NYPD Blue Season 2 Episode 11 Vishy-Vashy-Vinny
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00:00The Mouth
00:02The Mouth
00:04The Mouth
00:06The Mouth
00:08The Mouth
00:10The Mouth
00:12The Mouth
00:14The Mouth
00:16The Mouth
00:18The Mouth
00:20So, what happened at where those other guys out?
00:26I think you did.
00:28They aren't searching my apartment.
00:32You don't let very much get by here, do you?
00:44Those lava lamps I have are very valuable.
00:48If the M get broken, you guys owe me.
00:50Fair enough.
00:58So, what's your routine?
01:08Me? I don't really have one.
01:10I just wanna get this thing done with.
01:12I mean, you do too, right?
01:14Yeah, I do.
01:16Right now, all we got you on is taking that dead girl's car.
01:20Hey, I mean I was driving the car.
01:24I know I made a big mistake.
01:28It was even illegal.
01:30They don't deserve this.
01:32Thing is, uh...
01:36Well, whoever did these killings, he has us going from nothing.
01:42Oh, so I'm here because you guys can't do a better job.
01:46Well, I'd like to argue that, but until we find somebody else, you're all we got.
01:51This is a nightmare.
01:53Anyone you want me to talk to?
01:56Huh.
01:58You'll meet someone who cares about me.
02:02Well, maybe like family or something.
02:05No.
02:06No family.
02:13This room was as hot as my place in the summer.
02:16Well, we'll see if I can get the heat turned down.
02:22Can I ask you something that might seem like it's totally out of left field?
02:28What?
02:29You admit you were in that car when you were joyriding around.
02:34Turns out this guy's last victim was stashed in the trunk.
02:38Did you say she was in the trunk?
02:40She was in the trunk.
02:42We found her in the trunk after you abandoned the car.
02:45You see where I'm going with this?
02:47You were in a car this guy must have been in just before.
02:52The guy would call in Webster, the dictionary killer.
02:56You must have found that car with the keys in it just after this guy had gotten out.
03:01That could be possible.
03:08Whoa.
03:10You getting any kind of vibe what this guy might have been like?
03:16I mean, because people are saying he must be some kind of crazy person.
03:20You know, Jeffrey Dahmer, John Wayne Gacy.
03:25One of these nuts.
03:27He never did this.
03:29It was not crazy.
03:32I mean, I wouldn't think so either.
03:35No.
03:36Not after he's had us chasing our tails for the past five years.
03:41Detective, can I talk to you?
03:50Detective?
04:02What were you doing in there?
04:03You were out on the wire and I was talking to the guy and I was making projects.
04:07I'm done with this crap.
04:11Uh, Inspector, can I see you for a minute?
04:13It's too bad you don't work a case as good as you play the bosses.
04:17Anything in the guy's place?
04:18No.
04:19I come back and Simone's in with him.
04:21Now, do I gotta nail the door closed on the interview room every time I go to the cans?
04:26Simone caught this homicide.
04:28I'm lead investigator on a task force.
04:31I'm working an interview sequence.
04:33Interference screws me up.
04:35Alright, this hydrant pissing stops right now, okay?
04:38Simone caught the case.
04:40Solomon has the investigation.
04:42Solomon runs the interview.
04:44Alright?
04:45Six homicides we know about.
04:46Five years.
04:47You don't have to tell me, Inspector.
04:49I want a statement from this prick, you understand?
04:51Sir.
04:52He's losing the guy.
04:53You gotta let it play out.
04:54The guy doesn't lawyer up because he wants to strut, and all that asshole does is butt heads.
05:07Let it play out, Bobby.
05:09Listant Studρώ into the left.
05:10I thought it would be that was he?
05:11That was he!
05:12I thought it was me.
05:14I thought it was his great job.
05:15Let it start is trying to go out the stand, obviously.
05:16Jockley can do to get STK.
07:18Well, he just walked in.
07:21All right, all right.
07:22So you're signing on to the story, right?
07:24You're telling me to float the bogus Ruskies.
07:26I'm asking you for money.
07:27You give me a nod.
07:29Lou, Lou, come on.
07:30Nod, nod.
07:31Yeah.
07:34Am I interrupting anything?
07:36No.
07:36No, not really.
07:37I'll get the support.
07:39How's it going, Captain?
07:41Andy.
07:42Yeah.
07:43Something going on with this, uh, armored car job?
07:46Oh, yeah, yeah.
07:47They, they, they, they want to do it.
07:48They called you?
07:49Yes.
07:50They want us to deliver the weapons.
07:52Contact Major Perkins at the National Guard Armory on Lexington.
07:56He'll bring it over.
07:57We got the dummy ammo?
07:58We've requested it, but double check when they deliver it.
08:01Hey, we'll bring a tire in.
08:03We'll have the commander give the ammo a couple of whacks.
08:06Let's go, buddy.
08:08I'll see you guys later.
08:11All right.
08:12Any sense the hoods on this job were, uh, hooked up?
08:17Hooked up how?
08:18Hooked up like working for an organization.
08:20Vinny's floating some stories.
08:22He's talking about, um, the Brighton Beach Mafia.
08:27You buy it?
08:28I don't know yet.
08:30You'll tell me when you decide.
08:32Definitely, yeah.
08:39Hold on, I'll get the detective for you.
08:43Detective Lesniak.
08:44Miss Galvin's here to see you.
08:46Thanks, Dom.
08:50Maria.
08:51Detective Lesniak.
08:53Hi.
08:53Hi.
08:54Come on in.
08:54My desk is over here.
08:57You're younger than I pictured when we talked on the phone.
09:02Did you bring the, uh, note with you?
09:04Yes.
09:04Good.
09:07Thanks.
09:09So, tell me about the fire.
09:11Well, um, last night I was home alone watching the late news, and I smelled smoke.
09:18I thought maybe it was something in my kitchen.
09:20When I went into the living room, there was smoke coming in from under my front door.
09:24What was actually burning?
09:26I opened the door.
09:28There was a little pile of papers.
09:30A rag was on fire.
09:32I smelled lighter fluid on my door.
09:35A neighbor that was out in the hall helped me put it out.
09:38And then when I went back inside, this envelope was on the floor with a note, leave $500 in a paper bag on the steps of 809 Green Street at 12.15 p.m.
09:51Do you have any idea who's doing this?
09:54I try to think.
09:57I try to be a nice person.
09:59I'm not having problems with anybody.
10:04Do you think this is Webster?
10:07This really isn't Webster's M.O.
10:09Mm-mm.
10:10I'm very scared.
10:12I understand.
10:14I'm not going home.
10:16I'm staying with my sister.
10:18If you want, that's fine, Maria.
10:19I don't think you should be afraid.
10:22We know when and where he expects the money, and we're going to be there to grab him when he picks it up.
10:28Suppose you don't grab him.
10:30Then he's going to come after me for sure.
10:33If he comes to pick up the money, we're going to get him.
10:36Okay?
10:38Okay.
10:40Okay.
10:40Okay.
10:42Look at that, huh?
10:45My tax dollar's going to work.
10:48Come here.
10:49I'll get in here.
10:50I'll get in here.
10:52This thing with Haberl and Fancy.
10:55Yeah, he sets a tension between them.
10:57I know about the tape, Vinnie.
10:59Haberl trying to screw the lieutenant.
11:01I see.
11:02In that type situation, some people might consider working both ends.
11:06Multiply earning opportunities.
11:09Tell me you're not putting your hand out.
11:11What I'm telling you, Vinnie, is if Fancy comes up short on this, I'm going to break all the bones in your hands and feet.
11:17Look, that kind of exaggeration is unnecessary.
11:20It's out of proportion.
11:21Just like your hands and feet will be.
11:23I give you my word.
11:24Lieutenant's going to be absolutely fine on this.
11:27Absolutely okay.
11:29Detective, this is your hand receipt.
11:32Transferring custody of one MK-19 grenade launcher to the New York City Police Department.
11:38Get those dummy rounds?
11:40They're real rounds.
11:41They've just been rendered inert.
11:43Anybody going to be able to spot that?
11:45Visually and weight-wise, they're perfect match.
11:48I also need you to sign this general liability waiver.
11:53You mind my asking what your plans are for the weapon?
11:57Yeah, every year we like to rattle our cage down at the ACLU.
12:03This year we're going to show up at their lobby and let them think we're going to incinerate them.
12:08Liability waiver should cover that.
12:11Let us know when you want us to pick it back up.
12:14Thanks.
12:14This ACLU thing, what are you going to do if you're for or after the army car?
12:23Done with your pizza, Webster.
12:25You keep calling me Webster.
12:27Which is the paper's nickname for the dictionary killer who we both know is you.
12:33My name is George Putnam.
12:36Where were you on August 17, 1989?
12:39I told you before, I don't know.
12:42I don't remember.
12:42Up in Riverdale's where you were.
12:46If you say so.
12:48August 17, 1989.
12:51A 16-year-old girl named Heidi Ellison was shot to her left eye.
12:57Boyfriend gets in the back of the head.
13:00I don't know what you're talking about.
13:02Stop lying.
13:04We checked your social security number.
13:07You were working three blocks away.
13:10How about October 3, 1989?
13:12What were you then?
13:12How am I supposed to know?
13:16Where were you?
13:17Where was I?
13:19I was investigating another double homicide.
13:24And guess what?
13:25You had a car registered at an address two blocks away.
13:30How does Mr. Smarter than the cops feel now, huh?
13:34Not so smart.
13:38Well, do you know what you should feel like?
13:43You should feel like a scumbag.
13:46Who was going to prison for the rest of his life.
13:51I don't know anything about any killings.
13:56I don't know about any letters.
13:59The only thing I know about Webster is he's that little black kid on TV.
14:03You little prick.
14:07I waited five years.
14:13So you better start talking.
14:14You want to arrest me for joyride in that girl's car?
14:20Go ahead.
14:22You got nothing else.
14:25You kill these people.
14:27And I'm here as long as it takes for you to admit it.
14:32You got nothing else on me.
14:40Greg, you all right?
14:41Take a ride with me?
14:42Yeah.
14:43Where are we going?
14:44Screw Solomon.
14:46I'm going to take a look at this guy's place.
14:50You got it.
14:52Asshole.
14:54I saw him on show a funeral call.
14:58Detective, do you have a minute?
14:59Um, I'll meet you outside.
15:04Yeah.
15:05How you doing, Benilo?
15:06Good.
15:08Did I spell your name right this morning?
15:11Yeah.
15:12You got it, man.
15:13Solomon's been in and out of here twice already.
15:15I was starting to think they had you locked upstairs.
15:18Locked out is where they got me.
15:21Do you want to talk about it?
15:24There you go.
15:25Did I catch that rain check tonight on dinner?
15:31Could be.
15:32I'll be in touch.
15:34I'm not going anywhere.
15:51Hey, how's it going?
15:52You guys got to take a look, too?
15:54Yeah, the, uh, boss is one another toss.
15:57Yeah, the door is open.
16:05Is Y.L. a lot of second toss?
16:08Yeah, I think he'd want us to.
16:12You guys need any help, Joshelle?
16:14Yeah.
16:15Greg, I need to take a look around here.
16:24I just assumed I'd have that cop come in just in case I'm wrong.
16:28You got something in mind?
16:29Yeah, there's something I want to look at.
16:32All right, let me go talk to this guy.
16:33Thanks.
16:34Boy, I hated fixed posts when I was in a bag.
16:51Amen to that.
16:53Sitting around eight hours, breathing stale air.
16:56You got problems with your sinuses?
17:02Maybe they're clogging up a little.
17:04Places like this, there's, uh, there's moles you can't even see.
17:10Little spores, you know, that get in your lungs.
17:13Little spores, you know, that get in your lungs.
17:43Little spores, you know, that get in your lungs.
18:13Greg?
18:19Yeah?
18:21You guys come in here.
18:24Come on.
18:33You make an entry in your logbook?
18:36I recovered this from the Skye's Air Commission.
18:39A zip gun, huh?
18:41Made to fire a .22 caliber, Webster's caliber of choice.
18:45You know, this guy in the interview kept on talking about how hot this place was.
18:49And I knew when Andy and I were downstairs in the alley,
18:53I kept on looking up and I saw the air conditioner there.
18:56So that's where he stashed a piece?
18:58Yeah.
19:00That's why the air conditioner wasn't working.
19:02He pulled the guts out so we could stash.
19:05Good going, Bobby.
19:08Appreciate it.
19:09Yeah, no problem.
19:11All set?
19:12Yeah, good.
19:13All set.
19:29A friend of mine is trying to get me into this Iron Man stuff.
19:33Here's a refill.
19:34Thanks.
19:35Swims, trail bikes 40, 50 miles every weekend.
19:39He's got legs like steel pistons.
19:40I sent away from one of those treadmills.
19:43It's been under my bed four months.
19:49Look, that mope's checking out the bag.
19:53This girl had no description?
19:54You know the guy who set a door on fire?
19:56She didn't see him.
19:59Portable one to van.
20:00Keep your eye on the guy with the backpack.
20:02Here we go.
20:10All right.
20:11Take him down.
20:17Hey.
20:18Please help me.
20:19Please.
20:20Hey.
20:21Don't hurt me.
20:22Please.
20:23Don't hurt me.
20:25No one's gonna hurt you.
20:26Why am I being arrested?
20:28Talk about it at the station.
20:29You don't have me, sir.
20:30Let's go.
20:31There's no reason I've been arrested.
20:33There is.
20:33Really?
20:34I...
20:34There you go.
20:35Thanks.
20:36Detective Simone found this hidden in Putnam's apartment during a follow-up, sir.
20:50Found it where?
20:51Hidden in the air conditioner.
20:54Does it match on ballistics?
20:5690% likelihood.
20:57This kind of weapon doesn't put lands or grooves on the slugs once it's fired.
21:02All the Webster slugs are unmarked.
21:04Finding it in Putnam's apartment links him to Webster homicides five years back, and
21:09they're shooting near Battery Park last August 17th.
21:11Uh, let's get back to this follow-up search.
21:15You want Simone to put the gun back so you can find it?
21:18I think Simone's earned a shot at interviewing this guy.
21:21I'm working a sequence with him.
21:23I think he deserves it.
21:27Maybe try a change of pace.
21:31I want to be in the room.
21:34You have a problem with that?
21:36My interview?
21:38Yeah.
21:39Nope.
21:40No problem.
21:41All right?
21:46Thanks, Lou.
21:51How's your guy in the room?
21:53Better than your guy.
21:54Give me a minute, Archie, all right?
22:00How are you going to work the guy?
22:02I've got some ideas.
22:08I'll be with you in a minute, okay?
22:10You don't want me to go.
22:12Nope.
22:13Wait until I'm there.
22:14What's going on?
22:20Found a piece at this guy's crib, so they put me in the interview.
22:24Good for you.
22:25What's going on with that armored car job?
22:27The clock should be running.
22:29They, uh, they asked for the gun.
22:31Greco had to make a stop.
22:32We're going to take it out to him.
22:34Heads up with that guy, Andy.
22:36Oh, yeah.
22:37Detectives?
22:38Detective Sipowicz.
22:42Uh, how's it going, Mr. Marks?
22:45Oh, I'm just out of the hospital.
22:47Just wanted to come by and let you guys know that I'm in constant pain.
22:51What, they took out that bullet?
22:53On the right buttock, yes.
22:55On your recommendation.
22:56That bullet really helped our investigation, Mr. Marks.
22:59Oh, good.
23:01Swell.
23:02So, I won't be walking around like a crab for three months just so that you guys can have a good laugh.
23:06You'll, uh, have to excuse me.
23:12Sliberwitz.
23:13Yeah.
23:14Pronto.
23:15Uh, listen.
23:16I used this after my procedure.
23:19Might give you some relief.
23:24Let's go, Vinnie.
23:30I was just curious.
23:32That's not a crime.
23:33Say, why aren't we going to pick up the bag?
23:35No, I just saw it lying there on the stoop.
23:37I wanted to see what was in it.
23:39You didn't know it was money?
23:41What'd you think it was?
23:42A pastrami sandwich on dried up bread with an old garlic pickle?
23:46No, I was just curious.
23:48Do you know Maria Galvin?
23:51Think this is funny, huh?
23:52Let me put it this way.
23:55We bring her here.
23:56Will she know you?
23:58She might.
24:00Why?
24:00From where?
24:02I've seen her at work, but I don't speak to her.
24:06Why is that?
24:07We haven't had occasion.
24:09So maybe instead of small talk, you tried to burn her door down.
24:13You left her a threatening note.
24:14Maybe that was your way of opening up a conversation.
24:17Did you ever have problems with a co-worker before, Alan?
24:20Not that I recall.
24:22Where'd you work before this?
24:24Several places.
24:27Write them down.
24:30All I did was pick up a bag.
24:33You can't prove I did anything else.
24:35You guys, get over here.
24:44Get this thing out of the van.
24:47Oh, Pop.
24:49Got the money?
24:50Up your ass, Vinny.
24:52Hey, come over here and give me your hand.
24:58Maybe you don't need what I got.
24:59What's with the other artillery?
25:03Here's the money we agreed on.
25:05You pick the weapon up here after five tonight.
25:08We talk about more money if it's discharged?
25:11Hey, if anything happens other than this thing sitting here waiting for you,
25:15then the situation's gone wrong.
25:17Then I want an extra thousand.
25:19Cover my ass money.
25:20Hey, screw you.
25:22You worried you buy gun insurance.
25:23You don't come crying to us.
25:25Whoa, whoa, whoa.
25:25That's unnecessary.
25:27That is.
25:27We got an understanding here.
25:29What's with that?
25:30Where are we going with that, huh?
25:31Put it up, Alex.
25:32You know, just by the nature of how things are, you're going to have to live with the
25:36deal we got.
25:37All right, all right, all right.
25:38Look, look, he's got a point.
25:40If things go right, we pick up the gun, it's no harm done.
25:43They don't go right well, then that's nobody's fault either.
25:45You see what I'm saying?
25:46We assume certain risks.
25:47It's my ass on a store if this doesn't get back.
25:52You know, maybe we say we bring that thing back.
25:55Safe and sound.
25:57And we leave an extra thousand.
25:58And if not, not.
26:02Can you live with that?
26:07There's a mutual benefit there.
26:09If they succeed, we succeed.
26:11Well?
26:17Yeah, come on, let's get out of here.
26:20What's the matter with him?
26:22Come on, get the other van in here and get this thing loaded.
26:24Let's go, come on.
26:26Get the other van in here and get this out of here.
26:29Come on.
26:31Open the gate.
26:32Let's go.
26:33Come on.
26:34That second weapon, that's going to make life more complicated.
26:39Shut up, Benny.
26:39Hey, George.
26:50We let you back in?
26:53Yeah, I'm back.
26:59I'd like a Coke.
27:04Who's going to get it for me?
27:06You know what, George?
27:07Nobody's going to get anything for you to drink here.
27:10Because I've got just, like, so much that I want to know from you.
27:14And I'm really eager to get to it.
27:19I think I could help you more if I had a Coke.
27:30Let's just forget about the Coke for now, okay?
27:32I guess you're the boss.
27:36So I was talking to George this morning, you know, his sense of what this guy might be like.
28:00Like I'm some expert on a Webster.
28:03George, you sat where the guy sat.
28:06You say yourself that a few minutes after he was in the car, you were in the car.
28:10Maybe you should be talking to some kind of a psychic or something.
28:16See, here's where we're hung up.
28:18Five years back, there's a series of homicides.
28:22All with a gun.
28:22The perp cuts words out of Webster's dictionary and puts them in notes that he leaves at the crime scene.
28:28Two days ago, same kind of notes on two bodies.
28:33Plus, one of the notes claims another DOA last August 17th.
28:38But here's the big difference.
28:40The guy is not shooting now.
28:43See, these are all strangulations.
28:45Although the DOA last August 17th, there actually was a shooting.
28:53I never read about the shooting.
28:56We just put that together now.
28:59I am giving you information that no one else has.
29:03See, the woman who was strangled, she was actually with a guy in the park when Webster approached him.
29:09The guy ran and Webster shot him in the rear.
29:11Oh, what a coward.
29:12The guy who ran.
29:17Hey, he was scared of Webster.
29:20Webster's got this whole town terrified.
29:24So, but we're looking at the August 17th female as a big change for this guy.
29:30In the sense of the strangulation.
29:34Why the change in his M.O.?
29:36Exactly.
29:40Why did he stop shooting?
29:42I mean, did the woman provoke him some way?
29:47What made him put his hands on him?
29:51Nah.
29:51I won't be able to help you with that.
30:05I mean, I'm just hearing about all this for the first time.
30:09So, you want to take a minute?
30:12You know, think about it a little.
30:14Yeah.
30:15How about that soda?
30:24You think I could get that now?
30:25I think she's going to be a good witness.
30:40Yeah, okay.
30:42Move on this twitch.
30:43Tell him we've got the gun.
30:44I'll tell him.
30:45When he's ready.
30:46Yeah, what we ought to do is kick his ass.
30:49No, Archie.
30:49What we ought to do is get him a Coke.
30:51You lay one hand on this guy, the ass that's kicked is yours.
31:00So, where'd they get the machine gun?
31:09I have no idea.
31:11I don't think it was him.
31:13If they realize the M.K. we gave him is dummied up, they'll allow him to go to the backup.
31:17What's the real likelihood they'll even try to fire the M.K.?
31:21Our people are going to be driving that armored car.
31:23I don't want them exposed to machine gun fire.
31:26If we pull the plug, all we can do is notify ATF to collar them on the guns.
31:31We're going to look half-assed, and they're not going to get any kind of time.
31:34They're backup guns mounted in the van.
31:36We can use the sandbag truck to block its field of fire.
31:44Okay.
31:45See?
31:46That kind of thinking, that's what makes this a great nation.
31:51The rest of your setup's okay?
31:53The bank's on 13th, between 2nd and 3rd.
31:55There's construction down the block.
31:57A lot of the guys cast their checks after work.
32:00The armored car drops the money off at 345.
32:03Martinez and Metaboy will be driving the armored car.
32:06We've got unmarked vehicles on the street for blocking.
32:09Uniform units are ready to respond, and I'll be there coordinating with the ESU.
32:14Good luck.
32:16Yeah.
32:17Thanks a lot.
32:19Hey, hey, hey.
32:20I don't want to cramp your style, so I'll stay a couple of blocks away.
32:24Yeah.
32:25See how it goes?
32:28Lieutenant, this matter initiated on your say-so.
32:31If it comes out wrong, you're the one in the crap store.
32:34Don't look to me for a little plastic rain cap.
32:36Let's get Greg and James up to speed.
32:41And I'll reconfirm with the ESU.
32:44Lieutenant, you don't see a role for me on this kind of operation, do you?
32:48No.
32:49No role for me.
32:50All right.
32:50Look, on this other thing with Havreau trying to jam you, I played this thing out as long
32:55as I think I can take it.
32:56Hang on a second.
32:57All right.
32:58This is good quality.
33:04Okay.
33:06Wait till you hear this tape I got for you, Captain.
33:08That's me.
33:10I now present you with Lieutenant Arthur Fancy, tightening his own neck tight and throwing
33:16a rope over the shower rack.
33:18I'm acting.
33:18Hold on, I don't mean any of this.
33:21That's half of it.
33:23Dong.
33:25Dong.
33:25Dong?
33:26What the hell's dong?
33:27Dong.
33:27You don't get it, mate.
33:29What the hell is that?
33:30Oh, my Lord.
33:31Oh, this is an arrow here.
33:33Oh, this is my Chinese cake.
33:36Nicky Wong knows me 50, so he's been teaching me 10 knees.
33:43His face gets all right when he gets mad.
33:45I'm retracting my movements.
33:47Nicky's apartment on.
33:49Okay, here we go.
33:50Oh, my God.
33:51I take over it.
33:53I, I, you gotta do something.
33:54You move on this fast, because I'm running out of excuses.
33:57Yeah, I'm moving soon.
33:58All right.
33:58Good luck on this thing, huh?
34:00Okay, guys, let's go.
34:01I called the places you worked before, Alvin.
34:11I spoke to the personnel people.
34:14So what?
34:15I've never been fired?
34:16You left your job when they asked you about the threatening notes that were found in a
34:20female employee's desk.
34:22Well, I didn't write those notes.
34:23So then why did you quit?
34:25I didn't like being falsely accused.
34:27Would you like that?
34:28Your previous employees kept copies of the notes.
34:31They're gonna send them over.
34:33If the handwriting matches the note from Maria Galvin's apartment, you have some real problems.
34:39Extortion.
34:41Arson.
34:42Why would I want money?
34:43I make good wages.
34:44You checked my bank account.
34:47You picked up the bag, Alvin, and you have a history of these things.
34:50What you should be thinking about is getting straight with me.
34:54You mean we could work something out?
35:00Well, I can't say that till I know what happened.
35:11I didn't want her money.
35:14I would have given that back.
35:15I just wanted her to know that I'm someone she could rely on.
35:22Rely on how?
35:23If she felt threatened, she would need somebody and I'd protect her.
35:30Protect her from what?
35:31There's Webster's out there.
35:40So.
35:42Yeah.
35:44Maybe I'd have done better if I just sent her some candy.
36:01Passing in at Section 8 to 2nd Avenue.
36:0810-4, stand by.
36:10They're coming around the corner.
36:11Okay.
36:12I'll use this way for my signal.
36:14Vendor in position.
36:15Hey, open it or I'll blow it open.
36:37All right.
36:38Mom, get off the money now.
36:40Get your hands or I get sick.
36:42Okay.
36:42And you go.
36:44Let you go.
36:45Hey, let's go.
36:47Move.
36:49I'll shoot somebody.
36:51Move.
36:52Move now.
36:53Lock in vehicle.
36:54Go.
36:55Take it.
36:55Hey, keep your hands right.
37:05Get out.
37:06Get out.
37:07Get out.
37:08Get on the front.
37:09Get on the front.
37:10Don't do more.
37:11Get out.
37:12Get the foot.
37:13Check out the back.
37:14Go.
37:14Got it.
37:15Don't do more.
37:15I'll shoot him.
37:17All right.
37:18Get out of my ear.
37:19Get out of my ear.
37:24Get out of my ear.
37:24Anything?
37:25Band clear.
37:26Got a gun.
37:27Got a gun here, too.
37:29Let's go.
37:30All right.
37:31Come on.
37:31Get out of my ear.
37:32Get in.
37:32All right.
37:34All right.
37:35Where are the other guys?
37:36Get in.
37:37Get in.
37:37Get down.
37:38Get them down.
37:39Get down.
37:40Get them down.
37:41White band clear.
37:42Let's get everybody back into the house.
37:45Greg, take care of that and all these weapons.
37:48Andy, make sure this army weapon gets back into the house.
37:53All right, great job, men.
37:56Captain, you got anything you want to say to these guys?
37:59Yeah, fine job, man.
38:00Fine job.
38:03Yeah, fine job.
38:05You all right, Amy?
38:07All right, let's go.
38:15Hey, the interview rooms are full, so take them to the cells downstairs.
38:23All right, let's go.
38:23They'll probably stay from the house of clear.
38:27Should have seen the look on their faces after those concussion grenades.
38:31I'll tell you, I was standing clear across the street.
38:34My ears are still ringing.
38:36Lieutenant, we're getting calls from all the news media.
38:38What do you want me to tell them?
38:39I'm already on top of that.
38:40I'm going to hold a news conference downstairs.
38:42Maybe you and I should have word in my office first.
38:45What?
38:46I think I know all the details, Lieutenant.
38:49I don't think so.
38:5115th detective squad.
38:54I'm sorry, I have to take a message.
38:58Okay, in and out.
39:01Close the door.
39:10What, are you going to take this conversation?
39:11Listen to this.
39:13I want Fancy on tape buying into a story you admit to him is bogus.
39:18No, the armored car heist is real.
39:20I'm talking about this Pachanko nonsense.
39:24You get Fancy to sign on, and I'm going to use it to get him out.
39:28All right, is that what you want?
39:30He's a careful nigger, but you made a career out of lying, so I am confident you'll come up with the right details.
39:36You dirty son of a bitch.
39:40Now, there's an easy way, and there's a hard way.
39:42What the hell is that supposed to mean?
39:44That tape's either a preamble to your retirement speech downstairs, or it's my attorney's opening argument at your civil trial.
39:50I'll take retirement.
40:02I got no love for what this job's turned into.
40:06Why?
40:09Is it me, or everybody black?
40:12I got several colored friends.
40:14I don't like your attitude.
40:16Too much self-respect?
40:18Yeah.
40:20Yeah, maybe that's it.
40:22Better get to your press conference.
40:23It went pretty good, you know.
40:33Should we pick out anybody?
40:35Yeah, it should be a hell of a man.
40:36I'm not sure about the other thing.
40:41Step up.
40:42What's going on?
40:43This is the other one.
40:44The socks.
40:46Yeah, let's figure it out.
40:49Can I put it and get all of them?
40:53What'd you get this, the bottling plant?
41:02Wanted to give you some time to think.
41:04Do you realize how long I've been in here?
41:07I want this over.
41:09Shouldn't be much longer.
41:12Good.
41:16Can we get that help now, George?
41:23I would think he plans everything very precisely.
41:42I would think the man chooses victims he is not connected to.
41:48Places where the victims aren't expecting it, where they'll be surprised.
41:57He's walked through the escape route.
42:00And he's fully prepared to delay action any time he encounters unforeseen circumstances.
42:08You must have really been pissed off last August in Battery Park when that guy ran.
42:13Yeah, probably.
42:14What's he trying to accomplish?
42:21Well, he kills couples, right?
42:25Maybe he has some kind of special sixth sense.
42:29Tells him when a man is going to be dominated by a woman.
42:32And he wants to prevent that?
42:34Wouldn't you prevent that if you could?
42:35Do you know anyone who wouldn't prefer a quick, painless death to years and years of torture?
42:46I don't know, George.
42:47That doesn't work for me.
42:49Yeah, why not?
42:49Because what about the woman?
42:50He kills the woman, too.
42:52The woman is the whole problem here.
42:54Of course he kills the woman.
42:56She's the only one who really deserves to die.
42:58In his mind.
43:10We've got to talk about a gun, George.
43:15What do you mean?
43:16We found a gun in your apartment just where you told me to look.
43:20Where I told you to look?
43:22I think we're in touch on this here, George.
43:25You wanted me to find that gun.
43:28That's why you mentioned how hot it was last summer.
43:30You knew I'd look at that air conditioner in your place,
43:35wonder why it wasn't working.
43:38You knew I'd find that gun there.
43:43Yeah.
43:43I did say it was hot.
43:56But I don't see the connection.
43:58Am I having a gun?
43:59It's a match, George.
44:01We matched it to the Webster shootings just like you knew we would.
44:06We got you, George.
44:10You let yourself get caught.
44:12Now help me understand.
44:14Otherwise this turns into a freak show and Webster is just another weirdo.
44:21And I don't want that.
44:27Yeah.
44:34That really wouldn't be fair.
44:42Think about it.
44:48He really is saving people.
44:52Why did he come back to a different area of the city?
44:55The nexus of men in need of his help shifted.
45:01One place was in need and then another.
45:07He goes where he's needed.
45:09Where did he disappear those five years?
45:13Broward County, Florida would be my guess.
45:16Is he active here?
45:18I wouldn't be surprised if he did some interventions.
45:22But these were shootings, right?
45:24Why did he start strangling in August?
45:31Have you ever seen anyone strangled?
45:36I would guess it's much more gruesome than being shot.
45:39You die looking your killer in the eyes.
45:49That woman who got strangled.
45:53What did she do to Webster?
45:57She kicked him in the testicles.
45:59You're going to write this up for us, George.
46:07Well, yeah.
46:09And they were in the testicles.
46:10It was a good scene.
46:10It was the end of the test.
46:11Oh, yeah.
46:12Then I would guess it was the end of the testicles.
46:13Well, yeah.
46:13Oh, yeah.
46:14But when I was in need of time, we had to be in a church.
46:14They had to be in the end of the testicles.
46:16You got to tell him how was the end of the day.
46:17Then I started to get you up for you.
46:18You got to do a good idea.
46:18I thought that he had to be in the testicles.
46:19Let's see if we were in the testicles.
46:20I thought I got to do that.
46:22That's how it was.
46:23I thought it would see.
46:24I thought it was going to happen.
46:25In this case, I kept back.
46:27It was a good idea.
46:28Hey, Adrian.
46:40Hey, congratulations on the armor-cut collars.
46:44Yeah, all I did was wear an itchy uniform.
46:46I like the earlier part of the day better.
46:49What do you mean?
46:50You know, working with you on that Austin case.
46:53So where do you stand on that guy?
46:54Well, he admitted he sent the note, and he's waffling on starting the fire.
46:59Complaining can't testify on that part.
47:02No.
47:02And if he don't go for the arson, he may not do time.
47:06I get a bad feeling off this guy.
47:09Yeah?
47:10You think he might go to the next step?
47:12Get violent?
47:13Yeah, I think he could.
47:14I think he's trouble waiting to happen.
47:19So, uh, you don't mind me saying I, uh, I enjoy working with you.
47:24No.
47:26I enjoy working with you, too.
47:29Hey, James.
47:30They want us downstairs for the press conference.
47:33Really?
47:33Yeah.
47:34Okay.
47:36My picture's in the paper.
47:38It's a big thing for my folks.
47:40Stand next to Havril.
47:42So you're gonna be okay in there with that guy?
47:44Yeah, I'm gonna be fine.
47:45Okay.
47:45Okay, that'll be great.
47:48Yeah, um...
47:51Hey, Luke.
47:56Denise.
47:57Some big doings going on outside.
47:59Yeah, it's about to be a press conference.
48:02Well, you came down on those skeeves like a rat, Chef.
48:06Huh, Lieutenant?
48:07Havril's decided to retire.
48:09Well, you don't say.
48:11Yeah, I got your check here.
48:13Well, I got some destinations pre-selected for this money.
48:16Believe me.
48:18Sign it back and I'll give you the cash.
48:19No problem.
48:20Department checks never have any trouble.
48:21Sign it, Vinny.
48:23Well, actually, in this neighborhood, I would prefer not to carry such a large sum of currency.
48:28Vinny, I'm not gonna give you a chance to work with the check.
48:30Work with the check?
48:31What are you talking about?
48:32Meaning I don't want you adding a couple of zeros to it.
48:34Now sign it.
48:34Oh, whoa.
48:35Lou, that would be very short-term thinking.
48:37Well, you are a day-to-day guy, Vinny.
48:40Yeah, well, I'm taking a longer view now.
48:42You're looking at the new and improved Vincent A. Greco.
48:46In fact, they got my eye on a developing situation.
48:49Something in the planning stages.
48:52These a-holes have been led to believe there's some dope in this warehouse.
48:58Yeah, well, bring it to me when you get a little more.
49:00Hey, Lou.
49:03You'll be good to yourself, huh?
49:05Yeah.
49:06You too, Vinny.
49:07Count to five and then walk out.
49:10Okay.
49:13One.
49:15Two.
49:17So I won't be staying here now?
49:19No, they'll be moving you to Rikers.
49:21Oh, that's too bad.
49:23Why?
49:24You'll like it there.
49:24It's got a better view.
49:26I know.
49:26I just heard Webster's in the station house.
49:29I was hoping to get to meet him.
49:30Oh, all right.
49:36There's Lieutenant Fancy.
49:37Now, let's get this on the road.
49:39Is there a development in the Webster case?
49:42No.
49:42This is exclusively regarding the arrests and the attempted armored car hijacking.
49:47Needless to say, I am extremely proud of the effective execution of this operation by the detectives of the 15th squad, commanded by Lieutenant Fancy and under my supervision.
50:01I am especially pleased to be instrumental with this operation in that recently I have decided to take my retirement from active duty.
50:18Some of the detectives and uniformed patrol personnel who were involved in this operation are standing beside me.
50:31I singled out for a particular mention, Detectives Sipwitz, Medavoy, and Martinez.
50:37It was because of their courage and dedication that I believe this operation went so well.
50:43And I'm also very pleased that there were no casualties.
50:46Um, any questions?
50:50If I were you, I'd tell my editor to save some space on that metro page for some late breaking news.
50:56Any ideas where that would be?
50:59Off the record?
51:01Wouldn't surprise me if there's a break on Webster.
51:05A confession?
51:07Wouldn't surprise me.
51:11If I got the story started, do you think I could get a confirmation in a couple of hours?
51:16Yeah, we'll give you a call.
51:18Thanks, Bobby.
51:20Sure.
51:24That's all.
51:25Greg, James, you're gone.
51:28What's doing with your guy?
51:29He went.
51:30He did?
51:31Mm-hmm.
51:31All right.
51:32He went, Lou.
51:33Hey, way to go, Bobby.
51:34Yeah, I want to call that Mr. Rudman and let him know we got this guy.
51:37How'd Solomon do?
51:39He was in there.
51:40Yeah?
51:41What was he doing?
51:42Holding your coat?
51:49Need Alden for Michael?
51:50Let's search him.
51:51Sure.
51:52Yeah, let's just go.
51:53No, he's still at the left.
51:55Hey.
52:02Hey.
52:03How's he doing?
52:04He's riding away.
52:10Did you tell the bosses?
52:13No.
52:14Just fancy.
52:15I'm 48 years old.
52:26All right.
52:32Is there going to be room for me?
52:35How it went down.
52:39There's going to be more room for you than you made for me.
52:43I appreciate it.
52:45Yeah.
53:14Yeah.
53:15It's Bernita.
53:24Hey.
53:25Paper girl.
53:28Come on in.
53:30Did I wake you?
53:32No, I'm sitting, thinking about the case, trying to watch a movie.
53:38Hot off the press.
53:39It's your story on Webster, huh?
53:41Front page, metro section, above the fold.
53:46I'll take your coat.
53:47Oh, thanks.
53:48Take it.
53:49Can I get you a soda or a beer or something?
53:57No, thanks.
53:58I can make you a sandwich.
53:59I can make you a sandwich, you're here.
54:01No.
54:03That does it for the refreshments.
54:04Thanks.
54:05You have a great place.
54:08I mean, did you just move in?
54:10No, actually, I've been here for a while.
54:12Six months or so.
54:14You moved in here after your wife died.
54:16Mm-hmm.
54:17I really haven't gotten around to unpacking yet.
54:27Bobby, do you want me to go?
54:28No.
54:29No.
54:36No.
54:39I don't.
54:49It's just that I'm a little scared is all.
54:52Don't be scared.
54:54Don't be scared.
55:22Transcription by CastingWords
55:52Transcription by CastingWords