeing?
16:40Come on, come on.
16:41Hurry up.
16:42Hurry up.
16:43Just don't ask me anything.
16:45Here it is.
16:46That's it.
16:47Here it is.
16:48Bravo.
16:49Here's another one.
16:50Bravo.
16:51Here's the last one.
16:52What the hell are you doing in the middle of the night?
16:54Are you crazy?
16:55You're cutting down a tree.
16:56What's wrong with you people?
16:58Give it to me.
17:00If you don't like it,
17:01you fatso, put your boots in your ears.
17:04What did you say?
17:06I'm just going to change my clothes,
17:07and then you'll hear me.
17:11You and your stupid mother.
17:13Don't look up.
17:14Come on.
17:15Come on.
17:16Here it is.
17:17Here's another one.
17:18And there's no stronger one.
17:19And the strongest one.
17:20Bravo.
17:21There's no stronger one.
17:32It's nice to have you here,
17:34to tell you.
17:35It hasn't been long since you were in Bosnia.
17:42You know me.
17:44I know.
17:45I know.
17:46It's better if I don't ask.
17:49I haven't seen some old friends for a long time.
17:57Day by day.
17:59Day by day,
18:00and time goes by quickly.
18:04Tell me, how's Mia?
18:08She's fine with Tomislav.
18:12Did you call her?
18:17When she's down.
18:20Like every teenager.
18:24Yes, yes.
18:26And how come you're here,
18:29you haven't traveled anywhere?
18:32That's right.
18:35Wedding, travel, honeymoon, nothing.
18:39You haven't traveled either.
18:41Where's Una?
18:42It's better if I don't ask.
18:45Okay, I won't ask.
18:47I'm just asking what's wrong.
18:55Something happened.
18:58A little bigger problem, if I may say so.
19:02What problem?
19:04Una experienced a minor nervous breakdown.
19:11A minor nervous breakdown?
19:13Yes, and then we cancelled everything.
19:16It's no wonder.
19:18Those are difficult things.
19:20Those are fractures.
19:22Those things literally break people.
19:25I know.
19:28You just have to be patient.
19:31Everything will get better.
19:33You'll feel absolutely safe.
19:37You just have to be patient.
19:42You can't overdo it.
19:46You have to be patient.
19:49Thank you for the advice.
19:53I'm very patient.
19:58That's all that's left.
20:04No.
20:06I'm going to finish up a little.
20:10Come on.
20:13Enjoy.
20:28Where are those two bitches?
20:43Over.
20:56Well, that's all for today.
20:59I'll follow you.
21:16Coordination Borazar?
21:18This is Una Bosniak.
21:45Mia.
21:46Mia Dusu.
21:47Come in.
21:48Hi.
21:52Yes, hello.
21:53Good afternoon.
21:58Mom wants to see you.
22:01Dad.
22:08Boss, over.
22:09Two bitches here.
22:10Boss, over.
22:13It's not enough.
22:14Try some more.
22:18Boss, what's going on?
22:20Over, over, over.
22:21It's happening.
22:22I don't have anyone to send to see.
22:26Oh, we're in trouble.
22:28I feel it.
22:32Boss, what's going on, boss?
22:35Over.
22:36We're here.
22:37Over.
22:39Over.
22:45Over.
22:46Over.
22:47Over.
22:48Over.
22:49Over.
22:50Over.
22:51Over.
22:52Over.
22:53Over.
22:54Over.
22:55Over.
22:56Over.
22:57Over.
22:58Over.
22:59Over.
23:00Over.
23:01Over.
23:02Over.
23:03Over.
23:04Over.
23:05What's that?
23:06Nice rotation.
23:07You don't have anything.
23:08You don't have anything.
23:09You don't have anything.
23:10I don't have rotation.
23:11Wait, there's a brother.
23:12Here he is.
23:13Bravo to you.
23:14Let's go.
23:15Where are you going, Trivanović?
23:16Trivanović.
23:17Trivanović.
23:18What's your name?
23:19My name is Maton.
23:20Maton.
23:21Maton.
23:22Maton.
23:23Maton.
23:24Maton.
23:25Maton.
23:26Maton.
23:27Maton.
23:28Maton.
23:29Maton.
23:30Maton.
23:31I want to talk to you about therapy.
23:38Of course, and can you tell me specifically what it's about?
23:43I have some emotional problems. Believe me, I surprised myself in some situations.
23:50Aha, don't worry, the two of us will solve it.
23:55When can I come?
23:59When can I come?
24:01Just to check the schedule.
24:04Excuse me, are you coming on someone's recommendation or did you inform yourself?
24:10No, on the recommendation of my husband.
24:13And who is your husband?
24:15Andrija Bošnjak.
24:21Now wait a moment.
24:28Excuse me, I was thinking if a certain date is canceled and now I just checked.
24:34Does it suit you at 6 p.m. tomorrow?
24:37That date is not ideal.
24:39Then see you tomorrow.
24:42See you, thank you very much.
24:58Mom wants to see me. Are you sure?
25:07Sure.
25:10So mom decided to return to her painful memories.
25:17Dad.
25:19Please.
25:20Can I ask you something?
25:22Yes, of course.
25:24Well, can you promise me that you won't hurt mom?
25:30I mean, she's fine now, but please...
25:34Yes, of course.
25:37No, I won't hurt your mother in any way.
25:43I promise you that. Can you believe me?
25:48Do you believe me?
25:50I believe you, yes.
25:53That's a deal.
26:00Where is mom?
26:02In a cafe nearby.
26:06Is she here?
26:09Okay, let's go to that cafe.
26:23What happened?
26:36Seljo.
26:37What?
26:38I didn't call Ljubinka.
26:39What Ljubinka, man?
26:40The boss told us that we have to arrive in Belgrade in half an hour.
26:43You don't understand.
26:46I didn't apologize to her.
26:48I didn't see her.
26:49We have to go back, Seljo.
26:51We will apologize to her if you don't go to Belgrade right now.
26:55I don't care about work.
26:57I don't care, Ljubinka.
26:59Ljubinka.
27:00What Ljubinka?
27:01Let's go back.
27:02I have to go back.
27:03You...
27:04What?
27:05Listen.
27:06You have to wake up right now.
27:08You have to wake up right now.
27:09What?
27:10What kind of woman leads you through life?
27:13She's completely brainwashed you.
27:15You have to go to Belgrade right now.
27:17From these steps.
27:19Don't fuck around.
27:20Put it in first gear.
27:21Seljo.
27:22Put it in first gear.
27:23That's you.
27:24I got a little lost.
27:27Okay.
27:28Let's go.
27:37This silence is weird.
27:39Huh?
27:40Yes.
27:41It's really weird.
27:42It's a little...
27:43It's sad.
27:44Yeah.
27:45There's not even that beautiful sound of the piano from home.
27:49Nothing.
27:50It was so beautiful when...
27:53What are you talking about?
27:55Maybe Ljubinka ran away because you criticized her.
28:00I criticized her?
28:01Ljubinka.
28:02She's fake, she's fake.
28:03Oh, yeah.
28:04Needles are hurting my head from being fake.
28:06No.
28:07What?
28:08Are you listening to yourself?
28:09I'm listening, of course.
28:10What are you talking about, you stupid?
28:11You have no idea about art.
28:12No.
28:19Is she sitting here?
28:24Yes, she's sitting here. She's waiting for us and now she's not here.
28:26What do you mean she's not here?
28:28She's here, everything will be fine.
28:30Everything will be fine.
28:32Don't worry, I'll fix everything.
28:34Excuse me, if you could,
28:36let me ask you one question.
28:38This is my daughter, right?
28:40It doesn't matter.
28:42Was she sitting here or here?
28:44Was she sitting here or here?
28:46Was she sitting here or here?
28:48Was she sitting here or here?
28:50Yes, she's here.
29:02Today we're going to talk about breathing.
29:04I know how to breathe.
29:06I know you do, but I'm telling you,
29:08technique, discipline, breathing.
29:10The most important discipline for performing in front of Kaj.
29:12Do you understand?
29:14I'm going to get the notes while you talk.
29:16No, no, I'm coming back to you.
29:18The rules of breathing, self-confidence.
29:20Do you understand me?
29:22Take it easy.
29:24The woman has to understand your inner strength.
29:36Nothing.
29:38Just to tell you.
29:40You're all crazy.
29:42You're all crazy.
29:44Who are you?
29:46What are you?
29:48You found me in front of my colleague.
30:06I have a question for you.
30:08Yes, yes, of course.
30:12Ask me.
30:14If you don't ask me,
30:16I won't know the answer.
30:22Why don't you and your dad get along so well?
30:38Listen, mom.
30:40When you breathe in,
30:42you lift the barbell.
30:44When you breathe out, you lower the barbell.
30:46Try it, Sanja.
30:48That's it.
30:50If you can do it right,
30:52you will please Kaj.
30:54Do you really think I can please Kaj?
31:10Hello.
31:12Hello.
31:14You look beautiful.
31:16Thank you.
31:18That's how everyone feels.
31:20Great.
31:22I'm glad I finally left home.
31:24I haven't been anywhere for a long time.
31:26We'll talk about that later.
31:40I really don't know
31:42where that little kiss could have gone.
31:46It's not that little.
31:48It's a lot.
31:50It's better if I don't tell you
31:52what I did in her time.
31:54You couldn't throw me in the house.
31:56God forbid.
32:10What is it, Ljeposava?
32:12What do you want? What do you want me to do?
32:14Our daughter was kidnapped.
32:16Who knows what kind of danger it is?
32:18Ljeposava, don't panic me.
32:20You're making me even more nervous.
32:22What should we do?
32:24I don't have a child.
32:26Then you don't have a child, Ljeposava.
32:28Calm down.
32:30I can't.
32:40I can't.