Peline Story - Ep 35 - La lettera in inglese

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Transcript
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02:00PABLO LOBO
02:06The next morning, Pellin woke up two hours later than usual.
02:29She had proved herself very good when her grandfather asked her to be an interpreter.
02:34And so she had to go back to the San Pippo establishment.
02:38And the thought of seeing him again had prevented her from sleeping that night.
03:04Oh, how big it is!
03:34Oh!
03:49Oh!
04:18Barone, I'm fine with this flower.
04:23I'm just sorry that my grandfather can't see him with his eyes like that.
04:27I'm sure he would like it too.
04:39Good morning, Olerie.
04:41Good morning, Rosalie.
04:42Good morning, Signora Francoise.
04:44Ohio.
04:46Listen, Olerie.
04:48Why didn't you show yourself anymore?
04:50I'm sorry.
04:51I came back very late and I was so tired that I rushed to sleep without thinking about anything else.
04:57I understand you.
04:59How did it go with Mr. Pantabuano?
05:00Good.
05:02I managed to dig it.
05:03I'm happy for you.
05:06It's true that the job of an interpreter is very difficult.
05:09I didn't understand cars at all.
05:11It was hard at first.
05:13Tell me what Mr. Pantabuano told you.
05:15To tell you the truth, he didn't tell me much, Rosalie.
05:19Don't worry.
05:20Mr. Pantabuano is a very secretive guy.
05:23He just said that I was much more useful than he expected.
05:27Really?
05:28Congratulations, Olerie.
05:29And what are you doing?
05:30Are you going to St. Pippo today too?
05:31Yes.
05:32They told me they were sending me the carriage.
05:34In the factory it became the fable of the day.
05:36You on Mr. Pantabuano's carriage.
05:39Don't tell me.
05:42It happens to very few people to go on that carriage, my dear Olerie.
05:46Listen, Pelin, you have to tell me everything, from A to Z.
05:50Okay.
05:52Olerie, you haven't had breakfast yet, if I'm not mistaken.
05:55Well, if I have to be honest, I haven't eaten anything since yesterday.
05:58I understand.
05:59Then it will be the case that you eat something.
06:03Wouldn't there be something for Baron too?
06:06Of course.
06:09Come on, sit down, Olerie.
06:11Come with me.
06:12Okay.
06:17So, tell me, did Mr. Pantabuano remember you?
06:20Yes, he said he hadn't forgotten my voice since he had heard it.
06:24Damn, the old man is really on his feet.
06:27I remember when you spoke to him because I was there too.
06:30And weren't you afraid?
06:32Oh yes, I was terrified.
06:34I was shaking a lot all over my body.
06:39Rosalie was curious about St. Pippo.
06:47And even in the factory, Pelin was plagued with questions from the other workers.
06:52Oh, really? I didn't know.
06:55Olerie!
07:01The director of the factory said he wanted to talk to you.
07:08Come in.
07:16Come on in.
07:24Excuse me, sir, why did you call me?
07:27Because I want to talk to you, but not ask superfluous questions.
07:31Excuse me.
07:32Olerie, after you acted as an interpreter with the English yesterday,
07:37Mr. Pantabuano asked you to do other things, didn't he?
07:40Other things?
07:42Well, I heard that when you left the English,
07:45you stayed half an hour in Mr. Pantabuano's office.
07:48Well, if you mean that, it's true.
07:51Very well, and what kind of conversations did you have with him?
07:54Well, he told me many things about the machines that are in the factory.
07:58I don't think that's all, Olerie.
08:01It's all here, it's the whole truth.
08:03Look, you don't need to tell lies.
08:05Sooner or later, everything will be revealed, so don't try to play smart.
08:09Play smart? But I'm not telling any lies.
08:15All right, then I want to entrust you with an important task.
08:19What is it?
08:21You have to tell me everything that Mr. Pantabuano tells you,
08:24and what he asks you to do from now on, without hiding anything from me.
08:29And remember, Olerie, that it is an order from the factory director.
08:32Oh, I understand.
08:42Mr. Director, I came to pick up the interpreter.
08:45Thank you, good boy, take her with you.
08:47I would like to tell you a word before I go, sir.
08:52Go and wait in the carriage.
09:06This morning I received some letters in English
09:09to the factory in St. Pippo, sir.
09:11Where are they coming from?
09:13I don't know. If I can find them, it will be a simple thing.
09:16Anyway, they are completely in English.
09:18Well, I understand.
09:20Anything else unusual, Guillaume?
09:22No, nothing in particular.
09:24I understand.
09:26Returning from St. Pippo tonight, bring that girl to me.
09:29Do you understand, Guillaume?
09:31Very well, sir.
09:36Some letters in English.
09:45During the trip to St. Pippo,
09:48Pellinio thought about what Tarell, the factory director, had told him.
09:53And about Guillaume's strange attitude.
09:59It seems that you have struck Mr. Pantaboy.
10:02Are you serious, Guillaume?
10:04Of course, I heard him this morning.
10:08If Grandpa likes me,
10:10this is the best thing that could happen to me.
10:13That's what Pellinio thought as he went to St. Pippo.
10:35The girl should be here by now.
10:38I've already heard.
10:40If you want to know, uncle, that girl dresses rather badly.
10:44In what sense does she dress badly?
10:46You immediately understand that she must belong to a miserable family.
10:49I think she is very poor.
10:51You see, even if she knows English well,
10:53this does not mean that you have to take her as an interpreter.
10:56If you spoke English instead,
10:58I would not be forced to hire a humble worker to do this job.
11:02But I specialized as a director.
11:05That's why I studied German.
11:07If I had known that I would have to deal with mechanical engineering,
11:10I would have studied English as well.
11:12It's never too late to start studying.
11:20It's Lery.
11:21Well, come in.
11:26Good morning, sir.
11:28Thank you for coming.
11:30You should be in the factory.
11:32The English engineers will be here soon.
11:34Yes, sir.
11:38Theodore, you go to the factory for now.
11:41What?
11:42I don't feel well today. I'll follow you later.
11:45But if I leave you alone, you'll have trouble, uncle.
11:48It's not the case that you worry about it.
11:51But I...
11:52I never liked to repeat things.
11:54Sure.
12:01Oh, Lery.
12:03Tell me.
12:15You have to choose between these, the letters that are written in English.
12:19Good.
12:24I don't know why, but I don't like that girl.
12:30I don't know why, but I don't like that girl.
12:49Did you get them out?
12:50Oh, yes. There are four of them that are written in English.
12:53Please tell me who sent them.
12:56Three are from the mechanical workshops in Glasgow.
12:59And then there is the newspaper of the Association of Industrial Textiles.
13:02Yes, I understand.
13:06Are you sure you didn't make a mistake?
13:12Yes, sir.
13:13Then the letter I was waiting for hasn't arrived.
13:17Ah.
13:25Can you translate the articles of that newspaper you told me about earlier?
13:30Oh, I'm sorry, but I...
13:32What's going on now?
13:34Maybe you speak English well, but you don't know how to read it?
13:37No, I can also read it, but I just don't know what all these technical terms that are written here mean.
13:43You are perfectly right.
13:45Then I'll teach you their meaning, okay?
13:48Thank you, sir.
13:54Here.
13:57First of all, look for the column where it says Tessaly.
14:00Yes, sir.
14:01Tessaly.
14:03Tessaly.
14:05Oh, here it is. I found it.
14:07Then look at the titles of the articles.
14:09Very well.
14:10Linen, twine, sacks...
14:13Oh, but what do these terms mean?
14:15Linen, linen fabrics, twine, woolen yarns.
14:18Sacks means sack of jute.
14:21Damn, but you know English very well.
14:24No, I only know some commercial terms that are useful to me.
14:27Courage.
14:28Now translate the article that is under the title.
14:31Yes, sir.
14:33In recent months, the imports of gray yarn from Southeast Asia have undergone a slight flexion,
14:40due, as everyone knows, to the unexpected recovery of woolen fabrics.
14:44According to the latest news of a special shipment from our magazine in India...
14:51So, what's going on now?
14:53Oh no, nothing, I was distracted for a moment.
14:57In India, the operations on gray cotton and jute have been hindered by the monsoon season,
15:03which particularly in the area...
15:05India is the country where Pelin's father was married,
15:09without the consent of the old Pantabohan, who was absolutely opposed to his marriage.
15:15While reading the news of those distant lands, Pelin's heart was beating violently.
15:27Mr. Pantabohan, the English engineers have arrived in the office.
15:46Oh, do you want me to give you a hand, Mr. Pantabohan?
15:50There is no need to disturb you.
15:53I built this factory, I know it like the back of my hand.
15:56I can see that.
16:01Damn!
16:16What is it?
16:17What do I take from you now, O'Leary?
16:19Oh no, it's nothing serious.
16:25How much obstinacy and how much pride in that man.
16:29Pelin is amazed.
17:20THE END
17:44Stay calm, but be careful if you don't want to fall off the carriage.
17:48Oh, you must excuse me, I don't know how it happened.
17:52You were asleep, you must be very tired.
17:55You worked too much, if I'm not mistaken, right?
17:58Oh no, this job doesn't seem very heavy to me.
18:01Thank goodness.
18:02Remember to go to Mr. Tarelli's factory and tell him everything.
18:06Tell him?
18:19Then you should tell me,
18:21where did the letter you translated for Mr. Pantabohan come from
18:25and who is the imitator?
18:29Don't worry, I'll keep the secret jealously.
18:32Come on, tell me everything you know.
18:34But those letters were addressed to Mr. Pantabohan,
18:37so without your permission, I don't know if I can.
18:41Listen, O'Leary, Mr. Pantabohan leaves everything to me if you really want to know.
18:46My order is like his,
18:48and yet you insist that you can't tell me.
18:53I see that you have already forgotten that it was not Mr. Pantabohan who hired you,
18:57but me.
18:58You have to understand that I can't keep in the factory
19:01who returns me badly for good.
19:03All right, then you are fired.
19:05Mr. Tarelli, you are exaggerating.
19:07Listen, O'Leary, I'm not asking you this because I like to do it.
19:11Try to understand the difficulty of my job.
19:14Try to understand the difficulty of my position.
19:19It's like you're stuck between the two of us.
19:21Mr. Pantabohan has been visibly weakened for some time.
19:25If something should happen to him, I'll have to take care of this mess.
19:29That's why I have to keep abreast of everything that happens in the company.
19:33But if you don't want to tell me, it doesn't matter.
19:35I'll ask him directly.
19:40In short, I...
19:42All right, all right, you finally understood me.
19:45So where did those letters come from?
20:12Varun! Varun!
20:32Varun!
20:42Varun!
20:43Varun!
20:44Varun!
20:57So I had to tell him that the catalogs had arrived
21:00from the offices of Glasgow and that economic newspaper.
21:03I know because Mr. Tarelli is so interested in the English letters
21:07that Mr. Pantabohan receives.
21:09I'm curious to know something about his son Edmond.
21:12I'm sure of it.
21:15News of Edmond Pantabohan.
21:17I told you about Mr. Pantabohan's son.
21:20Oh, yes.
21:21We all thought he had forgotten his son for a long time.
21:25But it doesn't seem so.
21:30You know Mr. Philip, don't you?
21:32No.
21:33It seems that Mr. Pantabohan has secretly commissioned
21:36Mr. Philip to investigate the son.
21:38Are you sure, Rosalie?
21:40Of course, I just found out recently.
21:42But how does he do this research?
21:44Can't he go around the world?
21:46As far as I know, he is in contact with some religious people in India
21:50who have offered to find news about the son.
21:55In India, you say?
21:56Now there is no doubt that his son has been in India for a while.
22:02I think Mr. Pantabohan no longer has it with the son as before.
22:06In fact, it seems so.
22:08But Mom said it a long time ago.
22:11But who knows if she really wants the son to come back to her.
22:15And now she is in a rather advanced stage.
22:17And she needs someone like the son who takes over the company.
22:21But what if...
22:22What if the son didn't come back?
22:24What if he died, for example?
22:27What would happen then?
22:29That's the point.
22:30There are people who don't want the son to come back home.
22:34One is the nephew, Theodore.
22:35And the other is the factory director, Taran.
22:37I think you're right.
22:40They both really want Mr. Pantabohan to come back.
22:43Of course.
22:44But what if they had to take over the company?
22:46What would happen?
22:48Andre Baratoli would take over both.
22:56According to my grandmother,
22:58Edmond Pantabohan was a very fashionable man.
23:01That's why everyone wants him to come back.
23:08No, Rosalie.
23:09Edmond Pantabohan, my father, won't come back.
23:13I'm sure of it.
23:15Pelin said that to himself.
23:27Mom.
23:29I heard that Grandpa doesn't hate Dad anymore.
23:35But as far as you are concerned,
23:37and as far as I'm concerned,
23:39well, maybe he doesn't even know he has a niece.
24:00END OF THE FIRST PART
24:11Pelin worked hard.
24:14He could stay by Grandpa's side.
24:16That's all he could do to make him happy.
24:19But when Mr. Pantabohan came back from England,
24:22he stopped translating,
24:24and he couldn't stay by Grandpa's side.
24:27Terrine was sad when she thought that.
24:32Next time on Terrine's Story
24:35Enjoy joy and anxiety.
24:57Terrine was sad when she thought that.
25:00Next time on Terrine's Story
25:03Enjoy joy and anxiety.
25:06Next time on Terrine's Story
25:09Enjoy joy and anxiety.
25:12Next time on Terrine's Story
25:15Enjoy joy and anxiety.
25:18Next time on Terrine's Story
25:21Enjoy joy and anxiety.
25:23Next time on Terrine's Story
25:26Enjoy joy and anxiety.
25:29Next time on Terrine's Story
25:32Enjoy joy and anxiety.
25:35Next time on Terrine's Story
25:38Enjoy joy and anxiety.
25:41Next time on Terrine's Story
25:44Enjoy joy and anxiety.

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