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00:00Iñigo didn't do it with malice. He was just wrong.
00:08And if he was wrong, shouldn't you forgive him?
00:14I don't know if I can, Clarita. It hurt me a lot that he doubted me.
00:20Well, you're the older sister. You'll know what to do. But I don't want you to be sad.
00:27Of course not. But for that I have my little sister to cheer me up.
00:32Don't worry about me. I'll tell you how things are going. And together we'll solve it.
00:39Do you agree? I agree.
00:42Very good. And now tell me something to cheer me up.
00:46I'm very happy. I have a new friend.
00:51Come on, what's her name?
00:52Lara. She's very, very nice. And she tells me very funny things. We have a lot of fun together.
00:59That's great. That's great that you have a new friend. I haven't seen you smile like that in a long time.
01:06We've been through a lot. But when I'm with Lara, I forget almost everything.
01:13How lucky that a new girl has come to your class.
01:16Yes. Yes, very lucky, right?
01:21What you just told me makes me very happy. See how good we are together?
01:27Oh, my little thing.
01:31Come on, let's go to a ball.
01:33Let's see. And this house, what? Where are you going to put the piano?
01:39We can put it here, look.
01:42Like this.
01:45Is it recovering?
01:47Little by little.
01:50Oh, my God, what a fright.
01:52Poor thing.
01:54It must have been a very big scare. It's been a while and she's still shaking.
01:59Oh, yes. Have you ever been attacked? It's terrible.
02:06Here you go. Be careful, it's very hot. It's a double-sided tape.
02:12Thank you. I hope it covers a little.
02:15A little.
02:19Everything happened so fast that I can hardly tell what happened.
02:24The thief pushed me and I could hardly defend myself.
02:29Did he steal a lot from you?
02:33He couldn't steal much from me. I barely had any coins.
02:38The worst thing is that they stole a silver medal from me with the name of our son.
02:43I had a lot of affection for him and I have carried it with me all these years as my only treasure.
02:52The medal of Giancarlo.
02:56The medal of Giancarlo. Do you know how important it was to me?
03:01You gave it to me the day he was born. You made them engrave his name. Do you remember?
03:10Of course I remember.
03:13It was the happiest day of my life.
03:18It was a silver medal with a virgin and her child on one side and our son's name on the other.
03:26It was just a few grams of silver, but for me it was the most valuable thing in the world.
03:34It cost me a couple of days of work.
03:36And a good time of conversation for them to engrave Giancarlo's name on me at that very moment.
03:42It was a beautiful thing for you.
03:47As much as you have kept it all this time.
03:56The truth is that when they stole it from me, I didn't know what to do.
04:02The truth is that when they stole it from me, I went to the Mount of Piety to beg for it.
04:09And why? You loved him, didn't you?
04:13Yes, but I wanted to have some money to thank you for everything you are doing for me.
04:21You don't have to worry. Here we are. For everything you need.
04:28I think we shouldn't keep complaining.
04:32I mean, the best thing would be to go to the police, to be part of the robbery,
04:36and with a little luck they have found Caco and the matter is settled.
04:42The truth is that I don't feel like going anywhere.
04:47What I need the most is a little peace and quiet.
04:52Of course, of course. We'll let him recover.
04:55We'll let him recover. Let's go, Pietro. We'll let him rest.
05:01Pietro, could you stay a little longer with me?
05:10I'll leave you. Thanks.
05:26I'm getting more and more tired of spending our dead hours in this confinement.
05:32And it's getting harder and harder for me to find excuses to get rid of the service.
05:38The servants around are starting to ask for as many days off as we give them here in this house.
05:44We are promoting a revolution.
05:49In the end they are going to take it for a Bolshevik.
05:52In the end they are going to take it for a Bolshevik.
05:56It's not to take it for a joke. The situation is being unsustainable.
06:00You have to think about what country you want to travel to.
06:06I've always liked Argentina.
06:09A long boat trip will do you good to get some fresh air after your confinement.
06:14That's why I prefer to go to the mountains.
06:16Today, Switzerland is ideal.
06:19I know a hotel in Lausanne that you'll love.
06:23Although it's much better if you go to South America.
06:26Mother, stop beating around the bush. Tell me, what are you up to?
06:30Can you imagine?
06:32I've taken out the train and boat tickets.
06:35You're leaving this house in five days.
06:38I see you're not wasting time.
06:40The situation is not to be taken lightly.
06:42You'll take a train to Lisbon and from there a boat that will take you to America.
06:47You'll be able to start a new life with the identity you choose and in the country you like.
06:53I'm surprised how far he's able to go.
06:56Think about it. We have no other option.
06:59Well, it's easy to say when you're not the one who has to leave your house and pack your bags.
07:05I didn't expect him to do all this behind my back, really.
07:08It hurts me to hear you say that when I've been telling you for so long that you can't delay your departure.
07:14Yes, that's true.
07:16But in the end, it's a decision that only belongs to me.
07:19No, it belongs to both of us.
07:21Because if they end up arresting you, you'll drag me with you.
07:25Not necessarily.
07:27Have you forgotten Fabio's threats?
07:30No, mother. I remember them perfectly.
07:33Well, doesn't it seem so?
07:35To judge by the innumerable exits to the street you keep making.
07:39As Fabio ends up discovering you, don't hesitate to go to the police.
07:43I know perfectly well the risk I'm taking.
07:45The risk we're taking.
07:47Well, the risk we're both taking. Whatever you want to call it.
07:51The thing is, I still can't go anywhere.
07:56Not until I finish a matter. A personal matter.
07:59I'm more and more certain that you're lying to me.
08:02And that you're going back to the charge against Matilde.
08:04No, that's not true.
08:06It's something else.
08:08I can't believe you.
08:11Well, if you're so sure that I'm not being honest, ask Fabio.
08:16Have him investigate with Íñigo to see if something has happened in the environment of that wretch.
08:21And he'll see that he can only tell him that everything is calm.
08:24I don't care what Fabio finds out.
08:28In five days, you take a train to Lisbon.
08:32For better or for worse.
08:35Oh, and you have 40 minutes to get back to work.
08:39Take advantage of it however you want.
08:58Thank you very much for your visit.
09:00It's the least I could do. Don Fermín told me everything.
09:03Thank you very much.
09:05How are you?
09:07Perfectly, if it weren't for the elf I have in here that is hammering my head.
09:12From what I understand, no relevant injury has been noticed in the medical recognition.
09:17Nothing. I think that in a few days I will be completely recovered.
09:21If you need anything, please, don't hesitate to ask me.
09:25Thank you very much, Íñigo.
09:26But the truth is that Inés and Laura are taking care of me as if I were the queen of Saba.
09:31Not at all.
09:33The doctor has prescribed him a rest and he will not move from here until he is fully recovered.
09:37Inés, I don't want you to disobey your obligations.
09:40But I can work from here, calling the clients and my uncle.
09:45If it is thanks to the phone, the day will come when everyone can work from home.
09:50Well, for that you will have to spend a lot of time.
09:53Businessmen like to see their employees work.
09:56And well, I think the future will be darker than that.
09:59You just have to go out to the street to check it.
10:04Íñigo, is something wrong?
10:08No, no, no. The thing is that I have a lot of problems at work, you know.
10:14And speaking of work, I have to go to Madrid.
10:17I have a meeting with some suppliers.
10:20The party we organized was useful, huh?
10:22Well, yes, the shooting was forgotten.
10:25And besides, yesterday we had a very good night. Nobody wanted to leave.
10:28I'm glad to hear that.
10:30Thank you very much. Yesterday we had the best night since the reopening.
10:34I have thought that we could have more parties like that.
10:38To cheer up a little more in Madrid Cabaret.
10:40Count on me for the next one.
10:42Yes, yes, I think we can do it when he recovers, obviously.
10:45That would be very good for the business and for me too.
10:48So as not to think about those problems.
10:52Well, we'll talk about that.
10:57How did it go? Have you left your mother quiet at home?
11:00No, she didn't want to stay.
11:02Well, we're ready. With that woman loose, anything can happen.
11:05Don't worry, because I convinced her to go for a walk in the Retiro.
11:10And then she's going to see some pictures in the Prado.
11:12And then to the Gran Villa, if she's there, I told her to go have a codfish on Calle Tetuar.
11:16Come on, she's going to be entertained all day.
11:19And when she gets home, she won't have the energy to open her mouth.
11:22I don't think it's going to be like that.
11:24Yes, love, this plan can tire anyone.
11:28I'm telling you no. She's coming in through the door.
11:31What?
11:34Look who I found.
11:36Well, I was serving a table on the terrace and suddenly I saw Leonora approaching.
11:41And she looked at Elías.
11:43Please, don't be so fulfilled that I'm going to rummage.
11:45Let's see, there's no lack of truth, woman.
11:47Seeing you arrive is like seeing spring come.
11:49The waiter is as kind as Elías.
11:51I'm not surprised that this tea room has such a good reputation.
11:54Well, here we are at your service and we are delighted to be able to help you.
11:58And attend to her.
12:00Well, thank you very much, Elías.
12:02Mother, what are you doing here? I was meeting the girls.
12:06Yes, but I have changed my plans.
12:08I have decided to come to see my daughter and my son-in-law.
12:10Your son-in-law? Son-in-law?
12:12I call him son-in-law because in a short time I have taken a lot of affection from him.
12:15And so I am used to when they get married.
12:18Fastidious.
12:20You are not the only one who is beautiful.
12:22You are as foresighted as the camera.
12:24Yes, yes, I always like to go first.
12:26Have you bought the dinner for the three of us?
12:28For both, both, both.
12:30You eat for two and I for one.
12:32A total of three.
12:34Well, yes, yes, I'm going right now.
12:36Excuse me, Mrs. Lenora.
12:38I have to go.
12:40Should I call the duty?
12:42Run, run, don't let them call your attention because of me.
12:44No, a pleasure.
12:46Bye.
12:48Really?
12:50Oh, my daughter, how happy, how lucky you are to work in a place like this.
12:55How dare you come here?
12:57Oh, well, I was looking forward to taking an infusion in such an elegant place.
13:02In addition, the Prado Museum, daughter, let me know.
13:04How boring.
13:06There are only paintings.
13:08Well, mother, you could have thought of another place.
13:10In the end, they will find out that we are married, and I'm pregnant.
13:13She has to leave as soon as possible and without talking to anyone.
13:15Oh, but why?
13:17If you have already seen how well I have come out when I called you yesterday, right?
13:19Well ...
13:21Leonora, if you are not in a hurry and you want to wait for me at my break time,
13:27if you want, we could take a walk in the gallery and show you the surroundings.
13:32Well, and I'll tell you a series of curiosities that very few people know.
13:36Oh, well, what an illusion, it seems to me a divine idea.
13:39Well, look.
13:41Well, said and done.
13:43I accompany you to your table.
13:46Come on.
13:48Are you seeing the same thing I'm seeing or is it a nightmare?
13:52It is not.
13:54It is happening.
13:56Yes.
13:58Yes, don't worry, Mr. Sanz.
14:00My uncle will receive you next Thursday at 11.
14:02Yes.
14:05Very good.
14:07Very good.
14:09Goodbye.
14:11Goodbye.
14:13How is your voice today?
14:15Better than yesterday?
14:17Well, more or less the same, the truth.
14:20Are you still doing gargles with the oregano infusions?
14:23Yes, but it's useless.
14:25I have decided not to return to the specialist that Mrs. Juánez recommended to me.
14:29How?
14:31Inés, please, if she has given you her contacts because she thinks you are a good specialist.
14:35Yes, but I don't trust her as much.
14:37Going to the specialist's consultation seems like a waste of time and money to me.
14:41Inés, I think you are a little lost in this matter.
14:45Yes, I'm desperate.
14:49I'm disappointing so many people that ...
14:52Don't be so hard.
14:54You have to be patient.
14:56You're not going to fix this overnight, much less alone.
14:59So, please, rethink leaving the specialist.
15:04No, what I have to do is continue with my work and that's it.
15:07Well, go, go to work, I can stay alone.
15:10You can't organize everything from here.
15:13Well, the truth is that I have to talk to my uncle and I never pick up on the phone.
15:19But you promise me that you are not going to move from here.
15:22I promise you.
15:24I'm not going to move a finger.
15:26Don't lie to me.
15:28Go, calm down, really.
15:31I just want to rest.
15:34I just want to rest.
15:47Come on, Antonia, hurry up, I'm sure Esperanza is already looking for me.
15:51Don't worry, I've already talked to her, I told her you were with me and she gave us five minutes.
15:55I need to talk to you.
15:58How can we help you?
16:05Did you see anything strange in Lucia after the robbery?
16:09No, the woman was hot, crying and excited.
16:14But well, like anyone who would have been scared like that.
16:17I see.
16:18And did she call Pietro?
16:20Yes, she called him for help.
16:22He was very nervous.
16:24Don't you think she was exaggerating a little?
16:27I don't think so.
16:28A scare like that is not fake.
16:29Come on, I thought she was stuck there.
16:32And if there are no more questions, I'm leaving.
16:34Miguel must already be thinking that I'm cheating.
16:36Yes, if you didn't see anything strange, I don't have anything else to ask you.
16:38Thank you very much.
16:46What is this interrogation for, Antonia?
16:48What is it about?
16:49About that woman?
16:51I don't trust anything about her, Marta.
16:54Neither her nor anything that can tell us what happened to her.
16:57You wouldn't believe it's a robbery story.
16:59I don't believe it.
17:00Look, when she came to you, she was going to give you a heart attack.
17:02Well, I'm not saying anything,
17:03but she's been told to steal Marra's little medal.
17:06I don't know what good it can do to make you want to do the only thing you have.
17:09Oh, well, if that's what it's for,
17:11so that Pietro remembers everything they've lived together,
17:13everything he loved.
17:14The thing came out cheap, huh?
17:16I don't know, Antonia.
17:17You have to have a very twisted fang, Lucia,
17:19to make up such a lie.
17:21Or not.
17:22This happened just when I told him I was going to fight
17:25for what I have with Pietro, with nails and teeth.
17:27It's no coincidence, Marta.
17:28It's no coincidence.
17:30Well, let's see.
17:31Now that you mention it,
17:32Pietro tears up every time he remembers that little medal.
17:36Well, she's already told me three times the story
17:38of how she went to buy it when her boy was born.
17:41Well, and now that she says she's so scared,
17:43they didn't separate, not even with hot water, from her.
17:47Man, seen like this,
17:49it may seem like a scam, yes.
17:51I'm convinced, Marta.
17:52And more and more.
17:55And what is she going to do?
17:56Well, since she's a little careless, Lucia beats Pietro.
17:58Yeah, I don't see any plan.
18:00Well, she'll have to think of something.
18:01Well, she's going to improvise, huh?
18:02And what is she going to improvise?
18:04If I knew what I was going to improvise,
18:05it wouldn't be improvisation, Marta,
18:06which has a few things.
18:07The only thing I'm telling you
18:08is that I'm not going to give her any of this land.
18:10I'm going to have her more watched
18:11than the gold of the Bank of Spain.
18:13Come on, let's go.
18:14The vampire is waiting for us.
18:20Well, with Mr. Sanz's meeting on Thursday,
18:22he has the whole agenda.
18:24My God, I know I'm just a hotelier.
18:27What will the agenda of the President of the Republic be like?
18:31Well, I'm sure he has more free time than you.
18:35Don Fermín, would you have a moment for me?
18:38For you, Agustín, I have all the moments I need.
18:41Come in, please.
18:44Look, I was talking to the other businessmen in the gallery.
18:47We all agree with you
18:49that the only reason I would explain
18:50that Mrs. Bárbara has rejected the purchase offer
18:53is that she is waiting for a counteroffer from us.
18:55Well, of course.
18:56She will try to express everything she can to her tenants.
18:59But we have to remain cautious and safe.
19:03I completely agree.
19:06How are you feeling?
19:08Have you regained your voice?
19:11Well, I'm recovering little by little.
19:12It doesn't make sense for you to lie to Inés.
19:14Tell her the truth.
19:15Tell her that you are sinking more and more
19:18and that you can't find a solution to this problem of yours.
19:20Is that true?
19:24Let's see if this can change things.
19:29I have been in contact with Mrs. Juánez.
19:32She told me that she would be willing
19:34to hold a telephone conference from Paris with you
19:38to deal with the issue of her throat.
19:40That's news, Inés.
19:42I'm sure that woman will get you out of the well you're getting into.
19:45I would even be willing to book a few hours
19:48to see her personally on her next trip to Madrid.
19:54What's going on?
19:56Are you upset because she took the initiative?
19:59Because if that's the case, I'm really sorry.
20:01No, I'm not upset.
20:02Well, I'm very happy.
20:04Because if I've acted like this, it's because of the affection I feel towards you
20:07and also because of my own interest.
20:09But what interest could I have in a singer without a voice?
20:12I know a lot about you.
20:14I know how to perfectly recognize the person who is going to become a star.
20:17Listen to him, Inés.
20:18Agustín has been in this business for a long time.
20:21He knows what he's saying.
20:22Have faith.
20:24I know you can show the world everything that's worth it.
20:26I promise you.
20:28I really feel overwhelmed with so many emotions.
20:31And I'm not exaggerating.
20:33Your recovery depends on you.
20:38I hope I don't disappoint you.
20:40No, no, I'm sure you don't, darling.
20:42But you have more hopes in me than I do.
20:46And I can't guarantee anything.
20:49I don't care about that.
20:50Agustín, there's a function waiting for you.
20:54If you'll excuse me, I have to go and take care of some things.
21:04Agustín, I have to thank you for everything you're doing for my niece.
21:07Everything.
21:08You don't have to thank me.
21:09I really do it with pleasure.
21:10The only thing is...
21:12I'm worried that I'm putting too much pressure on her.
21:14No, no, I don't think so.
21:15That pressure might even be good for her.
21:18Now, the most important thing is that she doesn't give up.
21:25And ask me for ten bottles of bleach.
21:27To be able to clean the services.
21:29They run out in one breath.
21:31If it wasn't because of the poison, I would say that someone drinks the bottles.
21:36Sorry to tell you, Teresa.
21:38But if I have to wait for you to make the order,
21:40I'm going to have to disinfect the toilets with soda.
21:44Excuse me, I've lost my mind.
21:46I have a lot of things on my mind.
21:49Let's see.
21:50If you want, I'll look at what's needed and I'll bring you the list later.
21:55Ah, perfect.
21:56Perfect, yes.
21:57The only thing is that it's not silk.
21:58Then they tell us that we spend a lot.
22:00I'll ask for the right amount.
22:01But you can't be stingy when it comes to cleaning.
22:03That's like asking a bricklayer to put a few bricks on a wall.
22:07It can't be.
22:09Yes, yes, yes.
22:14Are you absent?
22:19I spoke to Maria Cristina.
22:26And did she tell you everything she knows about Mrs. Lázara?
22:29Well, I had to practically kneel down and beg.
22:32But in the end she realized that this was very important to me
22:35and that I needed to know the story.
22:37So yes, she spoke.
22:40And the story has substance.
22:41And the story has substance.
22:44A lot.
22:45Come.
22:56Well, let's see.
22:58According to Maria Cristina,
22:59Mrs. Lázara was the most insufferable and untreatable in charge
23:03that has passed through the Madrid-Paris warehouses.
23:05I don't miss her at all.
23:07Well, you won't be surprised that she was the bosses' favorite
23:10because she made the employees work to exhaustion.
23:14At the moment, nothing new for us.
23:16Well, hold on, there are curves coming.
23:19It turns out that everything went wrong for Mrs. Lázara
23:21when one of the employees who were in charge had a very serious accident.
23:27And is it Mrs. Lázara's fault for the accident?
23:30It turns out that Mrs. Lázara asked one of the employees
23:33to dispose of the waste of the day,
23:35throwing them in the boiler of the warehouses.
23:38And of course, as the girl was a little thing,
23:40she was exhausted because Mrs. Lázara forced her to double a lot of shifts,
23:44well, when she went to throw them out,
23:47do you know what happened?
23:48She fell into the boiler.
23:51She fell into the boiler?
23:54Well, yes.
23:55On her head.
23:58The employees were concerned,
24:00but little by little they began to point out to Mrs. Lázara
24:02as the culprit of this incident.
24:06And it was such a big scandal that they finally fired Mrs. Lázara.
24:11They should have denounced her for being the only one responsible for this accident.
24:14Well, yes, but they didn't.
24:17Of course, María Cristina cannot understand that this woman
24:19is now again in a position of responsibility with people in her place.
24:23And less in a hall as important as this one.
24:27I am not surprised that she had her head elsewhere.
24:29What a tricky story.
24:32Look, I honestly believe it.
24:34But I also think we should talk to more people about this.
24:37Yes, yes.
24:38This afternoon I will go through the warehouses
24:40to see what is being said out there about the matter.
24:42I just hope that the story is not as serious as that woman has told you.
24:47Because if it is,
24:49and Mrs. Lázara is so dangerous,
24:52you can get out of it and uncover this matter, Teresa.
24:56I see.
24:59Well, it's a risk I'll have to take.
25:04Bye.
25:18I came to invite you to the cinema.
25:21It seems a lie that being the owner I don't know what.
25:23It's closed and there is no session today.
25:25Well, it's closed to the public,
25:28but not for us.
25:30Are you inviting me to a private session?
25:33I got a copy of The Blue Angel,
25:35Marlene Dietrich's latest film.
25:37I'm sure she will love it.
25:39They have never put a film for me
25:41and I would love to see it, but...
25:44I can't today.
25:49But your plans are so important that you can't change them for another day.
25:55Really, I would love to, but no.
25:58I can't change them.
25:59Then I guess we'll have to postpone the cinema and...
26:03Yes, I'm sure she doesn't mind.
26:05Yes, yes, no, no, no.
26:06I understand perfectly well that there are conversations that cannot be postponed.
26:11I myself have had a very important conversation with her sister today.
26:18Did she tell you about Mrs. Juánez?
26:19Just that, yes.
26:21And what? How did she take it?
26:23Well, on the one hand, I think she felt grateful for the interest I was showing her,
26:28but on the other hand, I think she felt that I was pressuring her.
26:32Well, it's okay. Sometimes my sister needs a push.
26:36That's what her uncle said, that he was present while we were having the conversation.
26:41However, I have my doubts.
26:44Don't worry, I'll be watching to see how it fits.
26:48Okay. Well, I'll let her keep working.
26:52Wait, we'll leave the cinema for another day.
26:55Count on it.
26:57Anyway, now you focus on the conversation with Celia.
27:00I imagine it's because of Germany, right?
27:02Yes, yes. That's why.
27:05I don't want to lose her.
27:06She's my best friend, but she chooses what she chooses.
27:09I won't have anything to object to.
27:12Good luck.
27:22Look, I had to make the list myself to order the cleaning products.
27:26Teresa has always been in charge of that, but today she was like in Bavia.
27:30She didn't even listen to me.
27:31Come on, more or less like you.
27:34You're on my side like the one who listens to Llobet.
27:37Oh, sorry, sorry. What were you saying? Let's see.
27:40Nothing, it wouldn't be of great interest either.
27:42It's just that today no one listens to me.
27:46I'm dead. I'm a soul in pain.
27:48And I didn't even realize it.
27:50I'm sorry, Esperanza.
27:51I'm sorry, there are so many problems at work that I'm going crazy.
27:55And you'll have a big problem.
27:57You'll run out of wrapping paper.
27:59Well, I'm sorry, but that would be a problem.
28:02Each job has its secrets, its difficulties.
28:05But you're only dedicated to cleaning.
28:08Well, you didn't get an engineering degree either, let's say.
28:11Hey, aren't you going to set up a scene in the living room?
28:14What's going on?
28:15I don't know what's wrong with Trini.
28:17And besides, since she doesn't listen to me, I also lack respect.
28:20Don't worry, I'll talk to her later.
28:22You could stop by the reservation to take a look.
28:24We have clients later.
28:25And if she were a teacher?
28:34But how dare you poke Esperanza like that?
28:36It seems a lie that you don't know her.
28:37I'm sorry, I'm sorry.
28:38It's just that since Elias and my mother have gone for a walk, I've been...
28:42They haven't come back yet?
28:43No.
28:44And every second that passes, it's an opportunity for my mother to step in and discover the cake.
28:49And on top of that, I've been left alone with this issue.
28:51Because Miguel has gone there to guard the bookshop.
28:54I'm here more alone than ever.
28:55Could you help me?
28:56I don't know how.
28:58Well, when my mother and Elias come, please help me separate them.
29:03Trini, I already told you that this was going to go from bad to worse.
29:07That the ball of lies you've gotten yourself into won't stop growing.
29:11And in the end, it's going to take you down.
29:13I need help.
29:15Not arguments.
29:17Well, count on my help, because Chaparrón is coming.
29:20Sweetie.
29:22How are you?
29:23Oh, look what I bought.
29:25They're ducklings.
29:27No, no, no.
29:28But, but, but, mother.
29:29Why, why did you buy that?
29:33Because it's normal.
29:34So that the newlyweds don't get cold feet.
29:37Well, there's no newlyweds here.
29:40And there won't be, as far as I know.
29:42No, no, not that I know.
29:44But they're for a friend of mine from Fuencarral who got pregnant.
29:48Ah, of course, of course.
29:49Let's see what a detailer you are, Mrs. Eleonora.
29:51Well, I've had a very good guide who has taken me to very shabby shops.
29:55You're worth the same for a seamstress as for a broken one.
29:58Well, it would be worth it to organize weddings, if they let me.
30:01Yes, it's a shame that my daughter doesn't need it, since she's already married.
30:04But, but, what are you saying, mother?
30:06That I'm married?
30:07Well, that you don't need it,
30:09because since she already has everything so well prepared, right?
30:12It's as if she were already married.
30:14The house is full of children.
30:16Well, maybe a little hurry, Eleonora.
30:18Because they haven't even gone on a honeymoon yet.
30:20No, but meeting my Trini, the day I least thought about it, I'm already a grandmother.
30:26Elias, your break seems to be turning into a vacation.
30:30You have a couple of tables on the terrace to attend to.
30:32Ah, I'm flying, boss.
30:34See you soon, Elias. Thank you for everything.
30:36What, what, what? See you soon?
30:38Yes, because we agreed to meet again.
30:40If you don't mind.
30:41Well, thank you.
30:42No, shut up. No, it's not a problem.
30:44I'd love to go for a walk together again.
30:46It's a shame that I have to leave so soon.
30:48Shall I walk you to the door?
30:51I don't know which one of you wants to see each other the most.
30:54I'd say your mother.
30:55Look, it doesn't matter.
30:56I mean, whatever it is, I'm sunk.
31:03I already have the tickets for my daughter.
31:05She already knows that in five days she has to take a train to Lisbon.
31:10I don't know what to do.
31:12I don't know what to do.
31:14I don't know what to do.
31:16I don't know what to do.
31:18I think I'll take a train to Lisbon and from there I'll take a boat to take her to America.
31:23Very good. The sooner the better.
31:26But she's not easily digesting it. She already knows her.
31:29Yes, I'm getting to know her quite well.
31:33Even too well.
31:36That's why I hope she's aware that her departure is not negotiable.
31:39She's going to leave, yes or yes.
31:41Even if it's by force.
31:42I'm willing to put her in a trunk if necessary.
31:45There's no need to go that far.
31:47I hope she comes to her senses first.
31:50Whether she likes it or not, she knows it's the only way out she has.
31:55I suppose that since I asked her, she hasn't left this house again.
31:59Of course not.
32:00She must have looked around a couple of times, but I guarantee you that she hasn't left this room.
32:05I believe you, I believe you.
32:06For what I know, she has left Matilde alone.
32:09Before, she used my word.
32:12How much have things changed between us?
32:15Barbara, it can't be otherwise after what happened.
32:20I'm sorry I lied to you about Carla's fake death.
32:23But there was no other way out.
32:26I've felt very bad since then.
32:30Betrayed in the most profound way.
32:32I never thought you could do something like that to me.
32:36It's a shame that our relationship doesn't make any sense anymore.
32:45I feel it with all my soul.
32:49My affection for you made me feel like dying every time I had to lie to you.
32:55You could have told me the truth.
32:57And you would have understood it.
33:00A mother is forced to do anything to protect her daughter.
33:05And that's why I was forced to lie to you, despite what I feel for you.
33:10I wish we could go back, right?
33:13And erase these last few months.
33:16Fabio, I don't want to lose you.
33:21My lies, all they wanted was to protect you.
33:26If you knew the truth from the beginning, we would have involved you as an accomplice.
33:31And that couldn't happen.
33:34The last thing I wanted was to ruin your career as a politician and diplomat.
33:40I don't doubt it, Barbara. I don't doubt it.
33:43I don't doubt that you will work with the best of your intentions.
33:46But in our relationship, sincerity should have always prevailed.
33:54If at some point we could live a situation similar to the one before,
34:00I swear it would be like that.
34:04Although today all this is just a chimera.
34:08Who knows?
34:10No.
34:12Who knows what the future holds for us.
34:18As long as this matter is over and Carla is finally far away from here.
34:33No, Marta, leave that, it's not dry yet. I'll come for it later.
34:40I wanted to apologize for not giving you back the snail that Salvita gave you.
34:44There's no way Clarita will let go of it.
34:47Don't worry, she can stay as long as she wants.
34:50Yes, you always hear the same thing, Omar.
34:53Well, Clarita has it bewitched.
34:56Among other things, the doll house is very entertaining.
34:59Well, that's the important thing, that the girl is comfortable.
35:04It was a detail that the son of the bookseller would give you, right?
35:08Yes, yes, he was very attentive.
35:11Too much to be a simple friend.
35:14Well, maybe it's something else.
35:18But one more spark, don't believe it.
35:22Come on, you like the boy.
35:26Yes, well, I'm very comfortable with him.
35:29And that we are very different, but ...
35:32Well, enjoy it while you're okay with him.
35:36And I also wanted to thank you for welcoming us to your house.
35:40You're welcome.
35:41Antonia and I are very happy that you are both here.
35:44Besides, Antonia is good at distracting herself.
35:47Since Lucia arrived, she has her head full.
35:49Poor thing, she is desperate for that woman to return to her land.
35:53Although I imagine that Pietro will also be having a very bad time.
35:56After all, she is the mother of his son.
35:58And she doesn't stop reminding him.
36:00And since the robbery, even more.
36:02She's trying all day to get Pietro's attention and he doesn't deny it.
36:07I hope this doesn't end badly like other times.
36:12Well, I guess you want to talk about another topic.
36:15I'm sorry.
36:16No, don't worry.
36:17Keep in mind that the one who made the decision to separate me was me.
36:23Matilde, I don't like to see you like this.
36:26Marta is very painful, but I couldn't do anything else.
36:29Íñigo had to believe me about Brígida.
36:31And I did what I had to do.
36:33And I'm fine with the decision I made.
36:37You can fool someone else, but not me.
36:39Tell me the truth, Ana.
36:42It's okay.
36:43It's no use fooling yourself.
36:46It's being a harder breakup than I thought.
36:50I had to talk to him today to book a table at the Madrid Cabaret
36:54for some members of a convention that I'm organizing.
36:57And I almost start crying in the middle of the conversation.
37:01That's because you still love him.
37:04I haven't stopped loving him.
37:06I still love that man with all my soul.
37:09Well, you'll have to do something, Matilde.
37:12Either you come back or you bury yourself in the middle.
37:16I'd rather do the second thing.
37:19I'm considering going to Jerez with Pablo and my aunt Concha.
37:24If you go, you'll miss them a lot.
37:27All of them.
37:30Well, we'll see.
37:32For now, we're fine here.
37:34Clarita is very happy.
37:35She has a new friend.
37:37I was playing with her today and she's very happy again.
37:40At least half of the sisters are okay.
37:53Yes.
37:59Excuse me.
38:01I was told you wanted to see me.
38:03Yes, come in.
38:05Come in.
38:07Did I do something wrong?
38:10Of course not.
38:12Mrs. Laza, first of all,
38:15I wanted to see you to propose something to you.
38:18It's obvious that between us,
38:21between you and me,
38:23a certain trust has arisen.
38:25And I think it wouldn't hurt if we took care of each other.
38:31I think it's good.
38:33But I'd appreciate it if we did it in private.
38:36As you like. As we like.
38:38As you like.
38:42Well, I think it's better this way.
38:44And I think I could lose some authority
38:47if you take care of me in front of the employees.
38:50Excuse me.
38:52If you take care of me in front of the employees.
38:55It's going to be hard for us to get used to so much trust, right?
38:59I don't think so.
39:01Is there anything else you want to tell me, Fermín?
39:05Yes.
39:07Yes, I also wanted to ask you to come back.
39:09I wanted to ask you to come back.
39:11I also want to ask you to come back to the theater with me.
39:17I've been given two tickets for Rafael Alberti's play,
39:21Fermín Galán.
39:23A very appropriate title.
39:25Maybe they're talking about you.
39:28What things do you have, ma'am?
39:32Nothing.
39:33Nothing.
39:37Well, I don't know.
39:39Maybe we're going too fast.
39:42I mean, first the tutoring and then making plans on our own.
39:47People are very bad-intentioned and maybe there's gossip.
39:51I don't care about that.
39:54But if you feel more comfortable,
39:57I will not insist on the theater again.
40:00Although I remind you that we have a pending excursion.
40:04Well, one thing is a family excursion with your nieces
40:09and another very different thing is starting to have dates alone.
40:14As you feel more comfortable.
40:21Hello, uncle.
40:23I came to visit him, but I see that I am not very opportune.
40:27Yes, it is opportune.
40:29I want to ask you a question.
40:31Do you see any inconvenience in Mrs. Lázara and I
40:36going back to the theater together?
40:40I wouldn't know how to tell her.
40:43I imagine there will be someone who doesn't like it,
40:45that she is accompanied by an employee.
40:47So I would avoid it.
40:51What a bummer.
40:53I was expecting another answer from you, Laurita.
40:56I really don't care what they say.
40:58But well, if you both see it so clearly
41:01and you see that it is the best, then nothing.
41:03I forget about the theater for later.
41:06No, no.
41:08I mean, if he wants to go to the theater so much,
41:10then the two of us could avoid the gossip
41:13in case there are any.
41:15Of course.
41:17And we can enjoy the function, what do you think?
41:19I think it's perfect.
41:21I'll go get her to go to the theater.
41:23Phenomenal.
41:25If you'll excuse me.
41:28Bye.
41:35Hello, my love.
41:46And those shoes?
41:48A gift from my mother.
41:50Come on, what a detail.
41:52But it's a bit early, isn't it?
41:54No, I don't say it for that.
41:56I say it because I wanted to show you
41:58that I was accompanied by Elias.
42:00But then Elias has realized that you are pregnant?
42:04No, no, I don't think so.
42:06Because between the fact that he is involved with my mother
42:08and that my mother has been able to react in time
42:11and has said that it was for his friend,
42:13I think he is still in the inopia.
42:15But my love, why do you do these things?
42:17Is it out of spite or to piss us off?
42:19I think both.
42:21A little bit.
42:23And now where is he?
42:25Well, he has gone for a walk.
42:26Why have we argued?
42:28Because I have reproached him for accepting a date
42:30with a stranger.
42:32Come on, he has gone out of there.
42:34My love, it is not that it is only risky for us.
42:37I also find it inappropriate for a lady like her
42:42this thing of dating anyone.
42:45Not even if anyone is Elias.
42:47Well, thinking about it,
42:49that's the worst,
42:51neither more nor less than with Elias.
42:53That's what I told him.
42:54And he has told me that he does not take him seriously
42:57and that he does not see that there is anything wrong
42:59in following him a little bit.
43:01Well, if so, the Russian is not so terrible either.
43:04No? Well, I would not say the same.
43:06Because Elias looks at my mother
43:08as he looks at a couple of sheets of cream from Pietro.
43:11Well, if your mother gives him a game,
43:13even if it's a little bit, he will want more.
43:15Of course.
43:17If they spend a lot of time together,
43:19Elias will end up discovering everything.
43:21As this gets complicated,
43:22they will discover us, they will fire us
43:24and you will end up calling Elias father.
43:27No, no, no, before dead, I swear.
43:29Don't say that.
43:31We have to get out of this one well.
43:34Even if it's just because of the little thing
43:37that is growing up here.
43:39Well, tell me, what do we do?
43:41Well, convince your mother
43:43to go back to Fuencarral.
43:45Until the day of the baptism.
43:47Or not, better, until the day of the First Communion.
43:49Ah.
43:50And you, what are you going to do in the meantime?
43:52Well, I'm going to try to keep Elias away from your mother.
43:54Even if I have to push him away with a stick.
43:56It's not going to be easy.
43:58They could be roses, right?
44:21Hello.
44:23Hello.
44:25How was your day?
44:27Do you feel better?
44:29I don't know.
44:31I try to cheer up,
44:33but every time I think about what happened,
44:35my whole body trembles
44:37and I'm not even able to get out of the chair.
44:40I've given you a dessert.
44:42Here you go.
44:44Now I'm going to prepare dinner.
44:47Although I don't know if I'm going to be able to have a bite.
44:50It will be the first time
44:52that you're not going to eat mine,
44:54your favorite dish.
44:56Do you still remember what I like to eat?
44:58Of course I remember.
45:00I remember many things.
45:02It's just that I don't like to see you like this.
45:05And I would like to be happier, Pietro.
45:07But, I don't know,
45:09since I came back from America,
45:11I don't know,
45:13I don't know,
45:14I don't know,
45:16since I came back from America,
45:18I don't know, I'm getting worse.
45:20It's as if fate was determined
45:22to show me that there is no place for me.
45:25Don't say that.
45:27I'm very happy that you're here,
45:29now,
45:31that I can help you
45:33after your return,
45:35that you're alive.
45:37You're very good to me.
45:39It's the least I can do.
45:41Soon we'll have all the consulate papers
45:45and you'll be able to return to Italy.
45:53I'm sorry about the little medal.
45:56Having it with me was like
45:58having part of my son by my side.
46:01Do you remember
46:03how beautiful it was?
46:05Of course I remember.
46:10Blond.
46:13And with curls.
46:15Like me.
46:21Yes, it had
46:23the face of an angel,
46:25but only the face,
46:27because it was a good piece,
46:29a scuñitzo.
46:31Yes, like when
46:33he hid in an empty storehouse
46:35and the whole town spent hours looking for him
46:37thinking he was lost.
46:38To find him later
46:40peacefully asleep.
46:42And when we told him
46:44what he was doing there,
46:46he said, no,
46:48he was taking a nap.
46:50Yes, and do you remember
46:52when my mother said
46:54that she had a snake in the pantry
46:56that ate all the chocolate?
46:58And the worst thing is that your mother believed it.
47:00Until she discovered it
47:02with her friends,
47:04eating an entire tablet.
47:06Come in, come in.
47:14Hello.
47:16I'm glad you're recovered.
47:18You can hear the laughter all over the patio.
47:20Well, you wouldn't believe it,
47:22I'm just a little better.
47:24Well, you were laughing hard.
47:26Yes, we were counting
47:28Giancarlo's laughter when he was little.
47:30Family nonsense.
47:32And this was unimportant, Antonio.
47:33Well, I'd like to hear it.
47:35I also want to laugh.
47:50I brought you clothes
47:52and things from your house.
47:56I was already needing them.
48:03How are you?
48:06Bored.
48:08I see.
48:11We have a conversation pending.
48:16I wanted to apologize
48:18for everything I said to you
48:20before being overwhelmed by those people.
48:22No.
48:24We both said things we shouldn't have.
48:27I'm sorry I called you selfish.
48:30I wasn't right either
48:32when I said you weren't happy for me
48:34because you liked Agustín.
48:37Don't worry,
48:39but it's not true.
48:41So,
48:43we both forgive each other?
48:46I don't want to spend
48:48another minute angry with you.
48:50Besides, I understand perfectly
48:52that you'll be stunned
48:54when I told you I was thinking
48:56of going to Germany.
48:57It was a cold shower, yes.
49:00But...
49:02Felia,
49:04to be honest,
49:06I wasn't very surprised either.
49:08You've been acting
49:10very strange with me for a few days.
49:12What's wrong with you?
49:14I know you want to go to Germany
49:16for some other reason.
49:18What are you talking about?
49:20I don't understand.
49:22Felia, please.
49:24I know you well enough
49:25to know there's something
49:27you don't want to tell me.
49:30Or I can't.
49:32But why?
49:34Don't you trust me?
49:38Blindly.
49:40Tell me, whatever it is.
49:42I'm begging you.
49:49I love you, Laura.
49:52I love you with all my heart.
49:55I love you.
50:25I love you.
50:56If Inigo isn't for me,
50:58he won't be for anyone.
51:02You don't know how much I've wanted
51:04to pull the trigger.
51:12I think Mrs. Bárbara
51:14shouldn't be trusted.
51:16Mr. Fermin defends
51:18that all this is a strategy
51:20to later sell
51:22above the market price.
51:23If this is the case,
51:25that means we're laughing
51:27at all the businessmen in the gallery.
51:29I've told you,
51:31if you want to hit on that woman,
51:33it's best to imagine
51:35the worst possible scenario.
51:37I'll keep that in mind.
51:39What a stroke of luck!
51:41Instead of displeasure,
51:43it's joy.
51:45And now the trouble
51:47with the wedding.
51:49You can tell Miguel loves her.
51:51And the wedding was great.
51:54According to the investigation,
51:56they took it as an accident.
51:58Maria Cristina
52:00didn't tell me the same thing.
52:02I don't think her testimony
52:04has much value.
52:06Since Mrs. Lázara fired her,
52:08she's sworn it.
52:10Anyone would take it as revenge.
52:12Trini told me you went out
52:14with my future mother-in-law.
52:16This can't be.
52:18What happened?
52:20Of course it happened.
52:21I forbid you
52:23from courting my future mother-in-law.
52:26What's with you and Trini?
52:28I'll tell you something.
52:30The cops can't be fooled.
52:32Who were you talking to?
52:34An Italian consulate official.
52:36I can't get married again.
52:38If I do,
52:40I'd be committing a crime.
52:42A crime?
52:44A bigamy crime.
52:46Mrs. Bárbara,
52:48your representative,
52:50will be back.
52:52Just for now.
52:54Just for now.
52:56I hope Mrs. Bárbara
52:58changes her mind.
53:00Otherwise,
53:02we'll be forced to use
53:04our right to question and retract.
53:06Antonio is a relative of ours
53:08who understands I accept
53:10because a man can't be alone.
53:12But I'm back, Pietro.
53:14I'm back.
53:16Maybe now it's time
53:17to start.
53:20Mr. Fermin,
53:22can I ask you a question?
53:24Ask away.
53:26What are you and me
53:28exactly
53:30sitting here?
53:32Or I'll put it another way.
53:34What have we been doing
53:36at the theater together?
53:40I constantly dream
53:42of kissing you
53:44and hugging you
53:46and never letting you go.
53:49Never.
53:52I'm completely in love with you.
54:00See you never,
54:02girl.
54:04No, no, no.
54:06No, please, no.
54:08No, no, no.
54:15No, no, no.