S02E13 - The Adriatic Express Affair

david.mccallum
david.mccallum
  • last month
The Man from U.N.C.L.E. :
https://rebrand.ly/AMZN-ManfromUNCLE

Category

📺
TV
Transcript
00:00Venice, Venice, Venetia, Adriatic Express, Vienna to Venice, Venice to Venice, Venice
00:29to Venice on track nine.
00:42Madame Nemirovich.
00:44Ein glückliches neues Jahr, niedliche Frau.
00:50You are having a happy new year, yes, madame?
00:53I trust so.
00:55At my time of life, Schulz, every new year is not only happy, it is ecstatic.
01:01Here, do something naughty.
01:05I only wish I could.
01:07Where is Herr von Kreidel?
01:09Von Kreidel?
01:11The manager of my salon, he was to meet me here.
01:14I haven't seen anyone, madame.
01:16Oh, I want my chocolates, I want my roses.
01:22Conrad, go look for him.
01:26Oh.
01:37Gesundheit.
01:40It's the draft out here.
01:43See anything?
01:44All I can see from where I'm at are two little model girls.
02:00You think he could be disguised?
02:07Perhaps, but not one of these.
02:13Nelzho, wie bededit!
02:16Mach dein Zeug!
02:19Fertig zur Abfahrt!
02:22Alle mit Huber aufsteigen!
02:34Madame Nemirovich, which compartment?
02:36Compartment G.
02:38G, G.
02:39Oh, I'm terribly sorry.
02:42Would you please let me go, sir?
02:44I'm sorry, I just...
02:46There's one thing I hate, it's a masher in crowds.
02:54Masher?
03:02What about this one?
03:07It's a phony beard.
03:10Shall we?
03:35Who are you?
03:36I was sent by Herr von Kreidel from the salon.
03:40He was in the most terrible accident, Madame.
03:43Pinned under the wheels of a bus, just outside.
03:47He didn't have his glasses on, you see.
03:50The old fool.
03:54My chocolates.
03:57And my roses.
03:59You have brought them.
04:01Yes, Madame.
04:02Even in his pain, he insisted I bring these to you.
04:05Insisted!
04:06So I just ran.
04:08Thank you, thank you very much, my dear.
04:11I will telephone him from Vienna.
04:13You'd better go, the train is about to leave.
04:15Oh, dear.
04:16Auf Wiedersehen, Madame.
04:20Happy New Year, Myrtle!
04:22If you see Velma in Munich, tell her I've got her turtle.
04:25Bye! Bye!
04:32The train from Vienna to Venice has arrived.
04:37Ready for departure.
04:40All passengers, get out!
05:02THE END
05:32© BF-WATCH TV 2021
06:02© BF-WATCH TV 2021
06:32Yes, Vienna to Venice.
06:38You gentlemen get off at the border also?
06:41No, I'd rather like to go all the way through to Venice.
06:44I've never seen the canals frozen over.
06:46There is no crew space available.
06:49Oh, well, I'm sure you'll be able to manage something.
06:55Doubling up might be arranged.
06:58I hope so.
07:02And make sure you have something for the trolley.
07:05No, thank you, Madame.
07:07Look at your coat.
07:09I don't know what something like that costs.
07:11Oh, that's not your fault.
07:13No, it was my fault.
07:14It was that taxi hitting.
07:16Poor Harold.
07:18Oh, it was just terrible.
07:23We were in the crosswalk and suddenly he just flew up in the air.
07:27You were in an accident?
07:29The man I work for.
07:31We were running to see Madame Nemirovich off
07:34and his legs just went like that.
07:37Nemirovich?
07:38The old girl Nemirovich, way to beauty?
07:41Was that the old girl in the sable?
07:43Madame Nemirovich is not an old girl.
07:46She's a great woman.
07:48I should know.
07:49I work in her salon on the Katniss trouser.
07:52Only six months and already I'm shampooing.
07:55I find there is a little compartment.
07:58Madame will take care of your fare.
08:00This way.
08:29Mr. Waverly.
08:31Have you a thrush, man?
08:33Tell him about the beard.
08:35What? Speak up. I can't hear you.
08:37Yes, we're on the train with him, sir,
08:39and he appears to be wearing a beard.
08:42One either is or is not wearing a beard.
08:45Try to be more specific.
08:47Well, sir, could you tell us what or who it is
08:50or why we're pursuing this man?
08:53Otto von Kreidl is a thrush agent
08:55who is scanning a virus culture
08:57which, if thrush gets his hand on it,
08:59could revolutionize world politics.
09:01Ah, I see. Von Kreidl.
09:04What does the virus do?
09:06Tranquilize the electorate?
09:09It inhibits the ability to reproduce, Mr. Zolo.
09:16Thrush is only to waive that threat
09:18and the world will fall over itself to meet his sterns.
09:21Something none of us can afford.
09:23You want us to find the culture and bring it to you?
09:26No, no, no. Destroy it utterly.
09:29Already there are rumors.
09:31We can't afford hysterics.
09:33Destroy it tonight, Mr. Zolo.
09:35Yes, sir.
09:37Happy New Year.
09:39Same to you.
09:42Happy New Year.
09:44Same to you.
09:56A little further, my dear.
09:58For the last ten years, I have made an absolute rule
10:02never to sit near a window in the daylight
10:04without either the blinds drawn or a veil on.
10:09Not that it matters to a child of your age.
10:13How old are you?
10:15Nineteen, madame.
10:17And you have been working in my salon?
10:20For six months.
10:22Who would have thought when I woke up this morning
10:24tonight I'd be on the train to Venice?
10:26But only as far as the border, my dear.
10:29I'd like to take you to Italy, but the train is crowded.
10:33We would have to share this compartment.
10:35It would mean you would see this,
10:37as it is when I wake up in the morning.
10:40Much too disillusioning for a child of your tender years.
10:44Oh, no, madame. It's ageless.
10:47They teach you to say that in my salon?
10:50But everyone knows it's true.
10:52Even the young man who bumped into me.
10:54He knew all about you.
10:56Did he?
10:58That's a rare talent.
11:00Who was he?
11:02Yes?
11:05Madame Nimirovitch.
11:11Don't you recognize me?
11:13I'm Dr. Engster.
11:15Engster?
11:17What are you doing here?
11:19You thought I wouldn't catch up with you?
11:25Oh, Engster.
11:27Always so melodramatic, really.
11:31What will my little friend here think of you?
11:34Anything for a laugh, my dear.
11:36You should see him during carnival season.
11:39Oh, he is wicked.
11:41And that false beard.
11:43But did you put it on with flour and water, paste?
11:47All right, all right.
11:49In the bar in half an hour.
11:51And don't frighten the conductor with that thing.
12:02Poor little man.
12:04Do me a favor, my dear.
12:07Two doors down, his name is Conrad, my chauffeur.
12:11Tell him the doctor is on the train.
12:14The doctor is on the train?
12:16That's all?
12:18Quite.
12:20He will know what to do.
12:32Hi!
12:34Sorry.
12:42I beg your pardon.
12:44Well.
12:51I'm sorry.
12:53I'm sorry.
12:55I'm sorry.
12:57I'm sorry.
12:59I'm sorry.
13:29I'm sorry.
13:59I'm sorry.
14:01I'm sorry.
14:03I'm sorry.
14:05I'm sorry.
14:07I'm sorry.
14:09I'm sorry.
14:11I'm sorry.
14:13I'm sorry.
14:15I'm sorry.
14:17I'm sorry.
14:19I'm sorry.
14:21I'm sorry.
14:23I'm sorry.
14:25I'm sorry.
14:27I'm sorry.
14:48Dead?
14:50Oh, yes.
14:52Do you know who he is?
14:54Madame Nemerovitch's chauffeur.
14:56We better get him out of sight.
14:58We don't want to start anything until we find it.
15:11At first they wanted me to pose with almost nothing on at all.
15:14Then they put me in a bikini at the Lido.
15:17Then ostrich feathers and cabana at the Capybara.
15:21Now I wear nothing but heavy tweeds for the winter showings in Florence.
15:26It is a very dull life.
15:28Besides, I'm too thin, don't you think?
15:40We have a drink here for the mademoiselle and a scotch for me.
15:43Oh, no, thank you.
15:44Come on now, be friendly. It's a long way to the border and it's New Year's Eve.
15:48Bartender, would you give this note to Herr von Kreidl?
15:52He's the little man sitting in the corner.
15:54Herr von Kreidl? Where?
15:56He's in the corner.
16:00That's not Herr von Kreidl.
16:02It's not?
16:03No.
16:05You know Herr von Kreidl?
16:07Of course. He was the man I was coming to the train with tonight.
16:18There you are, Fraulein Eva, and with a gentleman friend so soon.
16:22You didn't tell me you were ready for dinner.
16:25I didn't want to disturb you, madame.
16:27Nothing disturbs me, child, except occasional good-looking men.
16:31And even not that anymore. Good evening.
16:34What lies have you been telling this child?
16:37Good evening, madame. I never lie.
16:41Then you are indeed unique.
16:43I approve.
16:45This is Mr...
16:47Solo. Napoleon Solo, madame.
16:49Olga Nemerovich.
16:51Yes, I know.
16:56Oh, you are the one the Fraulein says knows all about me.
17:01No, no, I didn't say that, but I would like to.
17:07Solo. It is a curious name.
17:10The feminine version, Solo, translates as a woman alone.
17:15Yes, well, that could never be true, at least in madame's case.
17:19No?
17:21Then you must both dine with me. I love dining alone.
17:25There will be three tonight.
17:28Begin with iced slivovitz. It is iced.
17:32You will love it, my dear. Essence of prunes.
17:35Then prosciutto.
17:37Essence of prunes.
17:39Then prosciutto and melon.
17:42Ripe melon.
17:50Good evening, madame.
17:53Something wrong, madame?
17:55Did you give my message to my chauffeur?
17:58Yes, madame.
18:00Madame, I have been waiting.
18:03Oh, I am sorry, Dr. Imster. I was delayed.
18:06May we make it later, after dinner?
18:08Yes, thank you.
18:25So, you thought Dr. Imster was Herr von Kreidel.
18:30But they are not at all alike, are they, Eva?
18:34No, madame.
18:36Besides, why would you want to see the manager of a beauty salon?
18:40Your hair certainly does not need to be tinted.
18:44And you have the complexion of a baby.
18:50I must confess, madame, that my interest in Herr von Kreidel...
18:54was merely a means of getting to you.
18:58Naturally.
19:02What else?
19:04Madame, I am sure that my organization can do much more for you than his.
19:09Are you?
19:11But the pay is so wretched, and I have such expensive tastes.
19:16Well, think of the satisfaction of the experience of working with our group.
19:21I know all about satisfaction, Mr. Soro.
19:24All my life, I have been self-indulgent, animal, ruthless, if you like.
19:31Deeply fond of attractive men, devoted to the joys of the table...
19:36as well as all the other joys.
19:39By rights, I should be nothing more than an old, wretched, decrepit ruin.
19:47You have been stamping the prunes out with your own feet again, haven't you?
19:51Madame, please.
19:53No, no, no, this is all right, this is all right.
19:56Where was I?
19:58A decrepit ruin.
20:05But I have never felt better in my life.
20:08I have never felt better in my life.
20:12But I have never felt better in my life.
20:15So you see, if you have come to me now, as say Prince Charming...
20:20to lead me out of the woods that surround my castle...
20:23you are to the best of my hasty calculations.
20:27Just 43 years and 11 months too late.
20:32You've been with them that long?
20:35Dear Mr. Soro, the entire organization was my idea.
20:46All alone by the telephone?
20:48Well, you know how these long-distance calls are. One has to wait.
20:52If you get bored, I have a party line in my compartment.
20:56This is my call now.
20:58Don't forget, in an emergency dial operator.
21:06At last.
21:08I've been wanting to meet you all afternoon.
21:10Why have you been following me all the time? What is this?
21:14Don't complain. After all, we did save your life.
21:17Your friend is in there now, kissing her hand.
21:21All attention.
21:23Madame Nimerovitch? Oh, well, he's always been very fond of the ladies.
21:26Ladies, ladies. She's a monster.
21:28He likes animals too.
21:30I don't need any jokes.
21:32Don't you realize what has happened?
21:34But you know who I am?
21:37Well, not exactly. The beard.
21:41Oh, here. Here.
21:46Oh, excuse me. This is a heron. I thought it was Damon.
21:53I'm Madame Nimerovitch's chemist.
21:57I'm Madame Nimerovitch's chemist.
22:01The man who discovered it.
22:03Oh, heaven help me.
22:06It was only to make everyone young again.
22:08Always, you see. She has to be young.
22:11Only it doesn't do just that.
22:13There's this other terrible thing too.
22:16I told her and never thought for a moment that she wouldn't give it back.
22:21Now she has it.
22:23She can destroy the future of the entire world.
22:28Ah!
22:44Ah!
22:46Ah!
22:49Ah! Somebody!
22:52There's a fight! Help!
22:55Oh!
23:00Ah! Ah! Ah! Ah!
23:04What's that?
23:06Sounds like a mouse or an opera singer or both that they happen to meet.
23:09Perhaps I'd better... Would you mind, Madame?
23:11No, please do. I am curious.
23:18These young men are becoming very clumsy.
23:21In the old days, oh, what savoir-faire they had.
23:25It was always a pleasure to lose to them occasionally.
23:28Lose, Madame?
23:30Mr. Solo may be attractive, but he is a very dangerous man indeed.
23:36A member of a worldwide criminal organisation.
23:40You may have heard rumours of it.
23:42Called Thrush.
23:44Yes.
23:46They want to use our company as a facade for their evil activities.
23:51If I refuse, they will destroy me.
23:54It just might be tonight.
23:57I might need some assistance.
24:00Would you? Oh, Madame, I have heard of Thrush.
24:05Anything I can do to help fight them.
24:08And of course, anything I can do to help you.
24:12You are a sweet little thing.
24:14I saw that at once.
24:27Put him here.
24:33Terrible, terrible.
24:36What is it? Oh, Madame.
24:40Conrad.
24:50What did I tell you?
24:52First Heron, Kreisel.
24:54Now Conrad. I will be next.
24:57Oh, no, Madame.
24:59You must help me, child. You must help me.
25:02I will do anything to help you, Madame. Anything at all.
25:06I will do anything to help you, Madame. Anything at all.
25:28A perfect hiding place, yes?
25:30Oh, it is nothing lethal.
25:32It contains only nerve gas.
25:35You put the barrel right next to Mr. Solor's head.
25:38In that way, the gas penetrates directly into the tissues.
25:43He simply goes to sleep.
25:45I wouldn't know.
25:47I mean, I've never even held a gun.
25:51Pull this back, put the gun to his head, pull the trigger. Simple.
25:56But how do I get close enough to put the gun against his head?
25:59My dear, you are a woman.
26:02I know, but I don't know very much about that yet.
26:09Maybe he wouldn't like me to get close to him.
26:12Men being men, I think you are wrong.
26:17Still, you may have a point.
26:20Some perfume.
26:22Oh, Madame, please.
26:24Eyeshadow, rouge.
26:27Madame, do you think this is right on a young girl?
26:30They say in the salon, under 25, we should be maidenly.
26:35This is an emergency measure, Fraulein.
26:39Oh, if I'd only brought my red satin and pearls.
26:44But I haven't required those on trains for years.
26:53Yeah, Valencienne.
26:56It is foolproof.
27:00Madame, you make me feel so abandoned.
27:05You should feel abandoned.
27:08Only you must not abandon me.
27:12Never, Madame.
27:14Whatever happens, you must get Mr. Soro out of the way immediately.
27:20But how can I manage it? Won't people be watching?
27:24In his compartment.
27:30For 40 years, I have been working for Olga, for them, those people.
27:35But this, I could not do.
27:38What form is the virus culture in?
27:40You could put it in an ordinary capsule.
27:43So big, size is unimportant.
27:45But once it is deposited in a...
27:48Mutterhülle, what is Mutterhülle?
27:50A receptive host.
27:52It can multiply itself a thousand times within 24 hours.
27:55Is there any more of it anywhere else?
27:57No, he destroyed it all.
27:59The only sample of it left existing she has.
28:01Even she doesn't know how it was made.
28:03But that doesn't matter.
28:05If she gives it to Thrush,
28:07they can destroy human life in a matter of a few generations.
28:11Where is it? In what?
28:13But it is so small, it could be anywhere, in anything.
28:16Well, we can't tear the whole train apart.
28:18Why not?
28:30I've heard of long-distance calls before,
28:32but this one was endless.
28:34I want to talk to you.
28:40Let's see where the old girl is.
28:42You wait here.
28:59I'll be right back.
29:29Olga!
29:31Olga!
29:59Olga!
30:14Personally,
30:16it's hardly the sort of night that I'd choose
30:18to slip into something cooler,
30:20but it's very becoming.
30:22It's madame's.
30:24Ah, I thought you borrowed it from the conductor.
30:28And to what do I owe the honor of this nocturnal visit?
30:33I'm mad about you.
30:35Oh, you poor, foolish child.
30:38You know, so many girls are.
30:40I guess it's because of my long black hair
30:42and the way I play the guitar.
30:44But do you really think there's any reason
30:46for this sort of thing?
30:48You're laughing at me.
30:50Never, never.
30:51Oh, yes, you are. Look at your mouth. It's smiling.
30:53Well, I'm just an incorrigibly happy person.
30:56Besides, you're very pretty.
30:58I think that's enough to make any man smile.
31:00You think I'm a child, don't you?
31:02Uh, not physically,
31:05but I do think you're acting rather childishly.
31:09Of course, I was a young nit myself once.
31:13I am not a young nit.
31:15Oh, you're no Grandma Moses, either.
31:20You blackened your eyes.
31:22The old girl, uh, belt you or what?
31:25That shadow.
31:27Madame put that on with her own hands.
31:29Well, I think she should consult her optometrist immediately.
31:32Enough is as good as a feast, you know.
31:36Mr. Solo, you've been horrid to me
31:39ever since we first met,
31:41and you're getting horrider and horrider.
31:43Gee, I thought I was acting rather pleasant.
31:45Big brotherly, even.
31:47You're not supposed to act like a big brother.
31:50You're supposed to act like a ravening beast.
31:53I'm sorry. I gave up ravening quite a while ago.
31:56I send all those sort of cases out these days.
31:59However, if we could wipe off some of that war paint
32:03and get down to cases,
32:06I, uh, think I could be
32:09an affectionate beast.
32:11Kiss me.
32:15Uh, just what are you trying to do, Fraulein?
32:18It's all right. I'm not going to kill you.
32:20It's only a nerve gas to put you to sleep till we get to Venice.
32:23Ah. Oh, I see. That's good. Are you quite sure of that?
32:26Oh, yes, yes. Madame told me so herself.
32:29Uh-huh. Now, bless her heart, the dear, considerate soul.
32:40Hmm. Fires a shot from both ends.
32:43Well, that's a cute little thing.
32:51It's a slug in both the victim and the gunman.
32:56Gee, the old girl seems so fond of you.
32:59Well, I guess dead Frauleins tell no tales, huh?
33:08Now, if we could just get that little chap by the washroom,
33:11we could have a fourth for Bridge.
33:13Sorry. He's lying over the washbasin in there.
33:16Shot four times through the stomach.
33:20Damn.
33:32Ah! Ah!
33:34Ah! Ah!
33:37Oh! Oh! Oh!
33:39Ah! Somebody!
33:42Somehow, I don't think that lady from Kansas feels too well.
33:46That's the second body she's discovered in there tonight.
33:49Second body? What second body?
33:51Yeah, the little man on the bar, the one that was talking to our friend, Madame Nemerovich.
33:55No, I don't believe any of this. Two bodies.
33:59No. Not two. Three bodies.
34:03I'm sure by now Herr von Kradl is also dead. He looked awful.
34:07Well, we can't have anybody for him except possibly the tram and bus line.
34:10So we got three bodies down. Let's hope we don't have three left to go.
34:13Where do we look next? For what?
34:16We're searching for a capsule for a line about, oh, that size.
34:20Now, if Madame Nemerovich gets it to Venice,
34:23we might as well scuttle ourselves in a gondola
34:26and sing the Barcarolle in three parts.
34:28Could it be in a piece of jewelry?
34:31He mentioned a ring or a pin or a brooch.
34:35She has jewels.
34:37Famous ones. Carries them with her always.
34:40Mr. Kiryakin is not unknown as a cat burglar.
34:44This is all so terrible.
34:46I've always worshipped Madame Nemerovich.
34:49I can't believe she's this kind of a woman.
34:51What if I went to her and appealed to her better nature?
34:54She hasn't carried that around with her for years.
34:57What can I do to help?
35:00Just sit quietly there and hold a good thought.
35:03We're going to climb out on the roof.
35:05Madame Nemerovich thinks that you're dead.
35:07Don't want to disillusion her. And keep your door locked.
35:10All right? After you, Alphonse.
35:37Hi!
36:07Oh, my God!
36:37Oh, my God!
37:07Oh, my God!
37:37It can't be romance.
37:39So I presume you are after my jewels.
37:42I hoped you'd be asleep.
37:44I never sleep.
37:46Like Serbius, I guard the gates of hell 24 hours a day.
37:50Well, I'm not surprised.
37:52You know, that won't be of any use because we're both much too quick for that.
37:55Perhaps. But if you don't mind, indulge me.
37:58It gives me something to do with my hands.
38:02Care for a chocolate? I can highly re...
38:04We're not here for either chocolates or jewels, madame.
38:07Then you're making a mistake. They're both first-class.
38:10Where's the capsule, madame?
38:12Capsule? I never take sleeping drugs.
38:15Whatever it's in, a ring, one of your pearls, it doesn't matter.
38:18Just hand it over.
38:20All my life, people have been trying to get my business secrets away from me.
38:25Suborn my chemist, ransacked my files.
38:28But no one yet has as much as my formula for vanishing cream.
38:33Well, there's always a first time.
38:35And I can assure you that we're deadly serious, madame.
38:40You young people always are these days.
38:43It seems to me that a sense of humor went out with a bustle and a leg about the sleeve.
38:56Naughty Mr. Solo.
38:58If you cease to amuse me, I have no compunctions at all
39:03in murdering two jewel thieves in self-defense.
39:07And how you wouldn't do that?
39:09You couldn't afford to because no one would believe you.
39:13I have witnesses that you tried to terrorize me and steal my ammos.
39:19Witnesses?
39:20Yes.
39:29Boris.
39:36Yes?
39:37You were with me playing Parcheesi
39:40when these two young men broke in and tried to rob me of my jewels at gunpoint.
39:45Weren't you?
39:46But of course, of course.
39:48Terrible class of travelers on trains these days.
39:51Terrible.
39:52Oh, Herr Schaffner.
39:53Yes, yes.
39:54Madame, you are all right?
39:56We have caught the killers for you.
39:58What? The who?
40:00There are your assassins.
40:15Did you bring the pocket detonator?
40:17We left so fast, they're in the hotel.
40:19How did I know you were going to bring me for a ride on a train?
40:23What about the electronic screwdriver?
40:26It's in the same place.
40:28Did you bring anything?
40:30Did you?
40:33The thing I can't understand is why that conductor believed Madame Nimirovitch instead of us.
40:38Well, she has an honest face.
40:40You could even lose the result of triumphant plastic surgery.
40:47What about the flamethrower? He didn't bring that either.
40:51Only these.
40:53Book of matches.
40:55The floor is wooden.
40:57If we could burn that, we could loosen these bars.
41:00With one book of matches?
41:04No.
41:06No, we could with that.
41:09It's just as inflammable as gasoline.
41:12I know.
41:13Once my eyebrows burned off having Cherry's Jubilee.
41:17The result was a triumph for plastic surgery.
41:21There you are. I've waited and waited and waited for you.
41:24I thought you were coming back.
41:26I looked everywhere.
41:27Look, it's almost New Year's and everybody's getting together in the bar.
41:30There's nothing I'd like better.
41:32And you're locked in.
41:33Who did it?
41:34Oh, I hate practical jokers.
41:35Where's the key?
41:36Shall I call the conductor?
41:37No, that won't be necessary.
41:38Just give us one or two bottles of cognac out of there and everything will be all right.
41:41Randy!
41:42Yeah.
41:43We can have our own party.
41:45Randy!
41:46We can have our own party right here.
41:51Good.
41:54All right.
41:56And soda.
41:57Get some bottles of soda from the bar.
41:59After all, I'd hate to go up in smoke.
42:01Well, you won't. It's good brandy.
42:03Yes, but I burst into flames with very little encouragement.
42:07Two big bottles.
42:10Get four.
42:11Four.
42:12Fast.
42:13Go, go, go.
42:14Randy, go.
42:15Get out of the way.
42:40Fallein Evah?
42:41Fallein Evah?
42:52Fallein Evah?
42:53Fallein Evah?
42:55Fallein Evah?
42:57Fallein Evah, I bring a message from Mr. Solove.
43:01Fallein Evah?
43:03It's a matter of life and death.
43:05It's a matter of life and death.
43:10Yes?
43:11Mr. Soro is held prisoner in the baggage car. He can't escape.
43:15You must help him. Hurry, or he will be murdered.
43:20Murder?
43:21Yes, yes. Hurry, hurry. They're going for him now.
43:31For an Eva!
43:36Thank you. I can handle everything now.
43:42I hope you realize there is nothing personal in all this.
43:46As a matter of fact, I experienced a tiny moment of regret over your fate.
43:51Tiny, but a moment.
43:53I do not have many moments like that, I assure you.
43:58All my life I've dreamt of meeting you.
44:01Of fashioning my life like yours.
44:04I thought you the greatest woman in the world.
44:09Life being what it is, frequently cruel, always painful.
44:15After all, for a child such as you, this may be the kindest way.
44:21What do you mean?
44:23One half of this is Nemerovich No. 9.
44:27The other half is not as abrupt as prussic acid,
44:31but in the end it is as effective.
44:34I am sorry.
44:57I think that one's loose.
44:59All right, let's put it out.
45:28Help!
45:39No!
45:58Into work!
46:13Fritz! Hans!
46:19No!
46:21Hans!
46:23Hans!
46:28Where is it?
46:34Where is it?
46:40The atomizer!
46:41Where?
46:42Out!
46:47Madame Nemerovich!
46:50Tell me where it is!
46:53Always so serious, Mr. Swallow.
46:57Such an untrackable mind.
47:00Please, can't you see she's dying?
47:04I tremble for your future, Mr. Swallow.
47:12Please, my chocolates.
47:15Where, Madame Nemerovich?
47:17The culture won't do anyone any good now.
47:20Don't bother me with silly details.
47:29Cigarette.
47:31No.
47:33No time.
47:36No.
47:38No time.
47:40Chocolates.
47:50Chocolates.
48:02Now you are too late, Mr. Swallow.
48:08I have swallowed you.
48:16It's midnight! It's midnight!
48:18Happy New Year!
48:35If it wasn't snowing, what could we see there?
48:38Well, on a clear day, in the distance, you could see St. Mark's, perhaps.
48:42Oh, isn't it exciting?
48:44Will you take me on a gondola?
48:46Well, I was thinking more of a little motorboat.
48:49A motorboat? But that's all unromantic.
48:52Not with Mr. Solo. He finds a gondola much too slow.
48:55Do you?
48:56Yes, you see, with a speedboat, I can get a lot farther a lot quicker.
49:16THE END
49:46© BF-WATCH TV 2021