Category
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Short filmTranscript
00:00:30Oh
00:01:00Koyama
00:01:02Rockmaker
00:01:04I don't know what I guess
00:01:06Okinawa
00:01:08You know
00:01:10So go
00:01:12Go
00:01:14Go
00:01:16Go
00:01:18Go
00:01:20Go
00:01:22Go
00:01:24Go
00:01:26Go
00:01:29Go
00:01:36Go
00:01:40Cut
00:01:42Ok
00:01:44Ok
00:01:54Yoyoka
00:01:58Thank you, I'll give it to you as usual.
00:02:26Director, I'm done with the rail.
00:02:28Let's move on to scene 7.
00:02:30Okay.
00:02:31Let's move on to scene 8.
00:02:33Okay.
00:03:01Good morning, Piko.
00:03:13Good morning.
00:03:15Good morning.
00:03:36Thank you.
00:03:37Thank you.
00:03:38Thank you.
00:03:39Thank you.
00:03:40Thank you.
00:03:41Thank you.
00:03:42Thank you.
00:03:43Thank you.
00:03:44Thank you.
00:03:45Thank you.
00:03:46Thank you.
00:03:47Thank you.
00:03:48Thank you.
00:03:49Thank you.
00:03:50Thank you.
00:03:51Thank you.
00:03:52Thank you.
00:03:53Thank you.
00:03:54Thank you.
00:03:55Thank you.
00:03:56Thank you.
00:03:57Thank you.
00:03:58Thank you.
00:03:59Thank you.
00:04:00Thank you.
00:04:01Thank you.
00:04:02Thank you.
00:04:03Thank you.
00:04:04Thank you.
00:04:23Arigato gozaimashita.
00:04:53Thank you very much.
00:05:23It's starting.
00:05:25Wow!
00:05:26Please come in.
00:05:34We've changed a lot.
00:05:36Yes, really.
00:05:44Thank you for coming.
00:05:46Arigato gozaimasu.
00:05:48I was really looking forward to meeting you like this.
00:05:51When my husband told me that this house was going to be bought by that actress,
00:05:56I was so surprised and excited.
00:06:01Well, then.
00:06:04I've been a big fan of yours since I was a kid.
00:06:07You've been in so many movies.
00:06:09I've really liked you for a long time.
00:06:11Arigato gozaimasu.
00:06:12When I was 18 years old, I met you once and you even gave me your autograph.
00:06:16Oh, really?
00:06:19Oh, honey.
00:06:21We'd like to have some daikiri.
00:06:23No, thank you.
00:06:25Wait a minute.
00:06:27The daikiri my husband makes is really delicious.
00:06:30Oh, I'm so happy.
00:06:31I can't believe I'm going to have a cocktail made by my husband with Ms. Madoka.
00:06:42Here you go.
00:06:44Thank you.
00:06:45I'm so happy.
00:06:47Thank you.
00:06:48You're welcome.
00:06:51When I was 18 years old, I saw a poster of Madoka Irodori's recital.
00:06:55I was so excited.
00:06:57I had to go there no matter what.
00:07:11Ms. Madoka's rival actress, Sagiri Hasakagi.
00:07:14She's going to play the leading role in the next movie.
00:07:17Madoka Irodori won't last long.
00:07:20I think she'll leave soon.
00:07:22That's strange.
00:07:24Who called you?
00:07:26No one called me.
00:07:28Chiba, take care of your wife.
00:07:31And prepare the usual medicine.
00:07:34I understand.
00:07:39Excuse me.
00:07:40If anything happens to Madoka, I'll ask you to take care of her.
00:07:43Yes, sir.
00:08:03Hello, Ms. Madoka.
00:08:05Long time no see.
00:08:06Long time no see.
00:08:07It's been 13 years since I last saw you.
00:08:10How are you?
00:08:12I'm fine.
00:08:13Thank you, Ms. Sagiri.
00:08:15Ms. Madoka, I heard you bought this house just for the shoot.
00:08:19You know me well.
00:08:21It's just a workroom.
00:08:24I thought it would be a dark party, so I came to give you some cheerful music.
00:08:29Thank you.
00:08:30But I thought you'd bring an orchestra.
00:08:36Mr. Anno, you can take a picture.
00:08:41Director.
00:08:42Yes?
00:08:44It's a grand party, isn't it?
00:08:47Yes.
00:08:48Thank you.
00:08:50Madoka, are you okay?
00:08:55Can you handle a long shoot?
00:08:58Yes.
00:08:59No problem at all.
00:09:02No problem at all.
00:09:05If something happens, I won't be able to get it back.
00:09:09As a producer, I'm worried.
00:09:13I have to do my best.
00:09:16I have to do my best.
00:09:19Madoka, you'll do a great job.
00:09:22I hope so.
00:09:33Let's go.
00:09:39Director, how are you?
00:09:42I'm fine.
00:09:45Sagiri.
00:09:46Yes?
00:09:48What is it?
00:09:49It's time to go home.
00:09:52Yes.
00:09:53It's a boring party.
00:09:56Let's go.
00:10:02Let's go.
00:10:18Madoka.
00:10:20I'm sorry.
00:10:21I'll be right back.
00:10:23Yes.
00:10:33This is it.
00:10:47Are you alright?
00:10:50Call an ambulance.
00:10:55Wait a minute.
00:10:58What's wrong?
00:11:02「死んでる!そんなバカな!」
00:11:09「死んでる!そんなバカな!」
00:11:16I
00:11:30So that's gotta know that people keep it, but I start you up, but I see you can buy a cute costa
00:11:37I
00:11:42Don't worry about the car that's the only one that's there
00:11:46It's a touch of crucial. I'm just kiddo. How do you mind?
00:11:48You know that I'm not I don't like it I can't talk to some domain of it. Can we stay on the body?
00:11:53Do you send them really come back?
00:11:56Hey, I don't come in again. Okay. I'll call you stay
00:11:59Clanky you look I thought there was a job
00:12:01Ah
00:12:31I
00:12:45Can't you say I saw that you're gonna come out on a show to do it all night
00:12:48Hey
00:12:58They must have come
00:13:01Right
00:13:02By a team to use it. Yeah, they're good at it. What's good? I'm Erica. They're not you say that
00:13:08Carmel do you show him a dish? I'm sorry to muster. She does she not gonna touch yourself. I don't know
00:13:13Come on, you're a girl. You're gonna cook. So you got she washed it. I got that. It's on that one
00:13:17Come on
00:13:20It's not a show so that they look through this you can't do it. You must do me
00:13:24No, no, you must not. Okay. You're too young to hatch by
00:13:28She's gonna buy a cheer. You're coming with us
00:13:32Oh
00:13:34I don't have to do this
00:13:38What's on the phone for you? So they take us in or you are
00:13:41You see you need you need your mother to you are at the muster a joke. He can do it. He's y'all
00:13:48Sona Hachibai, what you look Jones?
00:13:50Okashi, this man
00:13:53Oh, yeah, what do that?
00:13:56It
00:14:00Kono glass knee caramel or do you look you to me my show?
00:14:11Caramel no Joe's Iowa
00:14:13Glasses you didn't listen to me. I took him a sin. It's come on. I don't mean it. It's so no way to look at you
00:14:18Korea, they want that. I got me to most of you. I can't do show. Oh, yeah. What do that honey? Well, I got you man
00:14:24Joe's I owe me they don't eat. I don't like it. You should be seated on the show. It's money. Korea
00:14:30Akira, can I take up such in this?
00:14:32I
00:15:02Call you, I'm not actually talking to you
00:15:05But I could you ask it in a second
00:15:08Lucy, I guess
00:15:10It's money. What do you think? I don't know that I kill you. I don't know. I don't want to talk to her
00:15:14Do you go to a honey? No, no, I don't know. I didn't lose you. Do you look at me? I don't have to talk
00:15:20You
00:15:29Hey, I don't come to this
00:15:32On Shoka Hadashi, no, I don't know. Do you mind this stuff?
00:15:36It's a co-op total. Oh, I didn't listen this time. I mean, so this time
00:15:39I
00:15:45Don't want to come to know I don't like it. I just got a
00:15:49Demo Kaido can't open up. What's on? Oh my no, I say how this
00:15:52Yo-kai, no, you may not. Oh, she'll be food for the show. Yeah, so cool. I just want science. You'll take it
00:15:57Don't clean it. I think it's good enough. I don't like it
00:16:05Don't smash the peacock
00:16:10Make it three no, you're gonna do this
00:16:14So
00:16:16Don't say something about it. You should know you're here. It's come on. I can make a lot for this
00:16:20All right, none of it. We cannot occur. You cannot make a story. What's on this?
00:16:25Honey, no, I'm cool. We need to take a moment. I'm sure you must say
00:16:29That's it. No, I'm just gonna go on you. Can I know me go through that boy?
00:16:35You got it
00:16:38Oh, yeah, I'll tell you
00:16:42What's up, it's too much to me
00:16:49She will have to kill anything
00:16:52Darona
00:16:54What's your mother? I don't know you go good
00:16:56Hi, Joe, they'll kick Santa to get us my boy a camera. They shall she will talk to you guys
00:17:00This is all the girls will be killed I get that's not a little bit
00:17:07Oh
00:17:37I
00:18:07Don't know
00:18:25Yes
00:18:28Kim
00:18:31Anomalous you know, you know, I'm not gonna buzz cut it's got caramel. No saving the kinship
00:18:38That big man took a look at all that
00:18:44I'm not going to sign up. How are you? It's angry. I don't think about you. No, my oh, you're cool. It's got a lot of this
00:18:51Korean little glass on that kind of boy. It is chance. What could we do?
00:18:56Daddy, they want to talk to you. What do you want to miss?
00:18:59Don't know. I don't move. We can't you know someone you must die. Joe. You're a little man. Don't you know?
00:19:04Come on, it's I sound honest
00:19:07Come to me, son. Oh, no, I don't see you
00:19:12Give
00:19:15Hey, no, no, she'll keep on this one
00:19:17And no, no, she you know, Doree Madoka. God. I don't know. Don't you know yet?
00:19:21Hey, honey, can you go to it or not? I'll shut up in this
00:19:24Sorry, it's not good. Oh, I said I thought it was you know, so this
00:19:28Hello, Doree. What do you want? I don't like that
00:19:31Come here. I'm on the judges
00:19:36You
00:19:40Honey, but you don't miss you
00:19:43What's a mess on there's a shield on my destiny
00:19:47You're cool. I am awesome
00:19:49How about you? I'm talking about another day. So no, he no given to Kim. It's not a she could
00:19:55Jigging no joke then
00:19:58You know, Doree Madoka's on one night. Can you all do it? I don't know. She's dead. I'm not done with me. That's all this man
00:20:04Hey, so I'm not going to do shit
00:20:09Good idea
00:20:12This
00:20:14That way to you about
00:20:16Cog Amiga, you're going to see me on it. I don't meet a
00:20:20Cog Amiga, you're going
00:20:22Cog Amiga, you're going to see me one day
00:20:26No, no, you are what I mean
00:20:29I'm afraid to be soon to do do you think you know you just know she didn't know she knew I don't know
00:20:34So, what's in this?
00:20:36Yes, I'm not what I like this
00:20:38Tada, what do you want to call a car? Yeah, you don't make it. I said I read it
00:20:52Corriga, so not looking at you seen on this Cog Amiga. You're going to see me on it. I don't know
00:20:59Call it sweet. I'm not going to stay down with this man
00:21:03Soto key, I don't know what you don't know
00:21:06Hey, I got to get the most
00:21:07Bushiness
00:21:12I don't know
00:21:19I'm not a fan. Hold on. Come here. I'm honest to you. That's the corner. I'm not there. You don't do remote. Oh, come on, Shashi
00:21:29Kiseki no comeback
00:21:30Tony see you can see on it. I should
00:21:33know that she should I thought
00:21:36Go home you gotta meet Chuck. She's I know I can't wait. I don't miss
00:21:47Simulacen
00:21:49Tottenham, that's what's good. Yes, it's good. I got a shot of it. What's wrong?
00:21:53She can't wait I don't eat it. Thank you, sir. They need how much you'll keep you on top of it. Hey, I got the most
00:21:58Okay, let's do this
00:22:12What's the matzah moussa
00:22:16Correct a home you know the show
00:22:18Oh
00:22:21Kuroga Matsumushi no korega daisuki. Hey, so much. He knew I did chinchurin tonight. Do you think I'd say that I see this?
00:22:29No, no
00:22:32I'm a cunt. Okay, so you know
00:22:36What a kind of Akira sake in the midst of its own fun. That's not gonna come there. We are you can't look at it. You should
00:22:43Listen
00:22:47No, thank you, sir. I'll tell you no kind of an idea. Let's go
00:22:54I'm over son
00:22:56Kodomo no Kurokara, I don't know. I don't know. I don't know. I don't know
00:22:59Kousan no Toki Madoka, son. No, he's I tell you
00:23:03You'll get out of the room. You wish to eat a sign. You're not done that day
00:23:07None of my mother's a honest Christian
00:23:09mother, Kason
00:23:11Odori my mail. Yes, oh, it's not
00:23:15Oh
00:23:16So, you know, I'm a boss. I'm gonna sign you. I'm gonna show stuff to me. That's it
00:23:20Kondo, no, she knows it's my democracy. It's Nikita. That's it. What I did last night
00:23:29Madoka, son, I'll deliver a meal. Yeah. Thank you. I'm not that I'm a show
00:23:33Oh
00:24:04Oh
00:24:17What's the man I need? Can you order it? I don't know. No, she did. What's wrong with you? That's all this
00:24:25Not gonna turn the cotton in more or more, you know, so can it
00:24:34Money don't know. Can't go no tokyo
00:24:36Kodomo, goto. Ohしても欲しくて
00:24:38Yoshi, oh, so I'm you know, Torquato's you
00:24:41Nanomi no name. Oh tatte cara. Ji. We got me she steal it. They were cut there. So no Yoshino Kotachi Austin, Tanya
00:24:51Demo nishishi the hunch to try there she's a much time today
00:24:55I don't know what to do.
00:24:57I don't know what to do.
00:24:59I don't know what to do.
00:25:01I don't know what to do.
00:25:03I don't know what to do.
00:25:05I don't know what to do.
00:25:07I don't know what to do.
00:25:09I don't know what to do.
00:25:11I don't know what to do.
00:25:13I don't know what to do.
00:25:15I don't know what to do.
00:25:17I don't know what to do.
00:25:19I don't know what to do.
00:25:21I don't know what to do.
00:25:23I don't know what to do.
00:25:25I've been a secretary for 15 years.
00:25:27I've been a secretary for 15 years.
00:25:37I'm sorry.
00:25:41Thank you for your hard work.
00:25:43Thank you for your hard work.
00:25:45Director.
00:25:47Five minutes is fine.
00:25:49Can I see my wife?
00:25:51Can I see my wife?
00:25:55Is that so.
00:25:57Is there any inconvenience?
00:25:59Is there any inconvenience?
00:26:03My wife is still my target.
00:26:07I don't know what to do.
00:26:09I don't know what to do.
00:26:11If you would let her go...
00:26:13If you would let her go...
00:26:21Keiji is worried.
00:26:32Yes.
00:26:33Are you all right here alone?
00:26:37Don't worry about me.
00:26:44Please, come in.
00:26:53I'd like to ask you a few questions about your late husband, Koji Rin.
00:26:59He was a good man.
00:27:02I feel sorry for him.
00:27:06He was a very beautiful rose.
00:27:10Yes.
00:27:13I love white roses.
00:27:17Do you know the flower language of a white rose?
00:27:22Respect.
00:27:25Honesty.
00:27:27Sincerity.
00:27:29My husband always gives me flowers as a gift.
00:27:32When I was in pain, I was comforted and encouraged by this flower.
00:27:43I see.
00:27:46Did you buy this house from Kanno Kojike?
00:27:53Yes.
00:27:55It was on sale online.
00:27:58It's a godly house.
00:28:02The name of the house, the decor, the butler, the cook...
00:28:08I liked everything about it.
00:28:12I convinced my husband to buy it.
00:28:16I see.
00:28:20It seems that Mrs. Koji Rin came to see you.
00:28:28Yes, she was my previous tenant.
00:28:35She was a very talkative person.
00:28:40Actually, I want you to see this.
00:29:02This is called a confession.
00:29:07This is called a confession.
00:29:18When was this?
00:29:21The day before the incident.
00:29:25The day before yesterday, on March 5th.
00:29:28It was in the script in the studio.
00:29:32The day before yesterday.
00:29:37The gardener delivered it to me.
00:29:46And the third one...
00:29:52I put it on the balcony.
00:30:07It's on the third floor. How did you do it?
00:30:11I was scared.
00:30:15Let me see.
00:30:37I'll show you.
00:30:49Did you talk to anyone about this?
00:30:54No.
00:30:57Not even your husband?
00:31:00Please don't tell my husband.
00:31:03He'll be so worried.
00:31:07He really loves me.
00:31:10I have so many flaws.
00:31:13I can't thank him enough.
00:31:19Do you know anyone who might hate you?
00:31:23I don't know anyone.
00:31:29I don't know anyone.
00:31:34What made you look like this?
00:31:43The woman who took this photo
00:31:46looked like she saw a broken mirror.
00:31:51That's what she said.
00:31:54The photographer's daughter
00:32:00looked like that?
00:32:03Yes.
00:32:05It's a story about the death of Arthur.
00:32:11Charlotte was cursed and locked up in a castle.
00:32:16She fell in love with a mirror-world knight, Lord Lancelot,
00:32:20and tried to leave the world.
00:32:23Suddenly, the mirror cracked.
00:32:27The princess died.
00:32:30Only the body of the princess
00:32:33made it to Lord Lancelot's ship.
00:32:36Yes.
00:32:38You know a lot.
00:32:41I learned a lot.
00:32:44The photographer's daughter told me.
00:32:48I'm sorry.
00:32:51When I start shooting,
00:32:54I think about a lot of things.
00:32:57Sometimes, time just flies by.
00:33:02That's what happened to me.
00:33:06The Mirror
00:33:19Hello?
00:33:21I saw it.
00:33:23The place where you put the medicine
00:33:26in the glass of the colorless window.
00:33:30I've been looking into the colorless window's ex-wife.
00:33:33And?
00:33:35The first one is a man
00:33:38who lived near her house.
00:33:43His name is Hiroki Yamato.
00:33:47The second one is Akira Takitsugami, a novelist.
00:33:51They've been together for 15 years.
00:33:54You took a picture of the three of them.
00:33:57Where are they now?
00:33:59I don't know.
00:34:01The lawyer's mouth is hard.
00:34:05The lawyer?
00:34:07When I took the picture of the three of them,
00:34:10Madoka hired a famous lawyer
00:34:14to find a rich woman who wanted children.
00:34:17I looked into it,
00:34:20but the lawyer became a hurdle.
00:34:23I see.
00:34:25I see.
00:34:27I've told you many times,
00:34:30but it's Akira Kaido who stinks.
00:34:34Why?
00:34:36It's a threat.
00:34:38Madoka didn't tell the lawyer
00:34:41about the three of them.
00:34:44It's because she had a feeling
00:34:47that she was going to kill herself.
00:34:50And...
00:34:51Kaido can do anything with the three of them.
00:35:22Episode 1
00:35:36Detective.
00:35:38I remembered one thing
00:35:41about the three of them.
00:35:43Yes?
00:35:45Madoka's rival, Asakaze Sagiri,
00:35:47tried parkour before.
00:35:49Parkour?
00:35:51It's a sport where you jump over obstacles
00:35:54and climb a tree.
00:35:56Actually, I do parkour, too.
00:35:59I see.
00:36:01So you can climb up to the veranda
00:36:04and throw in the wall?
00:36:08Yes, it's easy.
00:36:17Yes.
00:36:19Yes.
00:36:30Wow.
00:36:37How is it?
00:36:39I understand.
00:36:41Please come down.
00:36:46There's a police station here.
00:36:49At the door.
00:36:52What's the key to the door?
00:36:55I don't usually use it.
00:36:58That means anyone can enter.
00:37:04Madoka always sits here
00:37:07and reads the script.
00:37:10What's that?
00:37:12Who was with her?
00:37:15There were many people.
00:37:17I saw it.
00:37:19It's still rough,
00:37:21but there's a video.
00:37:36See?
00:37:38Kaido is the best.
00:37:42Detective.
00:37:44We have a strange guest.
00:37:48Strange?
00:37:51Sorry to keep you waiting.
00:37:53What can I do for you?
00:37:55Mr. Danbara said he received a strange call this morning.
00:37:59A strange call?
00:38:01This is it.
00:38:03To prevent you from getting in trouble,
00:38:06I'm recording everything.
00:38:11I saw it.
00:38:13Put the medicine in Madoka's glass.
00:38:18If you don't want to get caught,
00:38:21put the yellow handkerchief out of the window.
00:38:28I know who it is.
00:38:32It's Kaido's secretary,
00:38:34Shimeko.
00:38:38Why her?
00:38:40You'll know when you hear the next one.
00:38:43I'll call you later.
00:38:49It's the secretary's allergic sneeze.
00:38:57And it's true.
00:39:00If I were the culprit,
00:39:02I wouldn't let this tape play.
00:39:04Why did Shimeko do this?
00:39:08She must be trying to find out
00:39:10who the culprit is.
00:39:13Maybe she's looking for money.
00:39:15Maybe she's looking for a criminal.
00:39:17I don't know.
00:39:28Yes?
00:39:30I saw it.
00:39:32You put the medicine in your glass.
00:39:37The police told me.
00:39:40I saw it.
00:40:10I'm sorry.
00:40:15I'll be back in an hour.
00:40:41What did you talk to Inden about?
00:40:48He said he got a strange call.
00:40:52A strange call?
00:40:57He said he saw Inden putting the medicine in my glass.
00:41:01He said he saw Inden putting the medicine in my glass.
00:41:09He said it was Shimeko.
00:41:14Shimeko?
00:41:16Did you hear her voice?
00:41:18I didn't know if it was a man or a woman.
00:41:22But he said he saw Shimeko calling someone.
00:41:29Shimeko?
00:41:31What did you say?
00:41:33I said he wouldn't do such a thing.
00:41:39But...
00:41:42I got a strange call, too.
00:41:46You, too?
00:41:48I don't want anyone to find out.
00:41:52I have to go.
00:42:01I have to go.
00:42:23What's wrong?
00:42:25What's wrong?
00:42:29Shimeko.
00:42:31Shimeko.
00:42:33Don't worry.
00:42:37Don't worry.
00:43:01I'm going to take a break from work for a while.
00:43:06What? What do you mean?
00:43:09Madoka is completely lost.
00:43:13No way! Then what about the movie?
00:43:17Now is not the time for that.
00:43:20Madoka's life is at stake.
00:43:24I'm going to stop the movie at the pool.
00:43:32Shit!
00:43:34Shit!
00:43:36I'm sorry.
00:43:38Shit!
00:43:40Shit!
00:43:42Shit!
00:43:44Shit!
00:43:46Shit!
00:43:48What?
00:43:50Madoka, Madoka, Madoka!
00:43:53Shit!
00:44:01Shit!
00:44:23Madoka!
00:44:25Madoka!
00:44:27Madoka!
00:44:29Madoka!
00:44:31Madoka!
00:44:49How did it go?
00:44:53It's better than I thought.
00:44:55It's definitely a person.
00:44:57It's the same ingredient as Irodori Madoka's coffee.
00:45:01The culprit put the same ingredient in Irodori Madoka's coffee.
00:45:05He also put in Shimeko's milk.
00:45:08That's it.
00:45:10All right!
00:45:12Check everyone's alibis for the day.
00:45:14Yes!
00:45:27Thank you.
00:45:37Madoka, you should rest for a while.
00:45:43Will you stay here?
00:45:46Of course, Madoka.
00:45:49I'll watch over you until you fall asleep.
00:45:53Rest in peace.
00:45:56Thank you.
00:46:02Hey.
00:46:04Yes?
00:46:06Do you hate me?
00:46:11I have no reason to hate you.
00:46:15But...
00:46:17I can't live without Rin and Shimeko.
00:46:21Rin and Shimeko...
00:46:24I don't know why they died.
00:46:27Don't worry about it.
00:46:39I'll always be by your side.
00:46:44Good night.
00:46:52I'm Matsuda, your favorite director.
00:46:57Matsumushi, right?
00:46:59Yes.
00:47:01Excuse me.
00:47:04So you were around the TV station today?
00:47:07Yes.
00:47:08I was in the president's office.
00:47:10Excuse me.
00:47:12So you were at a cafe in Shibuya?
00:47:15You didn't have any work today?
00:47:17Hey, that's rude.
00:47:20It's not like I didn't have any work.
00:47:23I was tired, so I went to the president's office.
00:47:25I just took a day off.
00:47:28So...
00:47:30Today, I went here and there.
00:47:33Oh, I forgot.
00:47:38All the dangerous drugs are here.
00:47:43In this locker.
00:47:50Huh?
00:48:00That's strange.
00:48:02All the drugs are gone.
00:48:06When was the last time you opened this?
00:48:10The day before yesterday.
00:48:13I'm sorry.
00:48:17I'm Kosame Taniguchi.
00:48:19I came back from the studio this afternoon.
00:48:21I was at the hotel working with the editors.
00:48:24The problem is when you were at the studio.
00:48:26Did you have a chance to get close to Chimeko's handbag?
00:48:28I'll go check with the staff.
00:48:30Yes.
00:48:31Kouki Kanno was at home all day.
00:48:34He was taking care of the garden.
00:48:36We've confirmed that he was helping.
00:48:38I'm Sosuke Aiba, a reporter.
00:48:41He didn't go to the studio.
00:48:43Yes.
00:48:44The president of Danbao said he had a meeting with another company.
00:48:46He said he had a meeting at a cafe in Shibuya.
00:48:48I'll go to the back of the cafe.
00:48:50Please.
00:48:51Yes.
00:48:52I'm Sagiri Asaka.
00:48:54I had a day off today, so I went shopping all day.
00:48:57I can't trust this woman the most.
00:49:00She may have been in contact with Mr. Kotoke while saying that.
00:49:03Yes.
00:49:04More than that, isn't it the fate of the sheep that is suspicious?
00:49:07Huh?
00:49:08He said he was going to his parents' house in Osaka,
00:49:11but I feel like he's making an alibi for Mr. Kotoke's milk machine.
00:49:15Then what's the motive?
00:49:16It's a black and white phone call.
00:49:18Chimeko called the president of Danbao, so I put my phone in the store.
00:49:23If you look at Chimeko, she was one of the few people who went out.
00:49:27In the store, Chimeko thinks he's the culprit.
00:49:33Yes.
00:49:34Kaido was the only one who always had a chance to sneak into Chimeko's house at any time.
00:49:41I think he's the most suspicious one.
00:49:45Kei.
00:49:46Oh, how was it?
00:49:48Did you find out the movement of the sheep?
00:49:50He has a trading bank near Osaka's house.
00:49:53He came here this evening and asked the manager for a meeting.
00:49:56Then he handed over 5 million yen in cash to the manager and made a deposit.
00:50:015 million?
00:50:02What do you mean?
00:50:03It's a loan.
00:50:06What?
00:50:07Inden grabbed a solid evidence and loaned it to the culprit.
00:50:11What?
00:50:12I don't know.
00:50:13Isn't 5 million too little for a loan for murder?
00:50:15That's right.
00:50:16That's the only cash the culprit had.
00:50:20That's possible.
00:50:22He decided to pay the rest later, so he collected as much money as he could and handed it over.
00:50:27Even if Inden is a loan shark, he's not a star.
00:50:33In the end, he won't be a clue to the star.
00:50:38I know he's a star.
00:50:40If I look into Kaido's safe now, I'm sure it's empty.
00:50:45What?
00:50:53Everyone, thank you for your hard work.
00:50:57Where's your wife?
00:51:00She finally fell asleep.
00:51:16I'm sorry.
00:51:17I'm sorry.
00:51:18I'm sorry.
00:51:19I'm sorry.
00:51:20I'm sorry.
00:51:21I'm sorry.
00:51:22I'm sorry.
00:51:23I'm sorry.
00:51:24I'm sorry.
00:51:25I'm sorry.
00:51:26I'm sorry.
00:51:27I'm sorry.
00:51:28I'm sorry.
00:51:29I'm sorry.
00:51:30I'm sorry.
00:51:31I'm sorry.
00:51:32I'm sorry.
00:51:33I'm sorry.
00:51:34I'm sorry.
00:51:35I'm sorry.
00:51:36I'm sorry.
00:51:37I'm sorry.
00:51:38I'm sorry.
00:51:39I'm sorry.
00:51:40I'm sorry.
00:51:41I'm sorry.
00:51:42I'm sorry.
00:51:43I'm sorry.
00:51:44I'm sorry.
00:51:45I'm sorry.
00:51:46I was just about to make a phone call.
00:51:59I found something interesting in the old news.
00:52:04It's from a long time ago.
00:52:08Have you ever seen a colored window?
00:52:11A colored window?
00:52:13I won't forgive you.
00:52:15I want to kill a woman like that.
00:52:20It's amazing.
00:52:24At this time in Asakazesaki,
00:52:26her boyfriend, the famous star at the time,
00:52:28Sanjo Kiyohiko, was robbed by a colored window.
00:52:31It's called abduction.
00:52:34This is our newspaper from the same day.
00:52:38The colored window broke up with this man.
00:52:41Here's the data.
00:52:46Thank you.
00:52:49By the way, what can I do for you?
00:52:53At this time,
00:52:57I was wondering if you saw anything.
00:53:00Unfortunately, I didn't see anything.
00:53:03I saw Mrs. Lin talking a lot.
00:53:08What do you think of the photographer, Kosami Taniguchi?
00:53:12She's a good photographer.
00:53:15I don't know why she suddenly wanted to take pictures of the window.
00:53:20But I don't think that's what you really want to ask me.
00:53:27As expected.
00:53:29You have a sharp intuition.
00:53:31I'm a journalist.
00:53:34Let me ask you something.
00:53:36Do you know the photographer, Akira Takitsugami?
00:53:43He was the second wife of the colored window.
00:53:48Of course.
00:53:50He's famous.
00:53:52His pen name is Akira Takitsugami.
00:53:55His real name is Hitohiko Aiba.
00:54:00He was your father, wasn't he?
00:54:05In other words, your father abandoned you, his wife and son,
00:54:11and ran to the colored window.
00:54:19I see.
00:54:21Did you investigate that far?
00:54:23Do you still have a grudge against the colored window?
00:54:34No.
00:54:36I don't have a grudge anymore.
00:54:40After the baby I wanted died and I made a mistake,
00:54:45I got into trouble and left the movie theater.
00:54:48I've already forgotten about it.
00:54:51But one day...
00:55:01When I looked closely,
00:55:03it was the colored window and the director, Akira Kaido.
00:55:12The colored window didn't give up.
00:55:16I was fighting against the pain of the past
00:55:18and desperately looking for a chance to make a comeback with my husband.
00:55:25After seeing that, I changed my perspective.
00:55:28Now I'm just rooting for her.
00:55:36The colored window?
00:55:38I can't forgive her.
00:55:40She's like a thief cat.
00:55:43I want to kill her.
00:55:47I'm glad you found this old video.
00:55:52I was young at that time.
00:55:58You used to do parkour on TV.
00:56:03That was a long time ago.
00:56:05I can't do it anymore.
00:56:07My body is numb.
00:56:10How do you feel about the colored window?
00:56:15I love her.
00:56:17I want to steal the role of the flower in the movie.
00:56:29Hey, Gabe.
00:56:33Do you suspect that I'm a murderer?
00:56:39Two people have been killed.
00:56:41I think it's natural for the people involved to hear your story.
00:56:47Well, Gabe.
00:56:49I'll give you a warning.
00:56:52Aren't you guys operating in the wrong direction?
00:56:59What do you mean?
00:57:01You all think the culprit is the colored window, right?
00:57:06But don't you forget that Mrs. Lin has a great legacy?
00:57:15Are you talking about Mrs. Lin's husband, Kouji Kanno?
00:57:22Kanno Kouji Lin is 33 years old.
00:57:28Her husband is 63 years old.
00:57:31Kanno Kouji Kouki is the most suspicious.
00:57:39This is a photo from 30 years ago.
00:57:42Her husband was Kanno Kouji Yoshiko's stepfather.
00:57:47When Kanno Yoshiko died of cancer,
00:57:49he left a will to remarry his daughter.
00:57:53As a result, he married his 30-year-old daughter, Mrs. Lin.
00:57:59It's a story you don't hear often.
00:58:02The husband and daughter get married.
00:58:11Kanno Kouji Kouki.
00:58:13Your real name wasn't Kanno Kouji Yoshiko.
00:58:18Before you married Kanno Kouji, your last name was Yamato.
00:58:24And your last name is Kouki.
00:58:30I'll write it like this.
00:58:33I'll call you Hiroki.
00:58:38Go ahead.
00:58:41Mr. Yamato Hiroki.
00:58:43In other words, you are the first wife of Keiko Nonaka,
00:58:48the real name of Madoka Irodori.
00:58:57That's right.
00:59:00At that time, Madoka Irodori made her debut.
00:59:05Her first wife's name was Hiroki Yamato.
00:59:10After we got married, I thought of her social disadvantages
00:59:15and changed my name to Kouki.
00:59:19At that time, Kanno Kouji family had a problem.
00:59:24There was a child at the wedding, but he didn't come to the entrance.
00:59:31Lin was still 3 years old at that time.
00:59:36When you were asked by Madoka Irodori to buy a house,
00:59:41I felt my destiny.
00:59:45Of course, I was happy and accepted it.
00:59:48I was also a big fan of Kanno Kouji.
00:59:51How was Madoka's reaction when you met for the first time in a long time?
00:59:58Thank you very much.
01:00:01I was really looking forward to meeting Madoka.
01:00:08She didn't notice me at all.
01:00:13Well, I've changed a lot since then.
01:00:31Wait a minute.
01:00:41Wait a minute.
01:00:55Wait a minute.
01:01:01Wait a minute.
01:01:31Wait a minute.
01:01:35Wait a minute.
01:01:37Wait a minute.
01:01:57How much is it?
01:01:59I'll tell you later.
01:02:02I don't understand.
01:02:07I don't understand.
01:02:09I don't understand.
01:02:28What's wrong?
01:02:32What's wrong?
01:02:34Madoka!
01:02:37Madoka!
01:03:01Police!
01:03:03Wait a minute.
01:03:05What's wrong?
01:03:07I fell under the bed.
01:03:09What is it?
01:03:12It's a piece of evidence.
01:03:17This is probably part of the murder case at the god's mansion.
01:03:23Madoka.
01:03:24Yes.
01:03:25Collect all the newspapers that cover this case.
01:03:28Yes.
01:03:35There are 12 pieces in total.
01:03:37Thank you for your hard work.
01:03:39Please find out which sports newspaper this is from.
01:03:43Yes.
01:03:57I found it.
01:03:59It's a piece of evidence.
01:04:03I found it.
01:04:08It's a piece of evidence.
01:04:11A piece of evidence?
01:04:16What do you think of Madoka Irodori?
01:04:26I'm sorry.
01:04:28I had a sudden murder and had a busy schedule.
01:04:35I didn't expect you to be so good at this.
01:04:39I'm often told that.
01:04:41My mother was a bit strange, so I decided to do it that way.
01:04:46My mother loves the sound of pine needles.
01:04:49She was crying in the garden that day, so I decided to put it on.
01:04:58Do you understand what I'm talking about?
01:05:05You two have something in common.
01:05:09Taniguchi Kosame.
01:05:12Matsuda Matsumushi.
01:05:16It's a strange name.
01:05:19But you two used to be friends.
01:05:24But you used to have a different last name.
01:05:32Your last names were Nonaka Kosame and Nonaka Matsumushi.
01:05:40You were both born in Nonaka.
01:05:43You were given this name as soon as you were born.
01:05:48And...
01:05:51Madoka Irodori's real name is...
01:05:55Nonaka Keiko.
01:06:10If you know, say it.
01:06:17I lost my parents when I was a child.
01:06:20I was in the facility.
01:06:23And I was sent to Madoka Irodori for adoption.
01:06:27Madoka came to pick me up directly.
01:06:31It was raining all the time that day.
01:06:37Then she said,
01:06:39So your name is Kosame, right?
01:06:43I'm the same.
01:06:46I was sent to Madoka Irodori for adoption.
01:06:51The night Madoka came to pick me up,
01:06:53Matsumushi was crying in the garden.
01:06:56Madoka Irodori said,
01:06:58I love this voice.
01:07:00So she named me Matsumushi.
01:07:06At that time, she wanted to play the role of a mother.
01:07:12But she was a good mother to us.
01:07:17We loved her, too.
01:07:19We believed she was a real mother.
01:07:25Madoka Irodori was a real mother.
01:07:31We had a lot of fun.
01:07:34It was a lot of fun.
01:07:39Thanks to my mother,
01:07:41I became a girl who loved books since I was a child.
01:07:53But one day,
01:07:55suddenly the shutter fell in front of me.
01:07:58Our happiness was over.
01:08:02We were surprised and followed.
01:08:07We had a baby in our stomach.
01:08:10She changed since that day.
01:08:13For the baby,
01:08:15various daily necessities increased every day.
01:08:20One snowy day,
01:08:22a lawyer suddenly appeared and came to pick us up.
01:08:28He may have been just an actor.
01:08:33But for us,
01:08:35it was a very fun and happy memory.
01:08:41On that snowy day,
01:08:46the three of us were presented by a rich couple.
01:08:50What's wrong?
01:08:54When it snows,
01:08:56I still remember that day.
01:08:59My heart aches.
01:09:02I don't know about her.
01:09:09You hate Madoka Irodori, don't you?
01:09:14Yes, temporarily.
01:09:18But now,
01:09:20I'm only interested in her as a cameraman.
01:09:24As a target of the camera,
01:09:27there is no one as attractive as her.
01:09:35Did you approach Mr. Kaido by accident?
01:09:40At first,
01:09:42I was close to murder.
01:09:45But I hated her.
01:09:50What about Madoka now?
01:09:55I met her for the first time
01:09:58when I became interested in Mr. Kaido.
01:10:03I can't calm down.
01:10:05Are you okay?
01:10:07What are you talking about?
01:10:09I'm fine.
01:10:11You are the main character.
01:10:14Everyone is waiting for you.
01:10:16Let's go.
01:10:17I'm a great actress.
01:10:19But I'm afraid of being in front of the camera.
01:10:24If I think like that,
01:10:26Mrs. Okigensui and Mrs. Imamura will come.
01:10:30I can't take a step forward.
01:10:39You...
01:10:44You...
01:10:54Cut!
01:10:55Okay!
01:10:57Okay!
01:10:59She said okay in one take.
01:11:01It was a great actress' performance.
01:11:04When I saw her play,
01:11:06I didn't think of murder.
01:11:09She is a born actress.
01:11:14I see.
01:11:17By the way,
01:11:19you have a younger sister.
01:11:22What is she doing now?
01:11:25She is watching TV every day.
01:11:28What?
01:11:29She came here
01:11:32on a sunny day.
01:11:35So her name is Hinata.
01:11:40Hinata?
01:11:42We decided to stop filming
01:11:45due to the safety of the cast and crew
01:11:48and the care of the audience.
01:11:53This is Hanakage Hinata.
01:12:12Hanakage Hinata
01:12:18I understand
01:12:21what you want to say.
01:12:25But
01:12:27in this case,
01:12:29how much damage
01:12:32did this play cause?
01:12:36I will destroy
01:12:38Hanakage Hinata.
01:12:50Gabe,
01:12:52what else do you want?
01:12:55I saw you just now.
01:12:58Where?
01:13:00You met Director Kaido
01:13:02with President Danbaru.
01:13:04What do you want?
01:13:07I can't tell you yet.
01:13:09It's a secret.
01:13:13I don't want to hear it.
01:13:17Gabe,
01:13:19are you misunderstanding me?
01:13:22I'm not a talkative person.
01:13:29Okay, that's all.
01:13:32So,
01:13:34what do you want?
01:13:37Excuse me.
01:13:40At this time,
01:13:44Ms. Rin and Mr. Madoka were talking.
01:13:48Then you appeared.
01:13:51Do you remember
01:13:53what Ms. Rin said
01:13:56at this time?
01:13:59I don't know.
01:14:01She passed away.
01:14:04I didn't talk to her
01:14:06and I don't remember anything.
01:14:08I see.
01:14:10After this,
01:14:12your photo shoot began.
01:14:15Ms. Madoka was looking at you.
01:14:22And finally,
01:14:24you looked like this.
01:14:29Come to think of it,
01:14:32when I was on the stairs
01:14:35I met Ms. Madoka.
01:14:41At that time,
01:14:45Ms. Madoka looked like this.
01:14:50Ms. Rin, I bought champagne.
01:14:52Dad!
01:14:53President!
01:14:54Mr. Keiji!
01:14:55I see.
01:14:57You two were in a relationship.
01:15:03Yes.
01:15:04When I was thinking about that day,
01:15:06I remembered.
01:15:08So,
01:15:09what was the specific story?
01:15:12You said you had a rash all over your face.
01:15:16I had a bad rash on my face.
01:15:18I managed to hide it with thick makeup
01:15:20and forced Ms. Madoka's recital.
01:15:23And when I was waiting on the stage,
01:15:25Ms. Madoka came down from the stage.
01:15:27When I asked her in the middle,
01:15:29Ms. Madoka gave me a sign without showing her face.
01:15:32I was so happy.
01:15:34I was so glad that I could meet a big star
01:15:36without losing to a rash.
01:15:47A rash?
01:15:50Did Ms. Rin say
01:15:52she had a rash at that time?
01:16:02A rash?
01:16:05Did Ms. Rin say she had a rash at that time?
01:16:19A rash?
01:16:25A rash?
01:16:28I can't take it anymore.
01:16:36I can't wait for someone who I don't know to come and kill me every day.
01:16:42I thought it was my secretary's daughter who gave me the medicine.
01:16:49She's been in love with you for a long time.
01:16:54She hated me and couldn't stand me.
01:16:57That's why she tried to kill me with my medicine.
01:17:00But my secretary was killed.
01:17:07The next person I suspected was a butler.
01:17:12He pretended to be a doctor and came to me for help.
01:17:18It's a lie!
01:17:21He gave me the medicine and pretended to be a butler.
01:17:26I thought he was a butler, but he was killed.
01:17:31I don't understand.
01:17:34Who is the culprit?
01:17:52Madoka.
01:17:56Why don't you take a break from work for a while and live in a quiet place?
01:18:07What are you talking about?
01:18:10What about my job?
01:18:13You need to rest.
01:18:22Why don't you and I go to Stratford, the city where Shakespeare was born?
01:18:43I don't want to go to Stratford.
01:18:48I don't want to go to Stratford.
01:18:53I don't want to go to Stratford.
01:18:58I don't want to go to Stratford.
01:19:03I don't want to go to Stratford.
01:19:08I don't want to go to Stratford.
01:19:28Hot cocoa.
01:19:31Thank you.
01:19:35I hope you can sleep.
01:19:41The day Mr. Dean died, I had the face of a broken mirror.
01:19:53The legend of England.
01:19:56Charlotte, who was locked up in the castle, fell in love with a ghost.
01:20:01The legend of the curse.
01:20:05Beautiful cloth scatters.
01:20:08The mirror does not crack.
01:20:14I learned the truth that I shouldn't know.
01:20:19The curse fell on me too.
01:21:14The curse fell on me too.
01:21:40The fever has been prevalent in Southeast Asia and South America for about 20 years.
01:21:48It is a disease caused by heat and heat.
01:21:52In Japan, infections have spread from travelers and others.
01:21:58If you get this disease ...
01:22:11Good morning.
01:22:14Did you stay up all night again?
01:22:18I know the culprit.
01:22:22Danpei.
01:22:25I'm going to the god's house.
01:22:27I have to do that.
01:22:29That's why I said I was the culprit.
01:22:47I'm going to the god's house.
01:22:49I'm going to the god's house.
01:23:05I looked it up on the Internet.
01:23:07A month before the incident, Mrs. Lin found a blog with old memories.
01:23:17In the blog, it says that when she was 18 years old, she rushed to the recital of Mr. Irodori Madoka while having a fever and got an autograph.
01:23:29You bought this god's house a week after this blog was written.
01:23:36It was my wife's personal request.
01:23:40However, only this blog did not know the cause of Mrs. Lin's fever.
01:23:48What I know is that when she was at the party, her illness was mentioned.
01:24:02What made her look like this?
01:24:10There is a picture of her mother-in-law on the dance floor.
01:24:17And there ...
01:24:24One of her parents-in-law, Kosame Taniguchi, was holding the camera.
01:24:32However, his wife did not pay attention to either of them.
01:24:38I was shocked by the illness of having a fever.
01:24:49I'm happy, too.
01:24:51I'm glad I came to see Mr. Irodori without having a fever.
01:24:55The illness of having a fever can cause redness all over the face, and it is easy to get an air infection with high fever.
01:25:13In particular, when a pregnant woman gets infected with this disease, a weak baby is born, and it is known to cause death.
01:25:24Mr. Madoka read Mrs. Lin's blog and suspected that her illness was caused by this fever.
01:25:33And in order to confirm it, he bought this god's mansion.
01:25:40Because it was Mrs. Lin's property.
01:25:44In addition, he held a party just to confirm one thing.
01:25:50He invited Mrs. Lin there as a local lord.
01:25:58Mr. Madoka knows that 15 years ago, Mrs. Lin had a fever.
01:26:07And he lost his baby.
01:26:26He found out that 15 years ago, that recital was the cause.
01:26:38Nice to meet you. My name is Lin.
01:26:44I'm so happy to meet you.
01:26:47Thank you.
01:26:58Mrs. Lin had a fever.
01:27:04Then, a cameraman who was right next to the painting noticed that one of the old painters had a small fever.
01:27:22There is a picture of a customer who took a picture of his wife.
01:27:35As you can see, his wife was not pushed by anyone.
01:27:43She fell down and hit Mrs. Lin.
01:27:48It's unpleasant.
01:27:51Mr. Shokokuji, you say that Madoka is the culprit.
01:27:58No, it's all your delusion.
01:28:06Mr. Madoka knows that Mrs. Lin had a fever.
01:28:14So, he deliberately stained Mrs. Lin's dress and took out the handkerchief.
01:28:20I'm sorry.
01:28:22It's okay, Mr. Madoka. I'll take this dress as a souvenir.
01:28:27This is my handkerchief.
01:28:30This is my handkerchief.
01:28:33Mrs. Lin put poison in the handkerchief.
01:28:41I haven't put it in my mouth yet.
01:28:44I'm glad to hear that.
01:28:46Are you sure?
01:28:47Of course.
01:28:49I'll take this handkerchief as a souvenir.
01:28:53Madoka.
01:28:55I'm sorry. I'll be right back.
01:28:58Madoka.
01:29:03Madoka.
01:29:05Please.
01:29:07Madoka.
01:29:09Madoka.
01:29:11Madoka.
01:29:13Madoka.
01:29:15Madoka.
01:29:17Madoka.
01:29:19Madoka.
01:29:21For a pregnant woman, this fever is painful and sad.
01:29:29She has lost her child.
01:29:37She kept blaming herself for her carelessness and suffering.
01:29:48At that time, the person who had a fever appeared in front of her.
01:29:56Her mind was out of control.
01:30:01She couldn't even look to the future.
01:30:09I can't talk to you.
01:30:12You're delusional.
01:30:17Do you have any evidence?
01:30:22If you have it, show it to me.
01:30:28Director.
01:30:30I have it.
01:30:33Danpei, give it to me.
01:30:35Yes, sir.
01:30:44This is a copy of the actual confession.
01:30:53And this is what I made.
01:31:04What is this?
01:31:07Where is the evidence that Madoka is the culprit?
01:31:11As you can see, this confession is made of letters.
01:31:16And surprisingly, these letters...
01:31:21...were all cut out by the director of the Sports Bureau.
01:31:28All of them?
01:31:30Yes.
01:31:31All three?
01:31:32Yes.
01:31:33And the newspaper after cutting out these letters...
01:31:42...looks like this.
01:31:46And also...
01:31:49Danpei.
01:31:54This is a piece of newspaper found in the room of the victim.
01:32:02If you put these together...
01:32:09Wait.
01:32:10The culprit is Inden?
01:32:12Not yet.
01:32:15The most important thing...
01:32:19...is what you said...
01:32:22...about these letters.
01:32:28The first one is dated March 5th.
01:32:33The second one is dated March 6th.
01:32:38And the third one is dated...
01:32:42...March 6th.
01:32:48However...
01:32:52...the newspaper was used...
01:32:57...to date...
01:33:02...March 7th.
01:33:06So...
01:33:08...you mean the day after the incident...
01:33:10...you made the confession?
01:33:12That's right.
01:33:17Only Mr. Irodori Madoka...
01:33:20...can do this.
01:33:28And the second murder...
01:33:32Mr. Madoka found out...
01:33:34...that the owner of the phone...
01:33:36...was Ms. Chimeko.
01:33:40So he bought the insecticide...
01:33:43...from the locker in the garden...
01:33:45...and put it in Ms. Chimeko's bottle.
01:34:02Wait.
01:34:05Who put the insecticide in Ms. Chimeko's coffee?
01:34:15Ms. Chimeko herself.
01:34:32Actually...
01:34:36...I noticed it, too.
01:34:40Look.
01:34:54When I saw the cut...
01:34:58...I realized everything.
01:35:06That the murder weapon...
01:35:08...was made by Madoka himself.
01:35:14He didn't tell me about the weapon...
01:35:17...because it was made after the incident.
01:35:28Madoka...
01:35:30...didn't tell me anything.
01:35:57I'm sure that Inden...
01:36:00...found the newspaper...
01:36:03...and found out who the murderer was...
01:36:06...and threatened Madoka.
01:36:09I saw...
01:36:11...Inden talking to Madoka.
01:36:18The money...
01:36:20...was the only thing...
01:36:23...that he could get.
01:36:26That's when he gave it to her.
01:36:32And...
01:36:34...he waited for Inden...
01:36:37...to come back from Osaka.
01:36:41Wait a minute.
01:36:49This is it.
01:36:52Wait.
01:36:54Don't shoot!
01:37:00You're the one...
01:37:03...who took the newspaper...
01:37:05...out of Inden's hands.
01:37:09I left it in Inden's room.
01:37:13You knew...
01:37:15...Madoka was the murderer...
01:37:18...and told Mr. Danbara and Mr. Asakaze...
01:37:21...that they wanted to make a film together.
01:37:26I heard...
01:37:28...what they had to say.
01:37:31They said...
01:37:35...Madoka was in shock...
01:37:38...and was in a critical condition.
01:37:44What were you going to do after that?
01:37:49I was going to get rid of everything...
01:37:52...and live with them...
01:37:56...in a country town in England.
01:38:03I thought...
01:38:05...no one would suspect...
01:38:09...that I'd fallen ill again.
01:38:14So...
01:38:16...where is your wife now?
01:38:20Where is she now?
01:38:43Here.
01:38:50Thank you.
01:39:20Thank you.
01:39:32Mr. Kaido.
01:39:34This way.
01:39:50Madoka.
01:39:57Madoka.
01:40:09Madoka...
01:40:11...was raised as an orphan.
01:40:15Since she was a child...
01:40:18...she loved flowers.
01:40:25Madoka...
01:40:28...didn't abandon her children...
01:40:32...without hesitation...
01:40:35...when she gave birth.
01:40:48Madoka.
01:40:50Madoka.
01:40:52Madoka.
01:40:54Madoka.
01:40:56Madoka.
01:40:58Madoka.
01:41:00Madoka.
01:41:02Madoka.
01:41:04Madoka.
01:41:06Madoka.
01:41:08Madoka.
01:41:10Madoka.
01:41:12Madoka.
01:41:14Madoka.
01:41:16Madoka.
01:41:21She gave birth to a child...
01:41:23...with such a painful heart.
01:41:26When the child's life was taken...
01:41:30...Madoka...
01:41:32...how sad she was.
01:41:34How despaired she was.
01:41:37Without knowing anything...
01:41:40...she took the child's life.
01:41:43How much did she resent Kojirin?
01:41:49Please do that.
01:42:04Where is it?
01:42:09Your...
01:42:13...happiest...
01:42:15...memories.
01:42:22I...
01:42:25...remember...
01:42:27...our wedding ceremony...
01:42:30...eight years ago.
01:42:43I...
01:42:45...remember...
01:42:47...our wedding ceremony...
01:42:50...eight years ago.
01:42:52The color of Madoka's face...
01:42:55...was as beautiful...
01:42:57...as the beauty of a sleeping forest.
01:43:13Your wife...
01:43:16...didn't touch...
01:43:18...the hot cocoa you made.
01:43:24Your sensitive wife...
01:43:28...understood...
01:43:30...your feelings.
01:43:35My wife...
01:43:38...didn't understand...
01:43:41...your feelings.
01:43:45She killed herself.
01:43:51Knowing...
01:43:54...your love...
01:44:00...your wife committed suicide.
01:44:06She...
01:44:09...was about to die.
01:44:14Your wife's life...
01:44:17...was a painful one.
01:44:22I wanted to protect her...
01:44:28...from being humiliated.
01:44:31You...
01:44:36...really loved her, didn't you?
01:44:43Madoka...
01:44:47...lived...
01:44:50...as an actress...
01:44:53...until the end.
01:45:01After the suicide of actress Madoka Irodori...
01:45:04...the film was officially cancelled...
01:45:07...due to the film's popularity.
01:45:11Today, the police...
01:45:13...will continue to file...
01:45:16...the suicide of actress Madoka Irodori...
01:45:19...with the death of the actress.
01:45:22This has been reporter Hinata Hanakage.
01:45:31I see.
01:45:33It was a sad case.
01:45:38All cases...
01:45:40...are sad.
01:46:01The End
01:46:23And today...
01:46:26...another sad murder case...
01:46:29...is taking place.
01:46:59The End