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00:00So, I'm going to the factory.
00:19Yes, I was thinking of stopping by the store before going to the office.
00:23Well, then we'll talk.
00:26No, tell me. I have a couple of minutes.
00:29If you have a couple of minutes, that's enough.
00:32The truth is, I don't know.
00:33Well, try to see. You have a minute and a half left.
00:38Before, I talked to my father and I found him a bit strange.
00:42If by strange you mean ashamed and guilty,
00:45I think it's fair for him to feel that way.
00:48Yes, and a bit melancholic.
00:50Melancholic.
00:53We were talking about when we went on an excursion with our mother to the mountains of Toledo.
00:59I don't remember that anymore.
01:01Or maybe I'm trying to erase all the memories in which Father seemed like a normal father.
01:06Those were very happy times.
01:09It's called childhood, Andrés.
01:11Yes, I guess.
01:12Our family has never been so united since then.
01:14No, and Jesus and Father will take care of that.
01:17Totally.
01:20So?
01:22I'm fully aware of what they've done.
01:25And I'm the first one to condemn them.
01:28But?
01:30Well, I...
01:32I can't help feeling pity for them.
01:34And I'm very angry because they don't deserve it.
01:38It's good that you feel compassion for them.
01:41That's what sets us apart.
01:43But pity, not pity, Andrés.
01:45Because they don't deserve it.
01:48It's the first time I've seen him aware of his mistakes.
01:51It's normal for him to realize.
01:53Because for a while now, all of them have come to light.
01:57Each one of them.
01:59I see.
02:01The point is that he mentions you as an example of having made a mistake.
02:06Me?
02:07Yes, and when he wanted to ask you what he meant, he didn't want to give details.
02:12It's as if he didn't want to talk about it.
02:14I see.
02:15Well...
02:17And I see that you don't want to talk about it either.
02:23Well, Marta, I won't bother you anymore.
02:25Two minutes have passed. Don't worry.
02:27No, Andrés. Wait.
02:29It's ridiculous for Jesús, the person who can hurt me the most in the world, to know.
02:34And for you not to know.
02:38Marta, you're scaring me.
02:41The truth is that if you don't want to tell me something, don't worry.
02:46I'm going to tell you because I love you.
02:50And because with Jaime I learned that sharing confidences with someone you know who also loves you
02:56is good.
02:59I hope I'm up to it.
03:03I don't even know how to start.
03:08You see, I'm not the person you think I am.
03:13What does that mean?
03:15I don't understand, Marta.
03:17That I've fallen in love with a woman.
03:20And she's in love with me.
03:31Espartito, can you get me a coffee?
03:42Is something wrong, Espart?
03:44I can tell you're a bit on edge.
03:47Well, more than on edge,
03:49I'm thinking about Dolores and I'm sick of her.
03:53Oh, the newspaper ad?
03:56Don't worry, man. Do you know how many letters she received?
03:59She'll need time to read them all.
04:01No, no, but she already answered me and everything.
04:03What do you mean she answered you?
04:05Yes, come on.
04:06Like I have the letter here.
04:08But, and what does it say? Well, can I see it?
04:11Yes.
04:13Yes, I've read it so many times.
04:15I could even recite it to you from memory.
04:17Let's see.
04:23Espart, please, but she's telling you beautiful things.
04:26I especially like this part,
04:29that you've made me fly with my imagination to your corner.
04:32I see, I see.
04:36I've never made anyone fly,
04:38but not with my imagination, not without my imagination,
04:41nothing, come on.
04:43Congratulations, Gaspar.
04:46Boy, cheer up, she answered you.
04:49Yes, that's the problem, Fina, that's the problem.
04:52After reading the letter, I think I've gone a little too far
04:56and I think I've messed up.
04:59Why? What have you done?
05:03Have you written to her again?
05:04I sent her another letter yesterday.
05:06Well, it's okay. What did you write to her?
05:10I... between the nerves and the rush, well...
05:15I think I've gone too far.
05:18How far?
05:20A lot, Fina.
05:22A lot.
05:24I asked Tassio for advice and let's say he gave me wings.
05:28Come on, he insisted that I ask for his phone number,
05:32that he send me a recent photograph of him,
05:34come on, and all those things.
05:37I never imagined that you...
05:40Anyway, that...
05:42Well, it came up.
05:44I wasn't looking for it, I assure you.
05:48That's why I feel that it's...
05:50that it's a real love.
05:55For God's sake, tell me something, you're killing me with the silence.
05:59I admit that I have a lot of questions to ask you,
06:03but I'm going to sum it up in one.
06:08Are you happy with her?
06:10I've never been so happy in my life.
06:13Then there's nothing more to talk about.
06:16It's time for you to answer those questions that I have.
06:23Thank you for trusting me.
06:26You have all my support.
06:30You know that I'm a great defender of forbidden loves.
06:34In fact...
06:35In fact, you preach with the example.
06:41Marta, there's something else.
06:43Maybe I'm being imprudent, but...
06:47I know her.
06:51Of course you know her.
06:56It's Serafina Valero.
06:59Nuestra Afina.
07:01For God's sake.
07:05With how sensitive and observant you are, you hadn't noticed.
07:08I'm sorry, but your description exceeds my sensibility.
07:14Well, the forbidden is forbidden for a reason.
07:16We can't blow the four winds as we'd like.
07:21I see.
07:25Come here.
07:28Come here.
07:34What a big heart you have.
07:37What would I do in this family without you?
07:46A picture, Gaspar?
07:48What a bad taste.
07:50When would you ask Tassio's Gagnan for advice?
07:53Well, ex-Gagnan, who is now married and transformed.
07:56Yes, a lord Timeless.
07:58Well, you can't deny that you know what's going on.
08:02He's had more girlfriends.
08:04What's wrong with him?
08:06Maybe, but he hasn't met any of them by letter.
08:09Well, he wrote a beautiful letter to Carmen.
08:12And he helped me with the letters to Sonsoles.
08:16He's a poet.
08:17All you have to do is look him in the face.
08:19He's a troublemaker, Gaspar.
08:21He's a Don Juan who works well at short distances.
08:26But a relationship by letter is very different.
08:29And what do you know about these things?
08:31What do you know?
08:34Well, I know more than you think, Gaspar.
08:37I'm sure this woman wanted a little more mystery.
08:43Seduction.
08:45A little slow fire.
08:47Well, if it's still slow fire,
08:49I'm going to end up retired, alone,
08:51and with a lot of letters in the drawer.
08:53Gaspar, stop, please. Don't be so exaggerated.
08:55I don't want that, Fina.
08:57I want a love now, now.
08:59I can't wait another year.
09:00Yes, but you could have waited a couple of weeks.
09:03Do you know how many idiots have written him letters?
09:07And I'm sure your first letter
09:09was one of the few that had reached his soul.
09:12You think?
09:13Well, of course.
09:15And this second one...
09:17After reading it,
09:19I'm sure he sent it straight to the blacklist.
09:22He's pissed off with all the letters.
09:24Come on, I've never said better.
09:27I don't know.
09:29Should I put a candle on Santa Rita?
09:31No, no, no, no.
09:32You better put a cross on Tassio,
09:34because with sentimental issues, it's a zero on the left.
09:37Come on, what?
09:39Go to 12.
09:41When the need presses, Fina...
09:44it presses.
09:47Of course.
09:52Don Pedro.
09:53Good afternoon, Lord.
09:55Are you visiting the colony?
09:56Well, I came to see my son,
09:57but today he's too busy to see me, so I'm leaving.
10:00I have the car waiting at the door.
10:01Is it true that great news that you have been hired here again?
10:04Yes.
10:05As you should know,
10:06the dispensation of your sanctity has arrived much earlier than expected.
10:08Yes, it seems so.
10:09I understand that for you and Mrs. Inés,
10:11Mateo's resignation was not a good thing.
10:14It wasn't for you either.
10:15But once you've made the decision,
10:16it's best to do it as soon as possible, don't you think?
10:18Well, yes.
10:19And it must be said that the Lord loses a model servant,
10:21but wins a marriage that is loved, despite everything.
10:23Despite everything.
10:24A very elegant way of referring to an illegitimate child.
10:27Claudia is a good girl, and very devoted, by the way.
10:29But unfortunately, she will have to carry the stigma of doubt all her life.
10:32Here, everyone will have to carry their own.
10:35Otherwise, they will ask my wife,
10:36who is still troubled by the matter.
10:38Where it seems that they have not had so many doubts,
10:40has been in the Vatican.
10:41Isn't it strange that they have been so diligent and fast?
10:44Strange? I don't know.
10:45You will know better than me.
10:46No, I confirm it.
10:47A papal dispensation is never resolved in a few weeks,
10:49as has been the case.
10:50Could it be that Mateo has a guardian angel who protects him?
10:53It could be.
10:54Or in more prosaic terms,
10:55perhaps that guardian angel is from this world,
10:58and has interceded for him in the offices of the archbishop?
11:01Are you referring to a kind of godfather?
11:03Exactly.
11:04You're not hiding something from me, are you?
11:07Why has your good name come to my ears
11:09in Toledo's diocese?
11:11Well, you flatter me.
11:13My influence there is minimal.
11:14Well, especially with the primate cardinal,
11:16who is the one who could have accelerated the procedures in the last instance.
11:19I don't understand.
11:20However, I know, for Mateo,
11:23that you have had a certain friendship with the cardinal.
11:26Well, we have met once in some beneficial act,
11:28and we maintain a good relationship,
11:30but I don't call it friendship.
11:31Sometimes, cordial relationships are more fruitful
11:35than intense friendships.
11:36That's true.
11:37It shows that you are a great connoisseur of the human soul.
11:40Yes, and I also know what a father is capable of
11:42to help his children.
11:43Let's see, let's not confuse things.
11:46One thing is to bring up a certain subject,
11:49in front of the appropriate instances,
11:51and another, very different,
11:53to demand a certain treatment of favor.
11:55The latter would never be done by a gentleman of your class.
11:58I see that you have understood it perfectly.
12:01Let's leave it at that,
12:02that it has been the work of an unknown guardian angel,
12:05or of providence, Father.
12:06Remember, the ways of the Lord are inscrutable.
12:09Amen, son, amen.
12:10Amen.
12:20So, you assure me that during the time that Julia was there,
12:23she didn't have nightmares, nor did she ever wet the bed?
12:28Yes, Sir Perpetua, I understand that the girl
12:30didn't want to participate in all the activities
12:32and that she wasn't very talkative in China,
12:34but I think it's normal,
12:35given the circumstances, don't you think?
12:38Well, anyway, that's what I wanted to know.
12:41Thank you, thank you, goodbye.
12:45Ready to go to the cinema?
12:47Yes, yes, I guess so.
12:48Who were you talking to?
12:50With the director of the Burgos boarding school.
12:52It's just that Luz recommended that I call both centers
12:54to ask if Julia had also had
12:56some kind of neurosis there.
12:58Neurosis?
12:59She has sepsis in bed, sorry.
13:01And what did they tell you?
13:02That no, that she didn't wet the bed for a single day.
13:05And Luz doesn't know why I'm going to pass that on to her.
13:08No, well, Luz thinks it's likely that all that anger
13:12has caused her a big emotional fracture
13:14and that having sepsis is just a symptom of her discomfort.
13:18But now they've told me in both centers
13:20that she didn't have any episodes,
13:22so I don't understand it.
13:24I don't know why it happens to her just when she comes back.
13:26Maybe her nerves are here again.
13:28Nothing else.
13:29I have the feeling that we have tried to protect the girl
13:32from everything that was happening in this house,
13:34but Julia is not stupid.
13:36She is very moved by how little she is.
13:39I am very happy that she is at home,
13:42but I can't stop thinking that Jesus is also here.
13:46And that doesn't reassure me.
13:48I understand, but we are here with her.
13:52And we can protect her from him at all times.
13:55You know that Jesus is a manipulator.
13:57You know that.
14:00Let's do one thing.
14:02Let's give her time to see how it evolves.
14:05Maybe what happened this afternoon is a specific episode
14:08and it won't happen again.
14:12In fact, the only certainty we have is that right now
14:16she is waiting for us in the garden, playing in the sea of happiness.
14:19Really?
14:21Yes, and wait until she is among us with a giant cartridge of plushies.
14:25You will see.
14:29What are you going to do at the cinema with the girl?
14:31I just found her in the garden.
14:34Don't you realize the scandal that is supposed to come together?
14:45Hi, Claudia. Do you want an infusion?
14:47No, thanks. But I have to go back to the store.
14:50Well, sit down.
14:56Did something happen to you, doctor?
14:58No, nothing.
15:00I just remembered that I have a procedure to do later at the dispensary.
15:04But come on, tell me.
15:06What did you have to tell me so urgently?
15:09Well, you know that the works of the Kunal house
15:11are right in front of the store.
15:13Yes, and they have already told me that you pass every two minutes.
15:16Any day they will make you angry.
15:18The truth is that I can't help it.
15:20But what I came to tell you is that today,
15:22before going to work, I passed by there
15:24and the housekeeper told me
15:26that he has started to lift the floor
15:28and is in a much worse state than I thought
15:30and that he is going to need help.
15:32Well, let's see how it works out.
15:34Because we don't have a penny more in the budget.
15:36Well, that's what I told him.
15:38But he told me that either we give him an assistant
15:40or that he leaves the work.
15:42It's not true.
15:43Well, yes, as I tell you.
15:45He says he has a work in Junclillo or something like that
15:48and that he can't be with us on Monday.
15:51Oh, my God.
15:52This is a disaster.
15:53The project of the housekeeper is screwed.
15:55I'm telling you.
15:57Well, I have to go back to the store,
15:59but I came to tell you that if you want,
16:01when I leave work, we can go there
16:03to try to convince him.
16:05Don't worry, we'll think of something.
16:07Well, I'm leaving
16:09and I'm also going to think if something happens to me.
16:12See you later, doctor.
16:13See you later.
16:15Hi, Alberto.
16:18Come on, Father.
16:20Pegoña is his mother and I am his uncle.
16:23What are people going to think?
16:25That the girl is going to Carabino or something like that?
16:27Well, they can think that and much worse things.
16:29He's exaggerating.
16:31And you are playing with fire.
16:33But why? I don't understand.
16:35I'm sorry, but you know I'm not making anything up.
16:37And if they see you together with the girl,
16:39people will think badly and rightly.
16:41That's absurd.
16:43It's not a good idea, Andrés.
16:45Period.
16:46Mr. Damián, I understand your concerns.
16:48I really do.
16:50Well, make my son's big head
16:52understand them too.
16:59I'm fed up with him.
17:01Who does he think he is to go around
17:03giving moral lessons?
17:05Andrés, deep down he's right.
17:07What do you mean he's right?
17:09It's not a good idea for us to see each other
17:11in the cinema together.
17:12There are scruples and I don't want to expose
17:14the girl to an uncomfortable situation.
17:16Begoña, I don't think it's that bad.
17:18Never underestimate people's malediction.
17:20Andrés, it's better if you go alone.
17:22No, not even talking.
17:24If the three of us can't go,
17:26I'll sacrifice myself.
17:28But that's not fair, it was your plan.
17:30And the girl is dying to be with you and you with her.
17:32Begoña, not more than you.
17:34Besides, Julia needs you now more than ever.
17:36I agree.
17:40I'll apologize to her
17:42and I'll put her to bed tonight
17:44so she can tell me about the movie.
17:54Good afternoon, Doctor.
17:56Good afternoon, Alberto.
17:58Move that shoulder.
18:00Good, good, thank you.
18:02Sorry, but I couldn't help but listen
18:04to your conversation.
18:06Well, I'd like to lend you a hand.
18:08Well, if you're not indiscreet
18:10I'd like to ask you how.
18:12I don't know if you know what the project
18:14of the Cuna House is about.
18:16Yes, but I see the workers in the square
18:18and I hear what they say at the loading dock
18:20and also what you said.
18:22And, well, if they need an albanil.
18:24And what have you heard out there?
18:26What do the people of the Cuna House think?
18:28Well, there are opinions for everything.
18:30There are people who are very in favor
18:32and people who say that mothers
18:34should be with their children.
18:36And what do you think?
18:38The Cuna House is a very nice project
18:40because it will allow mothers
18:42to take care of their children.
18:44So, if they need an albanil...
18:46By chance,
18:48I don't know any of you,
18:50whether you're good or fast,
18:52and, above all, cheap.
18:54Well, it's not to boast,
18:56but you have it in front of you.
18:58You?
19:00Yes, I've been an albanil,
19:02I've been a carpenter, a welder,
19:04even a plumber.
19:06So, if they need an albanil,
19:08I'm available for whatever they need.
19:10Are you sure?
19:12Look, you're going to have to work very hard
19:14for a few days for a miserable salary.
19:16Oh, no, well, if that's the case,
19:18then there's no way.
19:20I'm sorry.
19:22I'm sorry.
19:24We don't have a budget for more,
19:26but thank you very much.
19:28Doctor, doctor,
19:30what I wanted to say is that
19:32either I do it for free or I don't.
19:34I want to put my little grain of sand
19:36in that beautiful project of the Cunard house.
19:38Really?
19:40I don't know what to say.
19:44I'm very glad
19:46that there are still men as supportive as you.
19:50Well, when I finish my shift,
19:52I'll get organized with the other albanil.
19:54Thank you very much.
19:56You're welcome.
20:14Hello, daughter.
20:20You don't have to leave
20:22every time I enter a room where you are.
20:24That's not why they called me.
20:26Wait.
20:28They're in a hurry.
20:30They can wait. I have to show you something.
20:32I hope it's important
20:34and strictly related to the company.
20:36If not, I'd rather you kept me out of it.
20:38It's not strictly professional,
20:40but I think it's worth making an exception.
20:42What is it about?
20:44What do you think?
20:50I haven't seen this photo in a thousand years.
20:52Where did you get it?
20:54It was in a book.
20:58Do you remember where I put it?
21:00Of course I do.
21:04Of course I remember.
21:06How could I not?
21:08In your favorite corner of the world,
21:10as you used to say.
21:12Andrés had already told me
21:14that you were nostalgic.
21:16It was strange that Mother didn't take us
21:18for a walk in those mountains on Saturday.
21:20You left in the morning
21:22and didn't come back until the sun set.
21:24I couldn't always go with you,
21:26but the times I spent with you
21:28remain in my memory
21:30like a treasure.
21:32That day,
21:34you did come with us.
21:36I remember it.
21:38There was a huge flash of light
21:40at first,
21:42but then a bright sun came out.
21:44That same sun
21:46could come out again for you.
21:48And in those same mountains.
21:50What is this about?
21:52Do you know Germán Hidalgo?
21:54The real estate agent?
21:56Yes, the real estate agent.
21:58I asked him
22:00to take a look
22:02in that area
22:04and he found what he was looking for.
22:06And what were you looking for?
22:08A small house, not very big,
22:10with a garden, with a view of the mountains,
22:12and it also has two very good things.
22:14Do you want to know what they are?
22:16The first one is that,
22:18despite being in the countryside,
22:20it is very well communicated with Toledo.
22:22And the second one?
22:24The third one is that it is far enough
22:26so that no one bothers you.
22:28Did you buy that house?
22:30Not yet, because I'm waiting for your answer.
22:34My answer?
22:36If you want it, the house is yours.
22:40What is this about?
22:42What do they want?
22:44They want to buy me?
22:46They want to buy my love and forgive me
22:48based on money?
22:50I don't know how to do things any other way, Father.
22:52I'm not forcing you to do anything.
22:54I'm just giving you the opportunity
22:56to have your own house in the countryside,
22:58away from the bustle of the factory
23:00so that you can share it with
23:02whoever you want.
23:06You know full well
23:08that the only person I would share that house with
23:10is Confina.
23:12He would still be willing to buy it from us.
23:16I reaffirm what I have told you.
23:18So that you can share it with whoever you want.
23:23He wants to keep me away.
23:25That's it, isn't it?
23:27Keep me away from people's eyes
23:29and suspicions.
23:32You can keep thinking badly of me,
23:34whatever you want.
23:36Maybe I've earned it,
23:38but this gift is from the bottom of my heart.
23:42Germán has told me
23:44that I have a couple of days to decide.
23:46To decide on you, in this case.
23:48So when you finish throwing all your anger at me,
23:50think about you,
23:52about yourselves,
23:54and give me an answer.
24:21Good afternoon, Mrs. Marta.
24:23Confina.
24:25What's wrong? You seem very serious.
24:27Well, more than serious,
24:29I think I'm confused,
24:31to put it that way.
24:33Why? What happened?
24:35That I've been talking to my father.
24:37With your father? About what?
24:39Didn't you make it clear that you only wanted to
24:41talk to him about work matters?
24:43Yes, well, he made me an offer
24:45that has nothing to do with work,
24:47to be honest.
24:50An offer?
24:52Marta, my legs are shaking
24:54just thinking about it.
24:56He wants to buy me a house
24:58in the mountains of Toledo.
25:01A house in the mountains?
25:03Yes, a house with a garden.
25:05He says it's very close to here,
25:07but at the same time it's far away.
25:09Are you telling me that your father
25:11is trying to buy your affection
25:13in such an obvious way?
25:15I think the offer goes much further.
25:17Because he has told me
25:19that the house is for me to live
25:21with whoever I want.
25:23Well, it would be necessary
25:25to check who you invite and who you don't.
25:27You don't understand him.
25:36You don't understand him.
25:38He already knows
25:40that I would only live with you.
25:44Without conditions?
25:46Without conditions.
25:50Well,
25:52it's an advance, isn't it?
25:54An advance is a Copernican twist.
25:56He offers us a house
25:58so that you and I
26:00can finally be together.
26:02But then you have accepted.
26:04I've run out of words,
26:06I don't know.
26:08Yes, it's normal for you to run out of words.
26:10Knowing your father,
26:12that house could be a poisoned gift.
26:14I know.
26:16But I've seen him so affected by our distance
26:18and so sad
26:20that deep down I want to think
26:22that it's not a Machiavellian plan.
26:28What are you thinking about?
26:30Oh, Martha, forgive me.
26:32I was dreaming awake.
26:34Can you imagine the two of us
26:36living in a house in the mountains,
26:38far from everyone,
26:40you and me alone? Can you imagine?
26:42It's been a long time since I realized
26:44that this was never going to happen,
26:46that right now it's within my reach.
26:48I'm scared to death.
26:50Yes, it's the two of us.
26:52So what do I do?
26:54Do I accept?
26:56I don't know.
26:58It's your father, Martha, it's your decision.
27:00Because if I'm wrong,
27:02it might end up
27:04being one of his tricks.
27:06Yes, let's see,
27:08it could be.
27:10You know him better.
27:12I can only tell you
27:14that no matter what you decide,
27:16I'll be here
27:18to support you.
27:22Look,
27:24from 22 to 29,
27:26you have to pack them up for that poll.
27:28And the rest...
27:30No, the rest go to the loading dock.
27:32So, let's go, Ignacio.
27:40Well, Mr. Damián, what are you doing here?
27:42I was looking for you.
27:44The truth is that
27:46the conversation we had this morning...
27:48Really, Mr. Damián.
27:50I don't have a single complaint
27:52about my job.
27:54I'm very happy with it.
27:56Well, in that case,
27:58I can go now.
28:00But, Mr. Damián,
28:02you just arrived. How are you going to leave?
28:06Yes, because I don't think
28:08I can accept the offer I was going to make you.
28:10Especially considering
28:12that you're so comfortable
28:14in the place where you are now.
28:16Well, but you're going to leave me disgusted.
28:18You see, the person chosen
28:20to be in charge of the factory
28:22has finally decided
28:24to accept a job offer
28:26they've made for him in his hometown.
28:28Well, I didn't know.
28:30Anyway, Joaquín, well,
28:32Mr. Joaquín, sorry, you can be calm.
28:34I'll take care of the shifts and talk to the suppliers
28:36until I find someone else.
28:38I'm going to have to tell you everything again.
28:40What?
28:42That we've already found that person
28:44and that I have it in front of me.
28:48Me, in charge?
28:50Well,
28:52if you're willing to do it, of course.
28:56What happens is that I didn't know
28:58that they were taking me into account for this position.
29:00The truth is that you were not
29:02on any board.
29:04And Tassio?
29:06Tassio what?
29:08Tassio is doing a very good job
29:10as your assistant, isn't he?
29:12Yes, and we value him,
29:14but not...
29:16But what?
29:18Tassio has been raised in this factory,
29:20as they say,
29:22no one will trust him more.
29:24Leave Tassio where he is,
29:26he's fine there.
29:28Well, I think it's a good solution.
29:30A patch solution.
29:32Father, that position is essential.
29:34We can't risk it just because
29:36we're in a hurry.
29:38Correct, I think it's worth waiting
29:40until I find the right person.
29:42And if you want, in the meantime,
29:44I can take care of everything.
29:46And what has changed?
29:48Well,
29:50the impetus and the desire I've seen this morning
29:52in the canteen have convinced me
29:54that you are the right person for this position.
29:56Well, thank you, Mr. Damián.
29:58And I assure you that I'm going to work
30:00to realize that I'm worth it.
30:02I take your word for it.
30:04I had a couple of ideas that I'd like to try.
30:06I'd like to change the shifts...
30:08Stop, stop, don't get carried away.
30:10For now, what we want from you is that you do things
30:12as they've been done so far.
30:14Later on,
30:16we'll have time to talk about those innovative ideas.
30:18Is that clear?
30:20Perfectly. I'll come up with them with Gaseosa.
30:22Exactly.
30:24For a while, Joaquín will teach you what you have to do
30:26and how you have to do it.
30:28Tassio,
30:30I've given you the impetus
30:32to get here,
30:34but from now on,
30:36you'll have to convince Joaquín
30:38and Marta
30:40that they were wrong about you.
30:42Mr. Damián, I won't let you down.
30:44And I assure you that I'm going to work to prove it.
30:46I hope so.
30:58I hope so.
31:06That hat was like a shower.
31:08He kept buttering the clock.
31:10Of course.
31:12Why do you think it's called the crazy hat?
31:14Julia!
31:16You look very excited.
31:18We went to the movies together
31:20to see Alice in Wonderland.
31:22I'm not going to ask you if you liked it
31:24because you can see it in your face.
31:26Did you like it?
31:28A lot.
31:30Have you seen it?
31:32No, not yet.
31:34Tell Uncle Andrés to take you to see it.
31:36He was going to come with us,
31:38but he couldn't.
31:40He had to go.
31:42Andrés was going to the movies?
31:44Yes.
31:46I didn't know anything.
31:48I asked him,
31:50but they took him from the factory
31:52and he had to run.
31:54Julia, why don't you go up and get changed?
31:56You have dinner with the Marinos tonight.
31:58Yes.
32:00Digna is going to pick me up
32:02and she's going to make me croquettes.
32:04And you have to go up and comb your hair
32:06and show up like a princess.
32:08But there's still a lot left for dinner.
32:10I can't rest for a while.
32:12Do you want us to look at the magazine together?
32:14You'll see how combed you are.
32:16Do you know who Gracia from Monaco is?
32:18A princess?
32:20Yes.
32:22But I want you up in 20 minutes.
32:24Don't you want to make Digna wait?
32:26No.
32:28Come with me.
32:38Let's see.
32:42Good afternoon.
32:44Good afternoon.
32:46Do you know where Marta is?
32:48She went out.
32:50I had some free time and I wanted to confirm it with you.
32:52Great.
32:54One is this afternoon at 7pm
32:56with the glass supplier of Aranjuez
32:58and the other is tomorrow at 10pm
33:00with the owner of the Rocha warehouses in Cuenca.
33:02Very good, Miriam.
33:04I wanted to meet Mr. Rocha to introduce myself
33:06but you've already done it.
33:08Well, that's also part of my job.
33:10Not just to fix my predecessor's mess.
33:12No, please.
33:14No more fires.
33:16We've had enough with the quarterly accounts.
33:36Is there anything else?
33:38Tell me.
33:40I have something for you.
33:42You'll see it's nothing special
33:44but after thinking about it
33:46it's very useful in your day to day.
33:50And this?
33:52Not now.
33:54I hope you like it.
34:00JM?
34:02Searching among the contacts of the factory
34:04I found the store in Toledo
34:06where the serigraphies are made.
34:08Of course.
34:10But after what happened the other day
34:12I don't know how to take it.
34:14And as a gesture of gratitude.
34:16Well, thank you very much.
34:18Besides, I know the gift isn't cheap.
34:20Well, don't worry about that.
34:22I've been appreciated.
34:24I'm glad.
34:26And I'm glad you liked it.
34:28And above all that things have been clarified
34:30between us.
34:32Well,
34:34there's still one thing to clarify.
34:36Tell me, Mr. Joaquin.
34:38Wait a moment.
34:44I can't accept your pen
34:46if you don't accept mine.
34:48You're right.
34:50It wouldn't be fair if I didn't accept it.
34:52Thank you very much, Mr. Joaquin.
34:54There's no need to thank me.
34:56I'm just asking you
34:58not to speak up for the company.
35:00I don't want the company
35:02to be affected.
35:04I don't want the company
35:06to be affected.
35:08I don't want the company
35:10to be affected.
35:12I don't want the rest of the workers
35:14to come and complain about me.
35:16Don't worry.
35:18We'll be discreet.
35:28What do you think?
35:30I love the color pearl.
35:32Yes, but it doesn't match
35:34that red hat.
35:36No? I think it's a bold combination.
35:38I don't know.
35:40I miss Alicia's hat.
35:46You know what I'd like?
35:48For us to do something together.
35:50You and me.
35:52I've missed you a lot lately.
35:54I've missed you a lot too, Maria.
35:56Come here.
35:58We can watch the new TV
36:00if you want.
36:02Yes.
36:04Or I can think of something else.
36:06I found out
36:08there's an exhibition of raptors in Toledo.
36:10Raptors?
36:12There'll be eagles, hawks,
36:14and even an owl.
36:16I love owls.
36:18Do you know who likes owls too?
36:20Who?
36:22Your uncle Andrés.
36:24We can tell him to come.
36:26He won't be able to say no this time.
36:28I'm sorry he can't come with us.
36:30That's a good idea,
36:32but your uncle has a lot of work lately.
36:34I'll convince him.
36:36He won't be able to say no this time.
36:38I'm sure he won't be able to say no to you.
36:50Come in, miss.
36:52You're at home.
36:56The last time I was here
36:58there weren't so many pictures.
37:00You're right.
37:02A lot has changed in this house
37:04since the last time you were here.
37:06My mother and you.
37:08And this one?
37:10It's Luis and Joaquín's dad, right?
37:12Ah, Gervasi.
37:14My husband.
37:16He and your grandfather founded the factory.
37:18I know.
37:20Uncle Andrés told me.
37:26And these are Joaquín and Gemita.
37:28That's right.
37:30And this one?
37:32He's your son who went to Brazil, right?
37:34Yes.
37:36My son, Valentín.
37:38He's so handsome.
37:40Handsome, nice,
37:42intelligent,
37:44and as seductive as you.
37:46One of those people who seduce
37:48just by walking in.
37:50I'd like to meet him one day.
37:52I'm afraid that won't be possible, my love.
37:56We found out he died a few months ago in Brazil.
37:58Dignified.
38:02I'm so sorry.
38:04It's okay, my love.
38:06Can I give you a hug?
38:08Of course.
38:10I'm telling you
38:14because of that idyll
38:16between Valentín and Clotilde
38:20a girl was born.
38:22A girl?
38:26A girl?
38:30No.
38:32It can't be.
38:34Julia is not Jesus' daughter
38:36but Valentín's.
38:38She's your granddaughter.
38:44She's my granddaughter?
38:46Yes.
38:52Julia is an Amerindian.
38:58I'm sure he's well-accompanied in heaven.
39:00My mother is there to take care of him.
39:02Of course.
39:04Now, help me
39:06to finish what's left.
39:08Have you made croquettes?
39:10Croquettes?
39:12I forgot.
39:14A bit of boiled cauliflower.
39:16Well, it doesn't matter.
39:18I also like cauliflower.
39:20Liar.
39:22It was a joke.
39:24I know. It doesn't smell like cauliflower.
39:28I made a kilo of croquettes
39:30and empanadillas.
39:32I hope you have enough.
39:34I can.
39:36I'm hungry.
39:38And for dessert,
39:40a surprise.
39:42Croquettes.
39:44Thank you, Dina. I love you.
39:46I wanted to bring you the croquettes
39:48from Toledo,
39:50but they were sold out.
39:52I couldn't go to see if they were ready.
39:54Don't worry, Dina.
39:56Croquettes are also delicious.
39:58They're delicious,
40:00but tomorrow you'll have the croquettes.
40:02I promise.
40:04Hi.
40:06Hi, Luis.
40:08I didn't know we had breakfast.
40:10Mmm.
40:12I missed you so much.
40:14I was dying to have dinner with you.
40:16I was dying to see you too.
40:18Yes, yes.
40:20To see us and eat croquettes.
40:22Well, that too.
40:24You're a smart girl.
40:26I'm going to finish. Gema and Joaquín are about to arrive.
40:28Sit down. You have to tell me a lot of things.
40:32Hey, did you make a new perfume
40:34while I was away?
40:36Of course.
40:38It's for you to smell.
40:40Let me see your wrist.
40:44Tell me what you think.
40:46I love it.
40:48It smells
40:50just like the roses in my garden.
40:52You guessed it at first.
40:54I'm thinking
40:56what if I make you a bottle
40:58and you take it home?
41:00Okay.
41:02What about you?
41:04How are you?
41:06I'm sorry.
41:08Well, Mr. Popa, you can tell that man knows what he's doing.
41:10And me too, when I associate with him.
41:12And Pedro doesn't associate with just anyone.
41:14I'm not just anyone.
41:16I'm his son.
41:18And I have it coming.
41:20I just hope you don't let him down.
41:22And that you don't get involved
41:24in something big.
41:26Don't worry. I'm not going to let him down.
41:28Nor him, nor you.
41:32Forget it.
41:34This isn't the company I was expecting
41:36when I asked you out for dinner.
41:38And who were you expecting?
41:40A vagabond serving you champagne?
41:42For God's sake, Santos.
41:44I won't be able to have my two children
41:46sitting at the same table as me, having dinner.
41:48Are you serious?
41:50And Andres?
41:52Where is he?
41:54Andres told me he couldn't come.
41:56He was very busy at the factory.
41:58By the way, I congratulate him
42:00for his good eye.
42:02He told me he's been in charge for less than two hours
42:04and he's told everyone about his promotion.
42:06That's normal.
42:08He's excited.
42:10Joaquin and I are too.
42:12He'll learn fast, I assure you.
42:14Hold on, hold on.
42:16I'm getting goosebumps.
42:18Tassio Garcia is the new factory manager?
42:20Uh-huh. I've made that decision.
42:22Unilateral.
42:24As usual.
42:26Is there a problem?
42:28Yes, many. And many types.
42:30Tassio has only been an assistant for a month,
42:32so it's a matter of time before I fire her.
42:34Good thing I'm no longer in charge of the business,
42:36because with decisions like that,
42:38you go straight to ruin.
42:40We'll have to see about that.
42:42Begoña and Julia are going down for dinner.
42:44If not, I'll be absent.
42:46Begoña is going down in a bit.
42:48Julia isn't, because she's gone to the Merino's house for dinner.
42:52What?
42:54Who does she think she is to take my daughter
42:56whenever she wants?
42:58She's part of your family,
43:00and she has the right to enjoy her daughter.
43:02Don't you have a limit?
43:04You're asking me that question?
43:06How dare you?
43:08Where are you going, Jesus?
43:10To get her out of there right now.
43:12The girl doesn't have to pay for it.
43:14The girl will have dinner here with me.
43:16Don't be ridiculous, Jesus.
43:18It's been a while since she left.
43:20They'll be finishing dinner.
43:22Do you want the girl to have dinner twice?
43:24Yes, she'll have dinner as many times as I say.
43:26When we were kids,
43:28we used to race on a bike
43:30through La Chupera.
43:32I was about 100 meters ahead of him.
43:34What's he talking about?
43:36You know why?
43:38Because he used to deflate my bike wheels.
43:40Who? Me?
43:42Of course.
43:44And he used to beat me up on the radio
43:46so I'd shut up.
43:48All thanks to his bad luck.
43:50My bad luck?
43:52I beat him with just one leg.
43:54Just one leg.
43:56Come on.
43:58I have a new bike.
44:00One day, the three of us can go through La Chupera.
44:02Sure, whenever you want.
44:04Yes, but watch out for him.
44:06He'll deflate your bike wheels.
44:08Poor guy.
44:10Do you want more nachos, honey?
44:12I'm full.
44:14Hey, family, I've got an idea.
44:16How about we play a word game?
44:18Yes.
44:20Take it out while I get it.
44:22What's that?
44:24I don't know how to play.
44:26We'll teach you.
44:28It's a really fun game.
44:30Sara gave it to us.
44:32Do you remember Sara?
44:34Yes, of course.
44:36She used to cook very well.
44:38And she also became my friend.
44:40Yes, a good friend.
44:42Look.
44:44You have to pick up the letters.
44:46Do you see these letters?
44:48Good night.
44:50What are you doing here?
44:52I'm looking for Julia.
44:54She has to go to bed soon.
44:56I told Begoña I'd take her after dinner.
44:58Haven't you finished yet?
45:00Excuse me.
45:02You have to put...
45:04You're already at the table.
45:06Hi, Daddy.
45:08I hope you had a good time,
45:10but we have to go home.
45:12You have to get up early tomorrow.
45:14But we're going to start a game.
45:16We'll take her when the game is over.
45:18It's up to you.
45:20Why don't we ask Julia?
45:22Darling,
45:24your father can take you home now.
45:26Or do you prefer to stay with us a little longer?
45:28Yes, let's go.
45:30Julia, get up, please.
45:34Come on, Daddy.
45:36Just one game and that's it.
45:38You can stay with us
45:40to play if you want.
45:42No, I can't stay.
45:44I have things to do.
45:46But I want you back home in half an hour.
45:48Is that clear?
45:50Yes.
45:52Thank you, Daddy.
45:54I'll walk you to the door.
45:58One more thing.
46:00I haven't told you this
46:02in the last conversation.
46:04Julia is my granddaughter.
46:06So she and I will see each other
46:08whenever we want.
46:10Get used to it.
46:16I'm going to show you all the letters
46:18that will save you.
46:20Don't choose them. I'm choosing them.
46:22What did you say?
46:24I'm going to crush them all.
46:26It's true.
46:28Mother.
46:30There were seven, right?