Tozluyaka Episode 65
Even luck wouldn't come to Tozluyaka without going astray, but it just dived among those who chose each other as brothers...The journey of hope has begun this time... It made them touch cruelty, injustice, every street they crossed, every person whose name they called, those who were hungry for love… It was everyone's story. They were just the lucky ones among us.
Cast: Emre Kinay, Dolunay Soysert, Tayanc Ayaydın, Nur Yazar, Nebil Sayin, Kadim Yasar, Kaan Mirac Sezen, Ecem Calhan, Ulvi Kahyaoglu, Serra Pirinc, Çagla Simsek, Can Bartu Arslan, Durukan Celikkaya, Oğulcan Arman Uslu, Ozgur Foster, Ahmet Haktan Zavlak, Duygu Ozsen, Doga Lara Akkaya
CREDITS
PRODUCERS: FATIH AKSOY & MEHMET YIGIT ALP
DIRECTOR: SEMIH BAGCI
SCREENPLAY: YEKTA TORUN
GENERAL COORDINATOR: EMEL KURT
EXECUTIVE PRODUCER: SEYHAN KAYA
MUSIC: BERKAY SENOL & TUNA VELIBASOGLU
DIRECTOR OF CINEMATOGRAPHY: MUAMMER ULAKCI
GENRES: YOUTH DRAMA
Tozluyaka Episode 65
Even luck wouldn't come to Tozluyaka without going astray, but it just dived among those who chose each other as brothers...The journey of hope has begun this time... It made them touch cruelty, injustice, every street they crossed, every person whose name they called, those who were hungry for love… It was everyone's story. They were just the lucky ones among us.
Cast: Emre Kinay, Dolunay Soysert, Tayanc Ayaydın, Nur Yazar, Nebil Sayin, Kadim Yasar, Kaan Mirac Sezen, Ecem Calhan, Ulvi Kahyaoglu, Serra Pirinc, Çagla Simsek, Can Bartu Arslan, Durukan Celikkaya, Oğulcan Arman Uslu, Ozgur Foster, Ahmet Haktan Zavlak, Duygu Ozsen, Doga Lara Akkaya
CREDITS
PRODUCERS: FATIH AKSOY & MEHMET YIGIT ALP
DIRECTOR: SEMIH BAGCI
SCREENPLAY: YEKTA TORUN
GENERAL COORDINATOR: EMEL KURT
EXECUTIVE PRODUCER: SEYHAN KAYA
MUSIC: BERKAY SENOL & TUNA VELIBASOGLU
DIRECTOR OF CINEMATOGRAPHY: MUAMMER ULAKCI
GENRES: YOUTH DRAMA
Tozluyaka Episode 65
Category
📺
TVTranscript
00:00Where is Arap?
00:02There.
00:07Hi guys, your manager is here.
00:10What do you mean manager?
00:12I am a conservatory student at Yağızoğlu University.
00:15I am Yağız.
00:16We will work together on the game.
00:18We need a manager for the game, right?
00:20Let them in.
00:21Look at the weather.
00:23The roles have been distributed.
00:25Since I don't know you by name, let's go in order.
00:27Who is our cotton princess?
00:28Me.
00:29She is very cotton.
00:31100% cotton.
00:33Princess?
00:34Me.
00:36Good choice.
00:40Who is our evil witch?
00:43I am the evil witch.
00:45Teacher, it's a great choice.
00:48Believe me, it will never let you down.
00:50Well, thanks to the hard work of our teacher.
00:56Right?
00:57Kiss you, witch.
01:01Let me tell you before you ask.
01:03I am the hunter.
01:05Teacher, this is an incredibly correct choice.
01:07But it can mislead you.
01:09He is such a hunter that the traps he sets always fall on him.
01:11He is a sinister hunter, of course.
01:13Teacher, the hunter is me, but it's not a problem.
01:16I can be a spectator, too.
01:18Let me see.
01:20Our hunter is Ege.
01:22Let me see again.
01:24He is tall, has a broad shoulders.
01:26This is also a correct choice.
01:28What is it called?
01:29What is it called?
01:30What is it called?
01:31Oh my God!
01:33Does he need to be tall or broad to be a hunter?
01:37Why?
01:40Can't he be a short, unkempt hunter?
01:42Let him be.
01:45Guys, we have little time left.
01:47Let's finish and discuss.
01:49Our witches are left behind.
01:51This is a complete witch.
01:53Complete.
01:55You are okay for the witches, but these guys don't seem to fit.
02:00I am very happy to be a witch.
02:02Then you are the lovely witch.
02:05I will find him. I swear I will find him.
02:07Okay?
02:08I'll do it before you.
02:10Okay, girls, calm down, relax.
02:12It's a game after all, right?
02:14Teacher, we could be princes.
02:17We are like princes.
02:19There can't be anything here.
02:21Why?
02:22Because there is no fabric in it.
02:25We don't choose the best or the worst.
02:27We just do our job.
02:30Do your eyes turn blue?
02:32It's beautiful.
02:34Excuse me, but should we move on to the next stage?
02:38Right, love?
02:39For example.
02:41Relax, Duru.
02:43It's just a game, right?
02:47Yes, yes, calm down.
02:48We are playing with kids.
02:50We have a goal.
02:51Okay?
02:52You play very well.
02:53Don't think like that.
02:54I don't have a bad intention.
02:55Okay, since the roles are clear, we can move on to the rehearsals.
02:59Long live.
03:00Let's get up.
03:02Let's get up.
03:03Come on, Duru.
03:12Mr. Kenan.
03:13Son, I found something about Mavi's mother.
03:15But it's not very nice.
03:16What's not nice?
03:18Now I'm going to send you a PDF file.
03:21Okay?
03:22All information about Mavi's family is there.
03:24Okay?
03:25Okay.
03:27Thank you, Mr. Kenan.
03:28For your kindness.
03:32Son.
03:34He asked for a job.
03:36Where were we?
03:38Are you going to go to school?
03:45Okay.
03:47Where were we, Derya?
03:52Look, I know this house is a scam.
03:55But we don't violate the laws.
03:57Can't we violate the laws?
03:59We are not against anything.
04:01I am aware that we are doing something illegal.
04:03Are you aware of that?
04:04Yes.
04:05Otherwise, we would be in trouble, right?
04:08So I look like a man who will take his wife to work in the bakery on the morning of his wedding day?
04:14No, of course.
04:15But you look like someone who will regret the day you get married.
04:19You still don't understand the seriousness.
04:22Look, I'm telling you, they will come.
04:24I say they will come to control.
04:26That's why you have to move in with me.
04:29What?
04:30What?
04:31Look, you're going to drive me crazy.
04:32Where do we have to move?
04:34No, sir, we're not moving anywhere.
04:35What are you doing?
04:36What do you think you're doing?
04:38God.
04:39What are you going to face after the transfer?
04:41Can you say that you have to stay married for five years?
04:44Look, I'm telling you.
04:45Don't give me false information.
04:47What is this?
04:48Okay, then I'll move in with you.
04:51What?
04:52Look, Kenan.
04:53I'll blow you up.
04:54I swear I'll blow you up.
04:55I don't want to see you or hear your voice until the surgery.
04:57Get out of here.
04:58Go.
04:59Come on.
05:03Aren't you very angry?
05:04Come on, Kenan.
05:05Come on.
05:06Okay, I got your anger, but I'm sorry.
05:08Come on, go.
05:09Come on, please.
05:10We're going to have surgery tomorrow.
05:11You'll memorize it.
05:12You'll look at it in the evening.
05:13Okay.
05:14Okay, see you.
05:16Blue, me too.
05:21Ali.
05:22Why didn't you go with the girl?
05:25I didn't go on purpose, Zeyno.
05:29Mr. Kenan found something about Blue's family.
05:33I didn't want to say anything about his family without investigating.
05:37What have you done, man?
05:38Well, you're right.
05:40Who is he? What's his background?
05:43Where is he from?
05:45Why did they leave the girl?
05:46Let's find out.
05:47I don't want the girl to get upset.
05:49He's right.
05:51Give me the file.
05:52Is it on the phone? Where is it?
05:53Mr. Kenan sent it as a PDF.
05:55Show it to me.
05:56Let me see.
05:57Look.
05:59It has his address and everything.
06:02We'll find it.
06:04My mom isn't coming out.
06:06Let's do a favor for the girl.
06:08What did you say?
06:10I won't get upset.
06:11My mom...
06:13Don't say that.
06:15It's like your mom is missing.
06:17She has a place to go.
06:18You'll meet her, too.
06:19Right, Zeynep?
06:20That's right.
06:21Come on.
06:22Let's find her.
06:23Come on.
06:23Come on.
06:25What is he doing?
06:27He asked you for a favor.
06:29You accepted it.
06:30It's about life.
06:31It's about health.
06:32You did a favor and accepted it.
06:34I respect you until the end.
06:36I know what I'm going to do.
06:38I know.
06:38I won't even look at it after the surgery.
06:41I won't.
06:42It's a formality.
06:43It's a lie.
06:43They can't scare me with this.
06:45If it's a punishment, I'll take it.
06:46That's it.
06:47It's over.
06:48Don't say that.
06:49I made you angry by talking to you.
06:51Don't say that.
06:52Let's look ahead.
06:53There's this crazy guy in front of us.
06:55What else are we going to look at?
06:58Mr. Önder, you're still here.
06:59Praise be.
07:01You didn't get the sea breeze in the morning.
07:03I guess you can't wake up.
07:05Mr. Önder.
07:07Be careful.
07:08It's a big deal.
07:10Isn't that right?
07:12Yes.
07:13He says he's been suspecting for a while.
07:17Then...
07:18I'll talk to Ali as a teacher.
07:20Sure.
07:20I'll take the situation under control.
07:23Yes, you take the situation under control.
07:26Because...
07:27I already transferred my rights.
07:28The meat is mine.
07:29The bones can be yours.
07:30But that's not the case, Derya.
07:32You're saying that the meat is yours and the bones are mine.
07:34You're making a mistake.
07:35Don't do that.
07:36Just keep going.
07:38Then I'll come back to the subject.
07:40Okay.
07:41We'll talk.
07:42Okay.
07:42See you.
07:43Okay.
07:43See you.
07:44Goodbye.
07:50Hello, Mr. Önder.
07:51Yes, it's me.
07:52Hello.
07:52The New York-Berlin team outside of Turkey has advanced to the second league this year.
07:56And they want to make an offer to you as a coach.
07:59Offer?
07:59I'm a little surprised now.
08:01I'm sorry.
08:02But it's not possible for me to accept such an offer, unfortunately.
08:06You don't have to make a decision right away.
08:09Because they want to see you face to face.
08:11They want to give you a week to think about it.
08:14Now, my priorities have changed, so my answer probably won't change.
08:18So, thank you again for your offer.
08:21Have a nice day.
08:27The chips are this way.
08:28If they're single, they stay here.
08:30Since we're looking for number 33...
08:33What's the last one?
08:3428, 29...
08:36My throat is dry.
08:37I'll get some water, okay?
08:39Okay.
08:42Hey, Arab!
08:43Ali.
08:43Arab!
08:44It's there.
08:45It's there.
08:46Number 33.
08:46It's here.
08:47I swear it's here.
08:48I swear it's here.
08:49I'm playing.
08:50Stop, stop.
08:51What?
08:51Stop, stop.
08:52Stop, son.
08:53Son, calm down.
08:55How many years has a woman not seen her child?
08:58Stop.
08:59Stop.
09:00Calm down.
09:01Calm down.
09:01Calm down.
09:02You're making me mad.
09:03You're making me mad.
09:04That's what we'll say.
09:04What?
09:05Oh my God.
09:07Son.
09:08Can I tell you something?
09:10Tell me.
09:11I have a problem with my throat.
09:15You know?
09:16If we look for the door of heaven, we'll look for it because of this blue thing.
09:21Son, it's a mother's prayer.
09:23Maybe the woman was looking for it, but she couldn't find it.
09:26I...
09:28Son, I...
09:29I'll call the video.
09:30No, no.
09:31Don't call the video.
09:32Okay.
09:37Yes?
09:38We were going to meet with Ms. Gül Doruk.
09:40Do they know?
09:43I don't think so.
09:46It's been 16 years.
09:49Wait.
09:50They say it's important to you.
09:54No, sister.
09:55Break the door.
09:56I broke it.
09:56I broke the top of it, too.
09:57It's always spilled here.
10:05Ms. Gül Doruk.
10:08We're friends of Blue.
10:09Son.
10:10Blue?
10:12Ma'am.
10:13Son.
10:14Maybe the woman's name is different.
10:15You're used to it.
10:18Ma'am, I'm sorry.
10:19My friend has a little...
10:20It's a bit old.
10:22Here's the thing.
10:2316 years ago.
10:26If we go, we're friends of the girl you left in the child prison.
10:31Blue.
10:32I didn't leave the kid anywhere.
10:34Leave this place right now.
10:35How can I leave?
10:36Ms. Gül, wait a minute.
10:37Aren't you Gül Doruk?
10:38Look, everything is written here.
10:39In all the documents.
10:40Don't you have a daughter who's been living with you for 16 years?
10:42No, wrong.
10:43I'm not the person you're looking for.
10:44What do you mean, wrong?
10:45Did you find it?
10:46Did you find it?
10:48Ms. Gül, is that you?
10:53What?
10:55Did they name you Blue?
10:57That's good.
10:59You've grown up.
11:01What do you want from me?
11:03Look at me.
11:04Don't be ridiculous like missing your mother.
11:07Do you understand?
11:09No.
11:11What kind of insensitivity is this?
11:13You got us wrong.
11:15I got it right.
11:17Aren't you after money?
11:18Today he will hug you.
11:20Tomorrow he will ask for money from me.
11:22Is it a lie?
11:26This is Zeyno.
11:29I'm not Blue.
11:30It's a good thing you didn't bring Blue.
11:32We just wanted to see if you were dead or alive.
11:35That's all.
11:37I wish I was dead, woman.
11:40I wish you were.
11:42It's a good thing you left Blue.
11:44It's better than having a mother like you.
11:47That's enough.
11:48Whatever.
11:49Am I going to give you an account?
11:51Did I ask you to give birth to a child?
11:53It was a mistake.
11:54It was a mistake. Blue said it.
11:55Did he say it was true?
11:56It's true.
11:57What do you mean it's a mistake?
11:58What do you mean it's a mistake?
11:59What do you mean it's a mistake?
12:01Blue said it was a mistake.
12:03He's hitting the door again.
12:04Marriage, wedding, things like that.
12:08It's a bit of a mess.
12:10It's a waste of time.
12:12Marriage is not something to be done just for the sake of it.
12:17It's done to protect their rights on both sides.
12:19Especially women's rights.
12:21Come on.
12:22Of course.
12:24Of course.
12:25It's hard for you, isn't it?
12:26It's hard for you to get married and promise to be loyal to a woman.
12:31But Uncle Kenan didn't do that.
12:33He signed it because he's still in love with Mrs. Derya.
12:40Enjoy your meal.
12:41I can't stand it anymore.
12:42I won't be able to listen to your father and Mrs. Derya's love.
12:44So enjoy your meal.
12:46We were just talking about that.
12:48Okay, that's nice.
12:49Let's move on to good marriage programs.
12:51Oh, my God.
12:52What happened now?
12:53What did we say to this?
12:54Like this.
12:55Mr. Önder, that is, Mr. Önder, likes Mrs. Derya.
13:00What?
13:01Oh, come on.
13:03But Mrs. Derya is a smart woman.
13:06Really.
13:07Instead of choosing Mr. Önder and teaching him the teacher's salary,
13:12he chose Kenan Yağız and chose to live a comfortable life.
13:16I really appreciate it.
13:18So, what's going to happen now?
13:22You're going to be brothers with Ali.
13:25Living in the same house or something.
13:29No, no, no.
13:30There's no such thing.
13:32Everyone stays in their own house.
13:33I mean, in a married house, in a village.
13:37That's the system.
13:38What are we going to say to Blue now?
13:41I don't know.
13:43I think we should tell him.
13:45Because he has the right to know.
13:46At least after he learns, maybe he'll get over it.
13:50Zeyno, what are we going to say?
13:52Are we going to say your mother is a stone-hearted person?
13:55How are we going to say it?
13:56Can we say that?
13:57It's not a matter of right or wrong.
13:59I mean, how is he going to continue his life
14:01after seeing his mother as such a stone-hearted woman?
14:03That's true.
14:04That's true, too.
14:06What happened?
14:17It's beautiful.
14:18It looks good on you.
14:21It's good. It's really good.
14:24But it's a bit too salty.
14:28What's up, guys? Are you looking for a bike?
14:30No, Bilal, nothing like that.
14:33It's nice, though. It's on fire.
14:36What's up with you?
14:37Are you looking for a bike for Aunt Derya?
14:41For Blue.
14:42It's Blue's birthday next week.
14:43Yeah.
14:45We'll come again next week.
14:48No, no. Let's take it, then.
14:51Let's take it.
14:52No, Bilal.
14:53Come on.
14:54What have you done for us?
14:56I gave them their right.
14:57This is your right, too.
15:01Okay, okay.
15:04Come on, let's take it.
15:05Thank you, brother.
15:06You broke my heart.
15:08Sorry, brother.
15:09Come on, get in.
15:15I've been waiting for you, too.
15:17Why?
15:19We're going.
15:20Where?
15:22Don't ask questions in a day.
15:24Don't ask anything in a day.
15:27But why?
15:30Mr. Kenan, where should we put this?
15:32On the office.
15:34Okay.
15:36Dad, are we sure about this?
15:38Isn't this a little big?
15:40It's big because you made it, right?
15:42Yes.
15:44It's unconscious.
15:45Is it going to work?
15:46It's a huge thing.
15:47And you made it upside down.
15:48Yes, it sticks like this.
15:49We can hang it in the bedroom or something.
15:51How?
15:52Don't be ridiculous.
15:53Where should I put this, Mr. Kenan?
15:54On the coffee table.
15:55It will be visible.
15:57Ali.
15:58Mom.
15:59Where are you?
16:00I'm in the living room.
16:01Where is Ali?
16:02He's in the wardrobe.
16:04No, he can't be there, son.
16:06What are you doing?
16:07Oh my God.
16:08What's that wardrobe?
16:09What's that?
16:10Give me the key.
16:11Hang it in the wardrobe.
16:12Hang it?
16:13Hang it on the door.
16:14It will be visible there.
16:15Okay.
16:16Let's sit down.
16:17I'll explain it to you.
16:19No, sir.
16:20You're going to tell me now.
16:21What's going on here?
16:22I told you to move in with me.
16:24You said no.
16:25So I gave the name of your house to the inspectors.
16:28No.
16:29No, I definitely don't want anything like that.
16:30You can't stay here.
16:31I'm not going to stay anyway.
16:32I'm not interested in staying in this little house either.
16:35I can handle it.
16:36Is that so?
16:37I used to live happily with my son in that little house of yours.
16:40Before you.
16:41My mother is right about that, Berk.
16:43You really don't understand the seriousness of the situation.
16:47No matter how quickly these inspectors come and convince us that we live together,
16:52I will be operated on as soon as possible, and you will get rid of me as soon as possible.
16:55My father is also right about that.
16:57So you have to convince us that we live together to get rid of me.
17:04Okay.
17:06If I'm going to get rid of you.
17:09Okay, by the way, if you're done, let's get everything ready and get out of here.
17:13Where to?
17:14To eat.
17:15What food?
17:16Ibanez.
17:17It doesn't matter to me.
17:19No, I'm not coming. I already have food.
17:22Whatever you do, the three of you go.
17:24It's all an objection.
17:26It's all an objection.
17:27You must have food.
17:28You must have food.
17:29It's not like that.
17:30They asked for an interview from the economy magazine.
17:33I said we were going to eat.
17:35I called you there so I wouldn't call you here.
17:37I'm going crazy.
17:38Really?
17:39Like this?
17:40I'm going crazy.
17:42Ms. Derya.
17:43Ms. Derya.
17:45Be patient.
17:46Really, this is one of the formulas.
17:58Adile.
17:59Okay, let me go.
18:00Let me go, let me go.
18:01Let me go, let me go.
18:02Let me go, let me go.
18:03Oh, I made food.
18:04Oh my God.
18:06Wait, let me turn off the alarm.
18:08Oh my God.
18:10I'm so sorry.
18:12You were hungry because of me tonight.
18:14It doesn't matter.
18:15We'll say something from the outside.
18:17No, I don't accept.
18:19I'm taking you to eat.
18:20I think we should go home.
18:21No, let's not go out.
18:23I'm not in a good mood.
18:25My knee hurts.
18:26Let's stay here.
18:27We'll say it from the outside.
18:28Dad, it's not your fault.
18:29Don't look at me like that.
18:31We'll go to the tram.
18:32Come on, get dressed, get ready, let's go.
18:34Come on.
18:35She wants to go out.
18:36Okay, I'm getting dressed.
18:37Open the window.
18:38Open, open, open all the windows.
18:42We're going out.
18:43Hop, you too.
18:44Operation is complete.
18:46We're coming.
18:53If they're going to come to do that interview, let them come.
18:56They're a little crazy.
18:58Is there anything else you want?
19:06Can I get you some water?
19:08No, I can get it if I want.
19:10What's wrong with you?
19:11Hello, Mr. Kenan.
19:12Do you have a moment?
19:13Of course.
19:14Here you go.
19:15If you want anything else from God,
19:17they'll be right here.
19:18Here you go.
19:19They don't look like they're from the economy magazine.
19:22They're like magazines.
19:23Are you aware?
19:24It's all mixed up now, honey.
19:25I understand.
19:30You guys are so persistent.
19:33We wanted to go out so we could have fun.
19:36Come on, enjoy the environment.
19:41Who?
19:42Who?
19:44It's nothing important.
19:46There's a job offer in Germany.
19:48No.
19:49No, it's nothing important.
19:50You didn't accept it, did you?
19:51We're not going anywhere.
19:53Why not?
19:55I mean, you know, Mr. Önder.
19:57Mom, hold on a second.
19:59We're not going anywhere, are we, Dad?
20:01Okay.
20:02You're staying with me, honey.
20:04I promise you,
20:06we'll visit your dad every weekend.
20:08When school's over,
20:10we'll move to Berlin, too.
20:11Okay?
20:20Isn't that Kenan and Derya?
20:23They're taking pictures.
20:32Can we call it a second spring for you, Mr. Kenan?
20:35After Derya and I found each other again,
20:38we decided not to break up again, didn't we?
20:41Yes, yes, it was a bit like that.
20:43What would you like to say, guys?
20:48Alicem.
20:50If they're happy, we're happy, too.
20:56Take it.
20:57Take it.
21:04Hello, first of all.
21:05Hello.
21:06Now, if you're asking about our family,
21:11I'm very happy to meet Ms. Derya, too.
21:15If you're asking about the economy,
21:19but I'm not interested in anything right now.
21:21I'm going back to my spaghetti.
21:23As you can see, my sons are like fire.
21:25I mean, when they graduate from college one day,
21:28they're going to make the world a better place.
21:31Then, let me pay the bill first,
21:34and you can come, okay?
21:56Dad.
22:00Come on, your mother is waiting.
22:04No, don't give up, don't give up.
22:06Mr. Önder is very willing to break up these days.
22:09So don't give up.
22:11Okay.
22:12We'll talk later. I'll call you.
22:14See you later.
22:18I got the news.
22:20The examiners are coming tomorrow.
22:22Okay.
22:23Jump in the car, I'll drop you off.
22:25No, we can go on our own. Ali, call a taxi, son.
22:27Son, what's the need? There's a car, we can drop you off.
22:30Kenan, we can go on our own.
22:32Okay.
22:33Vali, can you call a taxi, please?
22:36Son, come here, I'll ask you something.
22:38Not to you, you wait, get in the car.
22:40What happened? Did you find Mavi's mother?
22:43We did.
22:44So what I found worked?
22:47It worked, Mr. Kenan.
22:48Mavi's mother doesn't want Mavi, she didn't even care.
22:50Come on.
22:51I told you.
22:52I told you.
22:53I mean, if she wanted it once, she wouldn't let it go.
22:56There's no need to be better to know that.
22:58Berk, shut up.
22:59What did you drink inside, son?
23:01Kenan.
23:02Look, don't.
23:04Don't mention Mavi.
23:06What do I care?
23:07Berk, I'm telling you, don't.
23:09What do I care?
23:12Berk, I'll call you, take care.
23:14Okay, okay, don't worry.
23:16Come on.
23:17Come on, son.
23:18Come on, son.
23:20I'll call you.
23:30You looked great today.
23:32I saw you.
23:33You were like a real family.
23:35A happy and real family.
23:50Hello.
23:51Hello, Mr. Önder.
23:53We would like to offer you our offer under better conditions.
23:56I really thank you.
23:59But I don't want to take your time, nor my own time.
24:03Thank you for your attention.
24:05But my answer will be the same.
24:08It won't change.
24:09So let's not force each other.
24:11Okay.
24:12But thank you anyway.
24:13Thank you very much.
24:14Good evening.
24:20I think you should have thought a little more.
24:23I mean, shouldn't you have cut it off and thrown it away?
24:26Because it was always your dream to work abroad.
24:33It was.
24:3515 years ago.
24:37As a football player.
24:41But unfortunately, all these dreams went to waste.
24:45Thanks to you.
24:4915 years later.
25:09What is Önder doing here?
25:16Önder?
25:18Don't be afraid, kid.
25:20It's not dangerous.
25:22What's up, Önder?
25:24Hello, sir.
25:25Hello.
25:26Your jacket is beautiful.
25:28You go inside.
25:29Go.
25:30Önder, Kenan, round one.
25:35We've been a little crazy lately, kid.
25:38We need to talk.
25:40Let's talk.
25:44Kenan, what's your problem?
25:47Look, Derya is helping you for good.
25:51But you don't see it at all.
25:53Wandering around like that.
25:56What's the problem?
25:57Are you here to tell me that?
25:59Yes, I'm here to tell you that.
26:01And you're crossing the line.
26:03I'm here to tell you that.
26:05What line are you talking about?
26:07There's no line between us.
26:10Derya is my past, my son's mother.
26:15You're saying yourself.
26:17Past, past.
26:19But that woman is my future, Kenan.
26:23I'm not so sure.
26:28Kenan, wasn't your problem staying alive?
26:31Okay, solve that problem.
26:33Now tell me what your problem is.
26:35What's your problem?
26:36First my life, then my son.
26:45You'll stay here.
26:48I swear to you.
26:50I'll come to you every time I see you next to Derya.
26:58You're threatening a sick man right now.
27:07Okay, see you then.
27:09Come again.
27:10There's no such door.
27:13Come on.
27:16The traffic is clear.
27:20If you take the turn,
27:26you can go.
27:37Come on, mom, you start.
27:38I'm going to make you an egg.
27:41Did my father wake up?
27:43No, I said he'd hear you.
27:46There's no sound.
27:50Is it too late at night?
27:52Late?
27:54It would be better if we met in the morning.
27:57Here you go.
28:03Do you think it's okay?
28:05I mean, will he get over it?
28:08It's hard to get over a betrayal.
28:11It's a different situation, but not exactly a betrayal.
28:14What do you mean?
28:17The woman went and chose her child's father.
28:21I understand Ms. Derya.
28:23I think it's a very reasonable choice.
28:26If this story was about my father, tell me.
28:30Don't do it.
28:32There's nothing wrong with your father.
28:34Yes, he's a little broken, but he'll get better.
28:38We'll help him.
28:40Okay?
28:42Everything will be fine.
28:46Don't do that.
28:47Okay, I'll see.
28:55Good day.
28:56There's a cargo in front of Koçakadı.
28:57I'm his son, I'll take it.
29:04Good morning.
29:05Good morning.
29:06Good morning.
29:07How are you?
29:08I'm fine, how are you?
29:12I think it's about the coach.
29:17Look, they sent a plane ticket.
29:20It's more serious than this.
29:21Should you think about it again?
29:23Mom, what are you talking about?
29:25Dad, you weren't going to accept it.
29:27I didn't say I'd accept it.
29:30I didn't say I'd accept it.
29:32There's no point in making it bigger.
29:34Make it bigger.
29:35You, too.
29:37I'm running away.
29:40I have to go.
29:42I can't leave you at school, so don't be late.
29:44Okay?
29:45See you at school.
29:50What's going on in the morning?
29:53What are you doing?
29:54I don't know.
29:57I've been so angry since yesterday.
30:00I can't stand it.
30:07Good morning.
30:08Good morning.
30:09Welcome.
30:10Have a seat.
30:11I'm taking it.
30:16What did you do?
30:17Are you ready?
30:18What did you do?
30:19I'm technically ready.
30:22But I don't know what to do when it comes to execution.
30:27I don't know what to do.
30:29I don't know if I can do it.
30:32I'm not sure I can do it.
30:35I'm getting excited.
30:38I'm afraid.
30:39Okay, shut up.
30:42Now we understand.
30:44Did you memorize it?
30:45Didn't you memorize it?
30:46Okay, I'm going.
30:48What is parallel?
30:53Parallel?
30:55What is parallel?
30:57Parallel is the circle of life that extends from the equator...
31:02...and cuts through the meridians.
31:05Parallels are the number of 80 pages in the south of the equator.
31:10There are a total of 180 circles in the south of the equator.
31:15That's what it's called.
31:17Is that right?
31:18Why are you looking at me like that?
31:19Wow.
31:20It's true.
31:21It's true.
31:22It's all true.
31:24It's true.
31:25It's true.
31:26But this was easy.
31:27One minute.
31:28We need to hear it from a harder place.
31:29Ask me.
31:30I don't have a test.
31:31I'm not a teenager.
31:34Okay, this is possible.
31:35My love, I have to do this.
31:38I'm sorry.
31:40Do it, my love.
31:41After all, our future is my life.
31:44Okay.
31:45What is the first written agreement in history?
31:48Brother.
31:49In 1280...
31:52...the Egyptians made it.
31:55Okay, they're making it come true.
31:56Of course, they're signing it.
31:57It's true.
31:58It's true.
31:59It's true.
32:00It's true.
32:01Yes.
32:02Then let the question come from me.
32:05Okay.
32:06Ask me.
32:07What happened to me?
32:08Our question comes from Turkish language and literature.
32:11Are you ready?
32:12I don't like it, but...
32:13Are you ready?
32:14Anyway.
32:15What is redif?
32:16How is it found?
32:18What is redif?
32:23Redif is the repetition of words with the same meaning at the end of a sentence.
32:31Redif is usually found at the end of a sentence.
32:34Redif comes after afiyet.
32:38That's how it's written.
32:39It's true.
32:40It's true to the point.
32:43Your memory is very good.
32:45No, I just looked at it for an hour.
32:47Get out of there.
32:48You say I don't get it.
32:49Look, it's happening.
32:50Sister Kadir gave me a note.
32:53In the morning.
32:54God gave me something like that.
32:57Something came to me.
32:58I don't know what it is.
32:59I was scared.
33:01What does it say on the 52nd page?
33:0252.
33:03Wait.
33:04Physical 52, right?
33:07Yes.
33:08Physical 52, 52, 39, F is equal.
33:12M is multiplying.
33:13If we say 52.
33:15It is the shortest distance between the points where a body starts to move and finishes its movement.
33:23It is the shortest distance between the points where a body starts to move and finishes its movement.
33:28That's what it says.
33:29Wait a minute.
33:30Memorizing the page by page is a bit impossible.
33:35I'm scared now.
33:38No.
33:39I'm scared now.
33:40I'm scared.
33:41What about me?
33:42That's a good thing.
33:43That means you have a photographic memory.
33:45What is that?
33:46What are you talking about?
33:48Don't talk nonsense.
33:50What a joke.
33:51Think of your brain as a camera.
33:54You can take a picture of it and keep it in your memory.
33:58Like me.
33:59Exactly.
34:01Exactly.
34:02When you see the question, you get that information out of your memory.
34:07I take a screenshot in my eye.
34:08Exactly.
34:09Yes.
34:10I'll take it with you.
34:12Have a good day.
34:13You passed the exam.
34:14I passed the exam.
34:22Ali, I drank that tea.
34:24Drink it.
34:26It's hot.
34:27You always steal from the goods.
34:29I'm coming.
34:30I'm coming.
34:31Where are you going?
34:32I have a job.
34:33You have a job?
34:34Yes.
34:35I...
34:36Look at this.
34:37Look at this.
34:38Let's answer my question.
34:40I couldn't figure it out.
34:41Wait, Ali.
34:42I think I'm going.
34:44Don't exaggerate.
34:47Stop being a drama queen.
34:49I'm not a drama queen.
34:51I'm telling you, he's crazy.
34:52If he accepts, I'll go with him.
34:54He didn't.
34:57He didn't accept.
34:59Calm down.
35:00Don't exaggerate.
35:01Why did you go on trips?
35:03You were talking nonsense yesterday.
35:05You're talking nonsense.
35:08Berkin, what's wrong with Ali?
35:11Why are you going on trips?
35:13Pull yourself together.
35:15Çağrı.
35:17How are you?
35:19Are you okay?
35:20I was worried about you.
35:21I'm fine.
35:22Look.
35:23I tried to talk to him.
35:25He doesn't understand.
35:27Maybe he's talking to his wife.
35:29What wife?
35:31Shut up.
35:32What is he saying?
35:34What happened?
35:36What happened?
35:40What happened?
35:41My father got an offer to become a coach.
35:43In Germany.
35:45Did he accept?
35:52What if he accepts?
35:56What are you talking about?
35:58Çağrı.
35:59Say something.
36:01I think I'll go with him.
36:05I can't leave him alone.
36:31Derya.
36:33Good morning.
36:35You came to work as soon as you woke up.
36:39I'm not saying you're my wife.
36:41You're a very clumsy woman.
36:43Don't call me my wife.
36:45Why did you come so early?
36:46I'm not going on trips.
36:48The lawyer called.
36:50The examiners may come.
36:52We have to wait at home.
36:54I have work to do.
36:56What are you doing?
36:58Don't do that.
37:01I'll take care of it.
37:03I'll take care of it.
37:05We have to go.
37:07We'll be late.
37:09I can close the door.
37:11It's closed.
37:13Good.
37:15Let's go.
37:17Don't pull me.
37:33Come.
37:35Which one?
37:37This one.
37:39Blue.
37:41This is my sister-in-law's dress.
37:43Can I not wear this?
37:45Whatever you wear looks good on you.
37:47Yes.
37:49She's my sister-in-law.
37:51Of course.
37:53It's not as nice as your shirts.
37:55My shirts are fashionable.
37:57It's funny.
37:59Good.
38:02Eat an apple.
38:04Maybe it'll stay in your throat.
38:06No.
38:08I'm immortal.
38:10But I can give one to Duru if you want.
38:13Take it.
38:17I won't take it.
38:19What are you doing?
38:21They don't make up for you.
38:23Play with your naturalness.
38:25Play with your naturalness.
38:27If they put me here, you'll go to the bathroom.
38:30Go to the bathroom.
38:32Go to the bathroom.
38:34The prince kisses the princess.
38:36The prince kisses the princess.
38:38I'm a white princess.
38:40I'm a white princess.
38:42How did you do it?
38:44I'm going to call the new generation.
38:46I'm going to call the new generation.
38:48I can't catch up.
38:50I can help you if you want.
38:52I can help you if you want.
38:54Especially for the final scene.
38:57You'll see how I play the princess role.
38:59You'll see how I play the princess role.
39:03I don't know what it's about.
39:05I don't know what it's about.
39:07I'm going to sleep.
39:09I'm going to sleep.
39:11I'm going to kill them.
39:13Calm down.
39:15They think they're something.
39:17How good are you?
39:19I'm with you.
39:21I'm going to ask you something.
39:23I'm going to ask you something.
39:25Did your father find anything about my family?
39:28Kenan is investigating the family.
39:30When he finds out, I'll tell you.
39:33Don't worry.
39:35I know you'll tell me.
39:45It looks good on you.
39:48It looks good on you.
39:52It looks good on you.
39:57It looks good on you.