• last year
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00:08:35Thank you.
00:08:36Thank you.
00:08:37Come.
00:08:40Quiet.
00:08:41Quiet, please.
00:08:42Take your seat.
00:08:44Here, mother.
00:08:46What is this?
00:08:47This is my first salary.
00:08:48Oh.
00:08:49Give me your blessings.
00:08:51May God give you more.
00:08:53Mother, can I get a hundred rupees from this?
00:08:55Why? Why?
00:08:56I have to take a boy to dinner.
00:08:57Is it a boy or a girl?
00:08:59Father is here.
00:09:00Take this.
00:09:06Why? What is the matter?
00:09:07Did you see?
00:09:08My son has come with his first salary.
00:09:10Oh.
00:09:12Congratulations.
00:09:13Whose son is it?
00:09:14Both of us.
00:09:16Good luck.
00:09:20God bless you. God bless you.
00:09:22God bless you.
00:09:26Thank you very much.
00:09:30I am sorry, Mr. London.
00:09:31I had to wait for you.
00:09:32I will go and meet the manager.
00:09:33Okay.
00:09:34I will go and meet the manager.
00:09:36Mr. Prakash.
00:09:37If you have any other work, then go ahead.
00:09:39What?
00:09:40In this beautiful neighborhood, we can wait for you all our lives.
00:09:44Oh.
00:09:45You are a very colorful man.
00:09:47You are only wet.
00:09:48All the colors have gone with youth.
00:09:50By the way, God bless you.
00:09:51Your job is very interesting.
00:09:54Yes.
00:09:55Mr. London, here is your money.
00:09:57I would have gone myself.
00:09:58But I had so much work that I had to call you.
00:10:00I am sorry, brother.
00:10:01What was the hurry?
00:10:02Mr. Prakash.
00:10:03You have got such a good job.
00:10:05I will not agree without having a meal.
00:10:07Okay.
00:10:08Your meal is on me.
00:10:09What is this?
00:10:10Your meal is on me.
00:10:11My meal is on you.
00:10:12Today you will have a meal with me.
00:10:14What do you eat during the day in English?
00:10:16Lunch.
00:10:17Yes.
00:10:18Today you will have lunch with me.
00:10:20Mr. Prakash.
00:10:21You have never eaten onions.
00:10:23I have read in a newspaper.
00:10:25That an 80-year-old man who eats one kilo of onions every day...
00:10:29That an 80-year-old man who eats one kilo of onions every day...
00:10:31...has married 160-168 times.
00:10:33He must have, Mr. London.
00:10:35His wife must have run away from the smell of onions.
00:10:37It is possible.
00:10:38Greetings, Mr. London.
00:10:39How are you?
00:10:40Greetings, sir.
00:10:41Meet him.
00:10:42He is Mr. Prakash.
00:10:43He is the son of the commissioner.
00:10:45In the language of Mumbai...
00:10:46...you can call him whatever you want.
00:10:48If you don't want to close your hotel.
00:10:49Hello, sir.
00:10:50Hello.
00:10:51Mr. Prakash.
00:10:52He is the owner of this hotel.
00:10:53Manager, receptionist.
00:10:55He does all the work.
00:10:57It means he is a bit stingy.
00:10:58Mr. London.
00:10:59It is not about stinginess.
00:11:01It is about the reputation of the hotel.
00:11:03That is why I do all the work myself.
00:11:08Mr. Prakash.
00:11:09Where are you lost?
00:11:10Mr. London.
00:11:11I will be right back.
00:11:14God bless you.
00:11:15God bless you.
00:11:16I have seen a lot of flowers in the garden.
00:11:17But this is the first time I have seen them on the swimming pool.
00:11:20Mr. Marshall.
00:11:21He has gone to talk about his heart.
00:11:22Let us talk about the bill.
00:11:23I will be right back.
00:11:24Mr. Marshall.
00:11:25I am not talking about this bill.
00:11:26I am talking about the bill.
00:11:32Hello.
00:11:35Hello.
00:11:36You are here?
00:11:37Yes.
00:11:38It is a strange coincidence.
00:11:39We meet so soon.
00:11:41Yes.
00:11:45Please sit.
00:11:46Thank you.
00:11:52You are here?
00:11:54Yes.
00:11:55This is a hotel for foreigners.
00:11:58Where are you from?
00:12:00Delhi.
00:12:01I have come to see you in Bombay.
00:12:02Alone?
00:12:05Yes.
00:12:06I have not found a companion yet.
00:12:08How is that possible?
00:12:10You must not have given anyone a chance.
00:12:12Let me give you a chance.
00:12:13What?
00:12:14Hold this.
00:12:17It is very difficult to find a good friend and companion.
00:12:20And when you find one, accept it.
00:12:22You?
00:12:23Mr. London.
00:12:24Mr. London.
00:12:25He is my friend.
00:12:26What?
00:12:27Your friend?
00:12:28Yes.
00:12:29Please do not go for the white hair.
00:12:31It is a blessing of the sun.
00:12:32Otherwise, my heart is still black.
00:12:41Ma'am.
00:12:42I hate this black and white.
00:12:44I mean black and white.
00:12:45Mr. London.
00:12:46Please be quiet for God's sake.
00:12:47Mr. Prakash.
00:12:48You have given me such a big opportunity.
00:12:50I will try to keep quiet.
00:12:51And if I cannot, then the blame is on you.
00:12:54Jolly old man.
00:12:56Mr. London.
00:12:58Mr. London.
00:13:14Excuse me, Mr. London.
00:13:23Let us go.
00:13:24Wait.
00:13:25Let us take him around Bombay.
00:13:26You go first.
00:13:27Come.
00:13:54Bombay
00:14:16The glittering lights of Bombay feel like..
00:14:19..a broken lover has found his love.
00:14:21and the strings of his heart are jingling.
00:14:24It seems that your bungalow is filled with memories of love.
00:14:27The second name of Bombay is love, Kiran.
00:14:30Here, people of all religions and castes love each other.
00:14:33Every tongue is spoken with love and every heart...
00:14:36Enough, enough. It seems that the people here also fill their stomachs with love.
00:14:40You are hungry. Let's go.
00:14:52What would you like to have?
00:14:54Whatever you like.
00:14:57Do you like my choice?
00:14:59Yes, I like it so far.
00:15:02Son, two large whisky.
00:15:04Yes, madam.
00:15:08My brothers are drunk.
00:15:10Mr. Prakash, don't think that I deliberately came here to be a hindrance.
00:15:15I was hungry and that's why I came here.
00:15:18Don't get angry. I'll save you.
00:15:20God bless you.
00:15:22My brother is drunk.
00:15:24What?
00:15:25I can see alcohol on the bottle.
00:15:28Alcohol on the bottle?
00:15:30Kiran, behave yourself.
00:15:35Kiran, please.
00:15:36What are you doing?
00:15:41Fatty, come here.
00:15:43Kiran, what is this?
00:15:44What did I do?
00:15:46Don't beat me.
00:15:50Kiran.
00:15:54Leave me.
00:16:15No, I won't go.
00:16:16Kiran.
00:16:17Do you think I am drunk?
00:16:19When did I say that?
00:16:20I am absolutely conscious.
00:16:22Look, I can see everything.
00:16:24Can't you see?
00:16:25Look, that man doesn't have hair on his head.
00:16:27Kiran, please.
00:16:28Fatty.
00:16:30What is it?
00:16:31Nothing, madam.
00:16:32Don't feel bad.
00:16:33Give me your shirt.
00:16:34Remove it.
00:16:35Otherwise someone else will remove it.
00:16:38Kiran.
00:16:39Fatty.
00:16:41What are you doing?
00:16:42Do one thing.
00:16:43Get him bathed in cold water.
00:16:46Okay.
00:16:47You are right, mister.
00:16:48That's done.
00:16:49Done.
00:16:50Let's go swimming.
00:16:52Come on.
00:16:53Let's go.
00:16:54Kiran.
00:16:55What are you doing?
00:16:56Leave me.
00:16:57Come on.
00:17:13What is it?
00:17:14Go.
00:17:15Okay.
00:17:16Good job.
00:17:18Okay, bye.
00:17:28Kiran, I don't understand.
00:17:34You know me and your love for her.
00:17:39.
00:18:09I
00:18:11Think
00:18:41Oh
00:19:11Oh
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00:22:41My
00:22:43God
00:22:45Oh
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00:23:13Oh
00:23:19Oh
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00:23:33Oh
00:23:39And that too, to test you.
00:23:41Really?
00:23:42Yes.
00:23:43A girl who roams around with a man all day,
00:23:45and at night, in a state of intoxication,
00:23:47that man comes to drop her to her room.
00:23:49If that man is not decent,
00:23:50then he will surely try to take advantage of the loneliness.
00:23:53But your decency...
00:23:55Oh God!
00:23:56I had heard it, but today I believe it too.
00:23:58What?
00:23:59In today's world, a decent man is called a fool.
00:24:02And now, in your eyes, after becoming decent,
00:24:05I too will have to write my name in that list.
00:24:07No.
00:24:08I have written your name somewhere else.
00:24:10Where?
00:24:13In my heart.
00:24:17Read it.
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00:31:28You, too.
00:31:33Hello.
00:31:34Hello, Prakash.
00:31:37Kiran, you?
00:31:40You've come to me now.
00:31:47But what's the matter?
00:31:50I can't tell you anything on the phone.
00:31:51But I just dropped you off.
00:31:52If we don't meet now, you won't be able to see me all your life.
00:31:53Come now, please.
00:31:54But what's the matter?
00:31:55Why can't you...
00:31:56Please, Prakash.
00:31:57Why can't you tell me on the phone?
00:31:59Please, you come.
00:32:00Okay, I'll be right there.
00:32:02Where are you going?
00:32:03Daddy, I have some work.
00:32:04I'll be right there.
00:32:05It's 1 o'clock at night.
00:32:06That's not good.
00:32:07I don't like this time.
00:32:08But daddy, I don't go out every day.
00:32:10I have work. I have to go.
00:32:11There's a lot of work that can't be done in the morning.
00:32:13Daddy, I have a life.
00:32:14I have a circle. I have problems.
00:32:15If I don't have a child, I can't sleep in my hut.
00:32:17Are you okay?
00:32:18What's the matter?
00:32:19Why did you call me at night?
00:32:21Why is it so dark?
00:32:23My hand is bleeding.
00:32:25Your hand?
00:32:26Yes.
00:32:27Where?
00:32:28Here.
00:32:29Here?
00:32:30Come here.
00:32:52Who is this, Kiran?
00:32:56Kiran, how did this happen?
00:32:58Tell me, Kiran. Tell me.
00:33:00I didn't do anything on purpose, Prakash.
00:33:03I know, Kiran.
00:33:04But how did this happen?
00:33:07A month ago, I was coming in a taxi from the airport.
00:33:11The taxi driver tried to rape me.
00:33:15And I killed one of them.
00:33:17What?
00:33:20The taxi driver ran away.
00:33:23But the next day, he tried to blackmail me.
00:33:26Oh, blackmail.
00:33:28And he came to this hotel.
00:33:32I thought I would be safe from them.
00:33:36But when I entered the room today, he was already here.
00:33:41Before I could do anything, he attacked me.
00:33:44He tried to rape me.
00:33:46Prakash, I thought of you all of a sudden.
00:33:49My body, my feelings, everything is yours.
00:33:53I killed him with his knife.
00:33:59I will pay for what I did, Prakash.
00:34:02But I wanted to meet you once before I was defamed.
00:34:09And tell you the truth.
00:34:11You did the right thing, Kiran.
00:34:13But...
00:34:15Look, leave this hotel room quickly.
00:34:18Come on, get up. Hurry up.
00:34:20What will this do?
00:34:22They will get my name and address in the register.
00:34:25Damn it.
00:34:26And water.
00:34:28No one can wash away the stains of life, Prakash.
00:34:32Call the police.
00:34:33Police?
00:34:34Go.
00:34:36Call the police.
00:34:38If you wanted to call the police, why did you call me?
00:34:41Kiran, the lover wants to see the garland around his lover's neck.
00:34:46Not a hanging rope.
00:34:48But what will happen now?
00:34:50What do I do?
00:34:59DMS 5679.
00:35:025679.
00:35:07Ram.
00:35:165679.
00:35:17Kiran.
00:35:18Kiran.
00:35:20Change your clothes quickly.
00:35:22And listen.
00:35:23Don't open the door until I come back.
00:35:33Let's go.
00:35:35I ran away with great difficulty.
00:35:37She was right behind me.
00:35:38Let me tell you about the girls.
00:35:41There were millions of girls in America.
00:35:44There were thousands of girls in London.
00:35:46When I reached India, there was only one rupee.
00:35:48And I left one girl and ran away.
00:35:50That's why a philosopher said,
00:35:51The money is a tie of all types.
00:35:53Which can tie and untie all types.
00:35:56In Hindustani, money is the knot of all knots.
00:35:58And which opens every closed knot.
00:36:00And closes every open knot.
00:36:02For now, you close your knot.
00:36:03Where is the way out?
00:36:04I will tell you.
00:36:05I will tell you.
00:36:06Come.
00:36:07This way, sir.
00:36:08Thank you, sir.
00:36:12Hello, Mr. Prakash.
00:36:13How are you?
00:36:14I am in a hurry.
00:36:17Good night, Mr. Prakash.
00:36:18Good night.
00:36:46Good night, Sir.
00:36:58What happened?
00:37:00♪
00:37:15Kiran, I'll throw her and her car somewhere.
00:37:19So that you have nothing to do with it.
00:37:21♪
00:37:24Rekha, take care of yourself.
00:37:29Don't worry, I'll be back soon.
00:37:33Sonu.
00:37:35Thank you.
00:37:38♪
00:37:46Everything will be fine.
00:37:49♪
00:37:58♪
00:38:08♪
00:38:18♪
00:38:28♪
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00:41:38You will have to come with me to the police station.
00:41:40Inspector sir, please.
00:41:41Look, I'm going for my dad's important work.
00:41:43If I get late...
00:41:44For me, it is more important to take you to the police station.
00:41:46Inspector sir, I...
00:41:55Police station, please.
00:42:01Do you want to go?
00:42:02Please, do whatever you want to do later.
00:42:03Please wait.
00:42:04Oh.
00:42:05Inspector sir, I don't understand why you are stopping me.
00:42:07There has been a small accident.
00:42:09Ask me whatever you want to ask tomorrow.
00:42:14Hmm.
00:42:15So, is this your car?
00:42:16Yes.
00:42:17Do you have any doubt?
00:42:19You are a responsible officer's son and you are lying.
00:42:23What do you mean?
00:42:25Because everyone knows that the commissioner only has a jeep.
00:42:29It is my friend's car.
00:42:30When it is with me, it is mine.
00:42:32The car that you are claiming to be yours and your friend's...
00:42:36That car was stolen.
00:42:37What?
00:42:38Yes.
00:42:40The police have been looking for it since evening.
00:42:43And its owner must be on his way.
00:42:44Hello, inspector sir.
00:42:46You people work very hard.
00:42:48It is raining at home.
00:42:50Mr. Prakash, you are here?
00:42:52Yes, I...
00:42:53Do you know him?
00:42:54Inspector sir, I know his father too.
00:42:56He is my best friend and he is my best friend.
00:42:58Oh.
00:43:00Your car was with him?
00:43:01Yes.
00:43:02Mr. Lachhan, did you forget?
00:43:05Curse this old man.
00:43:07He weakens everything.
00:43:09He has also weakened his memory.
00:43:11Now see.
00:43:12In the morning, he himself gave the keys to Barkhurdar and forgot.
00:43:15Yes.
00:43:16Inspector sir, I am very ashamed.
00:43:18Mr. Prakash is not at fault in this.
00:43:20Mr. Lachhan, you explain to him.
00:43:21I am leaving.
00:43:22But...
00:43:23I will deliver your car by morning.
00:43:24Strange.
00:43:25Mr. Lachhan, your mistake has troubled me a lot.
00:43:27Sir, your job is to trouble people.
00:43:31By the way, I am ready to pay any fine you ask for.
00:43:36Sign this.
00:43:38You will get your car.
00:43:40No thumb impression?
00:44:01No thumb impression?
00:44:31Who is it?
00:44:35What is it?
00:44:36Who are you?
00:44:38But I am asking, who are you?
00:44:39I am asking, what are you doing in this room?
00:44:41Where is Kiran?
00:44:42Kiran?
00:44:43There is no Kiran here.
00:44:44Hey, Kiran.
00:44:45Hey, you go inside.
00:44:46Where are you?
00:44:47Hey, get out of my way.
00:44:48Waiter.
00:44:49Waiter.
00:44:50Kiran.
00:44:51What nonsense?
00:44:52Is this a hotel or a brothel?
00:44:53You.
00:44:54You don't go that way.
00:44:55You goon.
00:44:56I will lock you up in the police station right now.
00:44:58You goon.
00:44:59I will lock you up in the police station right now.
00:45:00Manager.
00:45:01Where is the police station?
00:45:02Where is Kiran?
00:45:03Get out of my way.
00:45:04What do you mean, manager?
00:45:05Manager.
00:45:06This hotel is a brothel.
00:45:07If you call me a goon, I will lock you up in the police station.
00:45:09I will lock you up in the police station.
00:45:10Okay, okay, okay.
00:45:11Do your job.
00:45:13Mr. Prakash.
00:45:14It is not your job to enter any room.
00:45:17But, manager, this is Kiran's room.
00:45:18I left Kiran here.
00:45:19Who is this man?
00:45:20Sir, this is not Kiran's room.
00:45:22It was.
00:45:23What do you mean?
00:45:24She left the hotel three hours ago.
00:45:27She left the hotel.
00:45:28She left the hotel?
00:45:57Hello.
00:45:58Yes, yes.
00:45:59This is Khanna speaking.
00:46:01I have seen the picture of that girl in the newspaper.
00:46:04She got drowned because of the water.
00:46:07What did you say?
00:46:08Did you get the clue?
00:46:10Very good.
00:46:12Fine, fine, fine.
00:46:14Okay.
00:46:15I will be right there.
00:46:17Malvi.
00:46:27Malvi.
00:46:39Hello.
00:46:40Kiran, you?
00:46:41Where did you go?
00:46:42I went to the hotel.
00:46:43I came to know that you have checked out.
00:46:45But, where did you come from?
00:46:46Kiran, I am so...
00:46:49That is fine, Kiran.
00:46:50But, my...
00:46:53She is smoking.
00:46:57She is smoking.
00:47:11Greetings, Mr. Prakash.
00:47:13Greetings, Mr. Laddan.
00:47:15This is called love.
00:47:17We were going to come to your place.
00:47:19My place? Why?
00:47:20We have to take back our Rolls Royce.
00:47:22Mr. Laddan, I am sorry.
00:47:23I was going to come to you.
00:47:25Here are your keys.
00:47:26I am sorry.
00:47:27We had to send you from the lane.
00:47:28If you want, you can take our plate.
00:47:30I am sorry.
00:47:31The commissioner is here.
00:47:32Greetings, Mr. Commissioner.
00:47:35What are you doing here?
00:47:36I have come to meet a friend.
00:47:37Good morning, sir.
00:47:38Good morning.
00:47:39My name is Marshall.
00:47:40I am the manager of this hotel.
00:47:41What can I do for you?
00:47:44Mr. Marshall, I want to search your hotel.
00:47:47Search?
00:47:48Why?
00:47:49This morning, I found a dead body by the sea.
00:47:51It was wrapped in a blanket.
00:47:52Your hotel's monogram is on that blanket.
00:47:55This hotel's monogram?
00:47:57Please come to my office.
00:47:58Please.
00:48:00Blood will call for blood.
00:48:02It is said that the murderer leaves a mark.
00:48:05The murderer will be caught.
00:48:06And that too, by your father.
00:48:08Mr. Prakash.
00:48:09Yes.
00:48:10Where did you go?
00:48:11Prakash?
00:48:15Kamat.
00:48:16Call Prakash.
00:48:22Mr. Prakash.
00:48:23The commissioner has called for you.
00:48:25Tell him that I am in a hurry.
00:48:26I will meet him at home.
00:48:27No.
00:48:28This call is not for your father.
00:48:29It is for the commissioner.
00:48:30Come.
00:48:38Commissioner, our hotel has a reputation.
00:48:41Did you call for me?
00:48:42Yes.
00:48:43What were you doing here last night?
00:48:46The commissioner was asking about the blanket.
00:48:48That's why you came here.
00:48:49You met me alone, Mr. Marshall.
00:48:52I didn't have a body or a hotel blanket.
00:48:55When did I say that?
00:48:56What do you want to say?
00:48:57Answer my question first.
00:49:01I was with Mr. Ladan.
00:49:04Yes, sir.
00:49:05Mr. Ladan, come here.
00:49:09Is everything okay?
00:49:10Was Mr. Prakash with you yesterday?
00:49:12You saw that he was with me.
00:49:14And he was with me till late at night.
00:49:17But...
00:49:18What was the need to go through the kitchen door?
00:49:21I will tell you, Mr. Commissioner.
00:49:23Actually, the party was going on.
00:49:25And our friends were forcing him to drink.
00:49:27Mr. Prakash doesn't drink.
00:49:29He thought it would be better to go through the kitchen door.
00:49:32He is very good like you.
00:49:34May God give him more goodness.
00:49:35You are being very kind to him.
00:49:37God is kind.
00:49:38I am at your feet.
00:49:39Go.
00:49:40Go, Mr. Ladan.
00:49:41You are right.
00:49:42And you go straight home.
00:49:44Come, sir.
00:49:48Did you meet a man?
00:49:49He told me to send you to room 104.
00:49:52Who is he?
00:49:53I don't know.
00:49:54I met him in the lift.
00:49:55He gave me Rs.10.
00:49:56He told me to meet him.
00:49:57He will be helpful.
00:49:59Room 104?
00:50:00Yes.
00:50:19Oh, my God.
00:50:41Hello.
00:50:42Yes.
00:50:43Yes.
00:50:44Yes.
00:50:45Yes.
00:50:46Yes.
00:50:47Hello.
00:51:17Hello.
00:51:18Hello.
00:51:48Hello.
00:52:00Prakash.
00:52:17Ma, if you explain it to him, he won't say anything.
00:52:19It's only a matter of three hours. It's very important.
00:52:21If it's so important, why don't you go in a taxi?
00:52:24Oh, Ma, how can I explain it to you?
00:52:26It's very difficult. Taxi is strong.
00:52:28Otherwise, I would never have won.
00:52:30But...
00:52:31Ma, please...
00:52:32No, help me.
00:52:34Okay.
00:52:35Wait a minute.
00:52:39Go on, Ma.
00:52:48Come back before he comes to the office.
00:52:50You're so nice, Ma.
00:52:51Come on.
00:52:54I'll go, Ma.
00:53:13Commissioner sir.
00:53:17Commissioner sir.
00:53:47Commissioner sir.
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00:58:07Commissioner sir.
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00:58:09Commissioner sir.
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01:00:27Commissioner sir.
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01:00:29Commissioner sir.
01:00:30Commissioner sir.
01:00:31Commissioner sir.
01:00:32Commissioner sir.
01:00:33Where is this company?
01:00:34Where did they go?
01:00:35No idea.
01:00:36Did you get them Heera?
01:00:37No, sir.
01:00:38Then where they are?
01:00:39Promise.
01:00:40Listen run and catch them.
01:00:41What happened?
01:00:42What did he say?
01:00:43That his phone has been switched off.
01:00:44Yes sir, we have it.
01:00:45Is there a problem?
01:00:46No sir.
01:00:47He is an important person.
01:00:48There is something wrong with the code and the memo.
01:00:59We don't even know if it decreased or not.
01:01:02I had to hide all the bad things that happened in my life.
01:01:07I even hid the fact that I gave birth to Prakash.
01:01:12I was suspended.
01:01:15What? But what did you do wrong?
01:01:18Why were you suspended?
01:01:20Because of your stubbornness, your stubbornness, your stubbornness.
01:01:23I always told you not to give him so much love.
01:01:26Don't give him so much love.
01:01:28But you didn't listen.
01:01:31And today, this is the result.
01:01:36Love is not as strong as your rules.
01:01:38Love, love.
01:01:40Because of this love, you ruined a 30 year old man's honor.
01:01:44For an officer like me, this honor is like death.
01:01:48Now what will happen to your love?
01:01:50When the whole world will call your son a thief, smuggler and a criminal.
01:01:54When all his youth will be spent in jail.
01:01:56No, Prakash.
01:01:58For God's sake, please save my son.
01:02:02Commissioner. Yes.
01:02:06I am very sorry.
01:02:08Prakash is not like that.
01:02:10I don't want to hear Prakash's name in this house.
01:02:12I sympathize with you.
01:02:14I don't want your sympathy.
01:02:16Please understand, Commissioner.
01:02:18I understand your pain.
01:02:22But we should try to break the limits of the situation.
01:02:25We should get out of it.
01:02:27Who are you to interfere in this matter?
01:02:29Commissioner, I am not your enemy to keep quiet.
01:02:33Mr. Prakash has been trapped.
01:02:36If he is punished, the strict rules of the jail will make him a criminal.
01:02:41Let him be a criminal. Let him die.
01:02:43I have nothing to do with him.
01:02:45Commissioner.
01:02:46Get out of here.
01:02:50I am leaving.
01:02:52But before I leave, I want to say something.
01:02:56You have the heart of a compassionate man.
01:02:59Commissioner.
01:03:00Young desires, young blood will make him a criminal.
01:03:07What if he saves himself from the world?
01:03:09Get out.
01:03:10Get out.
01:03:11Get out.
01:03:12For God's sake, please leave.
01:03:14I am leaving.
01:03:16Mr. Khanna.
01:03:18You can sacrifice anyone for your principles.
01:03:22But I will not let him be destroyed.
01:03:26I will save him.
01:03:27God willing.
01:03:33Come, sir has called you.
01:03:38Mr. Prakash, you have been bailed out.
01:03:41Come.
01:03:52Mr. Laddan, I am grateful to you.
01:03:55Mr. Prakash.
01:03:56How can we tolerate that our friend is trapped?
01:04:01Let's go.
01:04:02Mr. Laddan.
01:04:03Bail is a matter of great responsibility.
01:04:05On the day of the trial, make sure that he is presented in court.
01:04:08I will come to court, Inspector.
01:04:10But with the real criminal.
01:04:22Prakash.
01:04:52Prakash.
01:05:23Mr. Laddan.
01:05:24Yes.
01:05:25Take care of my Prakash.
01:05:27You don't worry.
01:05:29In our eyes, he is not a criminal.
01:05:33Goodbye.
01:05:52He belongs to me.
01:06:02And when I reached the hotel...
01:06:05Kiran has left.
01:06:08Hmm
01:06:10Mr. Prakash.
01:06:11Beware of today's girls.
01:06:14Such innocent and brutal acts.
01:06:17Not an iota.
01:06:19No Mr. Laddan.
01:06:21I've seen Kiran up close. I don't know why she's doing this.
01:06:26Forget it, Mr. Prakash. Why would she do this?
01:06:29She pretended to be in Bombay and befriended you.
01:06:33She took advantage of your love and threw your body.
01:06:36And took your father's jeep.
01:06:39Mr. Laddan, you're misunderstanding Kiran.
01:06:41I'm sure she's innocent.
01:06:43And I'm sure she's a poison.
01:06:46A flame that burns your life like a firefly.
01:06:50No, Mr. Laddan.
01:06:52A flame never burns a firefly.
01:06:55It burns people and gives light to others.
01:06:57I'm done for.
01:06:59This has become a poetry battle.
01:07:01I just remembered.
01:07:03Mr. Nawab has a recital today.
01:07:05We'll finish the rest of the poetry there.
01:07:06Come on, Mr. Laddan. I have to make arrangements to stay somewhere.
01:07:09Oh, crazy people.
01:07:11Neither Hindu nor Muslim.
01:07:14This is the district of Insa.
01:07:17Hello.
01:07:19Welcome, Mr. Laddan.
01:07:21Thank you, Mr. Nawab.
01:07:22It's a grand gathering.
01:07:24Mr. Nawab, meet my friend, Mr. Prakash.
01:07:26Hello.
01:07:27Mr. Prakash, come.
01:07:28Mr. Laddan, what have you brought for Shama?
01:07:31The same as always.
01:07:34Then tell me.
01:07:35What?
01:07:36I have submitted.
01:07:38The light is of two hours.
01:07:43It doesn't keep company of the night.
01:07:47It burns people and gives light to others.
01:07:51Mr. Prakash, I'm done for.
01:07:53This has become a poetry battle.
01:07:55Wow.
01:07:57Mr. Ali, why don't you say something?
01:07:59Me?
01:08:00Yes, Mr. Prakash.
01:08:02Go ahead.
01:08:04People of the light of Shama.
01:08:07Its burning is also a secret.
01:08:10Wow.
01:08:11Its burning is the laughter of others.
01:08:14Its breath is in the sound.
01:08:16Wow.
01:08:18It's a grand gathering.
01:08:20Mr. Prakash, the ride is ready.
01:08:22Mr. Prakash, let's have a poetry battle.
01:08:24Why not?
01:08:26Mr. Ali, there is light, sound and breath.
01:08:29There is also beauty.
01:08:30Wow.
01:08:41Wow.
01:09:11Wow.
01:09:13Wow.
01:09:41Wow.
01:09:43Wow.
01:09:45Wow.
01:09:47Wow.
01:09:49Wow.
01:09:51Wow.
01:09:53Wow.
01:09:55Wow.
01:09:57Wow.
01:09:59Wow.
01:10:01Wow.
01:10:03Wow.
01:10:05Wow.
01:10:07Wow.
01:10:09Wow.
01:10:11Wow.
01:10:13Wow.
01:10:15Wow.
01:10:17Wow.
01:10:19Wow.
01:10:21Wow.
01:10:23Wow.
01:10:25Wow.
01:10:27Wow.
01:10:29Wow.
01:10:31Wow.
01:10:33Wow.
01:10:35Wow.
01:10:37Wow.
01:10:39Wow.
01:10:41Wow.
01:10:43Wow.
01:10:45Wow.
01:10:47Wow.
01:10:49Wow.
01:10:51Wow.
01:10:53Wow.
01:10:55Wow.
01:10:57Wow.
01:10:59Wow.
01:11:01Wow.
01:11:03Wow.
01:11:05Wow.
01:11:07Wow.
01:11:09Wow.
01:11:11Wow.
01:11:13Wow.
01:11:15Wow.
01:11:17Wow.
01:11:19Wow.
01:11:21Wow.
01:11:23Wow.
01:11:25Wow.
01:11:27Wow.
01:11:29Wow.
01:11:31Wow.
01:11:33Wow.
01:11:35Wow.
01:11:37Wow.
01:11:39Wow.
01:11:41Wow.
01:11:43Wow.
01:11:45Wow.
01:11:47Wow.
01:11:49Wow.
01:11:51Wow.
01:11:53Wow.
01:11:55Wow.
01:11:57Wow.
01:11:59Wow.
01:12:01Wow.
01:12:03Wow.
01:12:05Wow.
01:12:07Wow.
01:12:09Wow.
01:12:11Wow.
01:12:13Wow.
01:12:15Wow.
01:12:17Wow.
01:12:19Wow.
01:12:21Wow.
01:12:23Wow.
01:12:25Wow.
01:12:27Wow.
01:12:29Wow.
01:12:31Wow.
01:12:33Wow.
01:12:35Wow.
01:12:37Wow.
01:12:39Wow.
01:12:41Wow.
01:12:43Wow.
01:12:45Wow.
01:12:47Wow.
01:12:49Wow.
01:12:51Wow.
01:12:53Wow.
01:12:55Wow.
01:12:57Wow.
01:12:59Wow.
01:13:01Wow.
01:13:03Wow.
01:13:05Wow.
01:13:07Wow.
01:13:09Wow.
01:13:11Wow.
01:13:13Wow.
01:13:15Wow.
01:13:17Wow.
01:13:19Wow.
01:13:21Wow.
01:13:23Wow.
01:13:25Wow.
01:13:27Wow.
01:13:29Wow.
01:13:31Wow.
01:13:33Wow.
01:13:35Wow.
01:13:37Wow.
01:13:39Wow.
01:13:41Wow.
01:13:43Wow.
01:13:45Wow.
01:13:47Wow.
01:13:49Wow.
01:13:51Wow.
01:13:53Wow.
01:13:55Wow.
01:13:57Wow.
01:13:59Wow.
01:14:01Wow.
01:14:03Wow.
01:14:05Wow.
01:14:07Wow.
01:14:09Wow.
01:14:11Wow.
01:14:13Wow.
01:14:15Wow.
01:14:17Wow.
01:14:19Wow.
01:14:21Wow.
01:14:23Wow.
01:14:25Wow.
01:14:27Wow.
01:14:29Wow.
01:14:31Wow.
01:14:33Wow.
01:14:35Wow.
01:14:37Wow.
01:14:39Wow.
01:14:41Wow.
01:14:43Wow.
01:14:45Wow.
01:14:47Wow.
01:14:49Wow.
01:14:51Wow.
01:14:53Wow.
01:14:55Wow.
01:14:57Wow.
01:14:59Wow.
01:15:01Wow.
01:15:03Wow.
01:15:05Wow.
01:15:07Wow.
01:15:09Wow.
01:15:11Wow.
01:15:13Wow.
01:15:15Wow.
01:15:17Let go of my hand.
01:15:19I won't let go of your hand, Kiran.
01:15:21I said, let go of my hand.
01:15:26Kiran! Kiran, please!
01:15:28Listen to me, Kiran.
01:15:29Kiran, please! Kiran!
01:15:32What's the matter?
01:15:33He suddenly started pulling her hand.
01:15:35Mister, aren't you ashamed?
01:15:37Kiran, what's wrong with you?
01:15:38You idiot! Talk to me.
01:15:40Watch your tongue, understand?
01:15:42Let it be, father.
01:15:43What's the use of talking to such people?
01:15:45Kiran, is this drama necessary?
01:15:47You shut up!
01:15:48She's not Kiran, she's my daughter, Jyoti.
01:15:50You understand?
01:15:51Jyoti?
01:15:54Kiran, what will you gain by humiliating me like this?
01:15:56Only a person who has some respect is humiliated.
01:15:59A boy who's dressed up as a father, what respect does he have?
01:16:02He's Prakash Khanna, Commissioner Khanna's son.
01:16:05A good-for-nothing son of a father.
01:16:06Disgusting! Who called such a man to this gathering?
01:16:08Stop your nonsense, or I'll break each and every one of you.
01:16:10Mr. Prakash, Mr. Prakash, please wait.
01:16:14You came with me.
01:16:15Your humiliation is my humiliation.
01:16:19Mr. Judge, you should have looked into your own eyes
01:16:22before you hit someone.
01:16:26Maybe someone's decency is buried in it.
01:16:29Decency?
01:16:30Hitting someone's daughter-in-law in the middle of the gathering?
01:16:33What decency is that?
01:16:35How can someone's daughter-in-law play with someone else's life?
01:16:40You people see what happened, who did it.
01:16:43You don't see why it happened.
01:16:45Because it's the world's custom that bad people are bad.
01:16:48Isn't that right?
01:16:49Mr. Prakash fell in love with a girl.
01:16:52He committed a crime to save her.
01:16:54And one crime led to another crime.
01:16:56In fact, his father's uniform came off
01:16:58and the world called him a criminal.
01:17:01But he's the god of love.
01:17:05And do you know who humiliated this god?
01:17:10I'll tell you. Ask me.
01:17:11No, Mr. Judge, please.
01:17:13Someone's secret is their honesty.
01:17:15And their safety is a human's true duty.
01:17:18Mr. Prakash, until we don't give them an answer,
01:17:21they'll continue to commit crimes.
01:17:24Love is the unbreakable bond of the heart.
01:17:27How can it be defined as a crime?
01:17:31The form, the colour, the body, everything can be like a ray of light.
01:17:35But it's not the heart that can deceive its light.
01:17:39Sorry, Mr. Nawab.
01:17:40Your party was ruined because of me.
01:17:43I apologize to all of you and Ms. Jyoti.
01:17:49Let's go, Mr. Lawyer.
01:17:50Mr. Prakash, I'll keep quiet if you say so.
01:17:55But I'll say this, Mr. Judge.
01:17:58Everyone gets what he deserves in this world.
01:18:01And everyone will get what he deserves.
01:18:04God willing.
01:18:06Let's go, Mr. Prakash.
01:18:08Let's go.
01:18:34Mr. Ladan.
01:18:36What is it, Mr. Prakash?
01:18:38You look happy.
01:18:39Yes, Mr. Ladan.
01:18:40God has cleansed the dust on the purity of love.
01:18:42Jyoti is the ray of light and she has called me.
01:18:44Thank God.
01:18:46Now we believe you.
01:18:47Mr. Prakash, you were right.
01:18:48You know better than us what forgiveness is.
01:18:51I'll leave, Mr. Ladan.
01:18:51May God bless you.
01:19:00Jyoti.
01:19:03Prakash.
01:19:05Please forgive me.
01:19:06Jyoti.
01:19:07Please forgive me.
01:19:09I betrayed you.
01:19:11I betrayed your love.
01:19:16But believe me, I was helpless.
01:19:19I know, Jyoti.
01:19:21And I was sure that my love could be a trick of the world.
01:19:26Not a betrayal.
01:19:28I am not a betrayal.
01:19:31I am just a puppet.
01:19:33I was helpless to dance to the tunes of a cruel man.
01:19:38Who is he?
01:19:39I don't know.
01:19:41But he made me do so many things.
01:19:45He was a judge's daughter and stayed in a hotel at night.
01:19:49He made an excuse to drink alcohol and fought with me.
01:19:54I tied an innocent man like you in the cage of love
01:19:59and made you sell your body.
01:20:01I wish I could sacrifice him for the sake of my family's honour and love.
01:20:09I would have killed him.
01:20:10I would have killed him.
01:20:12Jyoti.
01:20:14It's a joy.
01:20:15If he hadn't made us do all this, how would we have met?
01:20:21Wipe away these tears and tell me how all this happened.
01:20:26I went to the airport to drop my father.
01:20:35I came back.
01:20:37Two taxi drivers tried to rape me.
01:20:55I don't know.
01:20:57I don't know.
01:20:58I don't know.
01:20:59I don't know.
01:21:00I don't know.
01:21:01I don't know.
01:21:02I don't know.
01:21:03I don't know.
01:21:04I don't know.
01:21:05I don't know.
01:21:06I don't know.
01:21:07I don't know.
01:21:08I don't know.
01:21:10I don't know.
01:21:11I don't know.
01:21:12I don't know.
01:21:13I don't know.
01:21:14I don't know.
01:21:15I don't know.
01:21:16I don't know.
01:21:17I don't know.
01:21:18I don't know.
01:21:19I don't know.
01:21:20I don't know.
01:21:21I don't know.
01:21:22I don't know.
01:21:24I don't know.
01:21:25I don't know.
01:21:26I don't know.
01:21:27I don't know.
01:21:28I don't know.
01:21:30I don't know.
01:21:31I don't know.
01:21:48Now, if you try to run away,
01:21:51another bullet will hit your leg.
01:21:55I'm going to get you out of here.
01:21:56I'm going to get you out of here.
01:21:57I'm going to get you out of here.
01:21:58I'm going to get you out of here.
01:21:59I'm going to get you out of here.
01:22:00I'm going to get you out of here.
01:22:01I'm going to get you out of here.
01:22:02I'm going to get you out of here.
01:22:03I'm going to get you out of here.
01:22:04I'm going to get you out of here.
01:22:05I'm going to get you out of here.
01:22:06I'm going to get you out of here.
01:22:07I'm going to get you out of here.
01:22:08I'm going to get you out of here.
01:22:09I'm going to get you out of here.
01:22:10I'm going to get you out of here.
01:22:11I'm going to get you out of here.
01:22:12I'm going to get you out of here.
01:22:14I'm going to get you out of here.
01:22:15I'm going to get you out of here.
01:22:16I'm going to get you out of here.
01:22:17I'm going to get you out of here.
01:22:18I'm going to get you out of here.
01:22:19I'm going to get you out of here.
01:22:20I'm going to get you out of here.
01:22:21I'm going to get you out of here.
01:22:22I'm going to get you out of here.
01:22:23I'm going to get you out of here.
01:22:24I'm going to get you out of here.
01:22:25I'm going to get you out of here.
01:22:26I'm going to get you out of here.
01:22:27I'm going to get you out of here.
01:22:28I'm going to get you out of here.
01:22:29I'm going to get you out of here.
01:22:30I'm going to get you out of here.
01:22:31I'm going to get you out of here.
01:22:32Um...
01:22:45Aah!
01:23:02I couldn't help it, I had to listen to everything he said.
01:23:07I went to the hotel, met you and started pretending to love you.
01:23:14Gradually, the pretense took the form of truth.
01:23:18I fell in love with you.
01:23:21That day, I reached the hotel drunk with your love.
01:24:02He told me to call you to the hotel and tell you that I had killed him.
01:24:07So that you could remove the body.
01:24:10My love was stopping me.
01:24:12The humiliation was scaring me.
01:24:15But my father, who was a heart patient, couldn't bear it.
01:24:26He was helpless.
01:24:29I was helpless.
01:24:32I called you.
01:24:36You took the body and left.
01:24:39And you told me to leave the hotel.
01:24:45Since that day, I have been in tears of blood.
01:24:48If you had wanted, you could have killed me and my father.
01:24:54But you didn't do it.
01:24:57You saved me from the humiliation that I went through.
01:25:03Your sacrifice saved me from the fear and humiliation.
01:25:11Prakash, you turned out to be the God of love.
01:25:17But I couldn't even become a simple priest.
01:25:20You are not a priest, you are a Goddess.
01:25:24As long as Prakash is there, no darkness can come in Jyoti's life.
01:25:29But what can we do about that devil?
01:25:32He was blind until I heard your story.
01:25:36Now he is in front of my eyes.
01:25:39Who is he? Who is he, Prakash?
01:25:49Are you worried because I am here?
01:25:53How can a respectable man be worried about another respectable man?
01:25:59By the way, I am sorry to hear about your father.
01:26:05I respect both of you.
01:26:08Yes, I know.
01:26:11That's why I came to you.
01:26:14Because you have a lot of experience about hotels.
01:26:17If you can benefit from my experience, I will be very happy.
01:26:23Mr. Marshall, a girl is sent to stay in a hotel.
01:26:28A dead body is kept in her room.
01:26:31Her friend takes her out of the hotel very easily.
01:26:34Because this is what the person who kept the dead body wanted.
01:26:40And then a photo is taken while throwing the dead body.
01:26:44Through this photo, the friend is blackmailed.
01:26:48I think, Mr. Marshall,
01:26:51so many things can't happen in a hotel without the knowledge of the hotel people.
01:26:57What does your experience say?
01:27:01I think, this can also happen.
01:27:05You tell me the name of this hotel.
01:27:08So that I can understand everything about this place.
01:27:11And I can also explain to you.
01:27:13Hotel.
01:27:15I think, it's like your hotel.
01:27:18Are you kidding me?
01:27:20No, Mr. Marshall. I am very serious.
01:27:23Mr. Prakash.
01:27:25As a managing director, I have learned to handle the hotel business.
01:27:30Not to spy on hotels.
01:27:33I think, your father's experience can be very useful in this matter.
01:27:37Because of that experience, I have come to you, Mr. Marshall.
01:27:41What do you want to say?
01:27:43I want to hit such a wound
01:27:46which is like a sword after being hit by a goldsmith.
01:27:51My advice is that whatever step you take,
01:27:55think before you take it.
01:27:57Because many wounds are such
01:28:00that only the one who hits back gets hurt.
01:28:03Thank you for your advice, Mr. Marshall.
01:28:06But I assure you that my wound won't heal.
01:28:10I will wait for someone to take a new step towards us.
01:28:14So that I can give him the right answer.
01:28:17See you, Mr. Marshall.
01:28:19Best of luck.
01:28:26This new step will cost you dearly, Mr. Prakash.
01:28:40Police station, Bandra.
01:28:46Greetings, Inspector. Please come in.
01:28:50Is everything all right?
01:28:52I have come to arrest Prakash Khanna.
01:28:54Arrest him? Did you cancel my bail?
01:28:58No. I have come to arrest Prakash Khanna and his friend Jyoti Sena
01:29:02for murder charges.
01:29:04You mean, page 302?
01:29:06Yes.
01:29:08Inspector, I have just come from outside.
01:29:11Mr. Abed, see where Prakash is.
01:29:14The police have come to arrest him.
01:29:16Sir, he has gone out since morning.
01:29:20I heard it from you.
01:29:23Still, I want to search the house.
01:29:25Inspector, I am a respectable man.
01:29:28You cannot search my house.
01:29:30I am sorry, sir.
01:29:32I am compelled by my duty.
01:29:34I have a search warrant.
01:29:36Constable, search all the rooms.
01:29:38I have a warrant, so I am compelled.
01:29:40But, Inspector, you will not get anything in this house except abuse.
01:29:44Be it Kashmiri or Mirzapuri.
01:29:46I don't touch foreign goods.
01:30:08Thank you.
01:30:10Thank you.
01:30:12I am sorry.
01:30:14Inspector, now that you have come, have some tea.
01:30:17No, thank you.
01:30:19Have it.
01:30:29Hello.
01:30:31Jyoti, this is Prakash.
01:30:33Yes, Prakash.
01:30:35Listen to me.
01:30:36What?
01:31:07Open the door.
01:31:31I have come to arrest your daughter.
01:31:33What do you mean?
01:31:35Look at this.
01:31:39This is her arrest warrant.
01:31:44Prakash, I am very scared.
01:31:46There was no other option, Jyoti.
01:31:48I had to do this.
01:31:50Ladan must be here.
01:31:52I have called him here.
01:31:58Prakash, this is terrible.
01:32:00That blackmailer has taken your photo.
01:32:02That blackmailer has handed over your photo to the police.
01:32:05And the police has given us a warning that we will hand you over to the police in 24 hours.
01:32:09My guess was right, Mr. Ladan.
01:32:12Tomorrow morning, either the police will find the real culprit...
01:32:16or Prakash's dead body.
01:32:22Good night. Good night.
01:32:29Prakash.
01:32:31Your behavior shows that you are surprised to see me here.
01:32:35Because I should have been in the police custody.
01:32:38I didn't understand.
01:32:40Sit down, Marshal.
01:32:42And you will understand very soon how I have understood your evil plan.
01:32:48You did what I had thought.
01:32:52I had come to take your opinion about the hotel...
01:32:55so that you would see my hand reaching your neck...
01:32:59and I would be able to prove it to you.
01:33:04Prakash, accusing an honest man without proof...
01:33:08You will prove it with your own words, Marshal.
01:33:11Mr. Ladan, close the door.
01:33:19What do you want?
01:33:22Pardon me, sir.
01:33:31I, Prakash Khanna, in my conscience...
01:33:35I confess that I had framed Jyoti for a murder.
01:33:41Read on, Marshal.
01:33:46I also confess that Jyoti was not the murderer.
01:33:51I confess that I am the murderer of the hotel body...
01:33:55in which I used my dear friend, Mr. Ladan's car.
01:34:00My plan was to take advantage of my father, Commissioner Khanna's victory...
01:34:05and earn lakhs of rupees.
01:34:08But because of a friend of mine's treachery...
01:34:11my plan failed.
01:34:14Now when the law will arrest me at any time...
01:34:19I am committing suicide.
01:34:23Prakash Khanna.
01:34:26But what does this mean?
01:34:29I will explain, Marshal.
01:34:32Sit down, Mr. Marshal.
01:34:49These are two pills.
01:34:52One is for sleep and the other is for poison.
01:34:55It will kill a person in three minutes.
01:35:05I don't understand.
01:35:08Marshal, you are responsible for my and Jyoti's destruction.
01:35:13That's why I want to trade my life for your life or death.
01:35:18We will both drink this glass.
01:35:21If I drink the glass of poison...
01:35:24all the blame will be on me and you will be safe.
01:35:28And if you drink the poison, Marshal...
01:35:31you will confess your crime before you die...
01:35:35so that Jyoti and I are safe.
01:35:38No, I will not drink this glass.
01:35:41Marshal, you have only one way to save yourself from death.
01:35:47Drink it.
01:35:50Remember, Marshal, I can kill you right now.
01:35:54But I want to give you one more chance.
01:35:58Choose any of the two glasses.
01:36:17Drink it, Marshal.
01:36:20No, you drink it first.
01:36:24If you are safe, I will confess my crime and drink it.
01:36:31Okay, Marshal.
01:36:34Mr. Prakash, I won't let you drink this.
01:36:38Get out of my way, Mr. Lattan.
01:36:41Instead of rotting in jail all my life, I would rather die.
01:36:45No, Mr. Prakash, I won't let you drink this.
01:36:48Get out of my way, Mr. Lattan.
01:37:14Drink it.
01:37:45Sorry, Marshal. Death is waiting for you.
01:37:49I will kill all of you before that.
01:37:52Give me the decoction.
01:37:55Now you will have to drink the poison, Marshal.
01:38:00There is no other way.
01:38:03I will drink it.
01:38:06You will have to drink it, Marshal.
01:38:09No.
01:38:11You will have to drink it, Marshal.
01:38:14No.
01:38:16And you will have to tell me why you killed him.
01:38:19I didn't kill him.
01:38:21I didn't kill him.
01:38:23Jyoti killed him.
01:38:25And the body was found in the hotel.
01:38:27I have nothing to do with that.
01:38:29When you were taking the body out of the hotel, I got a call.
01:38:33And I took your photo with the body.
01:38:35So that I can use your father's jeep.
01:38:41The day you came to my house, I gave the photo to the police.
01:38:46I don't know anything else.
01:38:48You are lying, Marshal.
01:38:50Tell me the truth or I will...
01:39:05Jyoti!
01:39:35Jyoti!
01:39:39Jyoti!
01:39:41Jyoti!
01:39:43Jyoti!
01:39:45Jyoti!
01:39:47Jyoti!
01:39:49Jyoti!
01:39:51Jyoti!
01:39:53Jyoti!
01:39:55Jyoti!
01:39:57Jyoti!
01:39:59Jyoti!
01:40:01Jyoti!
01:40:03Jyoti!
01:40:05Jyoti!
01:40:07Jyoti!
01:40:09Jyoti!
01:40:11Jyoti!
01:40:13Jyoti!
01:40:15Jyoti!
01:40:17Jyoti!
01:40:19Jyoti!
01:40:21Jyoti!
01:40:23Jyoti!
01:40:35Jyoti!
01:40:39You?
01:40:43Is everything okay? I was so worried.
01:40:47Don't worry.
01:40:49The game is over.
01:40:55What do you mean?
01:40:57Give me a peg.
01:40:59Will you drink?
01:41:00It is said that it is given twice.
01:41:03In happiness and in sorrow.
01:41:06These two times have come together in my life.
01:41:11Happiness because I have killed that blackmailer.
01:41:22And sorrow because now I will have to part with my loved ones.
01:41:31The police have come.
01:41:33Prakash is coming to catch you.
01:41:35Run away from here.
01:41:37What will that do?
01:41:39You have committed a murder.
01:41:41If you get caught, you will have to spend the rest of your life in jail.
01:41:43I know, but there is no other way.
01:41:45But you...
01:41:51Come, Inspector.
01:41:53I had called you.
01:41:56I am the murderer of Marshal and you are his corpse.
01:41:58The police have found the corpse, Mr. Prakash.
01:42:08Mr. Ratan.
01:42:10You have helped me a lot.
01:42:12I am proud of your friendship.
01:42:16This is the last journey of a friend.
01:42:18Won't you say goodbye with a smile?
01:42:20Those who smile at separation are not friends, Mr. Prakash.
01:42:28Goodbye.
01:42:37Do you have anything to say in your defense?
01:42:40Judge, I have not committed any murder.
01:42:44All this is a false accusation.
01:42:46False accusation?
01:42:48Then maybe you have got this picture taken for the rehearsal of a drama.
01:42:53And if this picture is for the rehearsal of a drama...
01:42:55...then can you tell me where the man is and who he is?
01:42:58Yes, I will tell you.
01:43:06This picture is of the man who is alive.
01:43:09Alive?
01:43:11Jyoti has been killed by a player and reached here.
01:43:16Otherwise, he is innocent.
01:43:21Then who is the culprit?
01:43:22Who is the culprit?
01:43:24The culprit has been punished for his crime.
01:43:27He has been killed by me, Judge.
01:43:29Who was he?
01:43:30Marshall.
01:43:31This is a lie, Judge.
01:43:33Marshall died in front of me.
01:43:35Someone else killed him.
01:43:37Prakash is taking a false accusation on himself.
01:43:39This is the truth, Judge.
01:43:41Jyoti doesn't know anything.
01:43:43I am the murderer of Marshall.
01:43:45No, this is a lie. This is wrong.
01:43:47If you want, ask Mr. Lajan.
01:43:49He knows everything.
01:43:50Who is Mr. Lajan?
01:43:52I am, Judge.
01:43:59Mr. Lajan, Prakash is taking a false accusation on himself to save me.
01:44:04Save him.
01:44:06Save him.
01:44:20Save him.
01:44:50I was roaming on the streets with the desire to become something.
01:44:57My aim was to find a job.
01:45:00But getting a degree is not as easy as getting a job.
01:45:05One day, I met Marshall in an office.
01:45:08He got me a job at a barber shop.
01:45:12Marshall was an angel for me.
01:45:16Mother. Mother.
01:45:18I got a job at your shop.
01:45:20Thank you very much.
01:45:22I will come tomorrow.
01:45:25I am sorry.
01:45:27I am carrying heavy things.
01:45:30I am sorry.
01:45:32Mother, may God bless you.
01:45:35What do you think?
01:45:37I will get a job at a barber shop.
01:45:39This is a disease, Mother.
01:45:41You will become a grandmother.
01:45:43You will look like a horse.
01:45:45Is getting a job worth Rs.250 a goal?
01:45:47Goals are very high, Mr. Marshall.
01:45:50But fate doesn't let them be fulfilled.
01:45:53Fate is in our hands.
01:45:56Do you want to become a millionaire?
01:45:58Yes.
01:46:00There is a lot of money in Johri's safe.
01:46:02And you are alone there at night.
01:46:04Mr. Marshall, I may be poor, but I am not dishonest.
01:46:08Mr. Saleem, dishonesty is wealth.
01:46:11The price of honesty is to fool the poor.
01:46:15Loyalty to the master is the culture of the poor, Mr. Marshall.
01:46:18And I am also a poor man.
01:46:20Congratulations on your wealth and dishonesty.
01:46:23I wish I wasn't your benefactor.
01:46:26Very good.
01:46:28I got what I wanted.
01:46:32I am responsible for your job.
01:46:35That's why I was testing you.
01:46:37Saleem, you are an honest man.
01:46:40You are an honest man.
01:46:42I am satisfied with what Marshall said.
01:46:44It's been eight months.
01:46:46One night, I slept at Mr. Kesh's house while working.
01:46:50I heard some noises in it.
01:47:14Oh!
01:47:16Oh!
01:47:18Oh!
01:47:20Oh!
01:47:22Oh!
01:47:24Milad, the fingerprints on this knife belong to this man.
01:47:29I didn't do it.
01:47:31I didn't do it.
01:47:33I didn't do it.
01:47:35I didn't do it.
01:47:37I didn't do it.
01:47:39I didn't do it.
01:47:41I didn't do it.
01:47:42I didn't do it.
01:47:44I didn't do it.
01:47:46I didn't do it.
01:47:48In the murder of Mr. Girdharilal,
01:47:51under the name of defamation,
01:47:54you are sentenced to 14 years of imprisonment.
01:47:58The law punished him for the false evidence.
01:48:03His hard work, hunger, thirst and suffering
01:48:07ruined his life.
01:48:09His life was ruined.
01:48:13In front of his eyes,
01:48:15the face of a mother, wife and unborn child was revolving.
01:48:20What will happen to that innocent child?
01:48:24Suddenly, a tree fell.
01:48:27I took advantage of the situation.
01:48:29Commissioner Khanna, who was an inspector at that time,
01:48:32I pushed him from the jeep and ran to your house.
01:48:39Mother.
01:48:41Mother, they are leaving me.
01:48:44Mother.
01:48:46Mother.
01:48:48You can't leave me.
01:48:50Come back, Mother.
01:48:52You can't leave me, Mother.
01:48:54Mother.
01:48:56Mother.
01:49:09Mother.
01:49:39Mother.
01:49:41Mother.
01:49:43Mother.
01:49:45Mother.
01:49:49Mother.
01:49:55Break the door.
01:50:09I don't know what I'm going to do with my life, I don't know what I'm going to do with
01:50:28my life.
01:50:29I don't know what I'm going to do with my life.
01:50:39I don't know what I'm going to do with my life.
01:51:09I don't know what I'm going to do with my life.
01:51:16I don't know what I'm going to do with my life.
01:51:23I don't know what I'm going to do with my life.
01:51:30I don't know what I'm going to do with my life.
01:51:37I don't know what I'm going to do with my life.
01:52:07I don't know what I'm going to do with my life.
01:52:38I don't know what I'm going to do with my life.
01:52:45I don't know what I'm going to do with my life.
01:52:52I don't know what I'm going to do with my life.
01:52:59I don't know what I'm going to do with my life.
01:53:06I don't know what I'm going to do with my life.
01:53:13I don't know what I'm going to do with my life.
01:53:20I don't know what I'm going to do with my life.
01:53:27I don't know what I'm going to do with my life.
01:53:34I don't know what I'm going to do with my life.
01:53:41I don't know what I'm going to do with my life.
01:53:48I don't know what I'm going to do with my life.
01:53:55I don't know what I'm going to do with my life.
01:54:03I don't know what I'm going to do with my life.
01:54:11I don't know what I'm going to do with my life.
01:54:19I don't know what I'm going to do with my life.
01:54:27I framed the judge's daughter Jyoti for a false murder.
01:54:36I trapped Prakash and Jyoti in a game of love.
01:54:41When Prakash was about to take the taxi driver's body, I called the marshal.
01:54:47I knew that the marshal would play with Prakash.
01:54:54He played and played so much that his own game was over.
01:55:00I took revenge on all the criminals who ruined my life.
01:55:05I even confused Jyoti and Prakash.
01:55:11Your law forced them to be punished.
01:55:15They were both innocent, just like I was innocent.
01:55:23Judge, I was begging for justice.
01:55:33I was innocent.
01:55:35But no one listened to me.
01:55:39Today, I confess to all my crimes.
01:55:43I am a murderer, a blackmailer, a cruel man who plays with innocent emotions.
01:55:48Punish me as much as you can.
01:55:51But if you can, give me back my mother's wishes.
01:55:59If you can't, then what right do you have to snatch them from me?
01:56:02What right do you have to ruin my life?
01:56:05Tell me, why did you do this?
01:56:09Judge, you can't give me back my mother, my wife, my child, my wishes.
01:56:27You can only punish the criminal.
01:56:40Who is this?
01:56:43Mr. Prakash?
01:56:51You didn't recognize me?
01:56:53This is Jyoti, your daughter-in-law.
01:56:57Jyoti, my child.
01:56:59I am very ashamed of you.
01:57:02You brought a good girl from a good family to the court.
01:57:13You can't forgive your father.
01:57:18Uncle Latan, even my father couldn't forgive himself.
01:57:24Until his last breath, his mouth was filled with your name.
01:57:28Mr. Prakash, even I am leaving now.
01:57:34My luggage is gone.
01:57:36Don't say that, Uncle Latan.
01:57:38Your shadow will always be on my head.
01:57:40Yes, Grandpa.
01:57:42You don't need this stick.
01:57:44Mom and Dad have told me everything.
01:57:47From now on, I will be your stick.
01:57:49Uncle Latan.
01:57:53Thank God.
01:57:55Your one word has brought me back to life.
01:58:01Now I can lift you from the floor and make you dance.