Igra sudbine 1135 Epizoda - Igra sudbine 1135 Epizoda
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00:00Let's think about what to do.
00:02Hard work is not a small thing.
00:04What do you mean hard work is not a small thing?
00:06What are you talking about?
00:07Wait, we can't so easily...
00:09Do you want me to abort?
00:10No, I didn't say that.
00:11Yes, you wanted to say that.
00:12I know you wanted to say that.
00:14No, I didn't say that.
00:15So what?
00:16I just wanted to say that we have to find a doctor,
00:18to check the phase of hard work, to be sure.
00:20I can't believe how you avoid responsibility
00:22in this situation.
00:23This is simply unbelievable.
00:24No, that's not true.
00:25I'm rational and calm here.
00:26Of course I'm not calm.
00:28I'm under stress.
00:29Take it easy.
00:30Easy?
00:31I can't take it easy, Aleks.
00:32I can't take a rubber band and clean this up
00:33as if nothing happened.
00:34Calm down, please.
00:35You calm down.
00:36I'm completely calm.
00:38And just so you know, this is my child
00:40and I'll do whatever I want with him.
00:42If you don't want him,
00:43you don't have to have anything to do with him.
00:45But he's my child, you can't...
00:46Well, he's not your child if you don't want him.
00:48Okay, come on, don't stop.
00:49I'm not interested.
00:59Why didn't you leave him?
01:26If he sees him, we're in big trouble.
01:28What?
01:29I forgot that the keys to the bedroom are locked.
01:31Well, of course they are locked.
01:32When you have a safe in it.
01:33I know, but I couldn't get in.
01:34Oh, don't be a genius, what are you talking about?
01:35How couldn't you think of that
01:36you have Ljubinka's key?
01:37Oh, I'm so in a hurry
01:38that I returned Ljubinka's key.
01:39Oh, what an idiot you are.
01:40That's what I should be doing
01:41when I'm working with you.
01:42I'm sorry.
01:43Is it okay?
01:44Yes, of course, of course.
01:45I'm sorry, I'm sorry.
01:46I'm sorry.
01:47I'm sorry.
01:48I'm sorry.
01:49I'm sorry.
01:50I'm sorry.
01:51I'm sorry.
01:52I'm sorry.
01:58I really don't know why you acted like a crow.
02:01Oh, and now I'm a crow.
02:03No, I didn't say you're a crow, but that you're like a crow.
02:06Do you want to fight? Listen to me carefully.
02:08Answer me nicely when I ask you.
02:10Why did you stop reciting poetry
02:12as a woman about me,
02:14nicely as you started talking,
02:16when Gala came in? Why?
02:18What is it?
02:19What is it?
02:20Grabbing someone's head is good for no one,
02:22it's not good for them, you know?
02:24It wasn't poetry at all, Katja.
02:26They don't understand anything else.
02:28First I was a crow, and now I'm a needle, right?
02:30I don't know. You really don't understand?
02:32No, I don't understand.
02:34What if it wasn't poetry? What is it?
02:36I won't tell you what it was.
02:38You won't? Because it was Gala.
02:40That's it.
02:41I know very well what it was.
02:43She interrupted your concentration,
02:45so we all know that you were together.
02:47How do I know what you're saying to her
02:49and what you're saying to me?
02:51What? Grabbing someone's head again?
02:54We also know that you were with Dovrica.
02:56We know.
02:57With Dovrica?
02:58Yes.
02:59And we know that you go with him
03:01to the woods, and what you do,
03:03we don't know anymore.
03:05Are you accusing me of something?
03:07No.
03:08No, no, no, what are you doing?
03:10You're accusing me of something
03:12that has nothing to do with life.
03:14Me, you?
03:15Yes.
03:16You?
03:17Yes.
03:23You.
03:43Hello.
03:44Hey, I see you're in a good mood this morning.
03:48In a good mood?
03:50Hey, I made you some tea.
03:52Okay, I'll take some of your coffee.
03:54I'm excited, and I'm nervous.
03:57Tell me you're nervous.
04:00I started team building today.
04:03It's good that you reminded me of that.
04:06Of what?
04:07That I don't show up at the business club,
04:09that I don't see you.
04:11That's good.
04:13Now, seriously.
04:15It's going to be intense, believe me.
04:18I know.
04:20Excuse me.
04:22You know what?
04:24Your approach is very naive, you know that.
04:27What else can I do?
04:28Bite my nails?
04:29Man, I'm going to work,
04:30so it's not all that simple.
04:33I appreciate your attitude, very much.
04:36It's good that you admitted that.
04:39No, no, no.
04:40I don't want you to be on the road,
04:43I just want to draw your attention
04:45and make you very careful about all that.
04:49We women are greedy.
04:51What women?
04:52She's got all kinds of women.
04:55Oh, no.
04:56They're aspides.
04:59I'll steal them.
05:00Come on, what's wrong with you?
05:01I'm strong.
05:02Okay, okay.
05:04Just stay in that position
05:07and in that good mood.
05:10I'd better go.
05:12I want to get there first.
05:14Okay, if you have to.
05:16I wish you all the luck in the world.
05:19One more thing.
05:20Please,
05:22don't provoke me.
05:24Please, please.
05:28Cheers.
05:39There.
05:49Mmm.
05:50Mmm.
05:51Yes.
06:17Oh, my love, you play so beautifully.
06:21Thank you.
06:22No, you know that I've always appreciated your work
06:25and your skills.
06:27That's...
06:28Tell me.
06:30What?
06:31Tell me what.
06:32Aren't you glad that you don't need anything from me?
06:35Me?
06:36I'm...
06:37I'm always polite, I'm always nice.
06:39You know me.
06:41Come on, tell me what you need.
06:43Well, I thought you'd give me the key to Mido's room.
06:47Again?
06:48To return the carpet.
06:49So we took it and returned it.
06:50You can't.
06:52Mido can't be mad at me.
06:54He's interrogating me.
06:55He can't.
06:56The end.
06:57Okay, my love, give it to me.
06:58We only need five minutes.
06:59If you need Mido's key, go ask him yourself.
07:15Wait, wait.
07:16Let me ask you.
07:17Let me ask you.
07:19Aren't you...
07:20Aren't you...
07:21Aren't you in love with your sweetheart?
07:25I don't know.
07:26I'm not sure.
07:27I don't understand.
07:28Is this what you wanted?
07:31Not this.
07:33I made a deal with Janovic.
07:35And now I'm transferring it to you.
07:37From knee to knee.
07:38Love is...
07:41the most beautiful when it's waiting.
07:44Why didn't I know that?
07:46Because it's a well-known fact, Janovic.
07:48That's why it's well-known to you.
07:50Because everyone knows that.
07:51Relationships, believe me,
07:53kill the greatest love.
07:56Wait.
07:57How do you know that when you've never been in a serious relationship?
08:00That's why I'm not.
08:02Because I hate that love pressure, you know?
08:05Yes, yes, yes.
08:06Yes.
08:07And now you have pressure from two sides.
08:09Seljo, I have pressure from three sides.
08:12Mido, Nebojsa and Ljubinka.
08:17You didn't get it.
08:19Oh, my God.
08:22There's no more,
08:24Seljo.
08:26There's no more
08:28my love from Etna.
08:31Come on, don't philosophize.
08:33Don't talk.
08:36What...
08:38What if I lead
08:40to the abyss of love?
08:42I told you not to philosophize.
08:44Come on.
08:45I'm not philosophizing, Seljo.
08:46What if I really fall even more?
08:48Come on, don't. Wait.
08:49Come on, please.
08:50Let's go back to Belgrade.
08:51Please.
08:52Here, for example,
08:53a tire breaks,
08:55I don't know, something, a reel.
08:57Come on, friend.
08:58You're definitely not alive anymore, man.
09:01There's no salvation for you, you know?
09:04It's better for you to drive.
09:06Seljo.
09:07What if we go under rotation?
09:10Under rotation?
09:11Huh?
09:12Will that make you happy?
09:14Yes.
09:15Come on, man.
09:16Here you go.
09:17Thank you.
09:18See how good it is.
09:19At least something.
09:20Thank you.
09:22Nothing, man.
09:23It's all for you.
09:24Come on.
09:38Here you go.
09:39Thank you.
09:43Well, girls, good afternoon.
09:45Good afternoon.
09:47I'm sorry I'm late.
09:49I just got off Milan.
09:52So, let me hear,
09:53what is the first topic of our meeting?
09:56We met because of
09:57inter-female relations.
09:59That's right,
10:00inter-female relations in Cannes Capital.
10:03The topic of this team building,
10:05the point of it is
10:07to go out in the light of day.
10:10What's the problem?
10:11Are inter-female relations
10:15or women?
10:16Women.
10:17That's the right answer, isn't it?
10:20Let's take it slow.
10:21I would like us all to come to that answer together.
10:25Can we start with the first task?
10:27Of course.
10:28The first exercise is for the goal,
10:30take these fast-cycles,
10:31is for the goal
10:33to target the person
10:35who challenges you the most in the company.
10:38So, to separate our biggest enemy.
10:40Well, Vanja,
10:41I wouldn't say that, but...
10:43Okay, that's it, basically.
10:46Basically, Bobo,
10:48it's important to be honest with each other.
10:51Let's just make it work.
10:54And to start with,
10:55let's set the most important rule,
10:57which is that there is no passion.
11:01We don't experience anything personally.
11:03Come on, girls,
11:04I think five minutes is enough for this exercise.
11:07Come on, girls,
11:08cheer up, we can do this.
11:11Wait a minute,
11:12the clock is ticking.
11:14I'll press it right away.
11:23So, Nido,
11:25for our business,
11:27don't worry about anything.
11:30When Panchetta takes things into his hands,
11:33and when I take everything and reorganize it,
11:37we'll be the best.
11:38The best.
11:39Hey, Nido,
11:40no competition will be able to do anything to us.
11:44Nothing.
11:45Nothing.
11:46Congratulations, Panchetta.
11:47I knew it was you, man, woman.
11:50There you go.
11:51Dad, I have to tell you something.
11:53Tell me, son, dad.
11:55Well, I don't know, because...
11:58Speak freely, Panchetta is our brother.
12:01Mrvica is coming and he's looking for the keys to your room.
12:03Mrvica?
12:05You hear me?
12:06Mrvica wants the keys to my room.
12:08To return the rug.
12:10I don't know if I should give it to him or not.
12:12No.
12:13Don't give it to him alive.
12:15Listen to me slowly.
12:18Go to my room,
12:20unlock the door,
12:22and leave it a little open.
12:25I will, dad.
12:26Don't let me go.
12:27Please, listen to me.
12:29Come on, please.
12:30Don't worry, everything will be fine.
12:32Okay.
12:33Come on, come on, come on.
12:36Why are you doing this?
12:38Why am I doing this?
12:40Panchetta,
12:41this is how I give them a chance to give me back everything they stole from me.
12:46Almido,
12:47you're not a bear,
12:49you're a fox.
12:51You're too much.
12:53You think so?
12:54I can see and hear you.
12:56Panchetta, I'm not that crazy.
12:59Congratulations, Almido.
13:02You're protecting your family.
13:04Congratulations.
13:05I thought men like that were dead.
13:09Why didn't God give me such a man
13:12to protect me,
13:13and not this windbreaker?
13:16No, no.
13:17No, please, Panchetta.
13:18No, please.
13:19Don't push me where I'm the thinnest.
13:22Let me go.
13:23Look, I have some other business.
13:25My son-in-law is coming.
13:26Is he?
13:27Yes.
13:28What did I miss?
13:31You'll find out.
13:33You'll see.
13:35He'll regret it when he's born.
13:56It's time
13:59to hear who wrote what.
14:02It doesn't matter.
14:03There's no going back now.
14:05Why don't you go first, Bobo?
14:08Okay.
14:09I, as my biggest enemy,
14:12wrote to Jovan.
14:19Okay.
14:20First of all, thank you
14:22for breaking the ice.
14:24Secondly,
14:25can you explain your statement?
14:27Of course, Jovan.
14:29The reason is this.
14:31Why do I see Jovan
14:32as my biggest enemy?
14:35Because he's cruel to me
14:37and lovable.
14:40Bobo, that wasn't professional.
14:43I agree.
14:44Your behavior towards me.
14:46No, no, no.
14:47I mean what you wrote.
14:48We're doing business here,
14:50not private dirty business.
14:52No, no, no.
14:54You articulated the topic well.
14:57You said the topic is
14:59inter-female relations,
15:00and inter-female relations
15:01always imply dirty business.
15:03Girls, girls.
15:05Let's take it slow.
15:06We said honestly,
15:07to the end,
15:08and without anger.
15:10Sinka is right.
15:12Let's not linger on this topic.
15:14We'll analyze that
15:15in the next round.
15:18Who's next?
15:25Andrea Bošnjak
15:44My biggest enemy is Bobo.
15:47Because she thinks she's special
15:49because she's on good terms
15:50with Andrea Bošnjak.
15:52I can imagine.
15:53Please.
15:54That's my job.
15:55Did anyone tell you
15:57that I'm Andrea Bošnjak's secretary?
16:00Okay, okay.
16:01We'll analyze that later.
16:03There's nothing to analyze.
16:04Those are facts.
16:06I really suggest
16:08we move on.
16:09Una, would you like to
16:11say something now?
16:13I would.
16:14Thank you.
16:16As my biggest enemy,
16:18I articulated
16:20Jovana.
16:21Why are you all
16:23using the word
16:24enemy so much?
16:27Can I continue?
16:29Please, of course.
16:30Thank you.
16:31So, I chose Jovana
16:33because I think
16:34she doesn't respect me.
16:35I guess that's because
16:37I'm her ex-husband's wife.
16:39I have a suggestion.
16:41Let's stick to the topics
16:43that are related to the company
16:45and that are business related.
16:46Absolutely.
16:47Let me finish my sentence.
16:50I want to have
16:52a good relationship with Jovana,
16:54but only within the company.
16:56So, it's up to her.
17:00Dear Una,
17:01I don't know if you're aware,
17:03but you are my ex-husband.
17:05I don't know
17:06who you're talking about
17:08and I don't know
17:09why you're pretending to be polite.
17:11They say,
17:12who, what...
17:13Jovana, you're late.
17:17I'm sorry.
17:31Where are you?
17:32Please, tell me
17:33there's no problem again.
17:36I don't know
17:37if I should call it that.
17:39What was it?
17:41It looks complicated.
17:48It looks complicated,
17:50but it's not complicated.
17:52You're positive, so...
17:55That means it's complicated.
17:57Yes.
17:59What are you going to do?
18:02I don't know.
18:03What do you mean?
18:05What did she say?
18:06Nothing.
18:07She got angry
18:08because I was...
18:10They were expecting me to recover,
18:12but I...
18:13What did you do?
18:15I overreacted, Luka.
18:17I overreacted.
18:18Okay, you overreacted.
18:20It's logical to overreact.
18:22I overreacted.
18:23Especially to see where we are,
18:25what we're doing,
18:26how crowded it is,
18:27how crazy it is.
18:28I know, I know.
18:29Yes.
18:31On the other hand, yes.
18:33There's nothing more important than that.
18:37If you want to have a child with Lenka,
18:40that's not important.
18:42We'll solve everything.
18:46What are you going to do?
18:48Do you want it or not?
18:51I'm scared, Luka.
18:54I get that.
18:55You're scared, but...
18:57You'll have to find out very soon
18:59what you want,
19:00because time is running out.
19:02She says I'm not asking anything.
19:04Of course you are.
19:05It's not just about her child.
19:09What are you saying?
19:10You didn't pay attention.
19:11Okay, please.
19:12I paid attention.
19:13Let it go.
19:14You did.
19:16That's it.
19:19Whatever happens,
19:20you have to be patient
19:22and careful with Lenka.
19:26If she has a child,
19:27don't scold her.
19:29Yes.
19:30I solved everything.
19:44I'm sorry.
20:15What are we going to do now?
20:19I was just passing by.
20:22Sit down.
20:28Are you going to
20:30give me back my boss?
20:32It's not what it looks like.
20:34Believe me, it's not.
20:35It's not?
20:36Come on, tell me everything nicely.
20:40Come on, tell me everything nicely.
20:42What are you talking about?
20:43Do you really think
20:44I'm that stupid
20:45that I wouldn't notice
20:46that I don't have a boss?
20:47I had to.
20:48I had to.
20:49What did you have to?
20:50I made this myself.
20:52Really?
20:53I'm surprised
20:54by the beauty
20:55of such a wonderful woman.
20:57She shines
20:58with her spirituality
20:59and intelligence.
21:00Right?
21:01She cheated on me.
21:02Come on.
21:03Yes, she told me
21:04she would leave me here
21:05in Kosovo
21:06if I didn't help her
21:07with this operation.
21:09Maybe you can forgive me
21:11and I'll forgive you.
21:12Oh, my dear.
21:14You don't need
21:15your astrology
21:16when you're stupid
21:17like that wolf cabbage.
21:20You tell me
21:21what I should do
21:22and I'll do everything for you.
21:23Just tell me.
21:24Really?
21:25I want my mother.
21:26I'm glad to hear that.
21:28Listen to me carefully.
21:30You're working for me today.
21:34I'll do everything for you.
21:36And I
21:37will take over
21:38the business.
21:40Is that clear?
21:41Yes, it is.
21:49I didn't think
21:50it would be so hard.
21:51I'm going to Milan.
21:52Everyone hates me.
21:53I'm coming here.
21:54Who hates you in Milan?
21:55Luka.
22:11That's good.
22:12It'll be fine.
22:17Hi.
22:18Hi.
22:19Where am I?
22:20I'm going for a walk.
22:22See you later.
22:23Bye.
22:27You know what he has?
22:28Who are you?
22:29Nothing.
22:30I have to finish something.
22:32Do you know who I met?
22:33Jovan Bosniak.
22:40Hi.
23:00Welcome to Z.
23:10It's no wonder Luka doesn't like you.
23:13Why doesn't Luka like me?
23:15I'm really interested in your opinion.
23:17What did you allow yourself?
23:20I don't know if you know,
23:22but for an affair,
23:23two people are needed.
23:24Yes, but unlike you,
23:25he still feels remorse and shame.
23:28Don't you feel remorse and shame?
23:31I have no reason for a single daughter.
23:33You have a lot more reasons
23:34than the two of us together.
23:35How so?
23:36Well,
23:37you moved into my husband's house
23:39and I moved into my husband's house
23:40with all the kids.
23:42Guys,
23:43this building is slowly turning into a dynasty.
23:47This won't work.
23:49What should we do?
23:50I don't know.
23:51I just think these conversations
23:52are inevitable,
23:53at least in this group.
23:54Maybe it's better
23:55to get used to it as soon as possible.
23:57Yes, but we agreed
23:58to talk about business.
23:59This way,
24:00we won't even come to a solution.
24:01I suggest
24:02that we all separate now
24:03and meet tomorrow.
24:05Okay, but tomorrow
24:06we have to turn a new leaf.
24:07How?
24:08As far as I'm concerned,
24:09I can do it,
24:10but I'm not sure about her.
24:11Maybe we should find
24:12an expert
24:13to help us
24:14build this team building
24:15the way it should be.
24:17Yes,
24:18an expert is the solution.
24:19Yes,
24:20if we concluded
24:21that you can't exist
24:22on your own
24:23without a mediator,
24:25let's all go back
24:26to our jobs
24:27and do something useful today.
24:29Vanja?
24:39Wait,
24:40this is...
24:42Jovano Bošnjak.
24:45How do you know Jovano Bošnjak?
24:48We know each other from Belgrade.
24:49I don't know,
24:50we met a long time ago,
24:51about ten years ago.
24:54How did you meet?
24:56I tried to get a job
24:57through her,
24:58but it didn't work out.
24:59I don't know
25:00how to get a job.
25:01I don't know
25:02how to get a job.
25:03I don't know
25:04how to get a job.
25:05I don't know
25:06how to get a job.
25:07I tried to get a job
25:08through her,
25:09and we hung out
25:10for a while
25:11until I came to Milan.
25:14And you just met?
25:16Yes.
25:17I mean,
25:18completely by chance.
25:20Where did you meet?
25:23In a hotel bar.
25:25But wait,
25:26you're interrogating me.
25:28Is there a problem?
25:29No,
25:30there's no problem.
25:31I just want to say
25:32that nothing happened
25:33with Jovano Bošnjak.
25:34And you have to
25:35be careful with her.
25:37Why?
25:38She left me
25:39a nice impression.
25:40Of course she did,
25:41because she left...
25:43I want to say,
25:44that's not a coincidence.
25:46That's Jovano Bošnjak.
25:47There.
25:49Is there something
25:50I should know?
25:54You need to know
25:55that Jovano Bošnjak
25:56is the hidden owner
25:57of the business space
25:58that was rented to us.
26:02I don't know
26:03if it's a little clearer to you now,
26:04and I don't know
26:05if it still leaves
26:06an impression.
26:08Are you sure about that?
26:25I'm not sure
26:27if I'm really the son-in-law.
26:29I'm telling you,
26:30I'm not.
26:32But you got a chance
26:33to be a son-in-law
26:34or a father-in-law.
26:37Come on,
26:38give me your hand.
26:39Don't hug me
26:40like some lady.
26:41Come on,
26:42nicely.
26:44Good, good,
26:45come on.
26:46Come here, Ljubinka,
26:47when my daughter
26:48is so happy for you.
26:49Come on, brother,
26:50sit nicely.
26:51Ljubinka,
26:52you sit nicely
26:53and don't bother me,
26:54and I'll have some brandy.
26:55Come on, take him.
26:56Come on.
26:57Come on, come on, son-in-law.
26:58Come on.
26:59Come on, don't be afraid.
27:00Come on, enjoy.
27:03Gube,
27:05why are you standing here?
27:06Let's go for a walk.
27:08We agreed on a mind game.
27:09What?
27:10We didn't talk about that.
27:11Let me go,
27:12or I'll beat you up.
27:13When you agree,
27:14you do it in the air.
27:15I'll cut you up
27:16into pieces,
27:17do you understand?
27:18I'm not eating.
27:22How did you see me?
27:24How did you see me?
27:25You saw me
27:27because Jovana Bočnjak
27:28was hidden
27:29as the owner
27:30of the business space,
27:31and that became
27:32after the divorce
27:33of the famous
27:34businessman from Belgrade,
27:36Andrija Bočnjak.
27:38That's how it turned out.
27:40How long have you known about this?
27:43We've known for a while,
27:44we wanted to test everything first,
27:45so we told you,
27:47but that's it.
27:48It's nice
27:49that you didn't tell me right away.
28:03Mr. Pijanović,
28:04will you at least
28:05give me a look?
28:06What do you want, Ljepoša?
28:08Why did you ask me
28:09about that plant-like Trivanović?
28:11I'm confused
28:12like a confused fox here.
28:14Ljepoša...
28:15Are you going to give your daughter
28:16to this idiot?
28:17Ljepoša...
28:18To make her unhappy,
28:19is that what you want?
28:20Ljepoša...
28:21Ljepoša,
28:22if this is how
28:23your life ends,
28:24let me step on
28:25my beloved bees.
28:33Ljepoša...
28:34Ljepoša...
28:35Ljepoša...
28:36Ljepoša...
28:37Ljepoša...
28:38Ljepoša...
28:39Ljepoša...
28:40Ljepoša...
28:41What did you put me into, Trivanović?
28:44What did I put you into?
28:45What did I put you into?
28:47And what's going to happen now?
28:49What's going to happen?
28:50When the rakija comes?
28:53Mr. Seljovar,
28:54where are you going?
28:55Where are you going?
28:56I didn't ask you,
28:57you caught me like this.
28:58I couldn't get you out of there.
29:00Don't lie to me.
29:01You caught me in the corner.
29:02I know exactly what you want.
29:03You want a roast.
29:16Oh, honey,
29:17how naive I turned out to be.
29:19Better naive than evil,
29:20believe me.
29:22I knew what Jovana was like,
29:23but I believed again
29:24that she had good intentions.
29:25Well, that's naive.
29:26Well, yes,
29:27but it's as if we don't have enough
29:28conflicts and troubles in the company.
29:30Well,
29:31that's more important to her than work.
29:32That's her food.
29:34Yes,
29:35but I don't understand
29:36how we use all this.
29:49It seems that this Drivanović
29:52is smarter than we thought.
29:55Why do you think
29:56he fell for Mido?
29:58Believe me, you're wrong.
29:59I mean, Mido is really
30:00a fine man,
30:01but believe me,
30:02his father is just
30:03so dominant.
30:05So if Drivanović and Ljubinka
30:06fall in love,
30:07believe me,
30:08Mido will push him
30:09out of the room.
30:22So,
30:24do we have a problem?
30:30How much?
30:34I'll tell you what happened,
30:35and then you tell me
30:36how much of a problem we are.
30:37Let's go.
30:51Safe environment
30:52in Cannes Capital.
30:55I don't know,
30:56I don't know.
30:57Cannes Capital.
31:00According to what we hear
31:01from you,
31:02that's almost
31:03an impossible option.
31:04Yes.
31:07But another important thing
31:08happened here.
31:25Hello.
31:26Who is she?
31:28Who is she?
31:29I don't have her number
31:30memorized.
31:32Laura here.
31:34I didn't know
31:35we were crazy
31:36about the same guy.
31:57Alexa,
31:58I decided
31:59to come back
32:00to Belgrade.