Frasier Season 6 Episode 4 Hot Ticket
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TVTranscript
00:00Well, I'd better be heading out.
00:03Niles and I are meeting for dinner, and then we have tickets to the theatrical event of
00:08the season.
00:09Oh, really?
00:10Yeah.
00:11Sir Trevor Ainslie in Tears of the Mariner.
00:12Oh.
00:13It promises to be a very exciting evening.
00:16You see, Seattle is Sir Trevor's last stop on his farewell tour.
00:22After this, he's retiring from the stage forever.
00:25Tears of the Mariner.
00:26You know, I think they're ready to review it.
00:27I thought it was one of those baseball stories, like Pride of the Yankees, you know?
00:32But it's just about some crabby old sailor stuck in this little town.
00:36No, no, no, Dad, please.
00:37I have carefully avoided all the reviews of this play.
00:40I don't want to hear about it before I see it.
00:42Well, I don't want to hear about it after you see it.
00:45Oh, hello, Daphne.
00:47Hey, Dad.
00:48That's it.
00:49Hello, Daphne.
00:50Haven't you seen the paper?
00:51Well, I glanced at it.
00:52Why?
00:53Did I miss something?
00:55Look.
00:56Oh, my gosh.
00:57Is that you?
00:58Yes.
00:59Oh, good heavens.
01:00Well, it's kind of hard to tell.
01:01You've got your back turned to the camera.
01:02Your skirt's blown up around your...
01:03Oh, well.
01:04It must have been rather blustery out there.
01:05I was in the park yesterday, and this photographer snapped my picture for the It's Your Seattle
01:06column.
01:07Oh, yes.
01:08The one where they show some average person out and about, then use their name on the
01:09column.
01:10Oh, yes.
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11:04He just didn't like it.
11:07Well, this is just perfect.
11:09Not only are we missing the play, but now we have to hang around here until intermission
11:14so they don't catch onto us.
11:16What are you complaining about?
11:17I'm the one who has an hour to learn how to smoke.
11:22Niles, they're coming out. Come on, let's blend in.
11:35Niles, what are you doing? I'm practicing. I haven't held a cigarette
11:45since I played Duke Mantee in our junior high production of The Petrified Forest.
11:48Yes, I remember watching you from The Petrified Audience.
11:52Come on. Oh, there they are. Let's go.
11:55Oh, well, you got out here quickly. Yeah, I guess you needed one of these more
12:01than I did. Yes, well, when you enjoy smoking as much as I do...
12:05Bye-bye. Feel better, I'll call you.
12:17The Gormleys. Kendra isn't feeling well. Richard is taking her home.
12:21Oh, well. Ah, there's Miggie and Lyle.
12:23Poor old dears. They could only get balcony. Still, we should say hello.
12:30They are your parents. Excuse us.
12:32Things are turning me green. Never mind that, Niles.
12:44The Gormleys aren't coming back. Let's go sneak into their seats and watch
12:47the second act. Let's go.
12:51Your ticket stubs, please. Oh, I beg your pardon.
12:54Well, I'm sorry. We've had some people try to sneak in after
12:56intermission. No, I think we left our coats in our seat
13:04and the stubs are in the coat. Oh, well, don't worry about it.
13:09Thank you. We'll just have someone bring your coats
13:11to you. Where are your seats?
13:16I'll have to check the seating chart. Oh, yes, of course.
13:21How's it going, Ann? Oh, yes, yes.
13:25My brother just needed to have one last cigarette.
13:28Oh, you're worse than Stephen. Yes, yes. Really, Niles, I do wish you'd quit.
13:33I'm begging you. I just wish I didn't love the damn thing
13:37so much. Yes, well, if we don't see you afterward,
13:43have a lovely evening. Actually, we're having a small supper at La
13:47Chanteuse afterwards for Sir Trevor. So if you're not busy, say around 11.
13:55Good. We'll see you then.
14:03Oh, Frazier. Dinner with Sir Trevor? That's better than
14:10seeing a play. Niles, are you insane?
14:14We know absolutely nothing about that damn play.
14:17How can we possibly talk with this man? For God's sake, I just wish I'd read that
14:22review on yesterday's paper. Do you still have it?
14:26I might. Dad lets the papers pile up for days sometimes.
14:30You know what? We've got just enough time to get there and
14:33back. Let's go!
14:34Where are you going? See? I told you it was the other way.
14:41What's going on? Dad, we're looking for yesterday's paper.
14:48Oh, well, it should be there. Oh, wait, Dad! That review you were reading
14:53yesterday of Tears of the Mariner. Do you remember it?
14:56Kind of. Just concentrate. What was the play about?
14:59Well, let me see. It started out with this old guy who has
15:05gotten a fish. Right, okay, good, good.
15:08And then he gives this fish to his son, but his son rejects it.
15:12Good, good, then what? Oh, yeah, well, then it turns out that he
15:18has this fatal disease. And the next thing you know, he's in this
15:22big stadium, and he's telling everybody that even though he's dying, that today he considers
15:30himself the luckiest man... Dad, get me his Pride of the Yankees!
15:35Oh, yeah, yeah, that's right. I'm sorry, I'm sorry, but I'm pretty sure
15:39that fish part was right. Wait, wait, yes, yes, yes, there it is, there
15:48it is. Sir Trevor Ainsley's bravura performance
15:51in Tears of the Mariner qualifies him as an... Yes, blah, blah, blah, blah, blah, blah, blah,
15:58blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah,
16:03blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah,
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17:35blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah,
17:39blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah,
17:43blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah,
17:49blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah,
17:53blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah,
17:59blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah,
18:29blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah
18:59psyche did my character ring true oh oh yes so true i i can honestly say i never saw a false moment
19:13but what about the third act the very clearly has a third act
19:18problem well at least it has a third act unlike the silent echo which really could have used one
19:29i quite agree i did the silent echo in london last year what did you think of the hat scene
19:44the hat scene well you know uh the the most important thing about
19:49the hat scene and i i have to stress this oh dear god is that clock right
19:53i have to call the sitter and tell her i'm going to be late the children worry so
19:59well back to the play right uh well you of course were brilliant oh please
20:08dr crane i just want your professional analysis of what you saw tonight
20:19well it
20:23of course i could discuss subtext metaphor and imagery with you but
20:29you see i i come to the theater to feel to be moved and that's exactly what happened to me
20:43tonight really
20:48when
20:57when well uh let me let me see um it it uh uh yeah there was that um
21:04um the gutting the fish scene
21:10you made the most heartbreaking gesture uh it was uh you know the
21:20one with your with your hands you
21:22oh oh you mean when i offer the fish to my son and he turns his back to me and i
21:35reach out to him like this yes it's even more moving the second time
21:43well who knows why a a moment like that touches us all but
21:49you see that is your gift sir trevor
21:55you've given us hundreds of moments moments so real so compelling
22:06that we are revealed in their truth
22:10in their truth
22:14you don't know how refreshing this is to meet someone who doesn't just come to the theater but
22:22who gives himself over to it that crowd in there they only come because it's fashionable
22:29they don't care about art i could spot them at a glance the posers the frauds oh
22:41here comes your brother
22:47kids are fine
22:53excuse me sir trevor they're waiting for you in the dining room
22:59and thank you dr crane for your integrity and your passion
23:09you are the reason that actors act
23:13oh i'm sorry i deserted you but obviously you carried the day bravo oh yes bravo for us
23:33what do you mean do you realize what we missed tonight a potentially life-changing experience
23:40in the theater and why because we were too embarrassed to be seen in a cancellation line
23:50admittedly it was a bit shallow yes it's more than shallow it was shameful
23:58you're right what were we thinking cow towering to a group of snobs like that
24:04we weren't thinking come on let's get out of here
24:08fraser niles oh susan i'm so sorry but we we can't stay oh no sir treble will be so
24:17disappointed he was quite taken with you well send him our apologies
24:23it really was wonderful to meet him i know this is short notice but if you're free this weekend
24:29we're having one of our sunday brunches senator logan is coming and maria de falco and the
24:36whitney thank you but i'm afraid oh please try i'll hold it open for you check your books and
24:43let me know
24:56well how's that for irony sunday brunch at the kendal's hour ago we would have leapt at that
25:04invitation not anymore you've got a damn sight too much integrity
25:14you're right although
25:21are we being selfish possibly how here's my thinking
25:27why do shallow people remain that way the lack of positive influence perhaps our brand of integrity
25:34is just what that group needs yes we can be like those politicians who try to change the system
25:38from within exactly and who knows maybe it'll rub off on senator logan he'll bring it back with
25:44him to washington well now we have to go yes what are you wearing i'm gonna wear my new prada suit
25:49oh you're a fashion plate and a patriot
25:56hey baby i hear the blues are calling tossed salads and scrambled eggs oh my
26:03god and maybe i seem a bit confused well maybe but i got you pegged
26:13but i don't know what to do with those tossed salads and scrambled eggs they're calling again
26:24thank you