L.a-H.i.s.t.o.r.i.a-d.e-J.u.a.n.a. - Capitulo 22
L.a-H.i.s.t.o.r.i.a-d.e-J.u.a.n.a. - Capitulo 22
Transcript
00:00So, did the girl show up by mistake, or...?
00:04No.
00:06No, the investigator looked in all the security cameras
00:09in the clinic, and no.
00:12He couldn't find her.
00:14And...
00:15could you see the portrait of Ablado
00:17that they did with the doctor who attended her?
00:20Yes, I saw it.
00:21At first glance, it could be any girl.
00:24How strange, because the investigator you hired
00:28looked so sure to go with her.
00:30I'm sure she's going to be...
00:32I told you to stop the investigation.
00:34How?
00:36Why?
00:38Because I already gave up.
00:40I think it was enough.
00:43It's just that...
00:45with Rosa's insemination, everything was so painful
00:47when it didn't work.
00:51Besides, that girl,
00:53when she saw herself in an unwanted situation,
00:55she probably interrupted her pregnancy.
00:57It's the most logical thing.
00:59She would have to be a wonderful woman.
01:02Totally different from the others
01:04to have a child in that position.
01:07You know, I'm glad you made that decision.
01:11You're glad?
01:13Yes.
01:14You've suffered a lot, my love.
01:17And that's not to mention all the attempts we made with me.
01:21What's wrong?
01:23Are you nervous?
01:25Yes.
01:26We've tried this many times,
01:28and it doesn't work. I won't get pregnant.
01:31I promise it'll be the last time.
01:34If it doesn't work, we'll see what we do.
01:38Okay.
01:39Let's go. Dr. Mendez is waiting for us.
01:41Give me a second. I'm going to the bathroom.
01:43Okay.
01:53♪♪♪
02:00♪♪♪
02:05Never again.
02:07♪♪♪
02:14♪♪♪
02:17There.
02:19Do you feel better?
02:20Yes, my love.
02:22You know, what I want to tell you is that,
02:25above all my nerves,
02:27what I care about most is giving you a child.
02:29I don't care how many times we have to try.
02:31Okay?
02:36Thank you.
02:41What are you thinking?
02:45About everything we've tried to have children.
02:49Isn't that a proof of love in a relationship?
02:54It is, isn't it?
02:56Come back to our room, my love.
02:59I miss you.
03:01Paola, it was many years.
03:05Looking for that dream.
03:07It exhausted us.
03:09It ended up wasting our relationship.
03:15That's why I want to ask for a divorce.
03:19♪♪♪♪
03:25♪♪♪♪
03:30But even if it's the most difficult thing
03:32I have to do in my life,
03:33I'm going to keep my word
03:35and stay away from Gabriel.
03:37Oh, girl.
03:38I feel like you mean a lot to him too.
03:44What do you mean?
03:45Why do you say that?
03:46Well, because all the time I've been working
03:48at the brewery,
03:49he never, never in his life
03:51knew about someone like he did with you.
03:55Besides, when they're together,
03:56you can see the chemistry meters away.
03:59Not to mention the big smile
04:01he puts on every time he sees you.
04:02Well, but that's clearly because
04:04we're very good friends and that's it.
04:06Well, I don't think that's it.
04:10Besides, David told me he's not doing well with his wife.
04:13Yes, I knew that because Gabriel told me.
04:16Do you realize
04:18that Gabriel is also in love with you?
04:21Are you crazy?
04:22How can he be in love with me?
04:23Well, he told you about his wife.
04:25Okay, if he's not doing well with his wife
04:27and he's going to break up or whatever,
04:29well, first he would give himself some time
04:31before allowing himself to feel something for someone else.
04:34Well, what if he already took that time?
04:38Well, anyway,
04:39I don't think that after he couldn't have
04:41his own child with his wife,
04:43now he wants to be with a woman
04:44who's pregnant with someone else.
04:46What do you know?
04:48The engineer is a very good person.
04:50It's a charity project.
04:52Well, you don't want to realize it.
05:00No, no, no, no, no.
05:01You're not serious.
05:02How can you ask me that?
05:03I'm not asking you.
05:04It just happened.
05:05You know we're not the same anymore.
05:07That's a lie.
05:08I don't do anything but think about you,
05:10about us.
05:11You really don't do anything but think about us.
05:15Do you want me to come back to your room?
05:20No, I don't understand the question.
05:22When was the last time you made love in our room?
05:35I don't know. Where do you want to go?
05:37We know it was a long time ago.
05:39I just want you to be happy.
05:40But I can't be happy with any other man.
05:42Not you.
05:43That was before.
05:44Of course you can be happy with another man.
05:46I know.
05:47How do you know?
05:48Because I don't love you anymore.
05:51And that's enough for us not to be together anymore.
06:08There it is.
06:1060.
06:12600, 600.
06:13How much?
06:14600.
06:15Ah, no, 600.
06:16Yes, and this we already counted, right?
06:18Perfect.
06:19There it is.
06:20Well, I think I'm going to take you a delivery
06:25like this, between tomorrow and the day after tomorrow.
06:29Are you going to take it to me personally?
06:31No, no.
06:32Pepito, who is on his way to school, is going to take it to you.
06:35And I hope you're not buying the sweets to eat them
06:38because I remind you that you are pre-diabetic.
06:40Controlled.
06:42It's just that when I see you, everything is controlled.
06:46What happened, my Mr. Memo?
06:47Hey, Mr. Felipe.
06:48How are you?
06:49Good, son.
06:50How are you?
06:51Very good.
06:52Don't you want to stay for some tacos?
06:53No, Mr. Memo, he's leaving.
06:54Ah, he's not going to be the ugly one here.
06:56He's leaving, Mr. Memo, right?
06:58He's leaving.
06:59Right, right.
07:01Bon appetit.
07:02Go ahead.
07:03Have a good night.
07:04Thank you, Mr. Memo.
07:05Come in.
07:07I'll see you tomorrow, Mr. Memo.
07:09Bye.
07:12What?
07:13Why do you look at me like that?
07:14Do I have hands on my face or what?
07:16No, it's Mr. Memo.
07:17I've always liked him.
07:18Oh.
07:20And then what?
07:21He's a very elegant man here.
07:23He's always well-perfumed.
07:25He dresses well.
07:26He's a businessman.
07:28Don't you like him?
07:30Don't you give him a chance, Dad?
07:32Oh, look, the donkey is talking to you.
07:34Because you know what?
07:35I also think that Yadira...
07:38Oh, what a good woman she is, right?
07:40And why don't you give her a chance?
07:42Why don't you give her a chance?
07:44Stop meddling in my business!
08:05Hello.
08:06Hello.
08:09I had to come in a taxi
08:10because your husband didn't have the decency
08:12to bring me with him.
08:13Is he mad?
08:14He says he only sees him because of your interests.
08:16Oh, and that Juana and him
08:17are just gossip on the radio.
08:21And what do you think?
08:22He says I'm your spy.
08:24Do me a favor.
08:29I don't know.
08:30Do me a favor.
08:34Gabriel just asked me for a divorce.
08:41Excellent job, Jenny.
08:43Congratulations.
08:45Oh, I thought you were upset with me.
08:48No, how could I be upset
08:49with the best employee at the restaurant?
08:52Seriously, you were fabulous.
08:53Congratulations.
08:54And please, talk to me about this, okay?
08:57Okay.
08:58No, I really thought
08:59you were going to yell at me about Loreto.
09:02Well, I'm sorry if I got a little rough with that,
09:05but sometimes lonely men come
09:08and all they want is to have fun
09:10with pretty girls like you.
09:13And well,
09:14we have to be especially careful with you.
09:17Why?
09:18Because besides being pretty and beautiful,
09:23you're very nice.
09:26You have a spectacular energy.
09:28I have all that?
09:29Yes, and you sell very well.
09:32That's true.
09:33I would have to be completely blind
09:37not to have realized
09:38when you walked in through that door
09:40that you lit up the whole restaurant.
09:54What if Gabriel is also in love with you?
09:58You're crazy.
10:04I don't want you to take me out of your life.
10:06I want to be close to you.
10:08Of course, if you allow me.
10:16How do I stop thinking about him?
10:29Good evening, sir. Excuse me.
10:32I bring you your dinner and your tea.
10:34Thank you, Tania.
10:40Is something wrong?
10:43Boss, I'm sorry to meddle,
10:45but are you going to stay here
10:48in this guest room?
10:50The situation between the lady and I is not good.
10:53But thank you for worrying.
10:56Yes, but you don't see her around the house either.
10:59All the staff misses her, boss.
11:03Better times will come.
11:07Well, look, I'm sorry again,
11:10but I think you have to spend more time at home.
11:14Look, the other day,
11:16Mrs. Paula invited one of those models
11:18she's working with.
11:20And what happened?
11:21Well, it's not the first time she's been visited,
11:24but I think if you...
11:25Tania, I know exactly what's going on in this house.
11:30Look at me.
11:33Excuse me, it's Dr. Mendez. Good evening.
11:35Good evening. Excuse me, sir.
11:39Arturo.
11:40Gabriel.
11:41I'm calling because I heard you managed to identify
11:44the girl that Dr. Ruizin came in by mistake.
11:46Yes, for now I asked them to stop everything
11:48that had to do with that girl.
11:50In fact, I asked Elias to stop the investigation.
11:53Are you sure?
11:54Yes, for now I have to see what I'm going to do.
12:09Good morning, Abu.
12:11Good morning, daughter.
12:14It was very cold this morning, wasn't it?
12:18Why don't you put on something warmer?
12:21What for?
12:22In a little while I'll take off with all the suit I have.
12:26The sweets, go to work, come back,
12:28mop, sweep, wash, lay the beds,
12:30do the cleaning, iron what?
12:32Abu.
12:35I know you're dying to tell me what you're thinking.
12:39Let's see, sit down, daughter.
12:41Sit down.
12:42A little.
12:48Tell me.
12:49You didn't think you'd have so much trouble with me, did you?
12:53Like with my mom,
12:54who's always falling in love with the wrong man.
12:56Oh, my daughter.
12:58You are different.
13:00You are a well-educated girl,
13:02with dreams of being a professional.
13:05But none of that has changed.
13:07I don't want you to go back to the brewery.
13:09Abu, I'm not going to work with the engineer.
13:13And I want you to understand, so you can stay calm,
13:15that he is a good man.
13:16He's so good,
13:17that even after I screwed up telling him what I felt,
13:20he came to tell me not to miss this opportunity.
13:22Besides, he promised he was going to keep a distance between the two of us,
13:25and I believe him.
13:26Oh, my love, I...
13:27I really don't know you.
13:29How can you think of the nonsense of telling a man
13:32what you feel for him?
13:33I know.
13:34And you, daughter, you're pregnant.
13:36I know, I know, it was nonsense, I know.
13:38Not nonsense.
13:39A farce.
13:40And of the big ones, daughter.
13:42Well, you don't have to worry,
13:44because he knows about my pregnancy from the beginning,
13:47and...
13:48Besides,
13:50believe me, he doesn't see me as a woman.
13:52No, he sees me as a confused girl,
13:55who takes good pictures, and well...
13:58Maybe I can do something good for his marketing team.
14:02But don't worry, don't worry.
14:05Everything will be fine.
14:07Yes, my love.
14:12I love you.
14:14I love you too, daughter.
14:26Yesterday Gabriel looked for Juana
14:27to convince her to come back to work.
14:30And well, on my part, I explained to Gabriel
14:32that my duty is to defend the employees of this company.
14:35That's my job.
14:36And well, he assured me that he would keep a distance from Juana
14:39to avoid gossip.
14:42I'm glad Juana didn't quit.
14:45I felt very guilty.
14:46The truth is that it was my fault that she reacted like that.
14:50It's just that, Enriqueta, I swear to you
14:51that what I feel for her makes me say and do things
14:54that I can't even...
14:55David, David.
14:56Honestly, if you think you won't be able to with this feeling,
15:00it's better that Juana doesn't come back to work.
15:02No.
15:03Don't worry.
15:04I'm going to know how to handle it, I promise you.
15:12What are you doing here so early?
15:14I found out about the mess my son-in-law made you
15:16when he didn't want to give you a hard time to come here.
15:20And well, the truth is that I didn't want you to think
15:24that we're all rude in the family.
15:30I really appreciate it, but it's not necessary.
15:36For me, yes.
15:38For me, yes.
15:41So today you're going to come with me to the office.
15:45And it's good that you know the guy I put you with.
15:49Please don't tell Joaquin.
15:51Please don't tell Joaquin.
15:53Dad?
16:01My love.
16:08Your sister tells me that Camila is working in the brewery.
16:13It was a decision of Gabriel.
16:15Camila has a notary power to represent Francisco's shares.
16:18That's crazy.
16:20So now she has a voice and a vote.
16:22It's good for us to have her close.
16:24And what does your dad say?
16:25Nothing, Mom. What is he going to say?
16:27Support Gabriel's decision?
16:29No way.
16:31I have to go.
16:33I love you.
16:34Kiss.
16:37Kiss.
16:42How is it possible?
16:44You, my best friend.
16:46No, no, no. Just thinking about it disgusts me.
16:48My love, calm down. It's not what you think.
16:50Don't even try to fix it.
16:52I know perfectly well what I saw.
16:55You better go, Dad.
16:56Camila, you and I have to talk.
16:59Listen to your daughter.
17:01I think it's the best option.
17:08Let's see.
17:09She's shameless. My mom warned me today.
17:12Why didn't I believe her?
17:14This is a misunderstanding.
17:16I swear.
17:17I want you out of my house.
17:19You already work at the brewery, right?
17:21You can find a place to live.
17:22Out!
17:24Wow.
17:26I'm very sad that you don't trust me.
17:29Me, Paula.
17:32I'm not interested in having anything to do with you.
17:35I'm not interested in having anything to do with your dad.
17:52Hey, just because you're nervous,
17:54doesn't mean you're not productive for the company
17:56or you're not doing well for yourself.
17:57I know. I know.
17:59But I never thought about asking Paula for a divorce.
18:02We're not the couple we used to be.
18:05Or maybe you just realized it now.
18:10You never agreed to that marriage, did you?
18:13I'm not going to lie to you.
18:15No.
18:16Older people and blondes are like oil and water.
18:20What did Paula tell you?
18:22You already know her.
18:23She doesn't accept a no as an answer.
18:25In that, she and Rogelio are identical.
18:27They are two drops of water.
18:29She can't accept that we are no longer happy together.
18:32And when she comes back, she had her position.
18:36I know.
18:38Yes.
18:39And the truth is,
18:41when I see her, I won't be able to leave her.
18:45You have to do it.
18:46I know.
18:48I know.
18:50But if I confess,
18:52I would love to disappear from the world
18:54and be alone with her.
18:56Detective,
18:57if my son got married under property separation,
19:00how is it possible that he would sign a document to that woman
19:04leaving her in charge of his actions in the brewery?
19:07Love?
19:09People change.
19:10Maybe it's a change of opinion.
19:12I wanted a divorce.
19:14So, with less reason,
19:15I would have left her in charge of some actions
19:18that, in my opinion,
19:20would have led to my son's death.
19:22With less reason,
19:23I would have left her in charge of some actions
19:25that she also inherited from my late husband.
19:31I promise you that I will investigate it.
19:34That little woman,
19:36Camilita,
19:38that would be able to kill to keep Dom.
19:41Really.
19:43I'm going to investigate it.
19:46Thank you very much.
19:47I'll go with you.
19:52Please, come in.
19:53Thank you.
19:56Can you escort the lady, please?
19:57They are so kind.
19:58This one is the official one.
20:03Ouch!
20:05The lady insists, huh?
20:08Of course she insists.
20:09I would also insist.
20:12Think about it.
20:14Your daughter-in-law, Camila,
20:17keeps all the actions that are also inherited
20:21and, if that wasn't enough,
20:22they give her a great job at the brewery.
20:26If someone hasn't been bad to her
20:28with her husband's disappearance,
20:30it's her.
20:32There are people in life who are born with a star
20:34and who are born to shine, right?
20:37Yes.
20:39Hey, and speaking of that,
20:40how did it go with Jenny?
20:42Good for me.
20:44I like her more and more every day,
20:47but the truth is that
20:50she also despises me more every day.
20:54Hey,
20:55don't let it happen to you like with the other girls,
20:58that they leave you fed up
21:00with so many robberies, murders
21:01and any crime that comes to your mind
21:03because you are stubborn.
21:06Stubborn, me?
21:09Come on, go get the file, quickly.
21:13Think about it.
21:17Let's have a good time.
21:20Okay.
21:23Miss Bravo.
21:25How are you?
21:26Can we help you with anything?
21:28No, no.
21:29I came to see Enriqueta.
21:32Well, go ahead.
21:34Excuse me.
21:41We have to see the import agent.
21:43Yes.
21:50Yes.
22:20Hello.
22:50Hello.
23:21I love you.
23:28It smells delicious!
23:30Mom, did you make chilaquiles?
23:32I didn't.
23:33Your brother Felipe went running early.
23:35Then he came back and had breakfast
23:37and now he's showering.
23:40Where's Juana?
23:42Oh, baby.
23:44She went to work at that guy's brewery again.
23:46I told him not to go, but who would he go to in Sacolonesia?
23:51I'm also very upset.
23:53No matter how much Juana says she won't be close to that man,
23:55feelings are feelings.
23:57And when you fall in love, you don't think about it.
24:00As far as I know.
24:02And you?
24:03It's you.
24:04So what?
24:06Did Chavita pick you up from work last night?
24:09Mom, you're overreacting.
24:11Why? Why are you doing this to me?
24:13Why did you give Salvador my job address?
24:16Stop putting him in front of me. It's unbearable.
24:18He's a good man.
24:20No.
24:21My boss is very good-looking.
24:23Besides, he's more my type.
24:24You're going to screw it up again.
24:26How many times do I have to tell you
24:28that love is not eaten with the eyes, my love.
24:31It's eaten with the heart.
24:33And you're not going to deny it.
24:36But Salvador is quite edible.
24:39Mom, I'm eating.
24:40If I were your age.
24:42Mom!
24:43What?
24:44Enough!
24:47What's going on?
24:55Dani, did you see Juana?
24:57Yes.
24:58She went with Enriqueta.
24:59I told her to apologize.
25:00Oh, that's good.
25:01I hope she's not mad at me.
25:03No.
25:04But don't say a single word about her personal life
25:07or her feelings.
25:09All you have to do is treat her like a professional
25:12and value her work.
25:14That's how it is.
25:15Then it shouldn't be so hard for you to do it.
25:18Oh, Chino.
25:20I'm leaving.
25:22Nice to see you.
25:24Look, ma'am.
25:26I shouldn't have left yesterday.
25:28And I want you to know that it won't happen again.
25:31Juana, it's enough that you fulfill your obligations.
25:35Anyway, I want to explain the situation.
25:39I hope you don't mind that I didn't tell you before.
25:43The thing is that...
25:47I'm pregnant.
25:50Congratulations.
25:53Yes, thank you.
25:55Juana, being pregnant or a woman being pregnant
26:00doesn't stop you from fulfilling your dreams
26:02and from working, above all.
26:05Tell me something.
26:06Who at the brewery already knows?
26:08Well, my friend Dani, of course.
26:10And...
26:11Engineer Gabriel is also aware.
26:14Okay.
26:15And does your family already know?
26:17Yes.
26:18Yes, yes.
26:19They are aware.
26:20Can I ask you if you live with your son's father?
26:26No.
26:27No, no.
26:28I live with my family.
26:29With my mom, my grandma and my uncle.
26:31Sorry, I didn't mean to interrupt.
26:33No, on the contrary.
26:35Maybe I should have mentioned it before.
26:37But, well, this whole pregnancy situation...
26:41You could say that it caught us all by surprise.
26:45Well, but I imagine that your family supports you
26:47and that you have taken it well.
26:50Yes, they support me.
26:51Yes.
26:53We are very welcome.
26:54Although, obviously, we have our differences, we argue.
26:58Especially my mom, my grandma and me.
27:01And your uncle?
27:03Damn, my uncle...
27:08They should give him the Nobel Peace Prize.
27:10The truth.
27:12Damn, the ones that hold us back.
27:15Yes, no, my uncle is an angel.
27:18He is the most beautiful, generous, honest person.
27:22They don't do it like that anymore, the truth.
27:25And I don't say it because he's my uncle.
27:28But well, I'm going back to work so he doesn't regret hiring me.
27:32Okay.
27:34Thank you.
27:35Thank you, Juana.
27:36Have a good day.
27:49The Mexican Sherlock Holmes.
27:52Come in.
27:53Thank you very much.
27:54Excuse me.
27:56Come in.
27:57How are you?
27:58I hope it's good that it doesn't seem like a dare from me,
28:02but they say that the one who doesn't take risks doesn't win, right?
28:04And you want to win.
28:06Indeed.
28:08So I brought you this gift.
28:12For me?
28:14No, no, sorry, no.
28:15For Jenny, yes.
28:17Oh, that's why the little hearts, how cute.
28:20Yes, and is she at home?
28:28Yes.
28:35Daughter, get ready and dress up because they came to save you.
28:40Ah, well, if Salvador arrived, the one who has to get ready and dress up is you
28:44because your socks fall off because of that man.
28:46Okay, okay.
28:48Thank you.
28:49Don't go out.
28:50Thank you.
28:51Well, I'm going to tell him to come in here.
28:53No, no, no, mom, don't start.
28:54Salvador.
28:55Mom, please.
28:56Salvador.
28:57Stop it, ma'am.
29:04What's up, my Chimis?
29:05What happened, Felipona?
29:07Oh, man, where are you going?
29:09What are you going to do?
29:10I'm going to fix a business.
29:12Here are the keys to the small box in case you offer.
29:15Call me if you need anything.
29:16But business of what?
29:17Okay, tell me.
29:18Ah, don't be a gossip.
29:19I'll be back soon.
29:20Well, then I don't sweep, right?
29:21As the boss wants.
29:22What?
29:23No, yes, sweep.
29:25How lucky are those who don't bathe.
29:28So special forces.
29:30That's right, that's right.
29:31At the beginning I did the exams and they gave me the training.
29:35I joined the team.
29:36I was several years, several years in several missions,
29:39several operations and operatives.
29:41Yes, yes, I remember.
29:42Until one day I had a triple fracture exposed.
29:46Oh, what a horror, what a danger.
29:48Then I got into criminal.
29:50Hello, Jenny.
29:51Oh, look.
29:52I'm happy now, yes.
29:54Look who came.
29:55Hello.
29:58You definitely have nothing else to do
30:00more than get into my life every moment.
30:02Hey, hey.
30:03How are those things?
30:04No, mom, it's that ...
30:05Jenny, if it's not appropriate, I'll go and come back later.
30:08But if you're not doing anything.
30:09Well ...
30:10I was painting my nails and that's super complicated.
30:13What's more, I'm not even dry yet.
30:15Well, if you don't want, we don't go out today.
30:17I mean ...
30:19You wanted to go out with me.
30:21I mean, he came without warning because he wanted to go out with me.
30:24Well, what kind of woman do you think I am?
30:26Do you know how many gals I have who want to go out with me?
30:29Many.
30:30Not so much.
30:31No, I do have many.
30:32And for that you have to make an appointment, look.
30:33Appointment.
30:34I didn't make an appointment and it is very clear to me
30:36that you have many suitors.
30:39That's why I brought you a gift.
30:43It's exclusive for you.
30:45So, please, go ahead.
30:47Go ahead.
30:48Go ahead, daughter, open it and thank her.
30:49Don't be rude.
30:50Go ahead.
30:52Thank you.
31:01What's up?
31:04What is this?
31:05Oh, a teddy bear, a police teddy bear.
31:08Oh, it brings his badge.
31:09Yes.
31:10So it's supposed to be you, right?
31:13Well, it's with affection, yes.
31:15And this?
31:16What is this?
31:17That's the real gift.
31:18It's a spray with pepper spray.
31:22Wow, pepper spray.
31:23And why do I want pepper spray?
31:25What do you mean, why?
31:26To protect yourself from crime, which is getting worse.
31:30Crime rates are really high.
31:33Yes, of course.
31:34Can that be the difference between life and death?
31:36Of course.
31:37If more women knew how to defend themselves
31:39and had pepper spray on hand,
31:42they could have avoided robbery, kidnapping, assault.
31:47If they knew something about self-defense
31:49or if they had their bottle of pepper spray.
31:52Of course.
31:53How did I not know?
31:54Yes, yes.
31:55Do you like it?
31:56You're not going to tell me it's not very original here.
32:00And I can give you training to use it.
32:02Uh-huh.
32:05Well, thank you for thinking it over and not giving up.
32:07I think with everything that's happening,
32:09you're going to help me a lot.
32:12I wanted to show you.
32:14Look.
32:19Don't get distracted.
32:20Throw it to the good, to the sun of the day,
32:23to the astro beer.
32:25And that's our beer.
32:27Hey, that's not enough.
32:29That's playing dirty.
32:30Right.
32:32I'm going to need your help.
32:33We have to do something to respond.
32:35I mean, it has to be something not so violent,
32:37something creative, not this.
32:40I don't know.
32:42Will you help me?
32:43Yes, yes.
32:44Yes, I can think of several things we can do.
32:49Oh, no, but besides, that's terrible, typography, ink,
32:52everything is bad.
32:53Yes, no.
32:54No, we can do something much better.
32:55Okay.
32:56Yes.
32:57I love it.
32:58I knew you were going to help me.
33:00Carlos.
33:02Carlos, I think I understand the relationship
33:04Gabriel has with Juana.
33:06Oh yeah?
33:08Juana just confessed to me that she is pregnant.
33:11Let's see, you and I know that Gabriel has had a very bad time
33:13since he knows he can't have children.
33:16Maybe that's why he sees her differently.
33:21Look, it's understandable.
33:23If Juana is going to be a mother,
33:25and all of us who know Gabriel know that he is dying to be a father,
33:28here it is.
33:30And why, according to you,
33:31that would mean that he became friends with her?
33:34Well, for the connection.
33:36Surely, well, it moves him a lot to see Juana like this,
33:39pregnant.
33:41Well, seen that way,
33:44it could make sense what you say.
33:51How cute, right?
33:52Yes.
33:53Yes.
33:54Yes, yes, yes.
34:00Attention everyone!
34:01Stop the campaign to promote us this Sunday at the racetrack.
34:05What?
34:06I just received a message and everything is canceled.
34:08But, but the publications are already done.
34:10Silence, please.
34:11I'm going to find out what happened.
34:12Juana, let's go.
34:14Stop it.
34:15Don't cancel it.
34:16Understood?
34:17Juana, Juana, let's go.
34:23No, and it's really, Josefina,
34:25yesterday they offered me a shrimp broth
34:27where Jenny works.
34:28Chicharrones, it's a very good name.
34:30The one who does not know God,
34:31to any barbón he is linked.
34:33This is a sauce, Josefina.
34:35Thank you very much.
34:36Oh, it's that you look at the affection
34:38with which I did it.
34:39How nice.
34:41And you, Jenny,
34:42are you going to stay mute all afternoon?
34:45I'm already eating.
34:46And you don't talk with your mouth full.
34:50I think you didn't like the gifts, right, Jenny?
34:53No.
34:54If you didn't like them,
34:55we can go change them for whatever you want.
34:57No, no, no, no, no, no, no.
34:58A detail, a real detail.
35:00As my mom did here.
35:01Amazing, awesome.
35:03No one ever, well,
35:04stuffed animals have been given to me,
35:06but one as a policeman.
35:08But one as a policeman,
35:09never, and pepper gas,
35:12no one.
35:13Well,
35:14it's that
35:15if you are going to continue working in a bar,
35:17I think it is something very necessary,
35:18because the drunkards,
35:20focused on drinks,
35:21at night,
35:22they raise their glasses,
35:23they put on long sleeves.
35:25It has already happened to him.
35:26They brazenly,
35:27they can't tell you,
35:28but, well, offensive.
35:29And then the exit at night,
35:31to the street, dark.
35:32Oh, and you're not going to tell me
35:33that here Chavita is original,
35:35even in the details, right?
35:36Because everyone gives flowers.
35:37Oh no,
35:38how boring,
35:39apart they go away.
35:41But sometimes,
35:42and look,
35:43we're going to put Chavititita.
35:44Oh mom,
35:45Chavita,
35:46now,
35:47okay,
35:48are you going to make me talk?
35:49No woman is given this.
35:50Well, stuffed animals can be,
35:51but as a policeman?
35:52Is it serious?
35:53And you know what?
35:54The drunkards,
35:55I would never,
35:56listen to me,
35:57I would never
35:58spray pepper gas
35:59to a man who is flirting with me,
36:01who is telling me nice things.
36:02What's wrong with you?
36:03Who do you think you are
36:04to tell me what I have to do?
36:05Huh?
36:06Let's see my love,
36:07then are you going to go out with Salvador?
36:09What?
36:10No.
36:11How not my love?
36:12If here Chavita has behaved very well,
36:14nothing more is needed
36:15to take you where he wants to invite you.
36:18And what are you going to do?
36:19Look,
36:20they take Chavititita here,
36:21in company.
36:22Take.
36:23And they take the pepper gas
36:24for that of security.
36:26Take.
36:27What can go wrong?
36:28Nothing my life,
36:29right?
36:36Oh, engineer.
36:38I bring you this package.
36:40Thank you.
36:41With pleasure.
36:47Hello my Dani,
36:48how are you?
36:49Oh, hello.
36:50Did you have problems to enter?
36:51No man,
36:52the receptionist is very nice.
36:53She told me you were here
36:54in the cafeteria.
36:55And what is this visit due to?
36:56I need to talk here
36:57with the receptionist.
36:58I'm sorry,
36:59I don't have time.
37:00No, no, no,
37:01I said you were here
37:02in the cafeteria.
37:03And what is this visit due to?
37:04I need to talk here
37:05with the mere staff
37:06of the brewery.
37:08Enriqueta Valdez.
37:10Felipe.
37:16How do you cancel me like that
37:17out of nowhere?
37:18We've been working together
37:19for years, Miguel.
37:20Don't get mad, Chavita.
37:21How am I not going to get mad?
37:22Besides,
37:23with such a short time
37:24of anticipation
37:25so that we can't solve it,
37:26it seems that you are doing it
37:27on purpose.
37:28We would only like to understand
37:29the reason behind this decision.
37:30Yes.
37:31We received an offer
37:32from the Astro brewery.
37:33What?
37:35We had a deal.
37:37The competition?
37:38Are you serious?
37:39I know,
37:40I wasn't present
37:41when the deal was closed.
37:42I'm sorry.
37:43Excuse me.
37:45I'm closing.
37:51I can't believe
37:52we're both here
37:53in Xochimilco.
37:56The three of us.
37:58The three of us.
37:59The three of us.
38:01I'm going to confess something to you.
38:03I've never done it before
38:04with a woman.
38:06What?
38:07You've never done it
38:08with a woman?
38:11This thing
38:12of taking a romantic walk
38:13here in Xochimilco,
38:14the canals.
38:15No, never before.
38:16I mean,
38:17I had come here
38:18and I got robbed
38:19by an Astro brewery
38:20and a long investigation.
38:22And also
38:25a drunkard
38:26singing Guadalajara
38:27fell into the canal
38:28and we caught him.
38:32Wow.
38:34What a beautiful story.
38:36So romantic
38:38and moving,
38:39especially.
38:40Amazing.
38:44Oh,
38:45oh,
38:46oh,
38:47oh,
38:48oh,
38:49oh,
38:50oh,
38:51oh,
38:52oh,
38:53oh,
38:54oh,
38:55oh,
38:56oh,
38:57oh,
38:58oh,
39:01oh,
39:03oh,
39:13Oh,
39:27Gracias.
39:29♪♪♪
39:33-♪♪♪
39:35Gabriel.
39:37Gabriel, perdón.
39:38Perdón que me metas a tu oficina,
39:39pero necesito hablar contigo.
39:41A ver, sé que estás molesto conmigo y es muy injusto,
39:44pero es que pasó algo.
39:47Pasa. ¿Qué pasa?
39:50A ver, este...
39:53Tu suegro fue a buscarme a tu casa hoy.
39:56Y hubo ahí un desafortunado malentendido.
39:59Paula malinterpretó las cosas y...
40:02Ella piensa que tengo un romance con su papá.
40:07Ah, no.
40:09No sé qué decirte.
40:10No, no, de verdad,
40:11no busco que me digas absolutamente nada.
40:13Necesito que me creas.
40:15A ver, vamos, soy una mujer casada.
40:17Además, independientemente de todo eso,
40:19soy incapaz de meterme con el papá de mi mejor amiga,
40:22por Dios.
40:23Camila, en estos momentos no te puedo ayudar.
40:26Mi relación con Paula es... es la peor.
40:29Lo sé.
40:31Y lo siento muchísimo.
40:33Los dos estamos pasando por unos momentos terribles.
40:37Pero no tenemos el uno al otro, ¿no?
40:48Pasa, Dani.
40:51Buenas, licenciada.
40:53¿Qué pasó?
40:54Vino un amigo y quería ver si lo podía atender.
41:07¿Qué tal?
41:08Soy Felipe Bravo, el tío de Juana.
41:11Y vengo aquí a aclarar unas cosas con usted, licenciada.
41:25Los de Astro siempre jugando sucio.
41:29Perdimos muchísimo dinero en esto.
41:32Esto que hiervo del coraje.
41:34Te juro que...
41:39Fresa o tamarindo.
41:43Pues si estas que hierves del coraje,
41:44qué mejor que un raspadito.
41:48Fresa.
41:49Fresa.
41:50Sabia.
41:51Obvio.
41:52Yo invito.
41:54Hola.
41:55¿Me da un raspa de fresa y uno de tamarindo?
42:00¿Cuánto le doy?
42:02Cincuenta.
42:03Va.
42:24No lo imaginaba.
42:27Qué le pasará.
42:30Querida Juana.
42:32Qué bonita que eres tú.