Charlies Angels S05E05
Transcript
00:00Once upon a time, there were three beautiful girls.
00:07Two of them graduated from the police academy.
00:11The other graduated from a top school for models.
00:16And they each reaped the rewards of their exciting careers.
00:22But I took them away from all that, and now they work for me.
00:26My name is Charlie.
01:26Lieutenant, that's a pretty wild story.
01:40A professional assassin coming to Hawaii to fill a contract.
01:43Sounds more like a case for James Bond instead of us.
01:46Why did you come to us, Lieutenant?
01:48Because of her.
01:50Me?
01:51Washington gave me your name.
01:53Why?
01:54You were on vacation in Mexico City two years ago.
01:58Yeah.
01:59And you were at the train station.
02:01When a man went berserk and shot up the place.
02:03Not berserk.
02:04He was a hired assassin.
02:07The same man we think is on the way to Hawaii.
02:10And you think I can identify him?
02:14Can you?
02:15I'll never forget him.
02:17Then you'll help us.
02:22Of course we will.
02:23When do we start?
02:25At the airport.
02:27Right now.
02:41A terrorist attempt was just made in the Athens airport on the life of Eric Nielsen.
02:47The head of WorldPAC.
02:50The International Peace Organization.
02:53Nielsen survived, but three of his bodyguards didn't.
03:01The Red Circle is claiming credit.
03:04More importantly, they vowed that he'll never live to make his next speech.
03:09Which he's supposed to deliver here at the convention center on Saturday.
03:15I don't have to tell you how important it is that the assassin doesn't get out of the airport.
03:22If he gets out there among all those tourists, we may not get him at all.
03:28At least, not in time.
03:31Let's go.
03:40Lieutenant.
03:42You know, the airport isn't the only way to get onto these islands.
03:45No, but it's the most likely way.
03:48But just to be sure, we have the men covering the harbor.
04:06This will be flight 901.
04:08Last stop was L.A.
04:10Most of the passengers are with the singles tour club Aloha.
04:14They're going to take over the Paradise Beach Hotel for two weeks.
04:18What makes you think the assassin will be on this particular flight?
04:21We are planning on covering all the flights, especially the ones from the mainland.
04:31Well, the Red Circle's a European gang.
04:33Wouldn't he be coming in from Europe?
04:35Yeah, if you were going to come to Hawaii to kill somebody, would you spend an hour in customs?
04:39Or would you clear customs on the mainland where nobody's looking for you?
04:42You're right. I got you.
04:44Here they come.
04:52Passengers for flight 709 will be now boarding gate 16.
04:56Gate 16.
05:14Mr. Rowan, call the flight crew.
05:17Mr. Rowan, call the flight crew.
05:26Aloha singles, everybody over here.
05:29Come on, group.
05:31Come on, group.
05:33Aloha singles.
05:35Everybody over here.
05:37The buses will be waiting outside of the main terminal.
05:40You can't miss them.
05:42How do we get our bags?
05:43Take the shuttles out front and please, people, please stick together.
05:47Come on, let's go.
05:49Aloha singles, follow me.
05:52Aloha singles.
05:54Right this way.
05:56Okay, march.
05:58Let's go.
06:00Aloha singles, over here.
06:03Flight officer plus, please contact maintenance.
06:06Flight officer plus, please contact maintenance.
06:09Hang in there, everybody.
06:11You're almost there.
06:12Right this way.
06:20All passengers for flight 419 to Chicago are now boarding gate 43.
06:25All passengers for flight 419 to Chicago are now boarding gate 43.
06:33That's him.
06:37That's him just going through the door.
06:41Passengers for Lisbon may now board flight 116 to gate 4.
06:45Flight 116 is now boarding at gate 4.
06:49Afternoon.
06:58Don, do you read me?
07:00Go ahead, lieutenant.
07:01Our man just boarded the shuttle.
07:03We're ready for him down here.
07:06We want to see if he's meeting anyone.
07:08So make sure nobody tries to take him until I give the word.
07:12Okay.
07:35That's him.
07:51He's wearing a mustache.
07:53Taxi!
07:55Hold it right there!
08:00Why don't you give it all up?
08:03You hurt him.
08:09Are you all cops?
08:11Just say we're good friends.
08:13Friends?
08:32Is there a law against wearing a mustache?
08:34No.
08:36But there is one against using a false passport.
08:41Bureaucrats.
08:43They're all imbeciles.
08:44They must have confused the passport.
08:47But this is your suitcase.
08:51It appears so.
08:53And these are your clothes?
08:55They seem the same.
09:04This would be your machine gun.
09:06I have never seen it before.
09:08Call on 5.
09:09It's Interpol.
09:10ID section.
09:19Yes, what is it?
09:26Lieutenant Torres.
09:35Thank you.
09:38He is Frederick Obo, right?
09:41He did time in France and in Italy.
09:45The sure retire was able to make a positive ID on the photo we telexed.
09:51You'll never save the pig Nielsen.
09:53Where I have failed, another will succeed.
09:58The red circle always succeeds.
10:01Bureaucrats!
10:03Sam, get him out of here.
10:12Thank you, ladies.
10:14And you, Mr. Bosley.
10:16That was pretty easy, wasn't it?
10:18Maybe almost too easy.
10:20Just what I was thinking.
10:22Was what we were all thinking.
10:24Lieutenant, when the red circle tried to kill Nielsen in Athens,
10:28exactly what happened?
10:30He was changing planes.
10:32There was a tour group.
10:34Tour group?
10:36In Athens.
10:37It was a religious group.
10:39Pilgrims going to the holy land.
10:42Two red circle members were disguised as members of the group.
10:45Did you say two?
10:47I guess one was a backup in case the other one failed.
10:50Fortunately, they both failed.
10:52Wait a minute.
10:54What did Obo say?
10:56Where I have failed, another will succeed?
10:58In the meantime, while we were paying all that attention to Obo,
11:01another assassin could have slipped through.
11:03Obo wanted us to catch him.
11:06It was too easy.
11:08We are going to have to check everyone on that plane.
11:11It's going to take a long time.
11:13What else can I do?
11:15Lieutenant, didn't you say that all the singles were staying at the same hotel?
11:19That should give us a pretty good idea where the assassin would be.
11:23Well, yes, probably.
11:27Well, with your permission, of course.
11:29Maybe we could save you a little time.
11:32With Nielsen doing Honolulu in less than 72 hours,
11:35I will take all the help I can get.
11:39I think Julie and Boz should do a story on swinging singles.
11:54Hi, I'm Toni Green.
11:56You're from Single Life Magazine. You're here to do the article?
11:59That's right. I'm John Bosley. This is my photographer, Julie Rogers.
12:02Glad to meet you. Come on, let me show you around.
12:05I can't wait to get started.
12:09Let's go.
12:17You see, I hope to capture the real story of life at the Paradise Beach Hotel.
12:22I mean, who the people are, why they come here,
12:25what they hope to find, what they do find.
12:28I think I'll call the article Singles in Paradise. What do you think?
12:32The real original.
12:34Well, as far as I'm concerned, you can call it anything you want,
12:37as long as you spell the names right.
12:39Hey, don't forget, we're doing a picture layout, too.
12:41Oh, of course, pictures, pictures, lots of pictures.
12:43The beautiful people in the beautiful setting.
12:46As a matter of fact, the pictures will probably tell as much of the story as the words.
12:49Maybe even more.
12:51Oh, very funny. Professional jealousy.
12:54Can I ask you something, Mr. Bosley?
12:57Only if you call me John.
12:59John.
13:01All right, what's the question?
13:03Well, actually, it's more of a favor than a question.
13:06I'd appreciate it if you'd handle our guests gently
13:09when it comes to taking pictures of them.
13:11Well, why is that?
13:13Well, you see, the philosophy of the club is to provide an environment
13:16where single people can get together on equal footing.
13:19You know, where there aren't a lot of rules.
13:21And while they're all supposed to be single,
13:24that isn't always the case.
13:26Oh, well, don't worry about that.
13:28The Single Life magazine is not a scandal sheet.
13:30You see, we would never take a picture and print it of anyone
13:33without their permission.
13:35Oh, never? You don't know how much better that makes me feel.
13:38How about if I get a shot of the two of you to start things off?
13:41Terrific. I, uh, we have your permission.
13:43Of course you do.
13:46Shoot.
13:50Shoot.
14:06Hi, there.
14:08Hi. How's it going?
14:10Are you kidding? I worked one summer in my uncle's bar.
14:13The bar business is like swimming.
14:15Once you learn how, you never forget.
14:17What can I get you, Mr. Visely?
14:19Whatever he's having, it's on the club.
14:21Well, I've heard an awful lot about your Hawaiian coffee.
14:24I think I'll have one of those.
14:26Coffee? I'm disappointed.
14:28Miss Green, I am working.
14:30It's Tony. And what time do you get off?
14:33Hopefully soon.
14:35All right.
15:04Ah, there you are. How are you coming, Kelly?
15:07Well, we started with the plane's crew
15:09and anyone flying on foreign passports.
15:11There were 13 of them, but they all seem okay.
15:14Oh, and, uh, Tony Green, the tour director, looks clean, too.
15:17She's been with the club for three years.
15:19Well, where did the flight originate?
15:21New York, but it stopped in Chicago, Detroit and Minneapolis.
15:24Yeah, all of which are near the Canadian border.
15:27Right. Our man travels from Europe to Canada,
15:30crosses over to the U.S. at any number of spots
15:33and then hops a flight to the islands.
15:35Well, these people aren't amateurs, are they?
15:37They certainly aren't.
15:39Lieutenant Torres is tracing over his moves
15:41to see if anyone else followed exactly the same route.
15:44Kelly, listen, do you think there's any chance
15:46of convincing Nielsen to delay his visit
15:48until we can assure his safety?
15:50Uh, Nielsen won't budge.
15:52Torres' boss tried, the governor of the state tried,
15:55and he says his schedule's set and he won't change it.
15:58He doesn't want the red circle to think he can be intimidated.
16:01Well, it seems to me it's better to be intimidated than to be dead.
16:05Well, unfortunately, you're not him.
16:08Bottom line is, he'll be here in 48 hours.
16:12Yeah.
16:14Smile.
16:16Thanks.
16:29Photography.
16:31Photography.
16:33Photography.
16:35Photography.
16:37Photography.
16:39Photography.
16:41Photography.
16:43Photography.
16:45Photography.
16:47Photography.
16:49Photography.
16:51Photography.
16:53Photography.
16:55Photography.
16:58Photography.
17:02Where's the rest of your foursome?
17:05It's just me. I'm playing alone.
17:07You mean you came to Singles Resort so you could be alone?
17:11Now, that is different.
17:13Uh, my name is John Bossle.
17:15I'm doing an article on Cleveloha.
17:17Budd Fischer.
17:18Hi.
17:19What kind of an article?
17:20Well, it's for, uh, Singles' Life magazine.
17:23to find out what goes on at a swinging singles resort.
17:27You've got the wrong fella. This is my first time.
17:30Really? Oh, that's perfect.
17:32I'd love to get your point of view.
17:34You know, like, uh, what did you expect exactly?
17:39How does to be left alone sound?
17:42Oh, well, I'm, uh, just trying to do my job.
17:45That's fine. And do it with somebody else, all right?
17:48Hey, fellas, over here.
17:51Uh, no pictures, please, men.
17:54Look, I asked you nicely. Now you give me the...
17:56Wait a minute. Wait a minute. Look, relax. I-I won't use it.
18:00Well, if you do, then I'm gonna sue the both of you for invasion of privacy.
18:03And I'm gonna win, too. Okay, okay.
18:05You're not the only picture on the roll.
18:07When I get it developed, I'll give you the negative. Fair enough?
18:17Friend of yours?
18:20Not exactly.
18:31Well, one thing's for sure.
18:33Another Jack Nicklaus, he ain't.
18:51Hey.
18:53Oh, you're in trouble.
18:59You all right?
19:01Yeah.
19:03Oh, you got me.
19:05Hey, cut that out.
19:07You go on.
19:09You go on.
19:11You go on.
19:13You go on.
19:15You go on.
19:17Hey, cut that out.
19:19You go on. I'll take care of them.
19:21John Bosley, Single Life Magazine.
19:23Now, wait a minute, pal. No way are we gonna be in that magazine.
19:25Take it easy, Jack.
19:27Look, you know what that will do.
19:28Why don't you go up to the hotel and let me talk to him, huh?
19:39You certainly handled him well, uh, Miss, um...
19:42Gallo. Lisa Gallo.
19:44Uh, can I trust you?
19:46Depends what with.
19:48A confession.
19:50Do I look like a priest?
19:52Not much.
19:54But I think I'll risk it if you'll, uh, buy me a drink.
19:57Well, what about your friend?
19:59Well, what about him?
20:01Right.
20:03Okay, here we go.
20:09Well, I have going with Jack Barrows.
20:11He's totally innocent.
20:13He's married, and you call it innocent.
20:15Adultism.
20:17Whether it lasts a day, a week, or several weeks,
20:20nobody's gonna get hurt.
20:22Unless his wife sees those photographs of us.
20:25Oh, don't worry. Your secret is safe with you and me.
20:29I knew you'd understand.
20:31Is that why a woman like you comes to a resort like this?
20:35I mean, were you hoping to meet someone like Jack Barrows?
20:39Unless I could meet someone better.
20:42You know, the nice thing about having relationships in a place like this
20:46is that nobody expects them to last.
20:49I'll remember that.
20:51I'll quote you.
20:55Forget the quote.
20:57Remember this.
21:01Oh, I think I'll remember you all right.
21:12Oh!
21:42Give me that last one again.
21:44Mark Williams. The address and phone number he gave the airlines are both phony,
21:47and he paid cash for his ticket.
21:49I know it's not much, but...
21:51Well, it's more than we had a few hours ago.
21:53Oh, and there are a couple of other names we can eliminate.
21:56All right, well, then look, you have to hold on for a second.
21:58I've got to get my passenger list. It's in the bedroom.
22:00Be right back.
22:12♪
22:42♪
22:52♪
23:10Help! Help!
23:12Help! Help!
23:14Help!
23:15Help!
23:22♪
23:28Buzz!
23:29Buzzly!
23:31Buzz!
23:38Oh!
23:40Did you see anyone else in the hallway?
23:42Yes, a man just ran by as I came out of my room.
23:45He went towards the pool.
23:47Oh, not where they're having the luau.
23:49What happened?
23:51There was a burglar in my room.
23:53Did he take anything?
23:55Oh, nothing I can't replace.
23:57Just a roll of film I shot today.
23:59Oh.
24:18You could have at least told me who you were.
24:20I'm sorry, there was just no other way.
24:22Knock at the door.
24:26Hi.
24:28Out of 36 shots in that roll, 22 are Club Aloha guests.
24:32Well, this should simplify our job considerably.
24:35Well, at least we know the assassin is in this hotel.
24:37And our boy wouldn't have taken such a chance
24:39unless he knew that his picture was on file somewhere.
24:41I've already talked to Interpol.
24:43They are sending every photo they can come up with
24:46of known Red Circle members.
24:48Okay, by tomorrow night,
24:49I'll have another shot of everyone on the list.
24:51You know, if I could get moved to the lobby bar,
24:53it would make it a whole lot easier
24:55to see if any of the 22 leave the hotel.
24:57I think I can arrange it.
24:59I'll have men out front at all times.
25:02All you have to do is say the word.
25:04They'll tell anybody you say.
25:06Good.
25:07Boz, what about that Mark Williams I called you about?
25:10Is he on Julie's list?
25:12Uh, no, he's not.
25:14Who's Mark Williams?
25:16Oh, that poor man.
25:17He's been sick ever since he arrived.
25:19I don't think he's been out of his room.
25:21Has he seen a doctor?
25:23He is a doctor.
25:24How do you know?
25:26I don't know. He said he was.
25:28Well, he lied to the airlines
25:30about his phone number and address.
25:32Oh, dear. I see what you mean.
25:34Julie, along with the shots of the 22, do you...
25:37Mark Williams. I got him.
25:57Oh, dear.
25:59Oh, dear.
26:01Oh, dear.
26:03Oh, dear.
26:05Oh, dear.
26:07Oh, dear.
26:09Oh, dear.
26:11Oh, dear.
26:13Oh, dear.
26:15Oh, dear.
26:17Oh, dear.
26:19Oh, dear.
26:21Oh, dear.
26:24Oh, dear.
26:26Oh, dear.
26:28Oh, dear.
26:30Oh, dear.
26:32Oh, dear.
26:34Oh, dear.
26:36Oh, dear.
26:38Oh, dear.
26:40Oh, dear.
26:42Oh, dear.
26:44Oh, dear.
26:46Oh, dear.
26:48Oh, dear.
26:50Oh, dear.
26:52Oh, dear.
26:54Oh, dear.
26:56Oh, dear.
26:58Oh, dear.
27:00Oh, dear.
27:02Oh, dear.
27:04Oh, dear.
27:06Oh, dear.
27:08Oh, dear.
27:10Oh, dear.
27:12Oh, dear.
27:14Oh, dear.
27:16Oh, dear.
27:18Oh, dear.
27:20I think that Fisher's exactly who he says he is.
27:22A business executive from Detroit.
27:25Besides, he doesn't have an accent of any kind.
27:28Nothing says our man will have an accent.
27:31Hi.
27:33Got him.
27:35All 22 so fast?
27:37Yep. This time, you keep them.
27:39I'll see that Chris gets them.
27:41Okay. Well, off to my next assignment,
27:43the reclusive Mark Williams.
27:45See you later. Bye.
27:47Yeah.
27:50Bye.
28:20Bye.
28:51I, uh, hope you don't mind me jumping in on you like this.
28:55That's about the corniest line I've ever heard.
28:58Well, if I knew this was going to happen,
29:01I'd have thought of a better one.
29:03Are you hurt?
29:05Only my professional thigh.
29:07Oh.
29:09I'm sorry.
29:11It's all right.
29:13It's all right.
29:15It's all right.
29:17Only my professional thigh.
29:19Oh, I see.
29:21Uh, if you don't mind my asking,
29:25what were you, uh, what were you doing up there?
29:29Well, I work for Single Life Magazine,
29:32and we're doing an article on the club,
29:35and I was trying to get some pictures.
29:37Pictures? Pictures of what?
29:39Of you.
29:41Of me? Why me?
29:43You're our mystery man.
29:45I mean, you've been hiding out here like Howard Hughes.
29:48I just had to have a shot of a man
29:50who'd come to Club Aloha to be a hermit.
29:53Well, I hate to disappoint you,
29:56but Club Aloha would not have been my first choice.
29:59It just so happened to be the first plane
30:01leaving Minneapolis when I arrived at the airport.
30:04You sound like a man in a big hurry to get someplace.
30:08No, to get away from someone.
30:15Want to talk about her?
30:20It's not just her.
30:24It's them.
30:26My wife and one of my patients.
30:30I'm a doctor, and she's my nurse, or was my nurse.
30:45♪
31:15♪
31:39Boss, Sparrows just came back with a shopping bag.
31:42Yeah, well, Kelly just called in.
31:44Lieutenant Torres followed Sparrows downtown
31:46to a luggage shop in Honolulu.
31:48Well, he's got to have a connection here
31:50if he wanted to get away afterwards.
31:52Also, to get a weapon.
31:54He certainly couldn't carry one on a plane.
31:56Looks like we got a live one.
31:58I hope it's the live one.
32:00Nielsen is due in Honolulu tomorrow afternoon.
32:02Well, don't worry.
32:04Sparrows won't leave this hotel without company.
32:09Just because you saw them together doesn't mean anything.
32:12You think that doesn't bother me?
32:14What if nothing happened?
32:16I ran off like some spoiled kid.
32:20Do you love her?
32:22Yes.
32:24Or I did.
32:26I don't know anymore.
32:28Well, you're never going to find out
32:30by hiding like an ostrich with your head in the sand.
32:32No.
32:34I don't think I can speak with her.
32:36Not yet, anyway.
32:38Well, while you're thinking about it, do me a favor.
32:42Take your picture.
32:46Thanks.
32:49I gotta go now, but if you really love her,
32:52give her another chance, okay?
32:57Uh...
32:59Why is it you don't use the front door?
33:02It's a lot simpler.
33:04Good thing.
33:11I'll be right back.
33:42I just talked to Kelly.
33:44These are the photos that Julie took this morning.
33:46We just got them back from the lab.
33:48Any of these match up with the red circle photos?
33:51Not so far.
33:54Uh-oh, boss.
33:56Trouble.
33:58That company.
34:00I'm surprised to see you still alone.
34:03Well, like I said, I'm working.
34:05Why don't you interview me over a drink?
34:08Only a fool would turn down such a beautiful lady.
34:11Won't you sit down?
34:13Miss?
34:15Well, what would you like?
34:17Mai tai.
34:19Fine.
34:21To paraphrase your own lines,
34:23I'm surprised to see you alone again.
34:26Oh, you mean Jack.
34:28Well, lately, my life just seems to be
34:31a series of one-night stands.
34:34Doesn't that, uh, bother you?
34:37Of course it bothers me.
34:39But not as much as being married to a man like that would bother me.
34:44I think I've found someone much more interesting to replace him.
34:49Oh, who?
34:51You.
34:53Did anyone ever tell you that you're outrageous?
34:56Yes.
34:58They usually say outrageous and charming.
35:02Have you ever been married?
35:04Never.
35:06Now, how could such an attractive man as you stay single?
35:10Oh, there's a lot to be said for being single.
35:13Well, you don't have to sell me on staying single.
35:17I've been single several times myself.
35:23I wonder where everybody's going.
35:25Let's go find out.
35:31Come on.
35:40It's Barrows.
36:02According to Lt. Torres,
36:04the maid cleaned the room after Barrows came back to the hotel,
36:08and she doesn't remember throwing out a shopping bag.
36:11Well, he could have dumped the bag someplace else.
36:14Or he could have left the bag and its contents someplace else.
36:17And that someone killed him?
36:19Suppose someone left a weapon at the luggage shop for the assassin.
36:23Now, it's not likely that he would risk exposing himself
36:26to the murder of his wife.
36:29Now, it's not likely that he would risk exposure
36:31by picking it up himself, is it?
36:33So he sends Jack Barrows.
36:35But if Barrows is an accomplice, why kill him?
36:40Hello?
36:42Yes, we're all here.
36:46All right. Thank you very much.
36:50The medical examiner just finished the autopsy on Barrows.
36:53He died of a slow-acting poison, a relatively rare one.
36:57It would take some medical knowledge to administer it.
37:00Dr. Mark Williams?
37:02I can't believe it.
37:04Well, he did give a false address and phone number to the airline.
37:07Well, who knows why he'd do that?
37:09He said he was so mixed up, he just caught the first plane he could get.
37:12He didn't care where he was going.
37:14Well, I hope you're right, Julie, but we can't take that chance.
37:18No. No, you're right. We can't.
37:20Well, better get this film off to the lab.
37:23There's pictures on it.
37:25Who's this?
37:27Interpol just sent a batch of new photos of the Red Circle people.
37:29It's slow.
37:31Oh, you can eliminate the one named Bud Fisher.
37:33Oh? Why's that?
37:35His real name's Zabrowski. He's an accountant with a labor union in Detroit.
37:38Apparently, the FBI wants to talk to him about some missing funds.
37:43Well, why doesn't Lieutenant Torres tell the FBI where they can find him?
37:46Already done.
37:49Ah, it's getting late. I'd better get back to Honolulu.
37:52Well, there's nothing more we can do tonight anyway.
37:55First thing in the morning, the lieutenant and I are going to pay a visit to that luggage shop.
37:59Don't worry. We'll get a break.
38:01We better. Nielsen's plane touches down in about 15 hours.
38:23Morning. Uh, can I help you?
38:25Well, I hope so.
38:27My friend's husband was in yesterday, and he bought her a beautiful bag.
38:30And I'd love to have one just like it.
38:32Which bag was it?
38:34Well, I don't see it. I don't think it was any of these.
38:37Do you have some more in the back?
38:39No, this is all, except for custom orders.
38:41That's it. It must have been a custom order.
38:43I'll look it up in the order book.
38:45I don't think it was any of these.
38:47Do you have some more in the back?
38:49No, this is all, except for custom orders.
38:51I'll look it up in the order book.
38:53Is the L for Lynn?
38:55Oh, yes. I put it on all custom work.
38:58Very nice.
39:00Now, what's your friend's name?
39:02Oh, Chris Barrows.
39:04Her husband's name is Jack Barrows.
39:10Don't know anybody by that name.
39:13Well, sure you do. He was in here yesterday.
39:16No. Sorry!
39:21Oh!
39:29Don't worry, lieutenant.
39:31He won't give you any more trouble.
39:34Oh!
39:50Are you, uh, leaving us?
39:52Oh!
39:54What's wrong?
39:56Well, I just can't stay here any longer.
39:59Not after what happened.
40:01I didn't think Barrows meant that much to you.
40:04He was just a guy, but he was nice.
40:09Why did that have to happen?
40:14Will, uh, will you be going home?
40:18I've had enough fun for a while.
40:22Look at them, all laughing and carrying on as if nothing ever happened.
40:27I've got to get out of here.
40:29I'm just sorry that we didn't have a chance to become better acquainted.
40:35I don't think it was in the cards.
40:40It might have been interesting.
40:50When you come to New York, will you call me?
40:54Will you call me?
40:56I don't get to New York very often.
41:14Is she all right? She seemed very upset.
41:16She was upset. I think I might have misjudged her.
41:19Chris! Boss!
41:22Take a look at these. We hit the jackpot.
41:27Which one is he?
41:29Not him. Her. It's Lisa Gallo.
41:31Are you sure?
41:33Well, what do you think?
41:35Well, it's such a bad picture.
41:37Her real name's Francesca Girard. She's French-Algerian.
41:40She was a nurse, so she'd know how to use the poison.
41:43She just checked out, and I let her go.
41:48Mark Williams is gone, but his bags are in the bungalow.
41:51We didn't check out.
41:53When I couldn't find him, he used Tony's Pasky to get inside.
41:56Could the Red Circle have sent a third killer?
41:58It's got to be Mark Williams.
42:00Kelly, when will the pictures that Julie took of Williams be ready at the lab?
42:04Not soon enough to do us any good.
42:06I know what he looks like. So does Tony.
42:08I sure do.
42:10Well, we all know where to find them.
42:12Right. The airport. Let's go.
42:18I just talked to the tower.
42:21Now Nielsen's plane is due to arrive one half hour early.
42:24Oh, great.
42:26Where's Julie?
42:28She and Tony are out there somewhere.
42:30I'd better get with Torres.
42:32I'd better get with Torres.
42:45Will Mr. Rowan please call flight?
42:48Will Mr. Rowan please call flight?
43:02Will Mr. Rowan please call flight?
43:32All passengers, flight 493 to Cox will be now boarding on the 43rd.
44:02All passengers, flight 493 to Cox will be now boarding on the 43rd.
44:32Excuse me.
44:34Excuse me.
44:36Excuse me.
45:01Excuse me.
45:06Excuse me.
45:08Excuse me.
45:10Excuse me.
45:12John, what are you doing here?
45:14Looking for you.
45:16This is not where you catch your flight to New York.
45:19I had something else I had to do.
45:21Not anymore you don't.
45:36I had something else I had to do.
46:07That must be his wife.
46:13Dr. Williams!
46:16Hi.
46:18You all right?
46:27Sometimes there really is a happily ever after.
46:30Sometimes there really is a happily ever after.
46:33Sometimes there really is a happily ever after.
46:53Hi, everybody.
46:55Hi, Charlie, if you're there.
46:57Right here, Julie.
46:59We're just about to go out to lunch. Want to join us?
47:01Oh, I'd love to, but I just did brunch with Dr. Williams and his wife.
47:04They wanted to say thanks.
47:06I guess this is our day for thank yous.
47:08Charlie just got a nice call from the governor's office.
47:11Not to mention a call from the World Peace Organization...
47:14and several from European law enforcement agencies.
47:17You landed a big fish when you brought in Lisa Gallo.
47:21Wow, I'm impressed.
47:23We're impressed, too, with you.
47:26Well, I...
47:28Thank you.
47:30You just did... Well, it's not what you did.
47:32It's how you did it.
47:34I don't understand.
47:36Well, Chris means you handled your part of the assignment...
47:38like you've been doing it for years.
47:40She's right, Julie. I've been doing this sort of thing for a long time.
47:43You're one of the fastest learners I've ever seen.
47:46And from what Dr. Williams told me...
47:48she's also a pretty good marriage counselor.
47:51Yeah.
47:53Oh, wow.
47:55I feel so, uh, dumb.
47:58I have so much to say, and I...
48:00Well, what's most important is that you really make me feel like I belong.
48:04And that really means a lot to me.
48:07It's really important for someone like me to have friends like you.
48:11Well, Julie, you're more than a friend to us now.
48:14You're part of the family.
48:16Right.
48:19Yes, indeed.
48:21Welcome.
48:24All right.
48:28All right.
48:58All right.