Movie
  • 5 months ago
Transcript
00:00Once upon a time, there were three beautiful girls.
00:07Two of them graduated from the police academy.
00:11The other graduated from a top school for models.
00:16And they each reaped the rewards of their exciting careers.
00:22But I took them away from all that, and now they work for me.
00:26My name is Charlie.
00:57Charlie!
00:59Charlie!
01:02Charlie!
01:05Charlie!
01:26Charlie!
01:56Charlie!
01:59Charlie!
02:02Charlie!
02:05Charlie!
02:08Charlie!
02:11Charlie!
02:14Charlie!
02:17Charlie!
02:20Charlie!
02:23Charlie!
02:26Charlie!
02:29Charlie!
02:32Charlie!
02:35Charlie!
02:38Charlie!
02:41Charlie!
02:44Charlie!
02:47Charlie!
02:50Charlie!
02:53Charlie!
02:56Charlie!
02:59Charlie!
03:02Charlie!
03:05Charlie!
03:08Charlie!
03:11Charlie!
03:14Charlie!
03:17Charlie!
03:20Charlie!
03:23Charlie!
03:26Charlie!
03:29What I wouldn't give for a lawnmower!
03:33They were great, weren't they?
03:36I'll be back a little bit later.
03:39Right now, I'd like to welcome you to Steve's Tropic Nights.
03:42Are you all enjoying your visit here on the island?
03:46Donna?
03:49Oh, no, Stacy, please. I'll get it.
03:52Honey, it's just not gonna work.
03:55I tried.
03:58I really did.
04:01Yeah, I know you did, but he's just not gonna change his mind.
04:05Just not.
04:08Stacy, get your girls out there, will you?
04:12I'm sorry, Donna.
04:22I want to talk to you.
04:27Connie's and Rahini's.
04:30It's oldies but goodies time at Steve's Tropic Nights.
04:33You want beautiful memories?
04:36How about these birds of paradise?
04:39How about these birds of paradise?
05:10You can't dance, Donna. You're not a step.
05:13I don't know how you ever got this far.
05:16But everybody back in Seattle said that I could.
05:19Because they lied to you. They didn't want to hurt you.
05:22Now, you listen to me, kid. I've been around a long time.
05:25I know what I'm talking about. Go home.
05:28Go home.
05:31Go home.
05:34Go home.
05:37I know what I'm talking about. Go home.
05:40Get married. Get pregnant.
05:43Find another job.
06:08Who's there?
06:11Who's there?
06:23What is this? What's going on?
06:26What's going on?
06:35You get a life, it can't happen.
06:57What's this all about? What's going on?
07:03What's the matter with you people?
07:06Can't any of you talk?
07:09Oh, you're going to be sorry it did this.
07:14You're going to be sorry it did this.
07:17You're going to be sorry it did this.
07:20You're going to be sorry it did this.
07:23You're going to be sorry it did this.
07:32I don't believe it!
07:35Let me out of here! What are you doing to me?
07:38Let me down! Damn it, let me down!
07:41Put this thing down!
07:44Damn it, put this down!
07:53I hate to say this, Mrs. Moss,
07:56but in today's world,
07:59$1 million is not an unusually high ransom demand.
08:02If I had it, I'd pay it.
08:05I'd pay anything.
08:08Well, there's no way you can raise the money?
08:11No.
08:14I'm afraid that Steve has made quite a few enemies
08:17in the financial community over the years.
08:20Please, will you help me find Steven?
08:23Mrs. Moss, the police are much better prepared to...
08:26No, police. No, the note said
08:29if the police are brought in, they'll kill Steven.
08:32That's why we came to you.
08:35Okay, Mrs. Moss.
08:38We'll do what we can.
08:41Oh, thank you.
08:44Why don't you take her home and we'll be in touch?
08:47I can't believe we were in the nightclub
08:50the night he was kidnapped.
08:53This isn't going to be easy.
08:56I'm afraid it's even worse than you think.
08:59I don't like the sound of that.
09:02Bosley, tell him the rest of it.
09:05According to the ransom note,
09:08the kidnappers are giving her one day, today,
09:11to get the money together.
09:14After that, they're planning a little surprise each day
09:17that the money isn't paid.
09:20Well, we better get started. Today's almost over.
09:231, 2, 3, 4, 5, 6, 7, 8.
09:271, 2, 3, 4, 5, 6, 7, 8.
09:31Lily, you're supposed to be dancing like a wild animal.
09:34That's why we have to keep you in the cage, remember?
09:37Stay tuned. Just a little more.
09:41Margo, get with it.
09:43Look, I had a rough night last night, okay?
09:46If you can't be wild, at least look awake.
09:49Oh.
09:51Oh, better, but not much.
09:54Come on, girls, take a break. We'll come back later.
09:57Oh.
09:59Stacy Parrish?
10:01Sorry, no tryouts today.
10:04I'm sorry. I'm sorry.
10:07Stacy Parrish?
10:09Sorry, no tryouts today. Come back next week.
10:11Oh, I'm not here to try out.
10:13Better yet, come back next year.
10:15I'm not a dancer. I'm a detective.
10:17I'm working for Mrs. Moss.
10:19Can I talk to you a moment?
10:21So Marion hired a detective, huh?
10:24You don't approve?
10:26Doesn't matter to me either way.
10:28Why do I get the feeling that you're not exactly distraught
10:31over your boss's disappearance?
10:33You mean his kidnapping, don't you?
10:35Well, you know.
10:37Tough to keep a secret around a place like this.
10:41Well, then you probably know who might want to harm him.
10:45He fired a girl last night. She'd have plenty of reason to harm him.
10:48What was her name?
10:50Donna Smith. But lots of people had reason.
10:52As a matter of fact, if I had thought about it, I may have even harmed him.
10:55Well, if you dislike him so much, why are you here?
10:58Well, he may be a creep, but he pays really well,
11:01and this place is a gold mine.
11:03That's strange.
11:05His wife can't pay the ransom.
11:07Can't or won't?
11:09Come on, girls, let's go. Back to rehearsal. Come on, get on it.
11:21You're the third entertainer I've talked to tonight.
11:24So far, he's got a perfect record.
11:26Everyone I talk to has something bad to say about him.
11:28Well, now, that just depends on what you think is bad.
11:31It seems to me that he was just doing what he had to do.
11:33Which was?
11:35Well, take the dancers in the show, for instance.
11:37I mean, they're just like the girls in my show. They're green.
11:39We have to teach them everything.
11:41And I hate to say it, but half those girls can't even cut it.
11:44And if they can't cut it, Moss tells them so, right?
11:47Yeah, but a lot of them ended up thanking him for telling the truth.
11:51Yeah, but there must be a lot of girls who are pretty upset about it.
11:54Maybe even upset enough to pull a stunt like this.
11:57I don't know. Maybe some of them were, yeah.
12:00Do any of them have names?
12:02Sure, all of them got names.
12:04But, you know, I don't want to give out names unless I'm really sure,
12:07unless I can be, uh, persuaded.
12:10Let's try something else.
12:12Moss' club, was it making any money?
12:15Oh, the tourist business, it's up and down.
12:17But he sure wasn't starving.
12:19Did you know Moss' wife couldn't come up with the ransom money?
12:22Oh, come on. Hey, I'm the comic in this club. You've got to be kidding.
12:27Do I look like I'm laughing?
12:30No.
12:40I think this is going to be a waste of time.
12:42Steve really runs the business from his head.
12:44He has an incredible memory.
12:46Well, there's always a chance that he scribbles something down like a name or address.
12:49You know, you're right. You were right, I'm sorry.
12:52I'll do anything you want.
12:56And now it's go-go time.
12:58Steve's Tropic Nights is pleased to present our very own Birds of Paradise.
13:13Oh, my God, that's Lily's cage.
13:15She must be kidnapped, too.
13:19What does it say?
13:21Thank you for Lily.
13:23Pay what we want, or there'll be another surprise tomorrow.
13:29BIRDS OF PARADISE
13:42You realize what will happen to your husband if it doesn't work?
13:47All right.
13:49All right, Mary, if that's what you want.
13:53Well, she insists on pretending to go through with the drop.
13:56And she expects us to catch the kidnappers when they collect the money.
14:00I don't like the sound of it. It's too risky.
14:03Well, I don't either, but she's the client.
14:05You know, all the bankers I talked to said that Marian could come up with the money,
14:09but she doesn't want to.
14:11That's the same thing I got at the club.
14:13Well, I don't believe it.
14:15She's just not that kind of person.
14:18Ever hear of Dr. Jekyll?
14:20And Mrs. Hyde. I know, I know.
14:22But there's something about her.
14:24Well, Julie, if the nightclub is profitable, where's the money?
14:27Well, you know, refusing to pay the ransom
14:30would be a great way to get rid of a husband you don't want and keep the money.
14:34If he has any money.
14:36Boss, could you...
14:38Oh, well, consider that done.
14:40Which reminds me, Kelly, here's this picture of Donna Smith that you wanted.
14:44Oh, good.
14:46She's the dancer that Moss fired.
14:49She doesn't look very dangerous.
14:51According to the history books, neither did Billy the Kid.
14:54Maybe we should try to pick up something about their personal lives.
14:57Maybe Marian was having an affair.
15:00Maybe Steve was.
15:02You know that choreographer of his, Stacy Parrish?
15:05She's one bitter lady.
15:07Maybe they were having a thing and Moss dumped her.
15:10She's gonna be very hard to get close to.
15:13For a detective.
15:15But maybe not for a fellow dancer.
15:18Right, they have to replace Lily.
15:21But what if you're the wrong type?
15:23That's why you're going with me,
15:25because between the two of us, one of us is gonna be the right type.
15:28Good idea. How's your hula?
15:30I'll tell you the truth, a little shaky.
15:33Ha, ha, ha.
15:35Ha, ha, ha.
15:37Ha, ha, ha.
15:48Loosen up, honey.
15:50The hands may be telling the story,
15:52but that's not what the people are watching.
16:03That's good. That's really good.
16:07Okay, thank you. Next.
16:14Julie Rogers? Mm-hmm.
16:16You ready to do this thing? Yeah? Great.
16:18Music.
16:40That's very good, honey. Thank you. Thanks.
16:44I think, uh...
16:46I think it's...
16:52Yeah. Yeah, definitely.
16:54Well, Chris Monroe, looks like you're it.
16:56Hey, great. All right.
16:58Thank you, girls. That was terrific.
17:00Julie, can I talk to you for a minute?
17:02Sure.
17:07You know, you really were good.
17:09Yeah, but not good enough.
17:11Do you do any of those 60s go-go dances?
17:14Sure. You do that stuff, too?
17:16What do you think that thing's for?
17:18Oh, wow. That's wild.
17:20If you'd be interested, I'll keep your phone number,
17:22and if we have an opening, I'll call you.
17:24Terrific. Okay, thanks.
17:26Talk to you soon.
17:31What'd she say?
17:33Looks like I came in second.
17:35She's gonna give me a call the next time there's an opening.
17:37Which could be tomorrow, if we don't find Moss.
17:39Yeah. I'll tell Kelly and Boss you're it.
17:52Your friend's almost as good as you are.
17:54Friend?
17:56Yeah, Julie.
17:58Oh, she's not my friend. I just met her here today.
18:00Yeah, sure. There'll be a dress rehearsal today at 3.30.
18:02See you there.
18:10Excuse me.
18:12Are you one of the dancers?
18:14Yeah. You're Donna Smith, aren't you?
18:17The girl that got fired.
18:19I was wondering about Mr. Moss.
18:22You know him?
18:24Do I know him?
18:26If it hadn't been for him, I'd probably be dead right now.
18:29Could we go somewhere and talk?
18:31Sure.
18:34Now what's going on?
18:36It's feeding time at the zoo,
18:39and we don't want our prize specimen sick.
18:43I feel like I'm in a zoo.
18:46Get used to it.
18:48You may be here a long time.
18:50I'm not used to it.
18:52I'm not used to it.
18:54I'm not used to it.
18:56I'm not used to it.
18:58I'm not used to it.
19:00I'm not used to it.
19:03Your loving wife won't pay your ransom.
19:07What?
19:09Your wife won't pay your ransom.
19:13How much are you asking for?
19:15One million dollars.
19:18You're out of your head.
19:20She'll never be able to raise that kind of money.
19:22If she can't, you'll be dead.
19:26Well, then, maybe you better kill me now to save everybody a lot of trouble.
19:30No trouble, believe me.
19:32In fact, this is getting to be fun.
19:36I'm glad you think so.
19:42I've been just miserable since I found out.
19:44But he fired you.
19:46Which was the best thing that ever happened to me.
19:49Wait a minute. I don't follow this.
19:51I heard you were hysterical the night you got fired.
19:54I was.
19:56That night I could have killed him.
19:58Or myself.
20:00Later that night he came back to my dressing room.
20:03I almost wouldn't let him in.
20:05I was still upset.
20:08We talked a long time.
20:10And he straightened you out?
20:12No.
20:14He helped me straighten myself out.
20:17He made me realize that it's better to know the truth.
20:20Even if the truth isn't always what you want to hear.
20:23You know, he even gave me money to get started again.
20:27And you know something else?
20:29He's done the same thing for a lot of other girls, just like me.
20:33How do you know?
20:35I started asking around.
20:37Lots of people know out on the streets.
20:39He just didn't want to make a big thing out of it.
20:42But ask around. You'll see.
20:45Okay.
20:58Good. Okay.
21:00Take a break and we'll do it again.
21:09Well, Alton, you know what? This is harder than it looks.
21:12What did you expect your first day?
21:14Oh, perfection.
21:16Right. Good luck.
21:18I'm Chris, by the way.
21:20Amy. Nice to meet you.
21:22I understand you had some excitement around here.
21:25Oh, you heard about that, huh?
21:27Listen, you were here the night that Moss was kidnapped.
21:30What really happened?
21:32I wish I knew.
21:36Okay, girls, let's do it again.
21:43You're doing okay.
21:45Thanks, I'm trying.
21:47Where's Stacy?
21:49Oh, she had an appointment.
21:51Why, don't you like the way I run a rehearsal?
21:54Nothing like that. I was just wondering.
22:03Okay, girls, let's go. Come on.
22:05Music.
22:10So I did what she said, I asked around, and she was right.
22:14Moss helped a lot of girls like her.
22:17Well, why didn't Marion say something?
22:20You know, I doubt if she knew.
22:22Donna said that Moss told all the girls never to tell anyone that he helped them.
22:27Why?
22:29Good question.
22:31Well, at least we know where some of his money went.
22:37Townsend Associates?
22:39Right.
22:41It's Marion Moss.
22:43I understand.
22:46The ransom drop is to be made at a poolside bar
22:49at one of the big hotels on Waikiki Beach at 4 o'clock.
22:52We'd better hurry.
22:59Where are they? It's almost 4 o'clock.
23:05Here we go.
23:20Come on.
23:32Get ready.
23:36I don't like this at all.
23:38Suppose some tourist tries to pick her up.
23:41I mean, there's got to be some kind of code so she knows who the kidnapper is.
23:44He'll say he's a friend of Steve's, then he'll order them both a drink.
23:48Relax, everything's covered.
24:18Marion Moss?
24:20Oh.
24:21Uh, yes.
24:23I am, uh, Marion Moss.
24:25Bartender, two pina coladas.
24:27I'm a friend of Steve's.
24:29I think you were expecting me.
24:35Get up, policey.
24:37What is this?
24:39Just do what the lady says.
24:41Nobody tells me what to do.
24:43I'm a friend of Steve's.
24:45Just do what the lady says.
24:47Nobody tells me what to do.
24:52Hey, you want to keep your hands off that lady.
25:00Okay, okay, what is it?
25:02Who are you?
25:03Did he know the code?
25:04But he said he was a friend of Steve's.
25:06Hey, I don't know any Steve.
25:08Then why did you say you were a friend of his?
25:10Some lady at the end of the pool gave me 100 bucks, that's why.
25:13What lady?
25:14I don't know.
25:15She was wearing a big hat and dark glasses and a red muumuu.
25:18She said it was a joke.
25:19Some joke.
25:20Let's split up.
25:21Okay.
25:23It was a setup.
25:24You know what to do.
25:45Margot, come on.
25:47Come on, we're ready to run it.
25:51Margot?
26:15You should have let me know what you were doing.
26:18Well, we had to respect the wishes of our client.
26:22And we are telling you now.
26:24Promise.
26:25We won't do it again.
26:27All right.
26:29The man who approached Mrs. Smith,
26:32I'm sure you know who he is.
26:34I don't know him.
26:35I don't know him.
26:36I don't know him.
26:37I don't know him.
26:38I don't know him.
26:39I don't know him.
26:40I don't know him.
26:41I don't know him.
26:43The man who approached Mrs. Moss checks out.
26:47His name is Mark Gleason.
26:49He's a carpenter.
26:50He's on a housing project at the university.
26:54You mean you buy his story about a woman paying him to say those things to Marion?
26:58No reason not to.
27:00He has no record.
27:02He had a $100 bill in his pocket.
27:07May I use your phone?
27:09Sure.
27:12Well, what did Charlie say?
27:14Unfortunately, not much.
27:16According to Charlie's sources, Moss does not have a Swiss bank account
27:20or any other hidden assets.
27:23Well, maybe I should have a talk with Marion.
27:26How is Marion?
27:28Well, she was very upset.
27:29Her doctor had to give her a sedative.
27:31She's sleeping right now.
27:33You know, that's one thing I am glad about, that Marion is no longer a suspect.
27:37Neither is Donna Smith.
27:39Well, then who does that leave us with?
27:42Well, the man at the bar said a woman gave him a $100 bill.
27:46Well, Stacy Parrish was most definitely not at rehearsal like she was supposed to be.
27:51Well, that doesn't exactly make her a kidnapper.
27:54But it does make her a possibility.
27:57Well, I hope so, because right now she's the only one we have.
28:01Right.
28:10Peace.
28:15Thanks a lot.
28:17Three days and still pretty feisty.
28:20Shows a lot of spirit, you know.
28:22Maybe too much spirit.
28:25Now, wait a minute.
28:26I didn't mean anything by that.
28:28It's just that music.
28:29I can't take it 24 hours a day.
28:31If your dear wife would cooperate, you wouldn't have to take it at all.
28:36I'm telling you my wife can't come up with a million bucks.
28:40And I'm telling you she can.
28:43How?
28:44I really don't know how she can.
28:47She'll find a way.
28:49Or more girls will disappear.
28:52What do you mean by that?
28:55Your wife has been resisting our demands for the past two days.
28:58Consequently, two of your dancers have disappeared.
29:01What?
29:02Their names are Margot and Lily.
29:05Lily and Margot?
29:07Well, what have you done with them?
29:09I don't know.
29:11They won't be hurt.
29:35What's the matter?
29:54That new girl, Chris, is terrific.
29:56But Terry's just not cutting it.
29:59Oh, no.
30:00I'm not getting in that cage.
30:02Did I ask you to?
30:03No, but you were going to.
30:04Well, don't worry about it.
30:05I'll think of something.
30:07As a matter of fact, that girl that we auditioned last week, remember when we hired Chris?
30:11She was pretty good.
30:12Uh, Julie something.
30:15Wait a minute.
30:22I've seen that girl.
30:24At the hotel.
30:26I knew I had seen her before.
30:29Who?
30:30That girl, Julie.
30:31She was at the drop with Marion.
30:32She's the one that came after me.
30:34What?
30:35Yeah, she and our little bird in the cage over there work for the same detective that Marion hired.
30:41What are we going to do?
30:43Just leave it up to Stacy, okay?
30:45Go on.
30:58I thought I answered all your questions already.
31:00Yeah, well, I got a couple more.
31:02I talked to Donna Smith.
31:04You were right.
31:05A lot of girls do thank Moss for telling them to go home.
31:08That's not a question.
31:09Well, this is.
31:10Why did Moss do it?
31:15Well, before Steve came to the islands, before he was married to Marion, he had another wife and a daughter.
31:21Steve's daughter ran away from home when she was 14, Julie.
31:25He went looking for her and he found her in a morgue.
31:30He blames himself for that and he's been trying to make up for it ever since.
31:34Sounds corny when you say it, but not so corny when you live it.
31:40You know what you're talking about, don't you?
31:43You could say I've been there.
31:46But why didn't you tell me this before?
31:48Steve didn't want anybody to know.
31:50How about a drink?
31:51No, thanks.
31:52Does Marion know?
31:54Maybe not as much as I do.
31:55Why did he tell you?
31:57Well, we both have something in common.
32:00We both have young girls in our show.
32:03That's where all his money went?
32:05To help those girls?
32:07And even help some of those girls buy their first house.
32:10Does Stacy Parrish know anything about this?
32:13No, no way.
32:15Well, why not?
32:16There was something between them, wasn't there?
32:18Well, Stacy thought there was.
32:20She tried real hard.
32:22She's succeeding.
32:24Steve really loves Marion?
32:28Hello?
32:29Yeah, hold on just a second.
32:31Julie.
32:34Hello?
32:35Julie, it's Kelly.
32:36Hi.
32:37Wait till you find out what I got on Moss.
32:39Wait till you hear this.
32:41Stacy Parrish called that answering service number you gave at the audition.
32:44You've got a job.
32:45She wants you there at noon to rehearse.
32:47Terrific.
32:48Listen, I'm on my way back to the office now.
32:50I think I found out what happened to all of Moss' money.
32:57So as it turns out, Steve Moss is a good guy.
33:00If Stacy Parrish is one of the kidnappers,
33:02and she didn't know there wasn't any money,
33:04that would explain a lot.
33:06Well, there's one way we could find out for sure.
33:09What do you mean?
33:11Maybe you can catch a kidnapper the same way you catch a fish.
33:16With bait.
33:21She'll be fine.
33:22She'll also be where we can keep an eye on her.
33:24That's great, Julie.
33:25Terrific.
33:26Thanks.
33:28I wonder where she's going.
33:30I think I'll go and find out.
33:38I'm sorry.
33:39I'm sorry.
33:40I'm sorry.
33:41I'm sorry.
33:42I'm sorry.
33:43I'm sorry.
33:44I'm sorry.
33:45I'm sorry.
33:46I'm sorry.
33:47I'm sorry.
33:48I'm sorry.
33:49I'm sorry.
34:05What are you doing in here?
34:08I said, what are you doing in here?
34:11I was looking for my hairbrush.
34:13It's not your table.
34:14It's Amy's.
34:15Oh, right.
34:16Amy borrowed my brush.
34:19Oh.
34:25I don't see a brush in there.
34:28Ah, you're right.
34:31Actually, it's not Amy's table.
34:33It's mine.
34:35Oh.
34:36I didn't know.
34:38What were you really looking for?
34:43Okay.
34:44I'm a private detective.
34:46I've been looking for Steve Moss.
34:49We think maybe one of the girls is involved with the kidnappers.
34:54I don't know what to say.
34:56Is there anything I can do to help?
34:58Yeah, there is.
34:59You can go back to rehearsal and make it last a good long time.
35:02Give me a chance to look around here.
35:04Okay, yeah, sure.
35:19All right, take a break and then we'll all try it.
35:22Amy.
35:24Problem?
35:26Yeah, we can handle it.
35:30Oh, Chris.
35:32What a long number.
35:34Here you go.
35:35Oh, thanks.
35:38How'd it go?
35:39She took the bait.
35:40Great.
35:41I'm going to call Cal and Boz.
35:43Between the three of us, we ought to be able to keep you and Stacy covered all the time.
35:47Terrific.
35:49Yeah.
36:15Oh, Julie, I'm sorry.
36:17What's going on?
36:18Oh, I spilled my soda on Julie.
36:19I wasn't paying attention.
36:20Well, come on.
36:21Go change your clothes.
36:22Go change.
36:23Hurry up.
36:24Come on.
36:25Let's get moving, girls.
36:26Let's go.
36:27Come on.
36:49The note said that all four hostages, including Julie,
36:53would be killed if the ransom was not paid immediately.
36:57Poor Julie.
36:59It's all my fault.
37:00I thought I had it all figured out.
37:02Now, don't blame yourself, Chris.
37:04Your plan was a good one.
37:05Yeah.
37:06Stacy's was better.
37:07What are we going to do?
37:09We have to find Julie.
37:10I don't know.
37:11I don't know.
37:12I don't know.
37:13I don't know.
37:14I don't know.
37:15I don't know.
37:16I don't know.
37:17How are we going to find Julie?
37:18Well, one thing we know for sure is that Stacy was involved.
37:22She's been very smart so far.
37:23She's not going to make it easy on us.
37:25But Stacy's the key.
37:27We've got to get her to lead us to Julie.
37:29Charlie, think of something, please.
37:32I have thought of something.
37:34I'm going to pay the ransom.
37:43But why?
37:44Why would Stacy do it?
37:46You rejected her, didn't you?
37:49She figured she'd get even and rich all at once.
37:52Rich?
37:53That's almost funny.
37:55She didn't know a thing about it, did she?
37:58About what?
37:59About the girls you helped.
38:01Who told you that?
38:03Some of your friends.
38:05Some people who really care about you.
38:07Look, I don't want anybody to know I helped those girls.
38:10I did it because, well, I did it for my own reasons.
38:15I know why you did it.
38:17And I want you to know that I think you're a really special man.
38:21Please don't.
38:23Okay.
38:25Okay, I understand.
38:29Do you know two of the dancers at your club disappeared?
38:32Yeah, I know.
38:33Lily and Margo.
38:35Do you know where they're being held?
38:36How would I know that?
38:38What can I know from up here?
38:40Well, we've got to figure out where they're being held
38:42before we can even think about escaping.
38:44Escape?
38:45But how?
38:46Look where we are.
38:47What can we do from here?
38:49Whatever it takes.
38:51Oh, no you won't.
38:52You'll stay right where you are
38:54or you'll find yourselves real dead.
38:59What a hush.
39:00The cage, it must be bugged.
39:02Oh, that's brilliant.
39:06Stacy?
39:10Stacy, is that really you?
39:12Of course it's her.
39:13Go on, tell him.
39:14It's of no concern to either of you who I am.
39:18Just be glad you're still alive.
39:23Even though they won't be alive much longer.
39:26Stacy, what would you rather do,
39:29spend the next 20 years in prison?
39:31Huh?
39:37I knew you'd see it my way.
39:43I knew you'd see it my way.
40:14You're certain that's the right bag?
40:18Light green canvas bag, black handle.
40:23Just like it said in the note.
40:28Take it easy, Mrs. Moss.
40:30You're well covered.
40:32Thank you.
40:43Thank you.
41:13Thank you.
41:37Are you all right?
41:39I think so.
41:41Oh, God.
41:44I'm sorry.
42:12Hang on.
42:25Don't worry, we'll bring her back.
42:41Well, I'm sorry it's not a Rolls-Royce, but it's the best we can do.
42:44If it runs, it'll be fine.
42:56Don't bother.
43:11I'm sorry.
43:33I'm sorry.
43:41Stay there. Not for long.
44:03We did it.
44:05Not quite all of it. Come on.
44:11Come on.
44:25Where'd they go?
44:30Stacy, are you out of your mind?
44:32This is crazy!
44:36Hey!
44:38Skid marks.
44:40You always did love to make a red necklace.
44:43Hold on.
44:46Hey!
45:06Hold it!
45:11Stay there!
45:16All right.
45:19Julie, you okay?
45:21I'll know as soon as my heart starts beating.
45:24Mr. Moss?
45:26We're alive.
45:46Angels, Lt. Torres is sure
45:49that he'll have no problem getting a conviction.
45:52When they were interrogated separately,
45:54Amy, Margo, and Lily, all named Stacy, is the mastermind.
45:58Well, you'll have to admit, Charlie, it was a very clever plan.
46:01Yes, and I'm sure Marion would have paid the ransom if she'd had the money.
46:06Charlie, I was really touched
46:08when I heard that you personally put up my ransom money.
46:11The money means nothing.
46:13The important thing is that we have you back, Julie.
46:17Well, bye, angels.
46:19That's right.
46:21We were all very worried about you.
46:23Especially me, since it was my dumb plan
46:26that got you kidnapped in the first place.
46:28Hey, don't worry about it. It turned out all right.
46:31And besides, how often does a girl get rescued like that?
46:34I couldn't believe it when I saw it.
46:37It was pretty exciting from our point of view, too.
46:40Really? The amazing thing about this case to me
46:43was why Steve Moss was so secretive
46:45about all the nice things he was doing for those girls.
46:48Well, I got a chance to know Steve pretty well
46:51during that time we spent together,
46:53and I think he figured that maybe he could make up
46:56for not being there for his own daughter
46:58by being there for other people's daughters.
47:00Hmm. Well, good for him.
47:02I mean, he's a good guy.
47:04By being there for other people's daughters.
47:06Hmm. Well, then he was a good guy after all.
47:09Right. And you know, I really liked working at his place.
47:13It was fun. Yeah, I liked it.
47:15Especially having to keep my eye
47:17on those exotic Polynesian hula dancers.
47:20Oh.
47:22Where'd you ever learn to hula? That really looks tough.
47:25No, it's easy. You just have to have the right equipment.
47:28Oh. Well, I guess that lets me out.
47:31Not necessarily, Julie.
47:33Coming up.
47:36Ta-da!
47:38Pour moi. Oui!
47:40Hey! Oh, you shouldn't have!
47:43I'll tell you. All right.
47:45Oh, I think it's just my size.
47:48And your color, too.
47:50Good for your color, yes.
47:52Here he comes!
47:54Girls! Hey!
47:56How thoughtful. Wait a sec, wait a sec.
47:58I gotta tie this.
48:00I got it too tight.
48:02Ha!
48:04Here we go.
48:06There you go.
48:08Oh, yes!
48:10More hips! More hips!
48:12More hips, more hips.
48:14You see?
48:16Why is it?
48:18Discharge.
48:30Discharge.