• 4 months ago
Transcript
00:00Once upon a time, there were three little girls who went to the police academy, two in Los Angeles.
00:13The other in San Francisco.
00:17And they were each assigned very hazardous duties.
00:22But I took them away from all that, and now they work for me.
00:26My name is Charlie.
01:30Charlie.
02:00Charlie.
02:19What do you say, buddy?
02:21Hey, come on. Why the heat?
02:25Hey, listen, will you? I never would have left you.
02:27Not if I'd known you were alive. The way you were hanging there, I thought you were dead.
02:31Easy with the cannon. The money, it's all here.
02:34Practically. Once in a while I dip in for 50, 100. Extra bread, that kind of thing.
02:39Here, look.
02:42Fresh out of the oven.
02:44It's all here, pal. Nearly every dime.
02:48Let me show you. Still need to cut here.
02:57Come on.
03:01I got the money.
03:03Get over here.
03:07Get over here.
03:10Get over here.
03:18Come here. Come here.
03:20Come here.
03:22Come on.
03:27Come on.
03:35Frank, is that you?
03:48Hildy, what happened?
03:51It's Frank.
03:53A man ran out. He must have shot him.
03:57I'll get help. Okay.
04:09Well, that's the situation, angels.
04:11We've been hired by Hildy Slater to find her nephew's killer.
04:14No motive? There's always a motive.
04:16It's up to you beautiful creatures to find it.
04:19What are the local authorities doing about it, Charlie?
04:21Very little. Hildy advises that the sheriff is understaffed and overburdened.
04:25And I needn't tell you that the murder is affecting Hildy's business in an adverse way.
04:30What is her business, Charlie?
04:32Ever hear of Utopia West?
04:34Yeah, it's that growth center up north.
04:36Growth center?
04:38Well, you know, Boz, that's where people go to learn how to touch and feel.
04:42Oh, yes, I've heard of it. It's like adults spin the bottle.
04:46Hildy prefers to call it a human potential enterprise.
04:50Sounds great.
04:51Not so great for you, Kelly, my dear.
04:53You're going to replace the late Frank Slater at Utopia.
04:56Doing what?
04:57Bus driver and general factotum.
05:02Three cheers for women's lib.
05:04How's your tai chi chuan, Chris?
05:07Ting how, Charlie? What?
05:09Good, because you'll be replacing the phys ed instructor.
05:12Oh, what happened to the previous one?
05:14She and seven very frightened guests checked out immediately following Frank Slater's murder.
05:20What's my coverage, Charlie?
05:22You'll be checking in as a paying guest.
05:25And, Sabrina, my dear, you're going in as a freelance magazine writer...
05:28...who's been attracted by murder and the unique...
05:30Now, hold it, Charlie. You promised me a vacation.
05:33What better place to spend it than Utopia?
05:36Well, Acapulco sounds a touch more romantic.
05:39Right you are, love.
05:40I'll spring for your plane ticket to Acapulco after this case is wrapped up.
05:45Accepted. And I have three witnesses.
05:48Ah, very good.
05:49There's good news for you, too, Bosley.
05:52Oh? Acapulco?
05:54Your diet.
05:55I'm not on a diet.
05:56You're going to be.
05:57As a favor to me, Hilde agreed to put you on her special herb diet.
06:01Those pounds will melt right off you.
06:05Dr. Miller says that my weight is perfect.
06:07Perfect for Kareem Abdul-Jabbar.
06:10Good luck at Utopia, angels, and be careful.
06:13There's a killer on the loose.
06:19We call this creative aggression.
06:22You can't hurt each other, so come on, go ahead.
06:25Let's get it out of your system. That's it.
06:27Harder. Harder. Harder. You said you were angry.
06:31Strike out. Hit. That's it. Wonderful.
06:33Get rid of those aggressions. Give it. Give it.
06:35Go. Go. One, two, three, four, five, six, seven, eight, nine, ten.
06:41Harder. You said you were angry.
06:43Strike out. Hit. That's it. Wonderful.
06:45Get rid of those aggressions. Give it. Give it.
06:47Go. Go. Wonderful. Wonderful.
06:50Now, where were we?
06:52Oh, uh, we have general P.E. before breakfast.
06:56We have Tai Chi Chuan classes twice daily.
06:58After breakfast and after lunch.
07:00That's right.
07:01And then, uh, after dinner, it's sort of, uh, que sera, sera.
07:05Volleyball, a hike, whatever you can get going.
07:08Well, I guess she can get going whenever she wants to.
07:11Oh, cute. Very cute, Lon.
07:13Now, put your eyes back in their sockets, dear.
07:15Chris, this is Lon Moulton.
07:17He operates the stable and keeps things running.
07:20Hi.
07:21Hello.
07:22Including several female guests.
07:24Oh, Lorraine.
07:25Yes.
07:26Lorraine is my good right hand.
07:28Lorraine Fielding, this is Chris Monroe.
07:30Hi.
07:31Hello.
07:32She will be handling Phys Ed.
07:33Ah. Do you know yoga?
07:35Oh, sure.
07:36Hatha, mantra, kundalini. I studied in Kashmir.
07:39I guess she's qualified.
07:41I could have told you that.
07:44Ahem.
08:05Let me get this for you.
08:06Oh, thank you.
08:10Uh.
08:11I think I broke it.
08:12It's all right.
08:14I'm sorry about that.
08:15It's okay.
08:27Hello.
08:28Hello. Welcome to Utopia West.
08:30I'm Lorraine Fielding, and this is Hildy Slater.
08:32She's the owner and operating manager.
08:34You'll find some brochures in your cabins that'll tell you about classes and meals and so on.
08:39When you get through here, I'll help you sign in.
08:41And like the sign says, deposit your inhibitions.
08:44Around here, we just let it all hang out.
08:47Now, I'm not going to say too much about rules because we only have one.
08:50Be nice to each other.
08:52And whether you go to classes or not is really up to you.
08:54We don't have a truant officer.
08:56What about clothing? What do we wear?
08:58You're the journalist, aren't you?
08:59Yes.
09:00Well, here at Utopia, you wear whatever turns you on.
09:03Now, if it happens to be the altogether, that's okay, too.
09:06But watch out for the splinters and try not to frighten the horses.
09:10If you'll follow me.
09:11Sure.
09:12Come along.
09:28Hildy says you're taking over for Frank Slater.
09:32That's right.
09:36Are you lost?
09:37No, worried.
09:39Oh, is that your job around here, head worrier?
09:43Well, I'm Moulton. I kind of run things around here for Hildy.
09:49Then what's to worry?
09:51You staying here alone in a murder cabin.
09:58This is where it happened?
09:59Right here.
10:01You know, what you need is protection.
10:06Roommate.
10:07Roommate?
10:08That's precisely what Hildy thought.
10:10Hi. Would you be a love and help me set this up?
10:17Set it up yourself, honey.
10:20Oh, gee, I hate a bad loser.
10:22A bad, lecherous loser.
10:25Yeah.
10:28Let me give you a hand with that.
10:30You already have.
10:31A criminal's got a second chance.
10:33My name is Doug O'Neil.
10:35Sabrina Duncan.
10:37Sabrina Fair.
10:38Goddess of the Silver Lake. Milton. Comus.
10:41Poetry freak, huh?
10:42No, I knew a girl named Sabrina in high school.
10:44I memorized that to impress her.
10:46Was she impressed?
10:47She hated being called Sabrina.
10:48My kind of girl.
10:52May I, please?
10:54Thank you, Mr. O'Neil.
10:56Call me Doug.
10:58Your place or mine?
11:00I'll call you Doug.
11:01Your place or mine?
11:03I'll call you Mr. O'Neil.
11:31Hey.
12:02Well, what do you think of Utopia?
12:04Are you kidding? I'm so disappointed.
12:06I thought that sex would be running rampant.
12:08Oh, it's running. You just haven't caught up to it yet.
12:13You know, I really like Hildy.
12:14She's very nice.
12:15I do, too.
12:16She's strictly out front.
12:17Yeah.
12:19Well, I'm going to go.
12:20See you later.
12:21Bye-bye.
12:22Bye-bye.
12:23Bye-bye.
12:24Bye-bye.
12:25Bye-bye.
12:26Bye-bye.
12:27Bye-bye.
12:29Bye-bye.
12:30Bye-bye.
13:01You okay?
13:02Yeah, I'm all right. How are you?
13:03Fine.
13:04Did you get a look at his face?
13:06No.
13:07Didn't even get his license number.
13:20About six feet tall, medium build.
13:22He wore a stocking mask.
13:24Aside from that, he was strictly your average everyday closet creeper.
13:28Any idea what he was doing in your cabin?
13:30Either looking for something or checking us out.
13:33What could he be looking for?
13:34Beats me. Chris and I searched the room. Nothing.
13:37If your cover has been blown, you and Chris should pull back.
13:40I don't want my angels getting their wings clipped.
13:43Don't worry. We'll be careful.
13:44Oh, Charlie, that list of guests and employees is on its way over to you now by special messenger.
13:49Good. I'll run them through the computer.
13:51Anything else?
13:52I guess that's about it, Charlie.
13:54I hope I didn't disturb you.
13:56Well, that's all right. I'm just checking out some investments.
13:59I have a new stockbroker.
14:02Well, I hope everything's looking great.
14:04Oh, yes. I would say things are definitely bullish.
14:08Bye, Angel.
14:10Bye, Charlie.
14:14The technique of Tai Chi Chuan is based on a way of movement.
14:18Now, from the beginning position, we will first grasp bird's tail.
14:28And then ward off with left hand.
14:38Okay. As follows.
14:41Putting most of your weight on your left foot.
14:44Putting most of your weight on your left foot.
14:48That's right. Bending those left knees.
14:51Good. Good.
14:53Now, we are going to turn our right foot to the east.
14:59To the east, Mr. Bosley.
15:01For those of you who don't know where east is, it's the right.
15:03Good. Now, as we do turn our foot, we also rotate our hips, shoulders, and head as far to the east as possible.
15:11Bending those knees.
15:14Mr. Bosley.
15:17To the east.
15:19To the right.
15:21Oh, very good.
15:23Now, we will grasp bird's tail, leaning forward, keeping knees low.
15:29I want you to pair off now. Turn around, everyone.
15:32And find a partner.
15:34Now, there you go.
15:35Okay. Now, I want you to sit down facing each other.
15:38Come on, now. Quickly.
15:39Come on, now. Quickly.
15:42Cross your legs and move in very close.
15:46Now, you don't have to sit lotus position if you don't fold that way.
15:50Or if you feel it'll make you walk funny later on, right?
15:53All right. Now, what we're going to do today is take turns touching each other.
15:59That's right.
16:00Touching.
16:01Primal communication.
16:04It predates speech, you know, and that's why it's so much more eloquent than words.
16:08All right. Palms down on your thighs.
16:11Now, I want one of you to sit absolutely still.
16:15The other will reach across and touch the hand of your partner.
16:19Come on, now. Let's try it. Everybody.
16:22That's right.
16:24I want you to feel each finger.
16:28Feel the lifeblood pulsing through it.
16:33Fine.
16:35Lovely.
16:37All right, partner. Now, it's your turn.
16:40And this time, it's the face.
16:44Reach across and touch the cheek.
16:49Caress it. That's it. Very lightly.
16:53Fine.
16:55Now, with one finger, gently, gently, and very, very slowly,
17:03trace the outline of your partner's lips.
17:10The shape of the mouth.
17:15Gently and slowly. Fine.
17:20Wonderful.
17:22Now, you see? That didn't hurt at all.
17:25And you know what we've learned?
17:27It's all right to touch, after all.
17:30Isn't it?
17:32It is.
18:03Hello.
18:05Oh.
18:08Good evening.
18:10I was just looking for something that I left.
18:13I seem to have misplaced a roast beef sandwich.
18:17You didn't happen to find one, did you?
18:19No. Sorry.
18:21Well, that's all right.
18:23I'm sorry to have disturbed whatever that is.
18:26Good night.
18:28I have some crackers, if you'd like some.
18:29Oh, you do?
18:31Yeah.
18:33Here.
18:35I had it left over from lunch.
18:37Oh.
18:39You're very kind.
18:41What is it?
18:43Potassium.
18:45Have you been here long?
18:47No. Three or four meals.
18:50I mean days.
18:52Have you found your vital power?
18:54My what?
18:56Vital power.
18:58We all have it.
19:00Stored up somewhere inside us.
19:02Inside, we're all churning with vital power.
19:05We are.
19:07I found mine through a water diet and exercise,
19:11but then I lost it.
19:13Oh, I'm so sad.
19:15And I began to display negative energy.
19:18NE destroys BP.
19:22Negative energy destroys...
19:24Vital power.
19:25Right.
19:27My name's Audrey. What's yours?
19:29Oh, Bosley.
19:31John Bosley.
19:33I hope you find it, John.
19:35Your BP.
19:37Oh, so do I.
19:39Listen, thanks very much for the cracker,
19:41but I think I'll turn in
19:43and just store up some of that old BP.
19:46Right?
19:48Good night.
19:50Good...
19:52Good night.
19:55Good night.
20:04So you were a downhill racer?
20:06Racing harassment.
20:08Learned how to ski before I could walk.
20:11Well, were you any good?
20:13Very good.
20:15Modest?
20:17You asked, I answered.
20:19Might have even had a chance on the circuit.
20:22But Vietnam came along
20:23and there was not a whole lot
20:25of really good skiing in Vietnam.
20:27Best I ever placed was 27th internationally.
20:3027th?
20:32That's very good.
20:34Numero uno.
20:37That would have been a whole lot better.
20:39So you never went back to it?
20:41Oh, I went back.
20:43Stott.
20:45Grenoble.
20:47Had a good time. Spent a lot of money.
20:49And then one day it hit me.
20:50None of it was mine.
20:52So I packed my bags and I came home.
20:56Well, that sounds pretty healthy to me.
20:58I don't know. The story isn't over yet.
21:00Is it going to have a happy ending?
21:03It might.
21:09Just might.
21:17What happened to the car?
21:19What happened to Sabrina after dinner?
21:21She disappeared.
21:23Sabrina who? I haven't seen her all day.
21:25That's strange. It isn't like her.
21:33Sorry, folks.
21:35We didn't realize this was lover's lane.
21:39You have a way of showing up where you don't belong.
21:42Well, that's why I'm with Chris.
21:44She's giving me belonging lessons.
21:46Night.
21:48Night.
21:51That man needs a distemper shot.
22:06Your birthday?
22:08No.
22:16No card.
22:18Why don't you open it?
22:20Maybe it's from a secret admirer.
22:39You know something?
22:41What?
22:42That wasn't from an admirer.
23:00Ooh, this really feels good.
23:02I gotta tell you something.
23:04I hate fake bums almost as much as I hate real ones.
23:08That midnight cowboy who jumped us two nights ago
23:09could have been the one who put it there.
23:11Maybe the killer stumbled on to your real identities.
23:14What about Lon Moulton?
23:16What about him?
23:18For one thing, he's the same size as our cabin crawler.
23:21Maybe he and Lorraine are a partnership.
23:23What's that supposed to mean?
23:26We caught Lon outside our cabin last night
23:28getting it on with Lorraine.
23:31Well, he's already made a pass at me.
23:33Me, too.
23:35Me, three.
23:36Well, listen.
23:38Maybe one of us ought to live real dangerously
23:40and get close to him.
23:42No, not me.
23:44And see what we can find out.
23:46What do you think?
23:48Shouldn't be too difficult to do.
23:50I am puckered like a prune.
23:52And besides that, I'm late.
23:54I'll see you later.
23:56What do you mean you're late?
23:58What's happening?
24:00Nothing special.
24:02Just a breakfast date.
24:04Oh.
24:06Business or pleasure?
24:08Well, he's nice.
24:10Who's nice?
24:12A guy named Doug O'Neil.
24:14He's a guest here.
24:17Don't worry.
24:19I'll be cool.
24:21Sure, just like you are now,
24:23a hundred degrees in the shade.
24:25Yeah.
24:27Bye.
24:29Doug O'Neil.
24:32You know, he's in one of my classes.
24:34He could be our midnight marauder.
24:36Not to Sabrina.
24:38From the look on her face,
24:40he's ten feet tall.
25:07Anyway, I was too busy
25:09being a first-class ski bum
25:11to get involved in one of those
25:13meaningful relationships,
25:15you know what I mean?
25:17Marriage was for the other guys.
25:19That's part of the reason I came here.
25:21Get my act together.
25:25Decided that it was time to
25:27put down some roots
25:29someplace.
25:37What about you?
25:39I figured that, uh,
25:41that you had some roots,
25:43but you pulled them up.
25:45Am I right?
25:46A hundred percent.
25:48Is that what keeps
25:50your defenses up?
25:52No.
25:54I don't think so.
25:56I don't think so.
25:58I don't think so.
26:00I don't think so.
26:02I don't think so.
26:04I don't think so.
26:07Well, you did a pretty good job
26:09of breaking through them.
26:11I can't take any credit for that.
26:13Hilda made that breakthrough possible.
26:15Both of us.
26:20You have been hurt, haven't you?
26:22Just enough so I will
26:24never let it happen again.
26:29Well, I'll never hurt you, Sabrina.
26:33You believe that?
26:36I'm not sure.
26:39You can count on it.
26:46I'll walk away from you first.
26:50Well, that might hurt most of all.
27:06I'll walk away from you.
27:36I'll walk away from you.
28:07Note the expression of deep trust
28:09and supreme contentment
28:11on the face of our subject.
28:13Trust, we can see,
28:15is not instinctive.
28:17After the trauma of birth,
28:19it's something that must be learned.
28:21In this exercise,
28:23our test subject allows himself
28:25to be passed with varying degrees
28:27of confidence into the hands
28:29of his fellow human beings.
28:33Charlie sends his best regards.
28:34Oh, when did you talk to him?
28:36On my morning run into town.
28:38He still hopes we'll come up
28:40with a possible motive
28:42for Frank's murder.
28:44Well, I don't know what it could be.
28:46Frank was just a harmless drifter.
28:48He came and he went.
28:50Never said hello,
28:52never said goodbye.
28:54Always gave him a job and a cabin.
28:57But I never knew any of his friends.
29:00What about his personal effects?
29:01Well, Frank always traveled light.
29:03Nothing more than an old Air Force bag.
29:05That's it?
29:07Some snapshots from Vietnam.
29:09Oh, could I see those?
29:11Oh, of course.
29:13There are not many of them, though.
29:15Like I said, Frank was in the Air Force.
29:17He was a ground mechanic
29:19on one of those cargo planes.
29:21Let's see, there's a picture.
29:23Ah, there it is.
29:26O'Neil.
29:28Oh, yes.
29:29O'Neil.
29:31That's Doug O'Neil beside your nephew.
29:33Are you sure?
29:35Well, I'm positive.
29:37Kelly, I think you're right.
29:39Could I borrow this photo?
29:41Of course.
29:43My guest.
29:45Thank you.
29:47Please don't mention this to anyone, okay?
29:49My lips are sealed.
29:51Cross my heart.
29:53Thank you.
29:55Whether you accept it or not is beside the point.
29:57The fact is,
29:59I never mentioned it to anybody.
30:01Look, just because he knew Slater
30:03doesn't mean he killed him.
30:05No, but Doug or anyone else
30:07could have slipped in here,
30:09killed Slater, split,
30:11then returned as a guest.
30:13Okay, all right, look, take it easy.
30:15I'll find out what I can.
30:17It's my job.
30:19Bree, play it cool, huh?
30:21Come on, don't worry.
30:30Oh, oh, oh.
30:43Don't let me win the next one.
30:45Hey.
30:47Doug.
30:49What's up, Mom?
30:52Uh, well, yeah.
30:55You know, I told you I was a writer.
30:59And you're not.
31:01No, uh, no, I am.
31:03I'm, uh,
31:05I'm a writer, uh,
31:07but I'm working on a story
31:09about the, uh,
31:11the murder that happened here.
31:14I just wanted you to know that.
31:19Well,
31:21I guess I have a little confession
31:23to make myself.
31:25Something that you should probably know.
31:27I knew Frank Slater.
31:29The man that was killed.
31:31You did?
31:33We served together in Vietnam.
31:35How well did you know him?
31:37About as close as two guys can get
31:39that shared the same love.
31:43Girl?
31:45Airplane.
31:47Bonnie Jean.
31:49Frank was a crew chief, I was a flight engineer.
31:51She was his on the ground, mine in the air.
31:55Why'd you come here?
31:56I read about Frank's death in the newspaper.
32:00I don't know, crazy, I guess.
32:02I thought here was something useful
32:04that I could do.
32:06Maybe help find Frank's killer.
32:10I don't know.
32:12I guess we've both been keeping secrets, huh?
32:15I guess so.
32:20You learned anything?
32:22Any idea who, uh,
32:24who shot Frank?
32:26Well, he wasn't shot, he was strangled.
32:28Strangled?
32:30The newspaper said he was shot.
32:32Uh, he was shot,
32:34but it was only a flesh wound.
32:36The coroner ruled it was, uh,
32:38death by strangulation.
32:40Hmm.
32:43Well, I tell you what, Duncan.
32:45I got a terrific idea.
32:48Huh?
32:50Let's talk about something more pleasant.
32:57Sabrina is gonna kill us
32:59if she finds out
33:01that we were searching Doug's cabin.
33:03I hope she never has to know.
33:10Chris.
33:12Did you find something?
33:14His wallet.
33:27Still no clue in $2 million Skyjack.
33:31B.J. Smith disappears over Idaho with money.
33:34Hey, I remember that.
33:36It was a couple of years ago.
33:38This guy extorted money from an airline,
33:40and then he escaped by parachute.
33:42They never did find him.
33:44Or the money.
33:46Kelly, what do you think?
33:48I think Doug has a lot more explaining to do.
33:51I'm falling in love with you, Sabrina Duncan.
33:54Hey, that's not fair.
33:56What?
33:58Saying that I love you?
34:00That came right out of left field,
34:02and I wasn't ready for it.
34:04Well,
34:06if you're not ready for it,
34:08I'm not ready for it.
34:10I'm not ready for it.
34:12I'm not ready for it.
34:14I'm not ready for it.
34:16I'm not ready for it.
34:18I'm not ready for it.
34:20You don't, uh,
34:22you don't get ready to fall in love, lady.
34:24I mean, it happens. It doesn't happen.
34:26Yeah, well,
34:28maybe it's happening.
34:32But I need more time.
34:35Hey,
34:37that's, that's fair.
34:39You can have all the time you want.
34:41I'll give you till the
34:436 o'clock tonight.
34:456.30, you have dinner with me.
34:51Okay.
35:11Well.
35:16Well, don't just say something, sit there.
35:18Bree, I.
35:20Listen, uh, I talked to Doug.
35:22He told me that he knew Slater.
35:24He told me before I had a chance to ask him.
35:26You better talk to him again.
35:29Came from the lining of O'Neal's wallet.
35:33If you'll notice the description
35:35of the mysterious B.J. Smith,
35:37you'll see that it fits Doug.
35:39Yeah, well, it also fits
35:41a couple million other guys.
35:43But a couple of million other guys
35:45aren't such big fans of B.J. Smith
35:46that they carry around his press notices.
35:48Nor did a couple of million other guys
35:50just happen to know the murder victim.
36:14Did it ever occur to you
36:16two that Doug could be telling the truth?
36:18Yeah, it occurred to us.
36:20But not for long.
36:22Okay, look, then what is he doing
36:24hanging around here, huh?
36:26Why isn't he in South America or Europe
36:28or wherever it is Skyjack millionaires go?
36:30Okay, okay, let's forget
36:32the newspaper clipping for a moment.
36:34How did he explain his connection with Slater?
36:36They knew each other in Vietnam.
36:38He came here to see if he could find out
36:40who killed his friend?
36:42But Bree, why didn't he tell anybody?
36:44We are undercover, aren't we?
36:46I tell you what, I've got an idea.
36:48Why don't we just come out from undercover
36:50and ask him head on, huh?
36:52Why don't we do that?
36:58You lied to me!
37:00I didn't lie to you.
37:02The money was there, I saw it.
37:04Then why didn't I find it?
37:06I don't know, but it was there.
37:08You don't think I'd hang out with a creep like Slater
37:10unless he had the money.
37:12Listen, the money was there, Lon.
37:14There was a big stack of it.
37:16It has to be in the cabin.
37:18Either somebody beat you to it
37:20or the money is still there.
37:22Well, it better be, lady.
37:24For your sake, it better be.
37:46It better be.
38:16It better be.
38:47Doug?
38:54He's not here.
38:58Let's check the lodge.
39:17No.
39:33End of the rainbow.
39:47Hmm.
39:49Hmm.
40:16Hey, isn't that Lon Moulton?
40:19Yeah.
40:21What's he doing in our cabin?
40:26Hey, hold it!
40:30Lon!
40:31Lon!
40:47Here, Doug.
40:49Here.
40:50Come on.
40:52Oh.
41:00Supreme,
41:02I don't understand.
41:03What would you...
41:06Money.
41:07Where's the money?
41:09What money?
41:10Two million dollars' money.
41:13I didn't see any money.
41:15I only saw Lon running out of here.
41:17Moulton?
41:21Moulton, I...
41:24Doug?
41:26No.
41:27Tell me.
41:30Tell me that you're not Lee J. Smith.
41:32Moulton, I have to go after Moulton.
41:35Answer me.
41:37Don't you understand? He's got my money!
41:48I'm sorry.
41:51I am, Smith.
41:56And you are you.
42:00And we are in love.
42:07I'm sorry.
42:09I'm sorry.
42:11I'm sorry.
42:13I'm sorry.
42:15I'm sorry.
42:17And that money is our future.
42:21And that's why I have to go after Moulton.
42:23I have to go after him!
42:24He's not going anywhere.
42:28Neither are you.
42:47Come on, let's head him off the path.
43:17Come on.
43:47Come on.
44:17Come on.
44:42Hold it! Hold it!
44:44Okay.
44:54Well, if the whole operation was so simple,
44:58where'd it go wrong?
45:02A slight miscalculation.
45:06I was a flight engineer, not a paratrooper.
45:09No, I bailed out of the plane with the ransom safely enough,
45:12but I landed in a tree.
45:15When I woke up, I thought my back was broken.
45:18Evidently, so did Slater.
45:20He was still my ground crew,
45:22waiting for me down there, transportation.
45:26So you followed him here and you killed him?
45:29No.
45:30You said he was strangled. I didn't do that.
45:33Lon Moulton.
45:36Hildy said,
45:38after Slater was shot,
45:41when she ran to get help,
45:45she left Moulton alone with him.
45:49You see,
45:51that puts me in the clear.
45:54You know,
45:56I don't know what I'd do without you.
45:58You see,
46:00that puts me in the clear.
46:02The clear is you murder.
46:07What about the Skyjack?
46:10You're the only one who knows anything about that.
46:14And that's the problem.
46:18I do know.
46:20That's ancient history.
46:24Well, just pretend like it didn't happen. Is that it?
46:29Yeah.
46:48I love you, Brie.
46:58I love you.
47:29So Slater was shot in a wrestling match with O'Neal
47:32while trying to take his gun away from him.
47:34Is that it?
47:35That's right.
47:36Then when Moulton found Slater wounded,
47:38he strangled him, hoping to find his money.
47:40And all the time, it was built right into the wall.
47:42I presume it was O'Neal who left the mock bomb in your cabin.
47:46That's right, Charlie.
47:47The bomb was supposed to be in your cabin,
47:49but it wasn't in your cabin.
47:50It was in your cabin,
47:51but it wasn't in your cabin.
47:52It was in your cabin,
47:53but it wasn't in your cabin.
47:54It was in your cabin,
47:55but it wasn't in your cabin.
47:56That's right, Charlie.
47:57The bomb was supposed to scare us into leaving Utopia.
48:00Or at least into moving out of that $2 million cabin.
48:03Sabrina?
48:04How are you doing?
48:08Oh.
48:10Well, I'll survive, Charlie.
48:12You know, that Acapulco vacation is still available.
48:15On me.
48:17No, thanks. I think I'd rather keep busy.
48:19All right.
48:20I'll do my best to keep you busy.
48:22And Bosley,
48:23you of the lean and hungry look,
48:25tell me, how'd you make out on Hilde's herb diet?
48:28Oh, terrific, Charlie.
48:29Just terrific.
48:30I gained 5 pounds.
48:55I gained 5 pounds.