Movie
  • 6 months ago
Transcript
00:00Once upon a time, there were three little girls who went to the police academy.
00:05Two in Los Angeles.
00:13The other in San Francisco.
00:16And they were each assigned very hazardous duties.
00:22But I took them away from all that.
00:24And now they work for me.
00:26My name is Charlie.
01:00I'm a lawyer.
01:02And I'm a police officer.
01:04And I'm a cop.
01:06And I'm a police officer.
01:08And I'm a cop.
01:10And I'm a cop.
01:42And I'm a cop.
01:44And I'm a cop.
01:46And I'm a cop.
01:48And I'm a cop.
01:50And I'm a cop.
01:52And I'm a cop.
01:54And I'm a cop.
01:56And I'm a cop.
01:58And I'm a cop.
02:00And I'm a cop.
02:02And I'm a cop.
02:04And I'm a cop.
02:06And I'm a cop.
02:08And I'm a cop.
02:10And I'm a cop.
02:12And I'm a cop.
02:14And I'm a cop.
02:16And I'm a cop.
02:18And I'm a cop.
02:20And I'm a cop.
02:22And I'm a cop.
02:24And I'm a cop.
02:26And I'm a cop.
02:28And I'm a cop.
02:30And I'm a cop.
02:32And I'm a cop.
02:34And I'm a cop.
02:36And I'm a cop.
02:38And I'm a cop.
02:40And I'm a cop.
02:42And I'm a cop.
02:44And I'm a cop.
02:46And I'm a cop.
02:48And I'm a cop.
02:50And I'm a cop.
02:52And I'm a cop.
02:54And I'm a cop.
02:56And I'm a cop.
02:58And I'm a cop.
03:00And I'm a cop.
03:02And I'm a cop.
03:04And I'm a cop.
03:06and cook too.
03:36It's just that we don't need anybody.
03:54That's right.
03:55Whoever it is.
03:56Now, look.
03:57Nobody can take Jill's place with us.
03:59Nobody.
04:00Besides, she'll be back before you know it.
04:03Right.
04:04I'm sure Charlie knows what he's doing.
04:06Oh, sure.
04:07Like the time he sent us to Nova Scotia to find Mrs. Carpenter's killer.
04:10Oh, that was a cute one.
04:11Uh-huh.
04:12And the killer was managing a banana plantation in Honduras.
04:15You got him, didn't you?
04:17We were there so long, the guy had to come home for Christmas.
04:20Come on, John.
04:21Who is it?
04:24Trust Charlie.
04:25Oh, boy.
04:26I don't know who's more irritating sometimes, you or that mythical boss of ours.
04:31Hello.
04:32Oh, good.
04:34Bring her in.
04:35Oh, ye of little faith.
04:37Maybe we will work with her and maybe we won't.
04:40Did you hear that?
04:42Yes.
04:43Hi.
04:44Well, I'm here.
04:46It's me.
04:47Who?
04:48Chris, Chris Monroe.
04:51As in Chris Monroe, Jill Monroe's younger sister pigtails and braces?
05:01You got it.
05:02You didn't tell us. I can't believe it.
05:04Hello. How are you?
05:06Miss, why didn't Jill tell us?
05:08Oh, Jill sends her love. She's in Spain right now.
05:10She's practicing for a big race.
05:12She wants to be the first woman to win Le Mans.
05:14Well, she'll do it. She'll do it.
05:16Hey, I thought Jill was sending you through college.
05:18Oh, she was.
05:19Well, you must be a teacher by now.
05:21Oh, no, not exactly.
05:22Well, not exactly what?
05:24Well, while Jill thought I was going to college,
05:26I was actually going to the police academy in San Francisco.
05:31Police academy.
05:33Police academy.
05:35Police academy.
05:36You didn't tell us.
05:37Police academy.
05:38That's perfect.
05:40I can't believe it. I can't believe I'm here.
05:43Finally. Jill has told me so much about all of this.
05:45And she's always talking about Mr. Bosley.
05:48Oh, she was?
05:50Well, if you just ignore Mr. Bosley,
05:52I'd say that's lesson one in survival, wouldn't you, Sabrina?
05:55Oh, absolutely.
05:56What did she tell you about me?
05:58Oh, well, she said you were really a take-charge kind of guy,
06:01always on top of things.
06:03I always thought the world of Jill.
06:05Did she tell you anything else?
06:07Mm-hmm. She said that you had eyes like Paul Newman
06:10and a smile like Robert Redford.
06:12I see that you've got your sister's peculiar sense of humor.
06:18I think you're going to fit right in.
06:20Definitely.
06:22Oh, Bosley.
06:24What she actually said was
06:27Bosley's a teddy bear.
06:30Oh, well.
06:32Hey, is that it? Is that the speaker that Charlie talks to you on?
06:35There is no Charlie. Bos made him up.
06:37Where is he, anyway?
06:39The call is not due for ten seconds yet.
06:43You can count on Charlie to be punctual at all times.
06:46He will call right now.
06:57Hmm.
07:23I don't understand, Charlie.
07:25Just because one is on vacation in Hawaii
07:28is no reason to let down standards.
07:31Well, why don't you tell him to shape up when he calls, Bosley?
07:34I'm sure he'll appreciate that.
07:36Ah. Hello.
07:39Good afternoon, Bosley. Is our new angel there?
07:42Right here, Charlie. I'm feeling like family already.
07:45I knew you would. Welcome aboard.
07:47How's the weather in Hawaii, Charlie?
07:49Perfect.
07:51We're having a smog alert.
07:54Uh-uh. Not nice to fool angels, Charlie.
07:57I'm not putting you on, Sabrina. I need you all over here.
08:00Is it a case, Charlie?
08:02You might say that. I've been kidnapped.
08:04What?
08:06Now, listen carefully, angels.
08:08These are instructions from the people I'm with.
08:10Fly over to Hawaii immediately.
08:12Check in at the Royal Hawaiian.
08:14Wait for someone to contact you there.
08:17If you talk to the police or the FBI, I'll be killed.
08:22Okay, go home and pack. We'll meet at the airport.
08:24I'll make the reservations.
08:26I can't believe it. Charlie's been kidnapped, and I haven't even seen him yet.
08:30So what else is new?
08:32Always wanted to go to Hawaii.
08:34But not this way.
08:51Oh, my God.
09:22Aloha.
09:24Thank you.
09:26Thank you.
09:28Welcome to Hawaii.
09:30Thank you.
09:32Kimo, I'll show you to your roots.
09:52Well, thank you. That should do it, Nella.
09:55Wow, everything looks just like I thought it would.
09:58Sure does.
10:00Whispering, sir.
10:02The trade winds warm on our faces.
10:04Charlie, a kidnap victim.
10:11Don't you think we should try to locate Charlie's yacht and talk to the crew?
10:15I don't think we should do anything until the kidnappers contact us.
10:18Yeah, but I hate just sitting here doing nothing
10:20while Charlie's locked up somewhere with a gun to his head.
10:22Nothing else we can do.
10:24Ah, here we are.
10:26Now, for those of you who have never had a Mai Tai,
10:28except the words of one who has,
10:30it slides down like a wondrous fruit punch
10:34and then rips the soul off your shoes from the inside.
10:38Charlie.
10:40Charlie.
10:42Charlie.
10:44Wherever he is.
10:46Wherever he is.
10:50I, uh, assume this is for me.
10:55This is it. Unsigned.
10:58Tomorrow morning, 11 o'clock,
11:012.8 miles from bridge.
11:04Way, man, man, halo.
11:08Buzzy.
11:10Waymanalo.
11:12Beach.
11:14Watch for red scarf.
11:19Red scarf.
11:44Red scarf.
11:46Red scarf.
11:48Red scarf.
12:14Well, this is it.
12:16We've reached 2.8 miles,
12:18and it's one minute to 11.
12:22Let's check the beach.
12:47Whoa.
13:12Well, unless our contact's fishing hooky last time,
13:15he isn't here yet.
13:21Look, out there.
13:27I think we just got our signal.
13:36Watch out.
13:38Get down.
13:42Sabrina.
13:46Uh.
14:11Opa.
14:16You one dumb brother.
14:18Man sent me. Gotta go do what he say.
14:21You run and hide.
14:23Somebody see your face and you one dead mahi-mahi.
14:26Run. Hide.
14:34It's a pleasure to meet you, Charlie's angel.
14:36Where's the boss lady?
14:38I'm not so sure.
14:40I'm sorry about all this.
14:42Guess what all that was about, miss?
14:44Mrs. Leilani Sacco.
14:47That was business.
14:49You're certainly in a violent business.
14:52Smuggling and gambling involve large sums of money.
14:55When the dollar amount becomes large enough,
14:58any business become violent, one way or the other.
15:01Why did you kidnap Charlie Tanzi?
15:04I want to hire the angels.
15:07Why didn't you call the office?
15:09That's the way it's usually done.
15:11My husband is in jail.
15:13And it is a very dangerous place for him.
15:16We have many enemies and they will try to kill him.
15:19Unless you break him out.
15:22How much would you charge for an assignment like this?
15:25We're not in the jailbreak business.
15:28You are now.
15:30His name is Billy Sacco. He's in the state prison.
15:33You can find it on any map.
15:35But why us? I mean, we don't know Hawaii.
15:37You must have people working for you
15:39to get your husband out of jail.
15:41Well, as the cliche goes, the heat is on us, Kelly.
15:46Every one of my people is being watched and I need outsiders.
15:50That explains your coming out of the surf to meet us.
15:53It explains a lot of things, but still not why us.
15:57You have a great reputation.
15:59And you don't look anything like the dirty dozen.
16:03Who would suspect Charlie's angel pulling a jailbreak?
16:07Well, I think that's all we've got to discuss.
16:10What do you mean, that's all?
16:12What if we don't get your husband out of jail?
16:14Then your Charlie's a dead man.
16:25My husband has many faults.
16:27And we both have done things that I'm sure you would not approve of.
16:31But I love him very much and I want him out. Now.
16:35Wait a minute. How do we communicate with you?
16:38You don't.
16:40When I hear that my husband is out of jail, I will contact you.
16:43And then we will make the arrangement in exchange for your Charlie.
16:48Until then, everything else is dangerous. Aloha.
16:53I suppose she's got a submarine out there.
16:56So what do we do now?
16:58First, we get a look at the prison.
17:01You mean you're seriously considering breaking her husband out of jail?
17:05It's our only alternative if we want Charlie back alive.
17:08But breaking a man out of prison?
17:10Well, we'll explain it to the police when we put him back.
17:13I don't think that's a good idea.
17:15I don't think that's a good idea.
17:17I don't think that's a good idea.
17:19Well, we'll explain it to the police when we put him back.
17:22Oh, we break him out, then we put him back.
17:26Well, you really didn't think we planned on keeping him, did you, Bosley?
17:31Come on.
17:49Come on.
18:11Good morning, Charlie.
18:13Hello, Leilani. You look lovely today.
18:16Thank you.
18:18Did you know that your angels have arrived safely...
18:20and are about the business of working out your release?
18:23Oh. What am I worth these days?
18:26Oh, had my case been one you would have accepted...
18:28I suppose I would have been willing to part with a quarter of a million dollars.
18:32With inflation, perhaps more.
18:34That's a comfort.
18:37Charlie, do not mistake the gentle treatment.
18:40If your angel fails, you're dead.
18:43I strongly suspected that.
18:46Aloha, Charlie.
18:48Aloha.
18:54Sweet Leilani.
18:57That ain't her song, man.
19:11Right, I've got it. Thanks, Trish.
19:14Take good care of yourself, okay?
19:16Bye, man. Bye.
19:19That was Trish Jonas, the girl in L.A. who owes us a favor.
19:21I would think so. He kept her from going to jail.
19:24Trish used to live here.
19:25She came up with a good contact, a woman who owns a massage parlor.
19:28How about you, boss? Did you have any luck?
19:30Find out anything about Leilani and her husband?
19:32Not much. Just that they have a lawyer who fronts for them by the name of Hollis.
19:36Also, that Billy Sacco has a sister. She teaches high school here.
19:40She's clean. She's completely honest.
19:42Okay, so what do we do next?
19:44You find the sister, you talk to the lawyer.
19:46I'll follow up on the massage parlor lady.
19:48Right.
19:49We need to know everything we can about the Saccos and their operation.
19:51What about you, Bree?
19:53I think I know somebody who can help us.
19:55Knows everybody in Hawaii, and he just happens to be a friend of Charlie's.
20:04Sure, I know...
20:06In fact, everybody in Hawaii knows Leilani and her husband, Billy.
20:09She's the tiger and he's the pussycat.
20:11And they have all the smuggling and gambling here in Hawaii,
20:14and they got some bad boys working for them.
20:16Now Billy's in jail.
20:18Well, he was set up on a phony charge. Possession of stolen property.
20:24Billy's not a tough kid, you know.
20:26Gonna cost him two years for that.
20:28Not if Leilani has her way, it won't.
20:31She's a tough woman.
20:33Don, you have any idea who set Billy up?
20:35Well, there's some new boys in town.
20:39And they really play rough.
20:41And I try to stay away from that kind of action, you know.
20:45But if they get Billy, well, that's her weak spot, you know.
20:51Here, have a chichi.
20:53This is pineapple and coconut juice.
20:55No, I can't. I can't, thank you.
20:57Well, I can. Cheers.
20:59I appreciate your help. Mahalo.
21:02Anything for Charlie.
21:09Mr. Bosley. Thank you.
21:11I've been contacted by Leilani Sacco, so I've been expecting you.
21:15Then you know why I'm here.
21:17Of course not.
21:18You might have some legal enterprise in mind.
21:21Lawyers should know about things like that, should they?
21:23Oh, no.
21:24Then she didn't mention that I need to lay out of the state prison.
21:28No. But I happen to have a complete ground plan of that establishment right now.
21:32I'll have you know that.
21:35I don't know why I told you that.
21:37I suppose it was vibes.
21:39You seem to me to want to know that.
21:41You know, for an honest lawyer that doesn't know what's going on,
21:44you're just a bundle of help, Mr. Hollis.
21:46Thank you, Mr. Bosley. You're welcome.
22:05We got nothing to say to nobody about nothing, sister.
22:10Trish Jonas in Los Angeles said you could help me.
22:13She said if anybody in the islands could give me the M.S. about anything,
22:16to see her friend Kona.
22:18Well, I'd be Kona, sister, but you ask about Leilani and Billy.
22:22Ain't nobody got nothing to say about them.
22:24No kind of way.
22:26Too easy, be dead.
22:28I don't know.
22:30No kind of way.
22:32Too easy, be dead.
22:34Tell Trisha we miss her, okay?
22:36Why don't you call her and tell her yourself?
22:38I was gonna do that.
22:40What name you got?
22:42Kelly Garrett.
22:43When you talk to Trish, will you tell her I'm staying at the Royal Hawaiian
22:46in case she wants to talk to me?
22:48Ooh, you're living high, sister.
22:50You in the business?
22:52No.
22:54Big shame, girl.
22:56Could get rich.
22:58Money ain't no big thing, sister.
23:29My brother Billy is pupule.
23:32He fell for Leilani, married her, got sucked into crime,
23:36and now he's in jail.
23:38Wait a minute, pupule?
23:40Pupule, crazy, nuts.
23:43He was always like that.
23:45Can you tell me a little more about Billy's wife?
23:48Leilani's charming, greedy, aggressive,
23:54educated, bloodthirsty,
23:56and arranges the best dinner parties this island has ever seen.
24:00Imagine a rotten pearl master.
24:02And you got a good picture of my sister-in-law.
24:04Ha ha ha!
24:08Have you seen your brother since he's been in jail?
24:11His lawyer called me and told me Billy didn't want me to come there.
24:15He's pupule, but he's got some sense of family.
24:19Hey, what's that?
24:21Surf's up.
24:32You want to talk some more?
24:34We have to do it on the water.
24:39Uh, wait a minute.
24:42What?
24:45Uh, wait a minute.
24:48All right.
25:14Oh, my God.
25:45Shh, shh, shh.
25:57Oh, no.
26:03She really got wiped out.
26:09She's been shot. Get somebody.
26:12Get a doctor.
26:38Ain't no big thing, brother
26:40When things ain't looking up
26:42Ain't no big thing
26:44When you've got no coffee to fill the cup
26:46Because the good time's coming
26:52That's dumb, brother.
26:54Let them roll
26:56Let them roll
27:04Because people could get hurt, man.
27:06Ahem.
27:08Privileged communication between attorney and client.
27:13You should have showed it to him, George.
27:15Would have made his day.
27:17You got to take this more seriously, Billy. You better toughen up.
27:20Toughen up?
27:22Look what being a happy-go-lucky smuggler get me, huh?
27:25If I toughen up, they'll probably send me to Devil's Island or someplace.
27:28Billy...
27:30Look, you tell Lonnie I appreciate what she's trying to do for me.
27:33I love her for it.
27:35Is this shooting and people getting hurt?
27:38There's already been shooting, Billy.
27:40Who?
27:42Your sister.
27:44She's all right now.
27:46And Leilani's got people watching over her, so don't get upset.
27:49Don't get upset. Don't get upset.
27:51Just because some hood shoots up my sister? Huh?
28:00That's my baby sister you're talking about. You know that?
28:03Why shouldn't I be upset?
28:06What's she got for a heart? Eyes?
28:09What do you think I got in here?
28:11Don't lose your temper with me, Billy. I didn't shoot her.
28:14How do I know that? Huh? How do I know that?
28:17In this crazy business I'm in,
28:19how the hell do I know who I can trust?
28:24You're in the wrong line of work, Billy.
28:26Oh, surprise. Surprise.
28:29Hey, just... just go, okay?
28:34Gone.
28:37Ain't no big thing, brother
28:40When things ain't looking up
28:42Ain't no big thing when you've got no coffee to fill the cup
28:46Cause the good times are coming
28:48Yeah, let them roll, roll, roll
28:58The red lines are the alterations and improvements made over the years.
29:02Who is it? It's Chris.
29:05Kelly.
29:10Boy, this thing is old.
29:12This has to be the architect's original plan for the prison.
29:15Spoke to the doctor at the hospital. Billy's sister's gonna be fine.
29:18Good. You sure nobody followed you?
29:21I'm sure. I doubled back twice.
29:23Good. You can't be too careful.
29:25That certainly wasn't a love note I found on the car.
29:27No. And that bullet could have been meant for Chris.
29:30Yeah. Is this the plan to the prison?
29:33Yeah. Doesn't look too good, either.
29:37I don't see any way we can crash in, get him to it fast enough and get away clean.
29:42That lets out crashing in.
29:44Yeah. Yeah, but what about having somebody else crash him out?
29:49Somebody else? Who?
29:52Billy's lawyer, Hollis.
29:54If he's as clever as they say, he can find a way to get Billy brought into court.
29:59That means he'll have to be driven there.
30:02Right.
30:09What is this? A scavenger hunt?
30:12Read that list again, Bosley. I think we left something off.
30:16Two dozen large firecrackers.
30:18Two straw hats.
30:20A jean outfit my size.
30:23And make sure you've washed them several times so they look worn, Bosley.
30:26A black wig, a bow and arrow, and a Chinese grandfather?
30:30Yeah, and we need a grandmother, too.
30:33I remember what it is we left off.
30:35Corned beef sandwiches.
30:36What are you going to do with them?
30:37We're going to eat them. You can't work on an empty stomach.
30:42Kelly better hit the beach and find our Chinese grandmother and grandfather.
30:52Now, remember, we don't want you to do anything illegal.
30:55All you have to do is wait for my signal, okay?
31:14Can I help you?
31:15You sure can. You can tell us what you're up to.
31:18We can't figure it out.
31:21Are you the police?
31:23Nobody, baby.
31:24Now, tell us what you're up to.
31:28This is a very busy hotel beach.
31:31I'm going to count to three slowly.
31:33And when I get to three, if you're not long gone, I'm going to scream.
31:37You know you could be dead by the time you get to three?
31:40One.
31:43Two.
31:47Three.
31:49Help! Help!
31:51Help, somebody! Help!
31:54Help!
32:11You're a hell of a poker player, lady.
32:15We'll be seeing you.
32:18We'll be seeing you.
32:27Look, somebody shot Billy's sister,
32:29put a threatening note on Kelly's car,
32:31and now these guys are on the beach.
32:32I mean, who are they? Who do they work for?
32:34Not Leilani, that's for sure.
32:36Well, I don't know. I'd just like to call this whole thing off.
32:38Well, call it off until when?
32:40Billy's lawyer has him scheduled to go before the judge today.
32:43If we don't break Billy out soon, it's goodbye Charlie.
32:46I won't stop now, boss.
32:48I say, let's go do it.
32:51Okay, okay, but there is another player in this game,
32:54and I would like to know who it is.
32:57Mr. Blue.
32:59Judge Sean just agreed to hear the motion she sent for Billy.
33:02And on top of that, the angels and the guy drove off towards Pearl City.
33:06So?
33:07So, it sounds to me like something's going to happen.
33:09What do you think, Mr. Blue?
33:11Where's Leilani?
33:14Where's the lady? Where's Leilani?
33:17She left the house about an hour ago, headed downtown.
33:20Tell him not to wait.
33:22Tell him to move now and fast.
33:24Bring me Charlie Townsend.
33:26Gotcha.
33:27Mr. B says move it now, fast.
33:44What for the judge want to see me, Moe?
33:46Beats me. We got a call to bring you, and that's what we're going to do.
33:53How about, on the way in,
33:56one of you run into a store and pick up a six pack of ice cold beer.
33:59What do you think this is, man, a pleasure trip?
34:02Get in.
34:13Okay, here they come.
34:43Oh, my God.
35:13Okay, boss.
35:15Hit the brakes.
35:25Oh, lady.
35:27What happened?
35:29Oh, I don't know.
35:31I don't know. He slammed on his brakes and I...
35:35Wait!
35:39What's going on?
35:58Okay, let's go.
36:05Hey, where'd he go?
36:07And they got Billy.
36:15Just don't move and everything will be fine, Mr. Sacco.
36:19Whoa!
36:33Chris!
36:35Chris!
36:37Clear.
36:39Are you all right, Mr. Sacco?
36:41Call me Billy. I'm fine.
36:43Hey, they're chasing another guy. They think that's me, right?
36:46Lucky, there's a change of clothes.
36:48You mind getting this other one here?
36:50No, and as soon as you change your clothes, the other one goes back on, so hurry up.
36:53Wait a minute. Didn't my wife hire you to spring me?
36:56Well, not exactly.
36:58Look, Mr. Sacco, just change your clothes, okay?
37:00Billy never argues with no gun, sister.
37:16Whoa!
37:46What are you doing?
37:48Why are you touching my car?
37:50I just got here.
37:52Why are you driving so fast?
37:54I told you to slow down.
37:56Slow down. Don't drive so fast.
38:16Jim.
38:40Jim.
38:42Oh, no.
38:44Oh, look at that.
38:46Hey, what you got?
38:48Why doesn't Leilani call?
38:50She will when she's darn good and ready.
38:53She's so cool, she's probably having her hair done.
38:56Mm-hmm.
38:58That's her biggest ad, you're cool.
39:00Right.
39:02Well, we'll just have to out-cool her, that's all.
39:04Yeah, we can wait as long as she can.
39:06Right, and then some.
39:08Right.
39:10Hello?
39:12Leilani Sacco.
39:14I want my husband returned now.
39:17All right, you've got our boss, and the deal is a trade.
39:19Now let's talk about the details.
39:21I no longer have Charlie.
39:23What?
39:24I said, I no longer have Charlie.
39:26Some of our competitors have him.
39:28And that is not my problem, it is yours.
39:30I want my husband returned.
39:32Now.
39:34Or you are three dead angels.
39:36Wait a minute.
39:38You don't have Charlie, but you want your husband back?
39:41Or you'll kill us?
39:43That is correct.
39:44Wrong.
39:45Wrong, Leilani.
39:47Anything happens to us and Billy goes right back into the slammer,
39:50puts you right back where you started.
39:52Now I think we better meet somewhere and discuss this situation.
39:55All right.
39:57Why Manalo?
39:59Same place, six o'clock.
40:01There will be a luau there.
40:03Enjoy it.
40:06Because of your screw-up, we are going to have to go to war.
40:09Get me an army.
40:11Move!
40:35[♪ singing in Hawaiian ♪
40:53[♪ singing in Hawaiian ♪
41:19[♪ singing in Hawaiian ♪
41:30[♪ singing in Hawaiian ♪
41:55Mrs. Sacco?
41:57Oh, he's my husband.
41:58As well as can be expected.
42:00What happened to Charlie?
42:02Some men and hoods broke in.
42:05New competition.
42:07They shot two of my people and grabbed Charlie.
42:11How much do you want to turn Billy over to me?
42:13In original terms, we get Charlie and you get Billy.
42:16I haven't got him.
42:18Then get him.
42:20The hoods took him from you, take him back.
42:23You three are not shrewd enough or tough enough to put the squeeze on me.
42:28We don't have to be.
42:30See, we have Billy.
42:32You've got Zip.
42:35Even if I knew where Charlie was,
42:38the only thing I could do is to send a dozen men armed after him.
42:42Your Charlie would get shot in the battle.
42:44You know, I have a very strong feeling
42:47that we stand a good chance of hearing from those anonymous people that have Charlie.
42:51And they'll want to make the same trade with us that you did.
42:54They will contact you.
42:56But you will not make the exchange.
42:59And what makes you so sure?
43:01Because if you turn my Billy over to them, they will kill him.
43:05Why should that stop us from making the exchange for Charlie?
43:08It shouldn't.
43:10It wouldn't stop me.
43:12But then, you are not me, are you?
43:16Who's got Charlie?
43:18A man called Alfred Blue from Chicago.
43:21He ran a mob there, got ran out.
43:24Now he wants Hawaii.
43:26And so do you.
43:28I was born here.
43:30All right, if he doesn't find us, we'll find Mr. Blue.
43:33But until we do, you don't make a move without our okay.
43:37Sabrina, I am not accustomed to take orders.
43:40Learn.
43:42Anything else?
43:44Kelly.
43:46Chris, one thing.
43:48Pass the word.
43:50Make sure your friends cooperate with us.
43:55Miss Isako.
43:57Aloha.
44:05She almost had us in her pocket.
44:07Almost only counts in horse shares, huh?
44:10Come on.
44:17Girls, girls, please.
44:19You're going to take a drive with me.
44:22Please.
44:29You're easy.
44:31Don't count on it.
44:46Come on.
45:17Excuse the, uh, inconvenience, girls.
45:20My name is Mr. Blue.
45:22Does that name mean anything to any of you?
45:24Should it?
45:26Sure it should.
45:28I'm very important here in Hawaii.
45:30You sure have a beautiful conference room.
45:32You like that kind of stuff.
45:34Well, if you don't mind, I'd like to introduce myself.
45:37My name is Mr. Blue.
45:39I'm from Chicago.
45:41I was born here.
45:43You like that kind of stuff.
45:45Listen, ladies, you got something that I want,
45:48and I got something that you want.
45:50So let's discuss, uh, an ex...
45:53Oh, an exchange.
45:55God bless you.
45:57I think.
46:01I'm allergic to this, uh, palm dust.
46:04Mr. Blue, how can we be sure that you have what we want?
46:08What do you mean, like a phone call from the guy?
46:10It would help.
46:12We can arrange that, but it'll only slow up negotiations for another day.
46:15Well, we don't believe in negotiating unless we're sure we have a reason to deal.
46:19Ah. And you're gonna let me do the same, huh?
46:22I mean, you're gonna let me talk to Billy?
46:24Nope.
46:25Hey, what is this here? You girls give me the runaround?
46:28We're on your turf, and our merchandise is hot.
46:31Would you play even up in our place?
46:33Of course not.
46:35You know, you're very pretty.
46:37And you're bright.
46:39And gutsy, huh?
46:41I mean, all three of you.
46:43I'll tell you what.
46:45Tomorrow morning, you can expect a phone call from your boss around 9.
46:48And then you'll come over, and you'll have lunch.
46:50And then we can discuss this in further detail.
46:53We'll meet you for lunch in a busy restaurant.
46:57What, are you crazy? Do you ever eat one of these restaurants here?
47:00They're lousy. They serve pork and poi.
47:04Do you ever have poi? That's that purple stuff.
47:07It tastes like, uh, Elmer's glue.
47:09If I were you, I'd fire my travel agent.
47:12What do you mean, with a gun?
47:14That's a joke.
47:15Listen, you girls will be hearing from me.
47:17Yeah.
47:24I'd like to know a lot more about Mr. Blue.
47:27Well, if there's one woman who has a line on all the men on this island, it's Kona.
47:33Kona?
47:35You mean your friend at the massage parlor?
47:38Yeah.
47:59Unless you're looking for our kind of massage, you're coming at the wrong time, sisters.
48:03Four questions we split, okay, sister?
48:06Okay.
48:07That's one. Two, have you heard from Leilani Sacco?
48:12Yeah.
48:14That's two.
48:17Where would Blue stash somebody he grabbed?
48:21Don't know, sister.
48:23He got no piece of this business, and I don't put my nose in nothing what he do, okay?
48:28How about a massage, baby?
48:30No, thank you.
48:31No, no, no. I mean you give me a massage.
48:34Ah.
48:36I tell you, okay, but you have to wait till I get through with the Admiral in the back.
48:43Forget it. I already had two today anyway.
48:50Who would know where Blue would keep somebody, Kona?
48:55Sammy Telford.
48:57Cuckoo bird, Sammy.
48:59He put his nose in all kinds of business to anybody.
49:03I don't know why he ain't long time dead.
49:05And that's your four questions, so get lost, okay?
49:09Okay.
49:13Hey.
49:15Big loss, you three don't want to come in this business.
49:18Got three cribs.
49:20You could make plenty money.
49:22We think about it, okay?
49:25Okay.
49:32I am so tired, I cannot even remember why I'm tired.
49:38We have a message.
49:39Oh.
49:46This is room 279. You have a message for us?
49:55Oh.
50:09What's the matter, Kelly?
50:11The coroner's office called.
50:13What?
50:15A man's body washed up on the beach.
50:18The wallet in his jacket identified him as Charlie Townsend.
50:24Oh.
50:54Charlie Townsend.