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Short filmTranscript
00:00Pájaro soñador
00:31¿Y qué decidiste respecto al barco?
00:34¿Desde cuándo soy indeciso?
00:36Muy bien, ¿me compartes qué decidiste?
00:39¿Crees que podrías adivinar solo por curiosidad?
00:43A mí me gustaría que lo aceptaras.
00:46¿Lo aceptarás?
00:49Jan, ¿por qué me torturas? Por favor, dímelo ya.
00:55A ver, como te amo demasiado...
00:59Entonces, ¿lo aceptarás?
01:02¡Ay, Jan!
01:07Lo acepto. Prometo no volver a hacerte sufrir.
01:12¡Ay, Jan!
01:16Ay, perdón. Seguramente es mi madre.
01:21¡Ay, sí es ella! Lo sabía.
01:24¡Hola!
01:25¡Hola!
01:26¡Hija!
01:27¡Te salviste!
01:29Bueno, tuve que volver. Tu padre se desató.
01:32Se pasaba el día comiendo azúcares y carbohidratos.
01:35Se portó como un niño cuando se queda sin sus padres.
01:38No hizo dieta ni nada.
01:41Por Dios, no le creas nada. Tu madre es una exagerada.
01:45No es verdad.
01:50¿Qué es eso?
01:52Es un brazo.
01:54¿De quién es?
01:55Es un brazo. Y es mi brazo. Estoy aquí entero.
01:58No solo está mi brazo. ¿Cómo estás, Mevki B?
02:01Qué gusto verte.
02:03Todo bien, todo bien.
02:06¿Qué es eso, hija? ¿Han encendido velas?
02:10¿Por qué las encendieron? ¿Por qué? Dime.
02:13Nos besamos.
02:15No digas eso.
02:17Es que estoy trabajando en mi segundo libro.
02:20Ya empecé con mi segundo libro. Estoy volviendo a escribir.
02:23Pero justo en este momento decidí salir a descansar.
02:27Y Jan me vino a saludar.
02:29Ah, entiendo.
02:32Bueno, gracias. No te quito el tiempo.
02:36Trabaja, hija, y escribe cosas bonitas.
02:41Lo voy a besar. Digo, besitos, mamá.
02:46Esto no me gusta nada.
02:48Todo es muy romántico. Romántico.
02:50Velas y todo se está volviendo a acercar.
02:52Puedo sentirlo.
02:53No, tranquila, lo entiendo.
02:55Ay, Mevki B, en serio, no hay quien te entienda.
02:57Hace diez días te brillaban los ojos con solo mencionar su nombre.
03:00Calla, calla.
03:02Es que Jan me gusta como ser humano, por supuesto.
03:05Pero no puedo olvidar lo que tuvo que pasar mi hija.
03:09Mañana iré a su casa para ver qué está pasando ahí.
03:13Oh, estoy cansada.
03:16Creo que me voy a la cama.
03:18Buenas noches. Hasta mañana. Descansen.
03:21Pues su madre está cansada por el viaje.
03:23Me voy contigo, Mevki B. Déjame ayudar.
03:25¿Quieres que te ayude?
03:26No, no hace falta. Solo está cansada.
03:28Vamos a llevarnos esto.
03:29Descansen, hijos. Buenas noches.
03:31Gracias, papá. Buenas noches.
03:34Ya verás cuando se enteren que Zanem compró el barco.
03:38Y que podrían volver.
03:39Sí, ya lo sé.
03:40Y mi padre últimamente está más estresado por su enfermedad
03:43y acaba enojándose con Zanem.
03:46Las cosas volverán a ponerse feas.
03:49Pero tú no te preocupes por nada.
03:55Creo que es mejor apagar el teléfono.
03:57Así estaremos más tranquilos.
03:59Y bien, ¿qué estabas diciendo?
04:01Espera un momento. Creo que estábamos más o menos así.
04:04¿Así?
04:05No, estábamos más cerca.
04:10Te agradezco que no quieras hacerme sufrir más.
04:15Con una condición.
04:17Bueno, te escucho.
04:18Ya no hablaremos del barco de Yan.
04:20¿Y por qué?
04:21Hablaremos del barco de Yan y Zanem. De nuestro barco.
04:25De nuestro barco. Me gusta.
04:33¡Ay, ya!
04:45¡Ay, ya!
05:15¡Ay, ya!
05:45¡Ya!
06:12¡Ya!
06:16Estoy nadando en el mar. Mírame cómo nado.
06:20¿Lo ves? Mis pies. Mira qué bonitos son.
06:25Yan, ten cuidado, por favor. Yan, cuídate, por favor.
06:45Cuidado, ahí viene una ola y está enorme.
06:51Ya no me molestes.
07:05Hola.
07:06Hola, Nihat.
07:07Buenos días.
07:08Vaya, veo que ya no te has visto.
07:11Hola, Nihat.
07:12Buenos días.
07:14Vaya, veo que ya tienes todo casi terminado.
07:17Pues sí.
07:18Qué bien. ¿Y dónde está Leila?
07:20Leila fue al estudio a grabar.
07:22Ah, estupendo. Muy bien.
07:24¿Y cuándo es la inauguración?
07:26No creo que lo hagamos. Es un sitio pequeño. No hace falta inauguración.
07:30No entiendo por qué no habrá inauguración.
07:33Además, dijiste que se van a dedicar a la música.
07:38Explícame, ¿qué van a vender aquí? ¿Cassettes o qué?
07:41No, Nihat, los cassettes ya casi no existen.
07:44Ah, venderán CDs. Y la de los CDs acabó también.
07:47Pues si la era de los CDs se acabó y los cassettes ya no existen, ¿qué van a vender aquí?
07:51No vamos a vender nada. Es decir, esta no es una tienda, Nihat.
07:54¿Que no van a vender nada? Entonces, ¿cómo van a ganar dinero?
07:57¿Pero tú confías en mí o no?
07:59Claro que confío. Si no, no hubiera permitido que Leila se casara contigo.
08:03Lo que pasa es que han vivido momentos bastante difíciles y me preocupo.
08:07Por eso te hago tantas preguntas.
08:09No te preocupes, todo va a salir bien.
08:12Voy a colocar esto aquí.
08:19Déjalo, déjalo, déjalo. No va así. Lo pondré así.
08:26Ah, no.
08:28Lo que pasa es que no entiendo lo que van a hacer aquí.
08:32¿Es una tienda de música o es que van a vender cuadros aquí?
08:37No.
08:44Melat, habla en serio, Melat. Me estoy poniendo nerviosa.
08:48Nada de esto me gusta.
08:50El chico es muy guapo. Es normal que vuelva a caer.
08:53Ya me cae bien. Se ve que es bueno, pero hizo sufrir a Zanem.
08:57Y eso no se me olvida.
08:59Iré a su casa y así me enteraré de todo lo que está pasando entre ellos.
09:03Haces bien. Tú ve ahí y luego me lo cuentas.
09:06Melat.
09:07¿Qué?
09:08Quiero hacerte una pregunta.
09:10Claro, dime.
09:11¿Qué entiendes cuando digo música?
09:14Música.
09:15¿Música?
09:16¿Lo ves, Mevki Bey?
09:18Ella tampoco lo entiende, no soy tan raro.
09:20¿Por qué no los dejas en paz? Van a dedicarse a la música.
09:23¿Qué tiene de malo? Por favor.
09:25No puede ser.
09:26Bueno, ahora que dijiste eso, creo que ya lo entiendo mejor.
09:32Claro, mi amor.
09:35Qué bonito, se entienden con solo mirarse a los ojos.
09:38Es verdad, es que el amor es infinito.
09:40Sí, qué lindo matrimonio tienes.
09:42Mírase lo que le dije a Nihat, aunque en realidad yo tampoco entiendo a qué se quieren dedicar.
09:46Dice que a la música, pero eso no me dice nada.
09:48Mujer, van a dedicarse a la música, ¿qué no entiendes?
09:51Pues, música.
09:52Qué bien que hayas vuelto.
09:54¿De verdad?
09:55Esto no es lo mismo sin mí.
09:56¿Me echaste de menos?
09:57Por supuesto.
10:01Deren, estás ahí sentada como un alma en pena.
10:03¿Por qué no vienes al mercado? Es más divertido que estar ahí sentadota.
10:06¿Y qué voy a hacer yo en el mercado?
10:08Puedes ser nuestra modelo, tienes una piel muy suave.
10:11¿Te estás burlando de mí?
10:12Claro que no.
10:13¿Pretendes que sea tu modelo, Yeye?
10:14No.
10:15Deberías avergonzarte.
10:16Ya no me distraiga, tengo muchas cosas que hacer.
10:19Pero si nunca haces nada.
10:21Disculpa.
10:23Sí, hola.
10:26Pues sí.
10:28Sí, esa soy yo.
10:31Hola, qué gusto.
10:32¿Qué tal?
10:33Excelente.
10:34¿Y tú?
10:35Oye, es un cliente.
10:36¿Quién, quién?
10:37Ah, es que tuvimos que cambiar la dirección abruptamente.
10:40No, de otra.
10:41Ahora estamos en la zona rural.
10:43Nos ayuda mucho para la inspiración.
10:45De hecho, es la tendencia mundial.
10:47Hemos elegido una forma de vivir tranquila.
10:49Muy bien.
10:50¿Podría estar aquí dentro de una hora?
10:52Sí.
10:53Ahora le mando la dirección.
10:55De acuerdo.
10:56Hasta luego, sí.
10:57Adiosito.
10:59Eran de Artextil.
11:01¿Quieren vernos para su nueva campaña?
11:04¿Dónde?
11:05¿Cuándo?
11:06¿Artextil?
11:07¿Artextil?
11:08¿La Sociedad Anónima?
11:09Esa misma Artextil, la gran empresa.
11:13No puede ser.
11:14Está temblando.
11:15Ella está dando un ataque de pánico.
11:17Vuelve en ti.
11:18Vuelve en ti.
11:20No lo golpees.
11:21Tranquilos, no tengo un ataque de pánico.
11:23Solo me paniqué.
11:24Estoy asustado como un novio que ve a la novia por primera
11:27vez, pero estoy bien.
11:28Tenemos que decírselo a Jan.
11:30Tengo que encontrar a Zanem.
11:32Este ya se volvió loco.
11:34Fikri Jarika ha vuelto.
11:36Prepárense, bebés.
11:38Ese es el espíritu.
11:40Artextil, no puedo creerlo.
11:43El cliente, está bien tener un cliente nuevo,
11:45aunque claro, no lo conozco, así que no me emociono tanto
11:48como ustedes.
11:49Ay, no sé por qué te digo esto.
11:51En fin, da igual.
11:52Nada de eso irá a mi motivación.
11:54Qué emoción.
11:55Todo tiene que estar perfecto.
12:08Tal vez lo acepté con mucha prisa.
12:10No.
12:11Y además, él ha hecho muchas cosas para que lo perdonara.
12:15Y tenía razón con lo de Chiquito.
12:17No busques pretextos.
12:18Te lanzaste a los brazos de Jandivid sin pensarlo.
12:21A ti no te pregunté nada.
12:23No me importa lo que pienses.
12:25Sal de aquí.
12:26Lárgate.
12:28Creo que no deberías reconciliarte conmigo,
12:31solo porque soy un magnífico cocinero.
12:34No puedo creer que ahora te guste cocinar.
12:36Ya verás qué delicia.
12:38Ahora te lo diré.
12:42Huele delicioso.
12:44Si me permites, yo voy a servir.
12:46Bien.
12:50Ya, superamigo.
12:51Zanem.
12:52Señor Aziz, ¿dónde están?
12:56Hola, Yan.
12:58¿Zanem?
13:00¿Qué hacen aquí los dos solitos?
13:03¿Están desayunando?
13:05El desayuno es la comida más importante.
13:07Tienen que comer.
13:08Seguro tienen hambre.
13:10¿Desayuno?
13:12Entonces están juntos otra vez.
13:16Los dos.
13:17¡Ah!
13:23J.J.
13:24¿Sí, Zanem?
13:25¿Quieres que te cuente un secreto?
13:27¿Secreto?
13:29No.
13:30¿Un secreto?
13:31¿Un secreto?
13:32No, gracias.
13:33No, por favor.
13:34Mejor me voy.
13:35Me voy.
13:36No me gustan los secretos.
13:37Pero si Sebas se entera.
13:38No, Zanem.
13:39Prefiero morir ahogado.
13:40Nunca sé qué hacer con J.J.
13:42Y, por cierto, deberíamos nadar más seguido en la piscina.
13:45Casi nunca lo hacemos.
13:47¡Yan!
13:48¡Zanem!
13:49Tenemos una reunión con Art Textile dentro de una hora.
13:52¿De acuerdo?
13:53¡Adiós!
13:54¿Nuestro Art Textile?
13:57¡Exacto!
13:58¡Art Textile!
13:59¡En una hora!
14:01Mejor me ahogo.
14:03J.J., te lo voy a contar.
14:05¡Escúchame!
14:06¡Basta, que te calles!
14:16Oye, mi amor.
14:18¿No es tan malo?
14:19Vamos a ver qué opina Zanem cuando lo escuche.
14:22No estoy segura de poder hacerlo, mi amor.
14:24Bueno, vamos a escucharlo una vez más.
14:26No.
14:27No.
14:28No.
14:29No.
14:30No.
14:31No.
14:32No.
14:33No.
14:34No.
14:35¿Te parece que organizamos un grupo de enfoque?
14:37Así será más fácil.
14:39¿Grupo de enfoque?
14:40El grupo de enfoque es lo mejor.
14:42No parece mala idea.
14:43Bien, yo lo organizo.
14:44¿Un grupo de enfoque?
14:45¿Qué significa eso?
14:46Es una cosa para la música.
14:48Ah.
14:49Nihat tiene razón.
14:50Grupo de enfoque, música.
14:52Yo...
14:53¿Qué sé?
14:54La verdad es que no entiendo ni una palabra de lo que hablan.
14:56Mamá, te explico qué es un grupo de enfoque.
14:58Como sabes, compuse una canción para las cremas de Zanem.
15:01Sí.
15:02Bueno, antes de presentarlo a la agencia,
15:04se debe presentar a un grupo de compradores potenciales
15:08y ver qué dicen.
15:09¿Está bien?
15:10Y eso es un grupo de enfoque.
15:11De acuerdo, hija.
15:12Voy a casa de tu hermana.
15:14Espera, espera.
15:15¿Qué estás haciendo?
15:16No puede ser todos los días.
15:17Pero quiero ver a Zanem.
15:18Mamá, por favor, no te vayas.
15:20Estoy muy nerviosa por lo de la música.
15:22Quédate en casa.
15:23Suegra.
15:24¿Zanem no se irá?
15:25Organizaremos un grupo de enfoque y la vamos a necesitar.
15:27Ay, mi niña, con lo mucho que te quiero.
15:30Sí.
15:31Gracias.
15:32Ya sabes que cuentas conmigo.
15:33Vamos a hacer el enfoque o como se llame.
15:35¿Dónde están las cremas de Zanem?
15:37Creo que están arriba.
15:38Pues concentrémonos en el enfoque del grupo.
15:40Esa cosa.
15:41Sí.
15:42Síganme, hijos.
15:43Listo.
15:48No, no, no puede ser así.
15:50Nos faltan muchas cosas y encima no tenemos suficientes
15:52marcas de café.
15:54Entonces la agencia quebrará.
15:57Claro, como tu bebé esté, a ti te da igual.
15:59Pero en una agencia de publicidad respetable,
16:01tiene que haber muchos tipos de café.
16:03Como frappuccino expreso y café sin moler.
16:05Y tengo que poder elegir el que voy a servir.
16:07¿Qué pasa si el cliente pide?
16:09Por poner un ejemplo, un frappuccino con caramelo y
16:11crema.
16:12¿Qué vamos a hacer?
16:13Piénsalo bien.
16:14Sería una vergüenza no tener que servir.
16:16Yei, yei, ¿entonces quebramos porque nos quedamos sin
16:19caramelo o no?
16:20Ay, ya.
16:22Cálmate, Yei, yei.
16:24No podemos tener la misma organización que teníamos.
16:27Pero se me ocurre una buena idea.
16:29Bulut cultiva café orgánico.
16:31Serviremos ese café, que además es coherente con el
16:33concepto.
16:34Bravo, Deren.
16:35Así se habla.
16:36Vamos a considerar la situación desde el punto de vista
16:39profesional.
16:40Primero, nuestra oficina no está en una carretera muy
16:44concurrida.
16:45Así que tenemos que poner señales para que nos
16:47encuentren.
16:48Ah, es verdad.
16:49Tiene razón.
16:50Tenemos que poner flechas para que puedan encontrar el
16:52camino.
16:53Ya lo estoy viendo.
16:54Tienen que ser unas flechas que dejen claro dónde,
16:56dónde estamos.
16:57Corre.
16:58Perfecto.
16:59Sigamos a ver, ¿por qué esta gente no ha aprobado las
17:02campañas de las demás agencias hasta el momento?
17:05¿Por qué no les han gustado?
17:07Tenemos que poner manos a la obra y ofrecerles algo que
17:11sea increíble.
17:12Usted tiene toda la razón, señora Aziz.
17:14Sí, tiene razón, señora Aziz.
17:17Señora Aziz.
17:18Hemos vuelto, baby.
17:20Hemos vuelto.
17:22Baby.
17:23Perdónenme por haberlo llamado baby,
17:25pero tiene piel de bebé.
17:28Seguro usa nuestras cremas.
17:30Baby.
17:31Sí.
17:32No podemos entretenernos.
17:33Tenemos mucho trabajo por delante,
17:35porque este lugar tiene que parecer una oficina de verdad.
17:37Claro que sí, Beren.
17:38Muévanse.
17:39Bien.
17:40Vamos, vamos, vamos.
17:41Hay que darnos prisa.
17:42Usa los carteles.
17:43Andando.
17:44Vamos.
17:45Vamos.
17:46Vamos.
17:47Vamos.
17:48Vamos.
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20:00Vamos.
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20:04Vamos.
20:05You'll be there in an hour, okay?
20:07Okay. You're the best.
20:09I'll tell Annette to come too.
20:11Let's see if we understand how this music thing works.
20:13Okay.
20:15Hey, we haven't talked about who's going to serve the coffee yet.
20:18You'll be the assistant, okay?
20:20But, let's see, JJ, why does it always have to be me?
20:23Besides, I remind you that I'm a partner in this company.
20:26I may only have a small part, but I'm an actionist.
20:29If things were easy, anyone would do them.
20:32Your actions won't give you the experience.
20:34But I don't have experience as a waitress.
20:36You're the one who has more experience.
20:38So it's better if you don't do it.
20:40Enough! What an injustice!
20:42It looks like everyone here needs servants.
20:45Come here and behave like a creature
20:47who always has to have the last word.
20:53And we've tried the creams, ladies.
20:57Well, the truth is that I like it.
21:00Of course, Sanen.
21:02My daughters have a lot of talent.
21:04They went out to their mothers.
21:06That's right, my mother-in-law.
21:08As I explained to you before,
21:10first we're going to listen to the music,
21:12and then we'll start with the evaluations.
21:14You'll have to score them from one to five
21:16and tell us why that score.
21:18I want a pen, too.
21:20Very well.
21:22I'm going to sit down.
21:24Thank you very much.
21:26Are you all ready?
21:28And here we go.
21:37I like it.
21:39That's it.
21:45Relaxing.
21:53Yes, I like it.
21:55That's it.
21:57Let go of the pen, that's it.
21:59And now take your pens
22:01and give your opinion in writing.
22:03Good, write now.
22:05Yes, in silence, don't copy.
22:07Let's see what you think.
22:09Well, I really like the cream and the music.
22:11My score is...
22:13Bravo, yes.
22:15Bravo.
22:17Thank you, congratulations.
22:19The truth is, I loved the cream.
22:21Bravo, that's it.
22:23My score is a two.
22:25What a shame.
22:27How come you don't like the music?
22:29Why don't you like it?
22:31Let them express themselves freely.
22:33Don't argue, please.
22:35Good, thank you for your evaluation.
22:37It's what we need.
22:39Daughter, it's not...
22:41The thing is, she's a little deaf, that's why.
22:43All right, sweetie.
22:45All right, I'll shut up.
22:47I loved the music.
22:49Bravo.
22:53But not the cream.
22:55Two and a half.
22:57Two and a half.
22:59I'm sorry.
23:01Oh, come on, you have no idea about cosmetics.
23:03One day you put insecticide in your hair
23:05instead of hairspray,
23:07and we had to take you to the hospital.
23:09Because you were running, remember?
23:11Mother-in-law, please.
23:13Please, let's respect the focal group.
23:15We have to move on, please.
23:17Forgive me, son, I'm sorry.
23:19I'm afraid to express my opinion
23:21because I don't want to be scolded.
23:23I haven't scolded anyone.
23:25Tell me, who did I scold?
23:27What are you talking about?
23:29Everyone here says what they think.
23:31No one is scolding anyone.
23:33Stop lying.
23:35I knew it.
23:37That's why I didn't want to say anything.
23:39And I screamed.
23:41I want to believe that we can give our opinion
23:43freely, I guess.
23:45All right, the music could have more rhythm.
23:47I'm sorry, but that's my opinion.
23:49Shh!
23:51Shh!
23:53Shh!
23:55Shh!
23:57Shh!
23:59Shh!
24:01Shh!
24:03Shh!
24:05Shh!
24:07Shh!
24:09Shh!
24:11Shh!
24:13Shh!
24:15All of you, please leave.
24:17Go!
24:19Go!
24:21Go!
24:23Go!
24:25Go!
24:27Go!
24:29Go!
24:31Go!
24:33Go!
24:35Go!
24:37Go!
24:39Go!
24:41Go!
24:43Hehehehe.
24:50They haven't arrived.
24:51Maybe they got lost.
24:52Don't worry, Deren.
24:53You'll see, they'll be here soon.
24:54Don't be so negative.
24:55Deren, please.
24:56Negative, negative, negative.
24:57They're very important customers.
25:00Ha!
25:01They're here!
25:02Oh, they're not.
25:04What?
25:05They're not here yet?
25:06They're resting in the little house.
25:07As soon as they wake up, we'll start the meeting.
25:09Hohohohoho!
25:11Isn't that funny, Musa?
25:12He's a great comedian.
25:13I love him.
25:15Come here.
25:16What's going on?
25:17We've laughed enough.
25:18I think we should call them.
25:19Maybe something happened to them.
25:20We're not going after them.
25:21They're the ones who arrive late.
25:22They call us and don't pick up.
25:23Don't worry.
25:24There was probably traffic.
25:25Jan, we're trying to stay calm, but this meeting is very important to us.
25:30We're nervous and excited.
25:31You don't understand.
25:32Help!
25:33Help!
25:34Help!
25:35Help!
25:36Help!
25:37Help!
25:38Help!
25:39Help!
25:40Help!
25:47Let go of him.
25:52Let go!
25:53Help!
25:55Let go!
25:58Quiet!
25:59Poor dog.
26:00That's for me to eat!
26:06Here it is.
26:12I was going to ask you how you are, but I can see it.
26:18Although the truth does not seem so serious.
26:20Hey, excuse me, I'm so sorry.
26:22I really don't know.
26:24Oh my God, poor.
26:26Can I ask you who you are?
26:28Who am I?
26:29Yes, the General Director of Textile Arts.
26:31The General Director?
26:32Listen to me, damn it, it's incredible.
26:35We're done.
26:40And you?
26:41We are also textile art.
26:43Yes, look at us.
26:45I'm sorry, it's serious.
26:47I'll see how I fix it.
26:48Art with mud, nature and mud.
26:50It can still be a new trend.
26:54Oh, what a horror.
26:55Calm down, you're not that bad compared to them, of course.
26:58Yes, you're right.
26:59I think he's worse.
27:01Why are you bleeding?
27:02With a little water you will feel better.
27:04Excuse us.
27:20Please love, don't put that face.
27:23The focus group didn't go well.
27:25And now the neighborhood is revolutionary.
27:27Oh, don't even remind me.
27:28If I think about it, I get more angry.
27:31My love.
27:33I liked music more when it was a hobby, but now ...
27:36Now what?
27:38Well, I get stressed when I have to work professionally.
27:44I feel like I'm not going to be able to do it.
27:46I guess it's better to forget it.
27:48Leila, it's the first attempt.
27:50Yes, I know, but I don't see any progress yet.
27:53I don't think I'm capable of doing it.
27:55The truth is, I don't have that much talent.
27:58You wanted us to do this, but I can't, my love.
28:02No, no, no, don't say that, my love.
28:04I am happy and you are happy.
28:06You know that, right?
28:08I appreciate it.
28:11Are you worried about how we're going to tell my parents?
28:14No, don't worry.
28:16They will be delighted that we give up music.
28:20Come on, give me a kiss.
28:24Are you better?
28:25You have to think.
28:27In another business, more ideas.
28:29Something will come out.
28:31Let's go, let's go.
28:33You can't go.
28:34I want to go.
28:36The truth is that we came to see you because we are very interested in the concept of an image with the field.
28:41But this doesn't make sense.
28:43Yes, we think the same.
28:44All this is a mockery.
28:45Does water hurt you a lot?
28:47No, wait, I don't know.
28:48Enough, enough, this can't be.
28:50I don't want water anymore.
28:51Calm down, drink a little.
28:52I really like it.
28:54It's over.
28:55I'm leaving.
28:56I don't know what else I can do to make up for it.
28:58Look, drink a little more water.
29:00I couldn't do it.
29:01Oh, yes, it's true.
29:03I don't like blood either, but we have to help you.
29:06Calm down.
29:08Let's go.
29:09Clean his wound.
29:10I beg you, please don't go.
29:12I want to go.
29:13Please let me go.
29:14I'll heal your wound.
29:15Wait a minute.
29:16He will help us.
29:17I want to go.
29:19It's blood, it's blood.
29:20It's enough.
29:21Let's go.
29:23You look great, and you're very pretty.
29:26Please let me go.
29:27Let me go.
29:28But I can't assure you anything.
29:30I'll buy a month to be able to cure you.
29:32It's necessary.
29:33One moment, Mr. Director.
29:34I want to do the most important thing in life.
29:36So wait, please let me cure him.
29:38He looks horrible.
29:39You're bleeding more and more.
29:41Oh, please.
29:42Please, sir, you have to listen to me.
29:44JJ, you know what?
29:45Hey, what are you doing?
29:46Now, in this agency, they're crazy.
29:48Let's go, JJ.
29:49See you guys.
29:50Wait, wait.
29:51Don't go.
29:52JJ.
29:53JJ.
29:54Musa.
29:55We can reach an agreement.
29:56We'll find a way to work together.
29:59Oh, no.
30:00We've missed a great opportunity.
30:02Musa, don't scare me.
30:04I think I'm already dead because I'm seeing an angel.
30:08Musa.
30:10Musa, wake up.
30:14Careful.
30:15Redhead, what did you do to me?
30:17I don't feel like throwing up.
30:19I can't see blood.
30:20Look at me.
30:21It happened to me, too.
30:22Wow, that's great.
30:23Something else we have in common.
30:25We look a lot more than you think.
30:27We can say we're blood brothers.
30:30But I'm prettier.
30:31Guys, I think it's time for all of us to accept the situation.
30:36This isn't a place for the agency.
30:41But, Mr. Aziz, you told us...
30:43I've believed in this project from the beginning.
30:45Do you know why?
30:46So that Zanem and Yam can reconcile and be together again.
30:49But now that they've done it, there's no more.
30:51My job is done here.
30:53Son, I want you to be happy.
31:00Dad.
31:01Son.
31:03My son.
31:04Let's be honest.
31:05Do you think I don't know you're staying here for Zanem?
31:08And it doesn't bother me.
31:09On the contrary, it makes me happy.
31:11I love you very much, son.
31:14Mr. Aziz got what he wanted, didn't he?
31:17Uh, well, I'm going to go see the creams.
31:20Michelle, come with me.
31:22No, wait, I'm coming with you.
31:25I'm dizzy.
31:26And one more thing, guys.
31:28I'd like to give you all my shares and tell you something else.
31:32I want to give you what I consider good advice.
31:36Forget about being a big company.
31:39Please accept.
31:41Why?
31:42Why?
31:44Goodbye, boys.
31:45Have a good day.
31:48Yes, sir.
31:49Musa, we have to do everything we can to keep the company alive.
31:53Now we're going to sell the creams.
31:55Where are the creams?
31:56Let's go get them.
31:57The creams!
31:58Well, where the creams are put, where else can they be?
32:02Calm down, please, calm down.
32:04So, are you dating again?
32:08I don't know if we're dating, but something like that.
32:12Please tell me everything.
32:14Okay, well, yes, we're dating now.
32:16But why?
32:17I don't understand why you came back with him.
32:38Oh.
32:39Oh.
33:09He's mine.
33:27What are you thinking about?
33:31For a long time, I've only thought about you.
33:36And you?
33:38For a long time, I've only thought about you.
33:44It's good that you've rested.
33:46Why?
33:49Because for a long time, from now on, you're going to think about me.
33:54I'm sorry.
34:07What does that vocal group know about music?
34:09They don't understand anything.
34:11See? They don't have a good taste.
34:13Yes, you're right.
34:14My daughter has the voice of an angel.
34:16What don't they understand?
34:17They're enemies of art, they don't understand.
34:19I had two daughters who are two artists who have a lot of talent.
34:23Two great artists.
34:24Yes, of course.
34:25Hey, did you finally go to see Sanem today?
34:28Have you talked to her, at least?
34:30I couldn't go there because Leila asked me to stay.
34:33I'm going to call her.
34:34Yes, call her.
34:35Oh, how you like to make video calls.
34:37The truth is, if I could, I would put a camera in their heads,
34:40each one, but I can't.
34:41They look very pretty.
34:50My mother.
34:56Hello, Sanem, my life, how are you?
34:59I'm fine, thank you, and you?
35:01We're fine.
35:03Hey, why is it so dark?
35:06Where are you?
35:07What are you doing?
35:08I'm on a boat, taking a walk.
35:10Well, daughter, now you're dedicated to fishing, or what?
35:14By the way, is anyone there?
35:16Well, it turns out I'm not alone.
35:19Hello, good evening.
35:21Hello, Jan.
35:22Ah, you see?
35:23Well, Jan is there, and she's with her.
35:27How are you?
35:29Fine, thank you.
35:30Hey, take Sanem home, please.
35:33I'm sure it's getting cold, and she could catch a cold,
35:36so take her home.
35:37Yes, your mother is right, Sanem.
35:39They're going to give you rheumatism, and with how young you are,
35:42we'll call you in half an hour.
35:44Now, go home.
35:45All right, Dad.
35:46Take care.
35:47Bye.
35:48Bye.
35:49Bye, love.
35:53Beskiveh.
35:54Wasn't the boat supposed to be sold?
35:56Then what are you doing on a boat?
35:58Look, tomorrow I'll go over there and find out everything.
36:02You don't have to worry about anything.
36:04I'll find out.
36:14Beskiveh.
36:16Do you think she was able to reconcile with Jan?
36:19Oh, Nihat, I don't know, but I swear I'm sick of all this.
36:23Tomorrow we're going to find out everything, so...
36:26Oh, let's go to bed.
36:28Yes.
36:29We have to get up early.
36:31Come on, let's leave everything here.
36:33For now, I'm very tired, and I'm not going to pick up anything.
36:36Well, then take your phone.
36:39We'll know tomorrow.
36:40Yes.
36:45Let's go, Anem.
36:47Go, but where?
36:49To the Galapagos.
36:52What?
36:58Are you serious?
37:00Of course.
37:04And when?
37:05The sooner the better, don't you think?
37:08We'll travel and explore the world together.
37:12We'll travel and explore the world together on this boat.
37:16Let's go today.
37:17Right now.
37:19Now, right now?
37:21Well, as soon as possible.
37:23And my parents?
37:25Your parents?
37:27We have that problem.
37:32I want to go somewhere with you.
37:34Escape with you.
37:35Run away with you.
37:37Why do you want to escape, Jan?
37:39Do you want to escape from our families, from the agency?
37:42Sanem, all I care about is being with you.
37:44I don't care about the rest.
37:45Jan, but I don't.
37:49But I don't know what to say.
37:50Sanem, listen.
37:54At most, it will be two years.
37:57We'll be together.
37:59You and I, far from everything.
38:02So you can write a book about our adventures,
38:05and I can take pictures of any place we go.
38:10I don't know.
38:12Two years away from my family.
38:15I don't know.
38:17And when we come back in two years,
38:20with surprises on the way back.
38:23Surprises?
38:24Denise, Yildiz, and Yates.
38:26Where did you get that from?
38:27Because you talk about your dreams,
38:29and it seems like we both dream the same thing.
38:40Sanem...
38:43You have to understand that it's only two years.
38:46We have to live the adventure of our lives.
38:49Then we'll get married,
38:52and we'll have grandchildren.
39:00I accept!
39:02Jan!
39:05Yes!
39:09Yes!
39:16You're such a nice vagabond.
39:21I never would have thought of that.