The Girl In 2A (1974) ENG sub

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Transcript
00:00:30Oh
00:01:00Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
00:01:30oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
00:02:00oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
00:02:30foreign
00:02:44you
00:03:00You can go.
00:03:15Poor girl.
00:03:17What are you going to do with her?
00:03:19Of course, an experience like this is not easy to forget.
00:03:22On the other hand, perhaps she will need it for the future.
00:03:24But...
00:03:27Damn it!
00:03:29Damn it!
00:03:31Let's run!
00:03:52Wait a minute!
00:03:54Wait a minute!
00:03:56Wait a minute!
00:04:21I'm sorry, I didn't mean to scare you.
00:04:23It's the glass's fault.
00:04:25Please, it doesn't matter.
00:04:45Good morning.
00:04:47Where is the telephone?
00:04:49There, in that room.
00:05:10Hello?
00:05:11Hello?
00:05:12Miss Sundberg?
00:05:14Ah, it's Margaret. Margaret Bradley.
00:05:18Yes, yes, everything is fine.
00:05:20I'm on my way to Mrs. Grant's.
00:05:22No, I missed the bus.
00:05:24Yes, I'll have to wait for the next one.
00:05:27In half an hour?
00:05:28Of course.
00:05:29It doesn't matter, Margaret.
00:05:31I'll call Mrs. Grant to tell her you'll be staying.
00:05:34I've already had your stuff brought there, Margaret.
00:05:36Margaret, do you hear me?
00:05:38Yes, as you said.
00:05:39Your stuff is already there.
00:05:40Thank you very much.
00:05:41Listen, I don't know how to tell her how grateful I am for...
00:05:45for everything she does for me.
00:05:47I only do my job.
00:05:49I'll call her as soon as I can.
00:06:49I'll never know.
00:07:19I'll never know.
00:07:34Call me if you need anything.
00:07:38Thank you, Mrs. Grant. You're very kind.
00:07:40The room is beautiful, really.
00:07:42I hope you'll be comfortable here with us, Margaret.
00:07:45Of course.
00:07:47And don't feel uncomfortable.
00:07:49It can happen to everyone to make a mistake in life.
00:07:52Maybe you don't understand, ma'am.
00:07:54I didn't do anything wrong.
00:07:56That social worker, Miss Sundberg,
00:07:58told me you'd just gotten out of prison.
00:08:00You shouldn't be ashamed of me.
00:08:02It's not the case, you know.
00:08:04No, I was in prison, but for a preventive arrest.
00:08:08And then they realized it was all a misunderstanding.
00:08:12I'm sorry.
00:08:13I didn't mean to hurt you.
00:08:15It's all right.
00:08:16I'm going to get some rest.
00:08:21Of course, dear.
00:08:22As you wish.
00:08:23We'll have time to talk.
00:08:27I went down to get my stuff.
00:08:29See you later.
00:08:31I wish you a good rest.
00:08:33You really need it.
00:08:45Bye.
00:09:15Bye.
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00:14:38He's dead, and those who killed him will be released in a few months.
00:14:45If there was really justice, they should die too.
00:14:50But what are you saying?
00:14:51With revenge, nothing can be done, and it is against every humanitarian principle.
00:14:55Humanitarian?
00:14:56And what kind of humanity is this?
00:14:58That doesn't even know how to punish the culprits of a murder.
00:15:03No.
00:15:04Forgiving them is like justifying them.
00:15:06No.
00:15:07No.
00:15:37No.
00:16:07No!
00:16:38No.
00:16:40No.
00:17:07I hear cars.
00:17:09It must be them.
00:17:11Thank goodness.
00:17:12It's late.
00:17:16They tried to track you down.
00:17:19My mother called you, but you weren't there.
00:17:22Yes, I wasn't at home.
00:17:25Where were you?
00:17:27What?
00:17:30They say you're a girl.
00:17:33Your lover.
00:17:35They say you're a lover.
00:17:37And that you betray your wife.
00:17:39Isn't that true?
00:17:40Of course not.
00:17:41She won't believe it, I hope.
00:17:43I don't know.
00:17:44Mr. Dries says that...
00:17:46What does Mr. Dries say?
00:17:48Oh, Dries, hello.
00:17:49It's a pleasure to see you.
00:17:51Are you sure?
00:17:52Of course, Dries.
00:17:53A great pleasure, as always.
00:17:54You know that the work of your group, your new philosophy,
00:17:57fascinates me very much.
00:17:58It's not new, Johnson.
00:18:00It's as old as the world.
00:18:02It's the usual old war between good and evil,
00:18:05reduced to its most essential terms.
00:18:08That's exactly what I meant to say.
00:18:10I'd like to discuss with you about some points,
00:18:13to express, if you allow me,
00:18:15your thesis in my articles.
00:18:18I have no intention of doing so.
00:18:20You already know too much, Johnson.
00:18:23But I don't think you'll write anything about us.
00:18:26We don't care about your articles.
00:18:28But how? I don't understand.
00:18:30Enough with the lies, Johnson.
00:18:32You tried to use us for your personal reasons.
00:18:36A series of articles about us would be a big blow, right?
00:18:40But no, you're wrong, Dries.
00:18:42I assure you, there's a mistake,
00:18:44it's all a misunderstanding, I swear.
00:18:46You must be punished, Johnson.
00:18:50Purified.
00:18:52These are the laws of the war between God and the devil,
00:18:55don't you remember?
00:18:56No, wait a minute, Dries.
00:18:58I don't understand.
00:18:59Yes, you understand, Johnson.
00:19:01You understand perfectly.
00:19:03Only in pain
00:19:05can one find the purification of one's sins,
00:19:09it's in writing.
00:19:11But you're crazy, Dries.
00:19:14You're the crazy one.
00:19:19Come, Frank, let's leave Mr. Johnson to his meditations.
00:19:28No, Dries, wait.
00:19:30Wait, I have enough money.
00:19:32I can give you as much as you want.
00:19:34Just tell me the amount.
00:19:36We can consider it a contribution to your group.
00:19:44Listen, Dries.
00:19:49Bastard.
00:19:59No, Frank.
00:20:01Frank.
00:20:29Good, very good.
00:20:31At this point you can go back to the city, Frank.
00:20:34You don't need me here.
00:20:36No, no, I'll be here in a few minutes,
00:20:38I just have to check a few things.
00:20:40Mr. Dries.
00:20:42Yes.
00:20:44What's the matter, Frank?
00:20:46Is it about your mother?
00:20:48No.
00:20:50No, I was thinking about Mr. Johnson.
00:20:54No, I was thinking about Mr. Johnson.
00:20:57You know, I thought he was a friend.
00:21:01One of ours.
00:21:03I don't know about that.
00:21:05We'll have to see.
00:21:07But you don't have to worry about him.
00:21:10We won't do anything to him.
00:21:12He just needs a little fear.
00:21:14We have other things to think about.
00:21:16Yes, I know.
00:21:18My mother always says...
00:21:20There's a woman in the country.
00:21:22Come on, I'll see you later.
00:21:24I'll come to you.
00:21:26Tonight?
00:21:28Yes, of course.
00:21:50I love you.
00:22:20Salve.
00:22:28Salve.
00:22:36It's hot in here.
00:22:38Yes.
00:22:42Yes, it is.
00:22:45It's very hot.
00:22:49Maybe we should put out the fire.
00:22:51Don't you think, Mr. Johnson?
00:22:53The fire?
00:22:55Yes, it's too hot in here.
00:22:57It's unbearable.
00:22:59Put out that fire.
00:23:09All right.
00:23:12All right.
00:23:18Damn it!
00:23:30Let me go!
00:23:32It's burning!
00:23:34Let me go!
00:23:41Let me go!
00:23:48Let me go!
00:23:50Are you crazy?
00:23:52I beg you.
00:23:54It's unbearable, Mr. Johnson.
00:23:58Let me go!
00:24:00Let me go!
00:24:02Let me go!
00:24:12Why are you killing me?
00:24:14No!
00:24:16I don't want to die!
00:24:18Let me go!
00:24:23Freeze!
00:24:25No!
00:24:55No!
00:25:25Salve.
00:25:26Salve.
00:25:27What do you want?
00:25:28I'm Frank.
00:25:29Ah, the lady's son.
00:25:31I wanted to ask you...
00:25:33if you need anything.
00:25:34No, thank you.
00:25:35I don't need anything.
00:25:36Anyway, thank you anyway.
00:25:38You've been very kind.
00:25:39I'm at the door next door.
00:25:41Anytime...
00:25:42Sure.
00:25:43Why don't you come with me to the park?
00:25:45I haven't had a very quiet night.
00:25:47A little air will do me good.
00:25:49Sure, sure.
00:25:50With pleasure.
00:25:52Two minutes and I'll be ready.
00:25:57Are you looking for a job?
00:25:59Yes, I think so.
00:26:03You know, I was seriously thinking...
00:26:05of finding a job outside the city.
00:26:07I like the countryside.
00:26:09I don't.
00:26:10It's boring.
00:26:12And then I want to work in the theater.
00:26:14You know...
00:26:17make screenplays...
00:26:19and build.
00:26:22Anything.
00:26:24I'm good at that.
00:26:26Really?
00:26:27Yes.
00:26:28I'm good at it.
00:26:30In short...
00:26:31it's the only thing I can do.
00:26:33I hope you can do it.
00:26:35It's nice if you can do the things you like.
00:26:38It's nice, yes, beautiful.
00:26:40But you can never do it.
00:26:42It's life.
00:26:44But you have to try it anyway.
00:26:46You can't give up like that.
00:26:48You know something, Margaret?
00:26:50What?
00:26:53I like you a lot.
00:26:57You're the most beautiful girl I've ever seen.
00:27:03I'm sorry you're in trouble, Margaret.
00:27:08I'm not in trouble, I just have problems.
00:27:11But I'll get out of it.
00:27:15Come on, let's walk.
00:27:21I always used to come here with my father.
00:27:24When I was little.
00:27:27I almost don't remember it anymore.
00:27:32He's dead, you know?
00:27:34I know.
00:27:35Abandoned.
00:27:36What?
00:27:37He's abandoned?
00:27:39Yes, they were out on a boat.
00:27:41He turned upside down.
00:27:43My father couldn't notice.
00:27:45They arrived in time to save my mother.
00:27:49He wasn't found.
00:27:51Then they talked about it every day.
00:27:55What's the matter?
00:27:57Nothing.
00:27:59It's just that I didn't sleep well.
00:28:02I was thinking about the nightmare I had last night.
00:28:05I understand.
00:28:07Why did you go to jail?
00:28:09You can tell me, can't you?
00:28:11It was a mistake.
00:28:13Really?
00:28:14It's the truth.
00:28:16I found myself in a park.
00:28:18Someone had cigarettes, pills, I don't know what.
00:28:21Then the police came.
00:28:23Someone said it was me.
00:28:25Me and another I'd never seen.
00:28:27Why did they say that?
00:28:30I don't know.
00:28:32Maybe to save themselves.
00:28:34But it was a mistake.
00:28:36I had nothing to do with it.
00:28:38Yes, I believe you.
00:28:40It was very bad.
00:28:42Of course, I thought I was crazy.
00:28:44You didn't do anything.
00:28:46No, Frank, I didn't do anything.
00:28:50Why did they put you in jail if you didn't go in?
00:28:53What do you mean?
00:28:54It happens.
00:28:55Unfortunately, it happened to me.
00:28:57Would you hate me if I went in for something?
00:29:00No.
00:29:01Then why all these stories?
00:29:06Because you have to tell me everything.
00:29:10You don't believe me, do you?
00:29:14Mr. Dries says I don't have to...
00:29:16No, you don't believe me.
00:29:18Just as your mother doesn't believe me.
00:29:20And maybe not even Miss Alicia believes me.
00:29:23Listen, I don't...
00:29:24No, leave me alone.
00:29:25I'm sick of your hypocrisy.
00:29:27I can go on my own.
00:29:29I don't need your help.
00:29:31But...
00:29:44But...
00:30:15Margaret!
00:30:17What are you doing here?
00:30:19I'm sorry to bother you again.
00:30:22But I have to talk to you.
00:30:24Of course, Margaret.
00:30:26Come on in.
00:30:29Sit down.
00:30:32Make yourself at home.
00:30:34I'll be right back.
00:30:36I'll be right back.
00:30:38I'll be right back.
00:30:40I'll be right back.
00:30:42Make yourself at home.
00:30:46So, what's the matter?
00:30:50Miss Sundberg...
00:30:51Please, call me Alicia.
00:30:53Alicia...
00:30:55I have to leave that house.
00:30:57Why, Margaret?
00:30:59Is something wrong?
00:31:00I don't know.
00:31:01Maybe it's just my imagination.
00:31:03Maybe...
00:31:04I'm very upset.
00:31:07But I want to leave.
00:31:09Why do you want to leave?
00:31:11You see, apparently they're very nice.
00:31:14But in reality, they treat me in a way...
00:31:16that I find very offensive.
00:31:18It's as if...
00:31:19they were judging me all the time.
00:31:21I can't stand it in there anymore.
00:31:23If you don't feel well, it's right that you change.
00:31:26We'll find you a place where you can feel more at ease.
00:31:31If you want, I can take care of it with great pleasure.
00:31:35I'll have to make a few calls.
00:31:37It's better to start right away.
00:31:40Alicia...
00:31:41I know...
00:31:42it's very rude of me, but...
00:31:46could you lend me some money?
00:31:48I wouldn't ask if I had other options.
00:31:51But, unfortunately, Mrs. Grant won't let me leave at any moment.
00:31:56The agreement we made is that I'll stay...
00:31:58until I can pay her.
00:32:00But she can't keep you there if you don't want to stay.
00:32:02I know, but I'll have to leave her my stuff.
00:32:05We'll see.
00:32:06You'll need another room anyway.
00:32:09I have fifty dollars.
00:32:12I have to go out for two days, but I don't need all of them.
00:32:16If you only have those, leave them.
00:32:18Alicia doesn't care.
00:32:19Listen...
00:32:20we can do this.
00:32:22I'll give you twenty dollars now,
00:32:24and you go to the hotel for a day or two.
00:32:26And when I come back, I'll find you another place.
00:32:29Then I'll take care of everything with Mrs. Grant.
00:32:32I'm good at these things.
00:32:34No.
00:32:36I can't accept it.
00:32:38You've already done too much for me and Alicia.
00:32:43I'll have to hold on.
00:32:46I'll stay with Mrs. Grant.
00:32:50It's the only thing.
00:32:52Listen...
00:32:53you stay there for two more days.
00:32:55And when I come back, we'll find something better.
00:32:58But for now, take some money.
00:32:59You can go to the museum or the cinema.
00:33:02Try to distract yourself.
00:33:04But then I'll be without you.
00:33:06No, don't worry.
00:33:07I don't need them.
00:33:08Take them.
00:33:09Be brave.
00:33:22Please, I need to talk to her.
00:33:24Wait a few seconds and then follow me.
00:33:37Poor thing.
00:33:38Yes.
00:33:39What a terrible thing.
00:33:41The more I think about it, the less I think it's possible.
00:33:45Mr. Whitman, what did Mrs. Grant say to you?
00:33:49Call me Jack, please.
00:33:52Well, she didn't say much.
00:33:54She didn't know her very well.
00:33:56She said that Eddie was in love with her.
00:33:59I don't know her very well.
00:34:01I don't know her very well.
00:34:03She didn't know her very well.
00:34:05She said that Eddie was always on her side.
00:34:08She was with a boy, but then they broke up.
00:34:11He fell in love with another girl and they got married.
00:34:14Anyway, I was already aware of all this.
00:34:16I even talked to him.
00:34:18His name is Charlie.
00:34:19He's American and he's been living here for a long time.
00:34:22And Eddie's death seemed completely absurd to him, too.
00:34:28My sister wasn't the type to commit suicide.
00:34:32She was too attached to life to do it.
00:34:35That's why I don't believe it.
00:34:37Are you sure?
00:34:38More than sure.
00:34:39She wasn't the type of person who could...
00:34:42I don't know.
00:34:43There are people who can commit suicide.
00:34:45And others who will never do it.
00:34:47I don't know if you understand me.
00:34:49Yes, the instinct of self-destruction in a person
00:34:52is not something that is born at the moment.
00:34:55When there is, there is always.
00:34:57And this was not the case with Eddie.
00:34:59Excuse me, sir.
00:35:00Can I get you anything?
00:35:02Yeah, how about a sandwich, Margaret?
00:35:04They have the best roast beef sandwiches in town.
00:35:07That sounds good.
00:35:08A sandwich would be great.
00:35:10I am rather hungry.
00:35:11Thanks.
00:35:12Two.
00:35:13You're welcome.
00:35:14Two beef sandwiches and some hors d'oeuvres.
00:35:17Something like that, okay?
00:35:18Okay.
00:35:20Have you been here before?
00:35:21No, why?
00:35:22You said their beef sandwiches are the best in town.
00:35:26How did you know that?
00:35:28I'm just gullible.
00:35:29Oh.
00:35:32Listen, I don't want you to get into trouble,
00:35:35but if I should see or hear something strange,
00:35:38will you tell me?
00:35:40Sure, Jack.
00:35:42You can count on it.
00:35:44Okay.
00:35:48Here you go.
00:35:49What a nice smell.
00:35:51Bring us some coffee, too.
00:35:57Something wrong?
00:35:59Um...
00:36:00Listen, Jack.
00:36:02Your sister was in trouble.
00:36:04I mean...
00:36:06Yes, trouble with the law, Jack.
00:36:08No, of course not.
00:36:09Why?
00:36:12Nothing.
00:36:14I thought there might be a connection.
00:36:17But no, it's just stupidity.
00:36:29I'm sorry.
00:36:54I'll show her to you, Mr. Dries.
00:36:56It came out really well.
00:36:57Just a moment.
00:37:02Here, look.
00:37:03Notice the resemblance.
00:37:04What do you think?
00:37:05Good.
00:37:20Jack, why?
00:37:22What are you doing at the door?
00:37:23Come in.
00:37:25I need to talk to you.
00:37:29What are you waiting for?
00:37:30Have a seat.
00:37:31Want a beer?
00:37:32No, thanks.
00:37:33Have a seat.
00:37:37Claire will be back soon.
00:37:38She went out.
00:37:39She's always out shopping.
00:37:41I want you to meet her.
00:37:42She's a woman on her feet.
00:37:43Like your sister.
00:37:46Oh, I'm sorry.
00:37:47I ran away.
00:37:48You know, the thing is...
00:37:50I still can't realize
00:37:52what happened.
00:37:54Sometimes...
00:37:55It doesn't matter.
00:37:56Life goes on.
00:37:57Yes.
00:37:59Did you see her again after you broke up, Charlie?
00:38:04Well, I was with Claire, so...
00:38:06I know you were with Claire, Charlie.
00:38:08Did you see her again or not?
00:38:11Well...
00:38:12A couple of times, I think.
00:38:14You know how it is, don't you?
00:38:15But, dear God, Jack, you make me feel...
00:38:17I don't care how you feel, Charlie.
00:38:20I don't care about your story with Eddie.
00:38:22I want to find out how she died.
00:38:27Listen, did Eddie have any trouble?
00:38:29Trouble?
00:38:30No, Jack, no trouble.
00:38:32And then, that house?
00:38:34What house?
00:38:35The one with the Gramps, where she had moved.
00:38:37Why did she leave?
00:38:40I don't know.
00:38:41Maybe she wanted...
00:38:43I don't know.
00:38:44To start a new life.
00:38:45Why?
00:38:47Oh, dear God.
00:38:48What do you want me to know?
00:38:49What do you want me to know?
00:38:50Sometimes, people do absurd things.
00:38:52But don't commit suicide, like they say my sister did...
00:38:55if she has no serious reason to do so.
00:38:58Okay, okay.
00:39:00What do you want me to tell you?
00:39:03Would you like a beer?
00:39:04No, thank you.
00:39:12Good morning.
00:39:14Claire, this is Jack.
00:39:15Jack Whitman.
00:39:16You know, Eddie's brother.
00:39:18Jack, my wife Claire.
00:39:20Nice to meet you, ma'am.
00:39:21I'm sorry if I come here like this, but...
00:39:24Oh, no, you did the right thing coming here.
00:39:29I know you saw Charlie a few days ago.
00:39:31I'm very sorry about what happened.
00:39:34I had the opportunity to meet his sister one day.
00:39:37She was a beautiful girl.
00:39:40Yes, I know.
00:39:41Of course, he must have been very down, after what happened.
00:39:45After what happened?
00:39:46What happened?
00:39:48Claire meant...
00:39:50You know, to be left alone in a foreign city.
00:39:53Everything here, right?
00:39:54What happened?
00:39:56But nothing, Jack, really.
00:39:58Come on, tell me.
00:39:59What happened?
00:40:00Your wife was talking.
00:40:01Tell him, Charlie.
00:40:02It's right for him to know.
00:40:03All right, Jack.
00:40:07Yes, we were stuck in a bad mess.
00:40:09Me and a friend of mine had started trafficking...
00:40:12in the field of the Trevor's, Jack.
00:40:15You know, for a forester,
00:40:17in these parts, it's the easiest thing in the world.
00:40:20You report the embezzlement and you sell the block at half price.
00:40:23Or you buy them, like us.
00:40:27And so...
00:40:29we were going to cash them before the complaint.
00:40:31We had made a discreet circle of people
00:40:33who provided us with Trevor and Jack, credit cards.
00:40:36You know, with fake documents, the rest was easy.
00:40:39Even too easy.
00:40:41Eddie was in the circle?
00:40:42No.
00:40:43No, he wasn't out.
00:40:44I give you my word of honor.
00:40:46Every now and then I left at his house
00:40:48some checkbooks, some documents.
00:40:51Or he made me a few phone calls.
00:40:53You know, to set appointments or stuff like that.
00:40:57Really, nothing more.
00:41:00Then one day, something went wrong.
00:41:04They took us.
00:41:05All of a sudden.
00:41:07There were many who followed us.
00:41:09They knew everything about us.
00:41:11And Eddie went to jail?
00:41:13Yes, for a couple of weeks.
00:41:15The charge against her wasn't serious.
00:41:18They told her one year, with the conditional.
00:41:21Me and Willie, instead, we had three years each.
00:41:25With the conditional.
00:41:26That's how we got out.
00:41:28Here, Jack.
00:41:29Now you know everything.
00:41:32Not everything.
00:41:34Why did they go to Mrs. Grant?
00:41:37I don't know that.
00:41:39Someone must have told them.
00:41:41Probably in jail there's a list of people
00:41:44willing to host the girls who come out.
00:41:50What are you going to do now?
00:41:52I don't know.
00:41:55I'll keep asking around.
00:42:03Listen, Jack.
00:42:05If you need anything,
00:42:07I mean, if you need me,
00:42:10call me.
00:42:11Anytime.
00:42:13Okay?
00:42:15Okay, Charlie.
00:42:23I'd like him to give up everything.
00:42:25I'm afraid for him.
00:42:37Okay.
00:42:47Later, I'll have to take Mrs. Merlo to the villa, Frank.
00:42:50Yes, Mr. Dries, I know.
00:42:52I already made an appointment.
00:42:54Great.
00:42:55We'll be there around seven, I think.
00:42:59Chico.
00:43:08No.
00:43:34Are you looking for something?
00:43:37You know you scared me.
00:43:39Yes, I was looking for the bathroom.
00:43:42At the end of the corridor, the door on the right.
00:43:47It's easy to get lost in this house, isn't it?
00:43:51Yes.
00:43:53So it's better not to go too far from your own room.
00:44:06Okay.
00:44:36Okay.
00:45:06Okay.
00:45:36Okay.
00:46:06Okay.
00:46:09Okay.
00:46:14Okay.
00:46:15Okay.
00:46:16Okay.
00:46:17Okay.
00:46:18Okay.
00:46:21Okay.
00:46:23Okay.
00:46:24Okay.
00:46:36Okay.
00:46:37Okay.
00:46:38Okay.
00:47:06Okay.
00:47:07Okay.
00:47:08Okay.
00:47:09Okay.
00:47:10Okay.
00:47:11Okay.
00:47:12Okay.
00:47:13Okay.
00:47:14Okay.
00:47:15Okay.
00:47:16Okay.
00:47:17Okay.
00:47:18Okay.
00:47:19Okay.
00:47:20Okay.
00:47:21Okay.
00:47:22Okay.
00:47:23Okay.
00:47:24Okay.
00:47:25Okay.
00:47:26Okay.
00:47:27Okay.
00:47:28Okay.
00:47:29Okay.
00:47:30Okay.
00:47:31Okay.
00:47:32Okay.
00:47:33Okay.
00:47:34Okay.
00:47:35Okay.
00:47:36Okay.
00:47:37Okay.
00:47:38Okay.
00:47:39Okay.
00:47:40Okay.
00:47:41Okay.
00:47:42Okay.
00:47:43Okay.
00:47:44Okay.
00:47:45Okay.
00:47:46Okay.
00:47:47Okay.
00:47:48Okay.
00:47:49Okay.
00:47:50Okay.
00:47:51Okay.
00:47:52Okay.
00:47:53Okay.
00:47:54Okay.
00:47:55Okay.
00:47:56Okay.
00:47:57Okay.
00:47:58Okay.
00:47:59Okay.
00:48:00Okay.
00:48:01Okay.
00:48:02Okay.
00:48:03Okay.
00:48:04Okay.
00:48:05Okay.
00:48:06Okay.
00:48:07Okay.
00:48:08Okay.
00:48:09Okay.
00:48:10What he says is monstrous.
00:48:40Jack, what are you doing there?
00:48:42It's my room.
00:48:44Why don't you come and see how beautiful it is?
00:48:46You're really crazy.
00:48:48Hey, but I don't like this business.
00:48:50You can jump into my room whenever you want.
00:48:52Let's try it right away.
00:48:54Ready?
00:48:56No, Jack, don't do it.
00:48:58I'll kill you.
00:49:00I'll kill you.
00:49:02I'll kill you.
00:49:04I'll kill you.
00:49:06I'll kill you.
00:49:08No, Jack, don't do it.
00:49:10I'll kill you.
00:49:14For you, this is something else.
00:49:16But I have a better idea.
00:49:18Come here and we'll have breakfast together.
00:49:22It's a trick.
00:49:24If I don't come, you jump.
00:49:26No, you'll have no breakfast.
00:49:28I'll put something in and come.
00:49:34From here you enjoy a great view.
00:49:36It's my window, but now I know.
00:49:38The guest's chair.
00:49:40Comfortable.
00:49:42Well, we're in Lilson.
00:49:44How did you find this room?
00:49:46I'll tell you a secret, Margaret.
00:49:48I made friends with the doorman.
00:49:50You know, I preferred to be close to you.
00:49:52Right?
00:49:56You know, Jack, now I feel much calmer.
00:49:58Really?
00:50:06By the way,
00:50:08the day I came here,
00:50:10I was followed by a man.
00:50:12I didn't give him much importance.
00:50:16But yesterday I saw him again.
00:50:18It was the same man who had followed me.
00:50:20I'm sure of it.
00:50:22But the strange thing is that
00:50:24I saw him at home with Mrs. Grant.
00:50:28I don't know.
00:50:30A coincidence?
00:50:32No.
00:50:34I'll tell you something.
00:50:38Yesterday you asked me
00:50:40if my sister
00:50:42had any trouble.
00:50:44Yes.
00:50:46Why?
00:50:48It could be a parallel with me.
00:50:50You know, I was arrested for a mistake.
00:50:54Now it's all clear,
00:50:56but the fact is
00:50:58that I stayed in prison for two weeks.
00:51:00Eddie was also in prison.
00:51:02I know that the other girls
00:51:04are before you,
00:51:06but how do you know?
00:51:08We have to find one.
00:51:10Listen, we have to ask
00:51:12all the shops nearby.
00:51:14I don't know, the laundromats.
00:51:16Just check on the record
00:51:18all the deliveries
00:51:20they have made in the last months
00:51:22to the address of Grant.
00:51:24Great idea.
00:51:26Yes, let's do that.
00:51:28I'm sure we'll find something.
00:51:30You know, Jack,
00:51:32since I've known you
00:51:34I've been so happy.
00:51:36It's crazy, isn't it?
00:51:38Yes.
00:52:00Yeah.
00:52:30Margaret!
00:52:32Ah, hello, Mrs. Grant.
00:52:34I was just leaving.
00:52:36Hi, dear.
00:52:38There's a young lady here
00:52:40I'd like you to meet.
00:52:42Can't you come in for a moment?
00:52:44I'm very sorry, Mrs. Grant,
00:52:46but I'm afraid I can't.
00:52:48I'm afraid I can't.
00:52:50I'm afraid I can't.
00:52:52I'm afraid I can't.
00:52:54I'm afraid I can't.
00:52:56I'm afraid I can't.
00:52:58I'm very sorry, Mrs. Grant,
00:53:00but I'm already very late.
00:53:02Can't we do it another time?
00:53:04Oh, what a shame.
00:53:06We'll do it another time, of course.
00:53:08I'm sure you'll become
00:53:10great friends.
00:53:12You have a lot in common.
00:53:14Bye, dear.
00:53:16I'm sorry, Maria,
00:53:18but I was in a hurry.
00:53:20I wanted you to meet her.
00:53:22It doesn't matter, Mrs.
00:53:24It'll be another time.
00:53:26You look beautiful.
00:53:30Come in.
00:53:32Have you seen the pictures
00:53:34of our country house?
00:53:36Yes, I have.
00:53:38It's very beautiful.
00:53:40I'll take you there one of these days.
00:53:42I promised Margaret, too.
00:53:44I can't wait.
00:53:46I love the country.
00:53:48When I go to that house,
00:53:50I feel purified.
00:53:52It's as if the world
00:53:54became cleaner.
00:53:56It must be a good feeling.
00:53:58It's just an illusion, my dear.
00:54:00Because the world,
00:54:02unfortunately,
00:54:04is full of filth.
00:54:06One of the girls's name is Williams.
00:54:24I also found out where she lives now.
00:54:26Here, it's written here on the paper.
00:54:28We were lucky.
00:54:30She left an account
00:54:32at the laundry.
00:54:34A long time ago,
00:54:36some relatives came to see her.
00:54:38Apparently, Mrs. Grant only
00:54:40hosts foreign girls
00:54:42who have had trouble with the law.
00:54:44Turn right.
00:54:46Then go straight.
00:54:48It's very far.
00:54:50Turn right.
00:54:52Yes.
00:54:54The strange thing is that the Craig's
00:54:56only frequent the American colony of Rome.
00:54:58No one comes into their house
00:55:00who is not American.
00:55:02Here we are.
00:55:08Cross your fingers.
00:55:24Are you sure it's here?
00:55:26Yes.
00:55:32Mrs. Williams?
00:55:34Until a year ago.
00:55:36Now I'm Mrs. Craig.
00:55:38Sara Williams?
00:55:40No, Sara is my sister.
00:55:42Is she at home now?
00:55:44No, she's not.
00:55:46She doesn't live here.
00:55:48Why?
00:55:50What is it?
00:55:52Can you tell us where we can find her?
00:55:54I'm trying to find out
00:55:56how my sister died.
00:55:58Her last home
00:56:00is the same house in which
00:56:02Sara lived.
00:56:04Do you mean Grant's house?
00:56:06Yes, exactly.
00:56:08Come in.
00:56:10Sara has always been
00:56:12a very restless person,
00:56:14even as a child.
00:56:16She had talent,
00:56:18a great talent for painting,
00:56:20but her character
00:56:22was too unstable.
00:56:24How did she end up like this?
00:56:26I don't know.
00:56:28How did she show her instability?
00:56:30She was always depressed.
00:56:32She was in a state of
00:56:34almost hallucinating frustration.
00:56:36Sometimes
00:56:38I was afraid she could kill herself.
00:56:40I've already told you.
00:56:42She was more depressed every day,
00:56:44to the point of not being able
00:56:46to do anything,
00:56:48all she did was cry
00:56:50and stay in bed all day.
00:56:52She cried for hours
00:56:54in a row
00:56:56and there was no way to help her.
00:56:58Then,
00:57:00she improved a lot.
00:57:02She told us
00:57:04that she had just met
00:57:06a group of wonderful people
00:57:08and that only now she began
00:57:10to be alive.
00:57:12What did she mean?
00:57:14I don't know.
00:57:16She was talking about a mystical
00:57:18or spiritual experience
00:57:20that she was living,
00:57:22something different.
00:57:24My sister was not crazy.
00:57:26She was just a very unstable girl
00:57:28constantly looking for something
00:57:30that she could never find.
00:57:32Where is she now?
00:57:34Can we talk to her?
00:57:36As I've already told you,
00:57:38my sister was unstable
00:57:40before, not mentally ill.
00:57:42Now, poor Sara,
00:57:44she is in a hospital.
00:57:46She has completely lost her mind.
00:57:48How did it happen?
00:57:50I don't know.
00:57:52One morning she was found
00:57:54by a farmer in an open field.
00:57:56Her body was covered with marks
00:57:58as if she had been stabbed.
00:58:00Mrs. Craig,
00:58:02I know this may seem silly to you,
00:58:04but we can't see her.
00:58:06Can we talk to her for a few minutes?
00:58:08It would be a waste of time.
00:58:10Mrs. Craig, it's important.
00:58:12I beg you.
00:58:14All right.
00:58:16All right.
00:58:18The clinic is nearby.
00:58:20I'll let you know.
00:58:30Please, ma'am.
00:58:42What a terrible thing, Jack.
00:58:44Try to stay calm.
00:58:54Mrs. Craig, this is where they found her, right?
00:58:56Near Manziana?
00:58:58Yes, right there.
00:59:00And the police didn't find anything?
00:59:02No, they did some investigations,
00:59:04but in vain.
00:59:08Sara,
00:59:10I have good news for you.
00:59:12We have company today.
00:59:14Your sister has come to see you.
00:59:22She hasn't said a word for two days.
00:59:24She's always looking out the window.
00:59:26Maybe you shouldn't keep her too long.
00:59:30Hi, Sara.
00:59:32How are you?
00:59:34I'm better, you know.
00:59:36These gentlemen want to talk to you.
00:59:38Maybe you can help them.
00:59:40Sara, answer them.
00:59:42My God.
00:59:44Sara.
00:59:46Let me try.
00:59:48Hi, Sara.
00:59:50My name is Margaret.
00:59:52I live in the same house as you,
00:59:54at the Grant's.
00:59:56You lived at Mrs. Grant's house,
00:59:58didn't you, Sara?
01:00:00Mrs. Grant's.
01:00:02Do you remember, Sara?
01:00:04And her son.
01:00:06Yes, Frank's.
01:00:08And an ugly man,
01:00:10a certain Mr. Drees.
01:00:12Do you remember them?
01:00:18And room 2A?
01:00:20It was your room, wasn't it?
01:00:24What do you remember, Sara?
01:00:28It was Grant and the wonderful people
01:00:30you met, wasn't it, Sara?
01:00:32It was them, wasn't it?
01:00:34Where did they take you that night,
01:00:36in the country?
01:00:38Come on, try to remember, Sara.
01:00:40What did they do to you?
01:00:42I told you, it's useless.
01:00:44Let her try again.
01:00:46As she wants, but she won't get any better.
01:00:48How beautiful this painting is.
01:00:50This is the country house
01:00:52where they took you,
01:00:54isn't it, Sara?
01:00:56Tell me what you remember
01:00:58about that house, Sara.
01:01:00What did they do to you?
01:01:10Something very bad, isn't it?
01:01:30Ah!
01:01:32Ah!
01:01:34Ah!
01:01:54Ah!
01:01:56Ah!
01:01:58Ah!
01:02:02Ah!
01:02:04Ah!
01:02:06Ah!
01:02:08Ah!
01:02:10Ah!
01:02:12Ah!
01:02:14Ah!
01:02:16Ah!
01:02:18Ah!
01:02:20Ah!
01:02:22Ah!
01:02:24Ah!
01:02:26Ah!
01:02:28Ah!
01:02:30What do you remember, Sara?
01:02:32I'd better go.
01:02:36Jack,
01:02:38look at those drawings.
01:02:40The hooded man always appears.
01:02:42Yes, I see him.
01:02:44Jack,
01:02:46do you remember that nightmare I told you about
01:02:48on the first night?
01:02:50I also saw a hooded man
01:02:52and he was just like him.
01:02:54Don't you understand, Jack?
01:02:56I wasn't dreaming.
01:03:00Come on, let's go.
01:03:06I'll never forget Sara Bianchi.
01:03:08What could they have done
01:03:10to make her like that?
01:03:12Something happened
01:03:14that pushed her mind
01:03:16over the edge into madness.
01:03:18Margaret, it's too risky.
01:03:20It's too dangerous.
01:03:22It doesn't matter.
01:03:24Jack, look, we must go on.
01:03:26That mastiff,
01:03:28the one who was in Sara's paintings,
01:03:30was in my room.
01:03:32We've got to get to the bottom of this.
01:03:34How are you doing?
01:03:36I'm doing all right.
01:03:38See you.
01:03:40Young love, nothing like it.
01:04:06Jack!
01:04:26Jack!
01:04:28Jack!
01:04:36Jack!
01:04:40No!
01:04:48No!
01:04:56No!
01:05:00Margaret!
01:05:02Margaret!
01:05:04Margaret!
01:05:34No!
01:06:04No!
01:06:34No!
01:07:04No!
01:07:34No!
01:08:04No!
01:08:34No!
01:09:04No!
01:09:06No!
01:09:32Aiuto!
01:09:36Aiuto!
01:09:40Ma cosa ci fai?
01:09:42Scioglimi le mani!
01:10:06Aiuto!
01:10:24Aiuto!
01:10:26Fatemi uscire!
01:10:28Non voglio stare qui!
01:10:30Margaret, perché...
01:10:32Frank, fammi uscire!
01:10:34Frank...
01:10:36Non devi gridare così.
01:10:38Non devi.
01:10:40Ti prego, Frank, io voglio andare via di qui.
01:10:42Ma non puoi.
01:10:44Frank, tu con me sei stato gentile.
01:10:46E so anche che ti piaccio, te lo ricordi?
01:10:48Me l'hai detto quel giorno, quando facemo la passeggiata nel parco.
01:10:50Sì, me lo ricordo.
01:10:52Ascolta, Frank.
01:10:54Io voglio che tu mi aiuti a scappare di qui.
01:10:56Vogliono farmi del male,
01:10:58forse uccidermi.
01:11:00Ma non è vero.
01:11:02Non lo capisci?
01:11:04Lo hanno fatto altre volte, tu non lo sai.
01:11:06Ma loro si servono di te.
01:11:08Io non so per quale motivo lo facciano, Frank.
01:11:10Ma vogliono uccidermi.
01:11:12Frank, ascolta.
01:11:14Io ho bisogno del tuo aiuto.
01:11:16Tu solo puoi salvarmi.
01:11:18Ma...
01:11:20Che posso fare?
01:11:22Se sapessero che sono entrato qui, devo andarmi.
01:11:24Ascolta, Frank.
01:11:26Quell'uomo, quello che mi ha drogato e mi ha portato qui,
01:11:28perché l'ha fatto?
01:11:30Non lo so.
01:11:32Te lo dico io perché l'ha fatto, per uccidermi.
01:11:34Perché è un pazzo.
01:11:36E non è solo lui il pazzo, ma tutti.
01:11:38Anche tua madre.
01:11:40Vogliono uccidermi, ma non lo capisci?
01:11:42Non dovrei essere qui.
01:11:44Ora vado.
01:11:46Tieni, qualcosa da metterti addosso.
01:12:00Ok, ci vediamo lì. Corri.
01:12:02Taxi!
01:12:04Ehi!
01:12:30Ehi!
01:12:32Ehi!
01:12:34Ehi!
01:12:36Ehi!
01:12:38Ehi!
01:12:40Ehi!
01:12:42Ehi!
01:12:44Ehi!
01:12:46Ehi!
01:12:48Ehi!
01:12:50Ehi!
01:12:52Ehi!
01:12:54Ehi!
01:12:56Ehi!
01:12:58Ehi!
01:13:00Ehi!
01:13:02Ehi!
01:13:04Ehi!
01:13:06Ehi!
01:13:08Ehi!
01:13:10Ehi!
01:13:12Ehi!
01:13:14Ehi!
01:13:16Ehi!
01:13:18Ehi!
01:13:20Ehi!
01:13:22Ehi!
01:13:24Ehi!
01:13:26Ehi!
01:13:28Ehi!
01:13:30Ehi!
01:13:32Ehi!
01:13:34Ehi!
01:13:36Ehi!
01:13:38Ehi!
01:13:40Ehi!
01:13:42Ehi!
01:13:44Ehi!
01:13:46Ehi!
01:13:48Ehi!
01:13:50Ehi!
01:13:52Ehi!
01:13:54Ehi!
01:13:56Ehi!
01:13:58Ehi!
01:14:00Ehi!
01:14:02Ehi!
01:14:04Ehi!
01:14:06Ehi!
01:14:08Ehi!
01:14:10Ehi!
01:14:12Ehi!
01:14:14Ehi!
01:14:16Ehi!
01:14:18Ehi!
01:14:20Ehi!
01:14:22Ehi!
01:14:24Ehi!
01:14:26Ehi!
01:14:28Ehi!
01:14:30Ehi!
01:14:32Ehi!
01:14:34Ehi!
01:14:36Ehi!
01:14:38Ehi!
01:14:40Ehi!
01:14:42Ehi!
01:14:44Ehi!
01:14:46Ehi!
01:14:48Ehi!
01:14:50I'm sorry.
01:15:16Bitch!
01:15:18No!
01:15:19You're an adult.
01:15:21No! No!
01:15:24Bitch!
01:15:26Only through pain can I purify you.
01:15:36Get dressed.
01:15:39And get ready.
01:15:42It's your time.
01:15:50Frank!
01:15:51Go to the other side, up the stairs.
01:15:53Hurry!
01:15:57He won't go far, Frank.
01:16:19Frank!
01:16:49Frank!
01:17:10Frank!
01:17:16No!
01:17:19No!
01:17:31Let's go, son.
01:17:49No!
01:18:04Yes.
01:18:05Yes, it's true.
01:18:06I've made a mistake.
01:18:12No!
01:18:14Forgive me.
01:18:15Forgive me.
01:18:19There is no forgiveness.
01:18:20There is only expiation.
01:18:23We will purify you.
01:18:25No!
01:18:26No!
01:18:27No!
01:18:28No!
01:18:29No!
01:18:35No!
01:18:36Don't hurt me!
01:18:39Don't beg for mercy.
01:18:40Repent instead.
01:18:42Repent, you whore.
01:18:44Repent!
01:18:46Repent!
01:18:47No, you can't!
01:18:48You can't!
01:18:49Repent!
01:18:50You can't do it!
01:18:51It's absurd!
01:18:53No, you can't!
01:18:54Now you will atone for your sin.
01:19:19No!
01:19:26What do you want?
01:19:48No!
01:20:19Another sinner must pay his dues.
01:20:22Now let's call our guest to respond to his crimes.
01:20:34Let's go, Margaret.
01:20:36You had better stop that air of false innocence.
01:20:40It's an absurd claim.
01:20:44Come on, Margaret.
01:20:45Don't think of running away from your punishment. It's too late for you.
01:20:49But you are crazy. Don't you realize what you are doing to me?
01:20:53I'm not crazy. I'm not crazy.
01:20:57I'm not crazy. I'm not crazy.
01:21:01I'm not crazy. I'm not crazy.
01:21:05I'm not crazy. I'm not crazy.
01:21:09I'm not crazy.
01:21:13But you are crazy. Don't you realize?
01:21:17Don't you realize that at this point it's over for you?
01:21:21It's too late, Margaret.
01:21:23It's too late for you. Who lives among the flames will die among the flames.
01:21:27It's not written like that, maybe.
01:21:29Shut up.
01:21:31Since you talked about flames, I'll make you happy.
01:21:34Prepare to pay for your arrogance.
01:21:36I have to pay, as his son, his dear Frank, paid.
01:21:40It was his fault. He was punished.
01:21:43Frank.
01:21:45Yes, his kindness was unbearable for you, wasn't it?
01:21:49Frank. What does he have to do with it?
01:21:53He's dead, Mrs. Grenta. He died horribly.
01:21:58He had to. He betrayed us.
01:22:01No. My son, no.
01:22:04He wanted it.
01:22:10No.
01:22:16Thank God, Margaret.
01:22:18Come on, hurry up, untie me.
01:22:20Right away.
01:22:24Here it is, Margaret.
01:22:27Let's get out of here, quick.
01:22:40Stop.
01:22:58Stop.
01:23:10Stop.
01:23:40Stop.
01:24:10Stop.
01:24:12Stop.
01:24:22The nightmare is over.
01:24:24Jack, take this to me.
01:24:26Slave.
01:24:27You're not a nice man.
01:24:30The police gave us back our passports and we can go.
01:24:33You take us to the hotel. We want to take a walk.
01:24:35Okay. Bye, old man.
01:24:37Bye.
01:24:38Bye, Margaret.
01:24:40Did you see the sign they put up?
01:24:42Yes. Closed for repairs.
01:24:45Dinner tonight at my house, okay?
01:24:48Bye.
01:24:49Bye.
01:25:08Bye.
01:25:09Bye.
01:26:08Bye.