Saleem Albela Ki Film Bannay Say Phele Flop
#Hoshyarian #HaroonRafiq #SaleemAlbela #GogaPasroori #AghaMajid #ArzuuFatima #ComedyShow #Funny #Entertainment
Watch Hoshyarian Episode 453: https://youtu.be/EBJh2D2yhYM
Watch Hoshyarian Episode 451: https://youtu.be/J3NSjiQDIkI
Watch Hoshyarian Episode 450: https://youtu.be/4QHsfgzmGAM
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Watch Hoshyarian Episode 453: https://youtu.be/EBJh2D2yhYM
Watch Hoshyarian Episode 451: https://youtu.be/J3NSjiQDIkI
Watch Hoshyarian Episode 450: https://youtu.be/4QHsfgzmGAM
For the latest General Elections 2024 Updates ,Results, Party Position, Candidates and Much more Please visit our Election Portal: https://elections.arynews.tv
Follow the ARY News channel on WhatsApp: https://bit.ly/46e5HzY
Subscribe to our channel and press the bell icon for latest news updates: http://bit.ly/3e0SwKP
ARY News is a leading Pakistani news channel that promises to bring you factual and timely international stories and stories about Pakistan, sports, entertainment, and business, amid others.
Official Facebook: https://www.fb.com/arynewsasia
Official Twitter: https://www.twitter.com/arynewsofficial
Official Instagram: https://instagram.com/arynewstv
Website: https://arynews.tv
Watch ARY NEWS LIVE: http://live.arynews.tv
Listen Live: http://live.arynews.tv/audio
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FunTranscript
00:00Friends, there are many things that Allah has blessed us with.
00:04We think of it as a burden, but there is a special time when it becomes a great blessing.
00:09I would like to talk about domestic abuse.
00:12These days, we see on social media that the victims of domestic abuse are mothers, sisters and daughters.
00:20This should not be the case.
00:22In our society, every child is told that sisters are everyone's partner,
00:27daughters are everyone's partner, mothers are everyone's partner.
00:31So, what kind of a beast comes out of the womb and instigates domestic abuse?
00:37When Allah has given you a way, which you can call separation for a while,
00:41you can adopt separation.
00:43You can hand over this matter to your parents and elders, so that you can clear the air between us.
00:49This is also a blessing.
00:51If it is possible, then taking someone's life or tolerating injustice on your own life,
00:56when you can raise your voice for justice, you should not do this.
01:01If you are a woman and you are a victim of domestic abuse,
01:05then you should raise your voice that you have tolerated it,
01:08but no other mother, sister or daughter should tolerate this injustice.
01:13Let's start today's show with this message.
01:15Today, we will take you to the guest house and see what is happening there.
01:21No, no, I go to the office very rarely.
01:24The manager himself takes care of all the management.
01:29He doesn't let me come.
01:32Yes, Maria. No, no, I am sitting in my lounge.
01:36Here the sofa is burnt. I am sitting down.
01:40My pineapple is in front.
01:42What disease is this that you are getting affected by these things?
01:46No, no, you know that I use pineapple more.
01:49That sir taught me.
01:51Wow, what is the matter?
01:54Go, go and clean my Mercedes.
01:58I will do everything.
02:02Maria, what is the matter of getting scared?
02:05When I will go to Dubai, I will take you shopping from there.
02:08There is no such issue.
02:10What?
02:11No, I can't sell it for Rs. 10,000.
02:15Maria, video call him.
02:17No, no, he is a maid.
02:24Come on, pick up the wiper and clean it.
02:26Come on, clean it.
02:28You don't listen to me.
02:29He has been lying here for a long time.
02:31Clean it.
02:32Okay, I will do it.
02:36What?
02:37The voice of the servants is also like mine.
02:39It looks like a flower.
02:42Maria, you know that I don't worry about anything.
02:46I have a romantic mood.
02:49And when you come in front of me,
02:51I feel very happy.
02:55Yes, Maria, you are my life.
02:59Hello, Maria.
03:00I will call you back in a while.
03:02I will ask sir to clean it.
03:06Sir, pick up the wiper.
03:11You are always on the phone.
03:13Sir, my fiancée is on the phone.
03:17What were you saying?
03:21Sir, she is on the phone.
03:23Go and do your work.
03:25Hello.
03:26Hello.
03:27How are you?
03:28I am fine.
03:29Where are you coming from?
03:30I have seen a movie.
03:31Have you seen a movie?
03:32Yes, sir.
03:33Which movie have you seen?
03:34Noor Sahab's movie.
03:35Punjabi bangles.
03:37Oh, wow.
03:38Believe me, I enjoyed watching the movie so much
03:41that I wanted to keep watching the movie.
03:45What was the story of the movie?
03:46There was a crow in the movie.
03:49And he was turning the wiper.
03:52Come, come.
03:53Hello.
03:54Hello, sir.
03:55Welcome, sir.
03:56Welcome, sir.
03:57The guest house is very nice.
03:59Yes, yes.
04:00Wow.
04:01There is a double storey.
04:04Good, good.
04:05These stairs go up.
04:07These stairs?
04:08Yes, sir.
04:09These stairs?
04:10These stairs?
04:11Yes, sir.
04:12Is there a lift?
04:13Yes, there is a lift.
04:14Very good.
04:15Is this the lift operator?
04:17No, no.
04:18I am the owner of this hotel.
04:20By the way, who are you people?
04:22Actually, we are…
04:24What is your name?
04:25Haroon.
04:26Mr. Haroon.
04:27Actually, I have assisted many directors.
04:31Yes, yes.
04:32This is possible.
04:33They don't take our names.
04:34They don't write our names.
04:35So, what is your name?
04:36My name is Tina Richie Noor Bansali.
04:41Who is with you?
04:43What?
04:44Yes.
04:45He is Allah Baksh.
04:46He is my hero.
04:47Why are you calling him Allah Baksh?
04:48His name is Allah Baksh.
04:49Okay, okay.
04:50Mr. Baksh.
04:51Mr. Baksh.
04:52Mr. Baksh, how are you?
04:53Yes, Alhamdulillah.
04:54I have good news for you.
04:55Yes, yes.
04:56My producer is also here.
04:57Oh.
04:58Have you ever worked anywhere before?
05:00No, sir.
05:01This is my first experience.
05:02So, you have always worked in workshops.
05:04No, no, sir.
05:05Why workshop?
05:06We have a big business.
05:08Have you ordered anything?
05:09Or are you just sitting here?
05:10No, I am listening to you.
05:12Why are you sitting there?
05:13Come here.
05:14Yes, go there.
05:15Yes, yes.
05:16What are you making this movie about?
05:18What is the topic?
05:19A writer is coming.
05:20He has written a very good story.
05:21Okay.
05:22He is a new guy.
05:24But new people should take it.
05:26He has a lot of talent.
05:27Okay, you have hired a new writer.
05:28In this movie,
05:29the one who is a judge from the beginning
05:30has become a judge.
05:31He has become a spy.
05:32He has become a spy.
05:33Yes.
05:34I have not kept this thing.
05:35He is doing type casting.
05:36Okay, sir.
05:37Our rooms are all clean and ready.
05:39Sir, actually you have come
05:41all of a sudden.
05:43Give me half an hour.
05:44I will clean all your rooms.
05:46No, half an hour is too much.
05:48Do it.
05:49We want to rest.
05:50You don't worry.
05:51I will go to the room right now.
05:52This is the reason
05:53why we are unlucky.
05:54People don't value time.
05:55And one more thing.
05:56The coffee is also strong.
05:57Strong coffee.
05:58Sir,
06:00our Tino.
06:01Yes, yes.
06:02Tino Richie Bansali.
06:03Okay, Mr. Noor Bansali.
06:04I have a small question.
06:05Yes, yes.
06:06I am the owner of this guest house.
06:07Sir, I have a request.
06:08I mean,
06:09such a handsome guy.
06:10I am sorry.
06:11Don't feel bad.
06:12No, no.
06:13I am not saying this to you.
06:14No problem.
06:15If such a handsome
06:16and a good looking guy
06:17can be a hero.
06:18I am sorry.
06:19I am sorry.
06:20No one will do it.
06:21You don't worry.
06:22I am sorry.
06:23I am sorry.
06:24I am sorry.
06:25I am sorry.
06:26I am sorry.
06:27I am sorry.
06:28I am sorry.
06:29I am sorry.
06:30I am sorry.
06:31I am sorry.
06:32I am sorry.
06:33I am sorry.
06:34I am sorry.
06:35I am sorry.
06:36I am sorry.
06:37Enough.
06:38Are you a poet or what?
06:39Are you going to write poetry?
06:40Have you ever spoken to anyone?
06:41Tell him.
06:42Sir, the thing is
06:43this hero is sitting on the screen.
06:44Yes, yes.
06:45I am sorry.
06:46Okay, it's okay.
06:47You should
06:48apologize to him
06:49one more time.
06:50No, no,
06:51I don't want to get
06:52a heart-broken.
06:53I see, it looks good.
06:54Okay?
06:55They have found a quote.
06:56Yes.
06:57The hero
06:58will say
06:59may I
07:00ask for your favour?
07:01No, no, it's okay.
07:02You can.
07:03It's okay.
07:03I think you haven't seen Om Puri.
07:06Yes, I have seen Om Puri, sir.
07:08Om Puri is a very big name.
07:10Why not? Why not?
07:11But, sir, I am talking about this face.
07:15I am sorry.
07:16I don't want to hurt your feelings.
07:17No, it's okay.
07:18No, you are not apologizing.
07:20You want something else.
07:22The face doesn't matter.
07:24You should have talent.
07:25You are talking.
07:27I will be back in a while.
07:29Morgan Freeman is looking at him.
07:31Oh, wow.
07:33Show us his acting.
07:35What talent do you have in him?
07:37Yes, Alabaksh.
07:38Yes.
07:38Get up.
07:39I am watching a big show on his show.
07:42Alabaksh Pictures.
07:43Wow.
07:44Wow.
07:45AB Pictures.
07:46Yes.
07:47Sir, give me a challenge.
07:48I will tell you and show you.
07:50I told him to hide in the try room and check the shirt.
07:52But you got emotional.
07:58It's good. It's good.
07:59Whatever artist wears, it looks good.
08:01No, a big artist is one who makes whatever he wears a trend.
08:05No, you are right.
08:06You are talking about a big artist.
08:09No, no.
08:10You are talking about a big artist.
08:11I am sorry.
08:12I am talking about him.
08:14I don't mind.
08:16I don't mind.
08:17Hang up.
08:18What does he do?
08:19He is my assistant.
08:22I have to listen to his phone calls.
08:24He has an umbrella.
08:25He doesn't speak.
08:26I haven't heard him speak.
08:28He will speak when he gets a call.
08:29I will hang up if he speaks.
08:30Mr. Alamak, say the dialogue of Kranti Veer.
08:35Yes.
08:35Start sound.
08:37Camera.
08:38Action.
08:39I am done with my life.
08:41They will hang me now.
08:43I will lose my voice and my eyes.
08:45And you will leave me and go.
08:48You will eat and sleep.
08:50I told him to cut the bread and eat it.
08:51No, the delivery is going well.
08:54No, it's good.
08:55It's good.
08:56Very good.
08:58Yes, A.R.
09:00I have heard your music.
09:02It's a good song but I didn't like it.
09:05It's a bad song.
09:07It can't be made again.
09:08Oh, God!
09:09How can you say this to A.R. Rahman?
09:12It's a bad song.
09:13What is the matter?
09:14It's the last song.
09:15There are four lines in it.
09:16Yes, it's a bad song.
09:17It's a bad song.
09:20Text me again.
09:22Then I will say okay.
09:23Okay.
09:25Very good. Carry on.
09:26You should be ashamed.
09:28How can you talk to such a big person?
09:30He is big for you.
09:32He is our child.
09:33He is our field. He is our family.
09:35Sir.
09:36We are each other's uncle, grandfather, uncle, uncle.
09:38He is our family.
09:40Sir, Sajad Ali is calling.
09:42Leave it. Leave it.
09:43Why?
09:44The song is very bad.
09:47Greetings.
09:48Greetings.
09:49Greetings.
09:50Greetings.
09:50What is the matter?
09:51Is everything fine?
09:52Look, how will you work if you come so late?
09:56Actually..
09:57First listen to my story.
10:00I don't listen to your story.
10:01Where are you?
10:02I have heard it.
10:03I liked it.
10:04Are you a writer?
10:05Yes.
10:05In the film?
10:06What is your name?
10:07Ejaz Iqbal.
10:08Ejaz and Iqbal come late.
10:12He is the writer of my film.
10:13Okay.
10:13Actually, I decided to invest money after listening to his story.
10:16Sir, his story is very good.
10:18Yes.
10:20Yes.
10:20No, I..
10:22What?
10:23I said his story will be very good.
10:25Yes.
10:26You will see.
10:27Okay.
10:27What is the story of the film?
10:29Sir, the story is that Aasim Hafeez and Samadki Munis
10:32have confronted the court.
10:34Not this. Your film's story.
10:36You are reading a newspaper.
10:38Okay, this is a newspaper.
10:39There is a script in such a small diary.
10:42You are a writer.
10:44The diary has scared you.
10:47Actually, this is my father's diary.
10:48Oh.
10:49What was he?
10:50He was a great song writer.
10:51When he wrote the song, Rim Jim Gire Sawan..
10:54Yes.
10:55He wrote only Rim in this.
10:57The rest..
10:57The rest was in his mind.
10:59He used to do the actual work of Rima Shama.
11:02So, you write only one word and the rest is in your mind.
11:05Sir, you reminded me of something.
11:06My father has written this.
11:08Gung..
11:08Gung?
11:09Yes, I am playing like Gungroo.
11:12Oh.
11:12The rest is in your mind.
11:13It is in my mind, sir.
11:14He used to call me a lot.
11:15He used to go a few lines ahead.
11:19What did he write?
11:19He didn't write anything. He didn't get any work.
11:22Okay, tell us about this movie.
11:24It so happens that a boy is walking in the garden of a college.
11:28Oh, wow.
11:29Our hero.
11:29A girl comes in front of him.
11:31How are you?
11:31The boy says, I am absolutely fine.
11:33What are you doing here?
11:34Yes.
11:35So, she tells him that she is doing her MBA from this college.
11:37And she asks him, and you?
11:38He says, the jungle at the entrance of this garden
11:41is being welded by your brother.
11:42What?
11:42Your brother is welding?
11:44The reason is that the girl's brother is actually welding
11:46and the hero is working under him.
11:48So, that means the boy is not a student.
11:50The boy is not a student.
11:51He is basically his brother's assistant.
11:52Okay.
11:53And he is also his best friend.
11:54That's a very new story.
11:56I have never heard such a story.
11:58And then, as soon as they are talking
12:00another girl comes in the scene.
12:03Good.
12:04And she is very jealous of them.
12:05She is like, why are they doing this?
12:08I will tell you why the girl will be jealous.
12:11Because you don't know.
12:12The girl knows that there is a crew and a camera.
12:15So, that means she is the heroine.
12:18So, she will be jealous and come inside.
12:21Cut to the next day.
12:22Okay.
12:23The boy is standing there and a girl enters the garden.
12:27She sees a new paint on the sheet that has been welded.
12:31Okay.
12:32She turns her head and asks the boy,
12:34listen, handsome young man.
12:36Hey, handsome young man.
12:38Who has painted this?
12:39He says, your brother has done it.
12:40What?
12:41She says, what?
12:42He says, yes, your brother who paints has done it.
12:44I am his assistant.
12:47Okay.
12:49Cut to the next day.
12:51In the third scene, the same young man is walking in the garden.
12:55Four to five handsome young men come and make his drape.
12:58Okay.
12:59So, the third heroine comes and sees
13:01that such a handsome young man is making his drape in such a grand way.
13:04She falls in love with him and comes close to him.
13:06She says, leave it. Go back.
13:08She asks the boy, who has hit you?
13:10He says, your brother.
13:11Those boys are jealous of the girl's brother.
13:14Oh.
13:15So, the story takes a very beautiful turn.
13:17What?
13:17In the same garden, the mother of the first girl comes.
13:22Okay.
13:22And she says, who has planted such beautiful plants here?
13:25The entire film is being made in the college.
13:27Cut the film a little outside.
13:29Actually..
13:29People will slap me.
13:30Schools are also closed.
13:32You shouldn't go out.
13:34Why?
13:34Sir, I am telling the truth.
13:36You should take them out.
13:39Actually, the story is..
13:40You will be saved from inside.
13:41People will beat you from outside.
13:43Yes, exactly. Let's continue with the story.
13:45On the fourth day, the boy is walking in the garden.
13:48Okay.
13:49A beautiful and a very nice lady comes.
13:52She is the mother of the first girl.
13:54Okay.
13:55She comes and sees such beautiful flowers.
13:57She says, listen, young man.
13:59Who has planted these flowers?
14:00He says, your brother.
14:01No.
14:02He was the one who was beaten.
14:04Yes.
14:04He says, your son.
14:05Yes.
14:07Because he is the girl's mother.
14:09Oh.
14:10And that girl has a brother who is also a mother.
14:13Wow. He is a writer.
14:15Wow.
14:17On the fifth day, another beautiful lady
14:20of a very old age comes to the garden.
14:24Oh.
14:25Where is the garden?
14:26The garden is a kind of a garden.
14:29Okay.
14:30Okay.
14:30The boy is sitting there and drinking lassi in a beautiful way.
14:34Wow.
14:35In the garden.
14:36Wow.
14:36The lady asks, young man, who has made this lassi?
14:40Guess what he will say.
14:41Your son.
14:42Have you read this film before?
14:45No. I am getting to know.
14:46I am getting to know.
14:47It is getting predictable.
14:48Bring a twist here.
14:49A twist is coming here. A very beautiful twist.
14:51Yes.
14:52On the sixth day, he is sitting in the garden.
14:54Yes.
14:55An extremely stubborn man comes there in a very angry manner.
14:58Yes.
14:58Now tell me, who will it be?
15:00The girl's father.
15:01Which girl's father?
15:02The third one.
15:04This film has become a leak.
15:07Oh, the babies have come. The babies have come.
15:09I take advance payment before every reel and roll.
15:12I don't want a room with both of them.
15:14Separate my room. Please.
15:16Separate the room. But you people are not casted yet.
15:19No. No. We are casted.
15:21We are sitting here.
15:22Sir, I am a big fan of yours.
15:24I am very fond of working in this movie.
15:26Till when will this start?
15:28Actually, I am the hero. I am the hero.
15:30You are so handsome. I already love you.
15:32Did you see? Did you see the liking?
15:34She is liking it.
15:35See. See what she is saying.
15:37Director, I came to know that auditions are going on here.
15:40We have come for auditions.
15:41You are lucky that you came early.
15:42Otherwise, there would have been a queue behind you.
15:44Writer sir.
15:46Give them a line and get them auditioned.
15:48Yes, of course. Hero, please come here.
15:50Yes, I am coming.
15:51In one scene, the hero comes from the back.
15:54Very slowly.
15:55And the girl, the first girl, stands in front of him.
15:59And the girl says to the boy,
16:01listen, I love you immensely.
16:03One minute. One minute.
16:05Yes.
16:06You stay here. I will do it for you.
16:08I am the hero. I will do it. It will look good.
16:10Look, it doesn't look good.
16:11You are flirting with girls.
16:14Speak up.
16:15I have seen the jungle where your hands are welded.
16:19I have given you my heart.
16:20I do whatever I do with my heart and not with my intentions.
16:24Because there shouldn't be any mischief in work.
16:27You haven't seen me sitting on the cow and working.
16:30This is how I do my work.
16:33Oh, God.
16:36Tell me the next line.
16:36The next line is, the girl says,
16:38how will you convince my father?
16:40How will you convince my father?
16:43Break the door of your father's bedroom.
16:46He will come to me.
16:48I will put a switch like this.
16:50And he will fall in love with me.
16:53The girl will say,
16:55believe me, after seeing your switch,
16:57it feels like the garden has come out of this life.
17:00Isn't there too much of switching in this film?
17:02Sir, your room is ready.
17:04Okay.
17:05You can go wherever you want to go.
17:06Okay, everyone go to your room.
17:08I am waiting. My music director is coming from India.
17:11Okay.
17:12Okay, I will also take rest.
17:13I am very tired.
17:14You take a bath. I will tell him.
17:18Sir.
17:19God bless you.
17:20Your guest is coming from India.
17:22Yes.
17:22Yes. Music director is coming from India.
17:24Okay.
17:25Okay.
17:26Okay.
17:26Okay.
17:27Okay.
17:27Okay.
17:28Okay.
17:29Okay.
17:29Okay.
17:30Okay.
17:30Okay.
17:31Okay.
17:31Yes. Music director has come from India.
17:33You will see. This is a surprise for you.
17:36Oh, Lala. Oh, Lala.
17:38Oh, Lala. Oh, Lala.
17:40You are my fantasy.
17:44Oh, Lala. Oh, Lala.
17:46Oh, Lala. Oh, Lala.
17:48Now it is morning.
17:53Hello.
17:55Who is he?
17:56He is Mr. Pappi Lahiri's son.
17:58Oh, I see.
18:00Greetings.
18:01What is your name?
18:03Lahiri.
18:03What?
18:05Lahiri.
18:06What does it mean?
18:07Pappi Lahiri.
18:09Okay. Okay.
18:10Yes.
18:11Oh, man.
18:12Please sit.
18:12Sit. Sit.
18:13Please sit.
18:13Thank you. Thank you.
18:15Son, there is one thing.
18:16Your father has a very good head.
18:19Yes.
18:19I will take all his songs to the film.
18:23Yes. You don't worry.
18:24We will make such a song for you..
18:27..that you will wonder what it is.
18:29This boy is very sick.
18:31The village doctor has given him only three months.
18:34And the girl can't bear that she is singing behind him.
18:37Don't worry.
18:38Why?
18:39You will bring the boy to Lahore.
18:40This is your brother's house.
18:41Write it down. It will be saved.
18:43The entire film will be in Lahore.
18:46He is not a musician. He is smart.
18:49Please make him sing a song.
18:51What advice are you giving him?
18:52I am telling you. I am also ready to bring money.
18:55Is it?
18:56Yes. Please make him sing a song.
18:58Please make him sing a song.
18:59Give him a situation.
19:00A wedding.
19:01A fun fair.
19:03The wedding is fixed.
19:07Okay?
19:08The girl is getting married somewhere else.
19:10And the boy has gone missing.
19:11Oh!
19:12Give him a situation and make him sing.
19:14Don't worry.
19:15Okay.
19:16He won't be able to do it.
19:17Your brother is saying..
19:18..that write it down and bring him back.
19:20It will be done.
19:23I think you should write it down and take it.
19:24Okay.
19:26I think you should not give him a song.
19:30You should give him some advice.
19:32If you don't know how to play music..
19:33..then where will he get the gold from?
19:35You worry about it.
19:36His father has left him.
19:37He is out there these days.
19:38Okay. Father, take care of him.
19:40He won't ruin your name.
19:43Okay. You don't worry.
19:44Okay.
19:45Bring him to me.
19:46Okay.
19:46I will take care of him.
19:49Okay. Go to your room. We are coming.
19:52Okay.
19:53This way?
19:54Yes.
19:54Take the lift.
19:55Wow!
19:56Third floor.
19:57Let's go.
19:59Open it.
20:01Open it.
20:02It's a bit slow.
20:14He is gone.
20:18He is a stupid music director.
20:20He is an illiterate.
20:21He has no manners.
20:24You are sitting up there too.
20:27That means you haven't lost weight.