• last year
Transcript
00:00:00 [THEME MUSIC]
00:00:03 [THEME MUSIC]
00:00:06 [THEME MUSIC]
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00:00:20 [THEME MUSIC]
00:00:48 [SEAL BARKING]
00:00:52 There it is, my man.
00:01:01 Here's your landing permit.
00:01:05 Hold on to it.
00:01:06 You can't get off the boat without it.
00:01:08 We shouldn't have come home yet.
00:01:09 What are you having for grief?
00:01:15 I could have sworn I saw Inspector Faraday
00:01:17 on the lower deck.
00:01:18 You'd better stay in the wagon, Runt.
00:01:19 You're seeing pink detectives.
00:01:20 Never seen her before.
00:01:27 Where did she get on?
00:01:28 Same place you did.
00:01:30 Only she ain't been out of a cabin.
00:01:31 Name's Marilyn Howard.
00:01:34 You used to tell me these things, Runt.
00:01:35 I have a message for you.
00:01:43 The climate in this country won't agree with you.
00:01:46 Take your hands off me.
00:01:48 Looks like the lady needs a friend.
00:01:49 And we're the friendly type.
00:01:50 Very bad manners, shaking a lady's hand so far up.
00:01:59 I've been looking everywhere for you, my dear.
00:02:00 Thank you.
00:02:05 You're very welcome, Miss Howard.
00:02:07 We should have met earlier in the trip.
00:02:09 I assure you, I'd have treated you far more gently.
00:02:12 Please excuse me.
00:02:13 I must go now.
00:02:14 Oh, now, you can't desert me like this.
00:02:16 I'm afraid I must.
00:02:17 Well, when am I going to see you again?
00:02:20 You're not.
00:02:21 Then how are you going to show me how grateful you are?
00:02:25 I'm very grateful.
00:02:26 Thank you again.
00:02:27 Oh, Miss Howard.
00:02:32 I do instead of Miss Howard.
00:02:34 Inspector Faraday.
00:02:35 Well, well, hello.
00:02:37 Hi, Blackie.
00:02:38 Don't tell me you've been on board all the way over.
00:02:39 Got on at quarantine.
00:02:41 I couldn't find your name on the passenger list.
00:02:43 No, no, I'm using my maiden name.
00:02:45 Shall we go inside?
00:02:46 You know, it's good to see you, Faraday.
00:02:48 Yeah?
00:02:49 How long has it been now?
00:02:50 Let's see, a couple of years, huh?
00:02:52 Yeah, not since the Mansfield job.
00:02:55 That's right.
00:02:56 Beautiful pearls I ate.
00:02:57 And you tried to pin it on me, remember?
00:02:59 [laughter]
00:03:01 I may do it yet.
00:03:02 We never did get those pearls.
00:03:05 How did you like things on the other side?
00:03:07 Oh, fine.
00:03:08 I understand there are quite a lot of jewel markets over there.
00:03:10 You embarrass me, my friend.
00:03:12 And who is this Miss Howard you're trailing?
00:03:14 How are you making out?
00:03:16 Don't be a cad, Faraday.
00:03:18 Now listen, Blackie.
00:03:19 Yes, I know.
00:03:20 Where was I on the night of September so and so and so and so?
00:03:22 Yeah.
00:03:23 I was in Paris.
00:03:24 Doing what?
00:03:26 The usual thing.
00:03:27 How long?
00:03:29 [laughter]
00:03:30 I refuse to answer on the grounds it might incriminate and degrade me.
00:03:33 Not to you.
00:03:42 Blackie, you know anything about the Mansfield pearls?
00:03:46 Nothing, except that they came from oysters.
00:03:48 This oyster was opened with nitro.
00:03:50 Really?
00:03:51 Mm.
00:03:52 Fingerprints on it?
00:03:53 Mm-hmm.
00:03:54 Mine, you hope?
00:03:56 Don't know yet, but every artist leaves his signature on his work,
00:03:58 whether he paints portraits or opens oysters.
00:04:01 Yeah.
00:04:02 I recognize that Mansfield job as the work of an artist,
00:04:04 and that could mean only one man.
00:04:06 Are you trying to flatter me into a confession?
00:04:09 I don't have to.
00:04:11 When a fortune in pearls disappears as neatly as that,
00:04:14 and you leave the country the next morning,
00:04:16 and then you go to Amsterdam where they buy pearls.
00:04:19 Remarkable coincidence, isn't it?
00:04:21 Yeah, that's why I wired every city in Europe to keep track of you.
00:04:24 I've been waiting for you to come back.
00:04:26 Oh, that explains those official receptions.
00:04:29 I wondered why I was given such attention.
00:04:32 That kind of attention is the specialty of the house.
00:04:34 You do that so well, Faraday.
00:04:36 Thank you.
00:04:37 Since you went to so much trouble, you must be pretty sure of yourself.
00:04:40 You know, Blackie, I've been trying to catch up with you for a long time.
00:04:43 This time I think I've done it.
00:04:45 I'm going to risk booking you.
00:04:47 Do you mind?
00:04:49 Not at all.
00:04:52 Oh, Blackie, I don't have to cuff you.
00:04:55 I'd much rather just...
00:04:56 Go ahead. It's all right. You're just doing your job.
00:05:00 (SIGHS)
00:05:01 You're pretty cute, Blackie. You haven't changed a bit.
00:05:28 I should have known better than to try cuffs on you.
00:05:30 I'd much rather have your word. What do you say?
00:05:33 You're taking advantage of me. You know that, don't you?
00:05:35 Unless you've picked up some bad habits on the other side,
00:05:37 you're a lot safer that way, without cuffs.
00:05:40 You have my word.
00:05:42 I've got a bag to pack. Be right back. Do you mind?
00:05:45 Not at all.
00:05:47 Oh, Blackie.
00:05:48 You need a landing permit to get off the boat, don't you?
00:05:57 You're pretty cute yourself.
00:05:59 (CHUCKLES)
00:06:00 Blackie, I saw you giving the Sing Sing salute. What's it about?
00:06:12 Fingerprints on the man's field safe. He wants to check them with mine.
00:06:15 Runt, do I look like the sort of fellow who'd autograph a safe?
00:06:17 Not unless you forgot everything you ever do.
00:06:19 Well, at any rate, I'm going down to headquarters with him.
00:06:21 You go home and open the apartment.
00:06:23 You're going to let him take you in?
00:06:24 Yes, I'm afraid I'll have to.
00:06:25 But then he will get your prints.
00:06:27 That's been his ambition for years.
00:06:29 It'd be a pity if he succeeded now.
00:06:30 He'd have nothing left to look forward to, would he?
00:06:33 (DOOR OPENS)
00:06:34 (SUSPENSEFUL MUSIC PLAYING)
00:06:38 (SIREN WAILING)
00:06:40 (SIREN WAILING)
00:06:41 (GUN COCKS)
00:06:43 (SUSPENSEFUL MUSIC PLAYING)
00:06:45 (SIREN WAILING)
00:06:46 (SIREN WAILING)
00:06:47 (GUN COCKS)
00:06:48 (SIREN WAILING)
00:06:49 (GUN COCKS)
00:06:50 (SIREN WAILING)
00:06:51 (GUN COCKS)
00:06:52 (SIREN WAILING)
00:06:53 (GUN COCKS)
00:06:54 (SIREN WAILING)
00:06:55 (GUN COCKS)
00:06:56 (SIREN WAILING)
00:06:57 (GUN COCKS)
00:06:58 (SIREN WAILING)
00:06:59 (GUN COCKS)
00:07:00 (SIREN WAILING)
00:07:01 (GUN COCKS)
00:07:02 (SIREN WAILING)
00:07:03 (GUN COCKS)
00:07:04 (SIREN WAILING)
00:07:05 (GUN COCKS)
00:07:06 (SIREN WAILING)
00:07:07 (GUN COCKS)
00:07:08 (SIREN WAILING)
00:07:09 (GUN COCKS)
00:07:10 (SIREN WAILING)
00:07:11 (GUN COCKS)
00:07:12 (SIREN WAILING)
00:07:13 (GUN COCKS)
00:07:14 (SIREN WAILING)
00:07:15 (GUN COCKS)
00:07:16 (SIREN WAILING)
00:07:17 (GUN COCKS)
00:07:18 (SIREN WAILING)
00:07:19 (GUN COCKS)
00:07:20 (SIREN WAILING)
00:07:21 (GUN COCKS)
00:07:22 (SIREN WAILING)
00:07:23 (GUN COCKS)
00:07:24 (SIREN WAILING)
00:07:25 (GUN COCKS)
00:07:26 (KNOCKING)
00:07:27 (KNOCKING)
00:07:28 (SIREN WAILING)
00:07:29 (GUN COCKS)
00:07:30 (SIREN WAILING)
00:07:31 (GUN COCKS)
00:07:33 Two trunks and five releases. That makes seven.
00:07:35 And one is eight.
00:07:37 Say, that looks like the guy that was up on the deck with that Howard thing.
00:07:40 Yeah.
00:07:41 Say, I told you we should have stayed on the other side.
00:07:43 (KNOCKING)
00:07:44 You gonna leave that there?
00:07:45 Why not?
00:07:46 But it's yours.
00:07:47 Faraday wants my fingerprints.
00:07:49 For the time being, we'll let him think those are mine. On the gun.
00:07:51 They ain't.
00:07:53 Whose are they?
00:07:55 You seen Marilyn Howard around lately?
00:07:57 Yeah, saw her near the gank plank. She must be off already.
00:07:59 You'd better get off the boat as soon as you can.
00:08:01 We running out of Faraday?
00:08:02 I'm afraid we'll have to.
00:08:04 For the first time, too.
00:08:07 If we don't find Miss Howard, he may be able to convict us of a murder we didn't commit.
00:08:17 The electrocution is so permanent.
00:08:19 (INDISTINCT CHATTER)
00:08:27 (INDISTINCT CHATTER)
00:08:29 Mr. and Mrs. Joseph Garner.
00:08:33 Bill, here we are.
00:08:35 Miss Eleanor Hall.
00:08:38 Mrs. Charles Hilder.
00:08:40 Mr. Martin McVestrick.
00:08:42 Right.
00:08:44 (SILENCE)
00:08:46 My man is looking after my luggage.
00:09:03 Is it all right if I leave the dock now?
00:09:05 Have you got anything on you that you brought in from the other side?
00:09:07 No.
00:09:08 Care to take a look?
00:09:09 Won't be necessary. You can go.
00:09:11 Thanks.
00:09:12 (INDISTINCT CHATTER)
00:09:14 Yes, ma'am.
00:09:18 Did the woman just get a cab here, a blonde?
00:09:31 A blonde? Uh, yeah.
00:09:32 What, you think he can catch her?
00:09:34 (INDISTINCT CHATTER)
00:09:36 I guess I lost him.
00:09:55 We were riding his taillight.
00:09:57 Don't worry about it, bud. He'll be in Thompson's bar.
00:10:00 He's probably got his kisses stuffed in a beer glass already.
00:10:04 Well, what are we waiting for?
00:10:05 Hold it.
00:10:16 Where'd you take that lady you just drove out here?
00:10:18 Up in the next block, near the freak show.
00:10:20 Where did she go? What number?
00:10:22 Look, bud, I only drove her there. I didn't carry her inside.
00:10:25 Here, this ought to launch both of you.
00:10:28 Hey, Joe, two more beers.
00:10:33 (INDISTINCT CHATTER)
00:10:35 Give me your attention, ladies and gentlemen.
00:10:38 Here he is.
00:10:40 The oldest man in the world, ladies and gentlemen.
00:10:42 Stands over eight feet in height.
00:10:44 Has the strength of ten men.
00:10:46 Takes an iron bar, twists it and turns it like molasses candy.
00:10:51 You'll see him do it on the inside.
00:10:53 And now for the feature attraction of our man of the show.
00:10:56 The greatest mechanic that'll achieve the known design.
00:11:00 (INDISTINCT CHATTER)
00:11:02 This means a copper wire, and you wind him up like a dead centurion.
00:11:06 You wind him up, folks, and he keeps on moving,
00:11:08 and you'd swear that he was alive.
00:11:10 And I challenge any one of you, ladies and gentlemen,
00:11:12 to find out anything about this mechanical creation
00:11:14 that doesn't duplicate the human form.
00:11:17 (INDISTINCT CHATTER)
00:11:20 (INDISTINCT CHATTER)
00:11:23 (INDISTINCT CHATTER)
00:11:26 (INDISTINCT CHATTER)
00:11:52 (INDISTINCT CHATTER)
00:11:54 The world has ever seen why a lady from New Rochelle married one
00:12:03 before she found out he wasn't human.
00:12:05 (INDISTINCT CHATTER)
00:12:08 (PHONE RINGING)
00:12:18 Hello?
00:12:21 Hello, Runt?
00:12:22 Blackie, phone Faraday and have him come over to the apartment
00:12:25 and wait till I get there.
00:12:27 Right.
00:12:29 (INDISTINCT CHATTER)
00:12:32 Hello. Remember me?
00:12:45 You left something in my stateroom.
00:12:47 But I couldn't help it. He would have killed me.
00:12:50 I ran to your cabin and he followed me.
00:12:52 Your bag fell over and I...
00:12:54 Let's get away from here, please.
00:12:56 Someplace where we can talk.
00:12:58 (INDISTINCT CHATTER)
00:13:01 Why did he want to kill you?
00:13:08 He's a member of a... An organization.
00:13:11 They're trying to do something, and I'm trying to stop them.
00:13:16 Do I get a prize if I decipher that?
00:13:19 I'm trying to tell you.
00:13:20 Come on.
00:13:25 (INDISTINCT CHATTER)
00:13:28 Hurry, hurry, hurry! This is it, the tunnel of horrors!
00:13:42 You'll scream and you'll like it!
00:13:44 Just a moment for the biggest shunk on the midway.
00:13:48 Hurry, hurry, hurry, hurry, folks! This is it, the tunnel of horrors!
00:13:51 Step right up, fellas, and bring your gals along.
00:13:54 Just a dime for the biggest thrill on the midway.
00:13:57 Nobody sees you, nobody cares, and if somebody screams, they're scared!
00:14:01 What's the matter?
00:14:03 I'm afraid. Those two men.
00:14:05 -Where? -In the car behind us.
00:14:07 -Friends of Vestrick's? -Yes.
00:14:09 -Why don't you go to the police? -I can't. They wouldn't listen to me.
00:14:11 Then you'd better tell me about it.
00:14:17 It's rather important for me to prove I didn't kill that gentleman you left in my stateroom.
00:14:20 I dislike doubting your word very much, but there happens to be nobody in the car behind us.
00:14:28 What's going on?
00:14:30 They were there a minute ago. I saw them.
00:14:32 Look, please believe me. I'm here to tell you the truth.
00:14:40 I could use some of the truth.
00:14:43 (GASPS)
00:14:44 Mechanical men.
00:14:59 Skyline sign.
00:15:02 162 and a half.
00:15:04 Skyline.
00:15:08 Skyline.
00:15:09 Skyline.
00:15:11 (BEEPING)
00:15:13 (POLICE RADIO CHATTER)
00:15:15 (GUN CLICKS)
00:15:16 (POLICE RADIO CHATTER)
00:15:25 (POLICE RADIO CHATTER)
00:15:26 (POLICE RADIO CHATTER)
00:15:41 (POLICE RADIO CHATTER)
00:15:42 Okay, lady, this is the last stop.
00:16:03 Hey, lady, what's the matter?
00:16:10 Quick, get a cop. We got a dead doll on our hands.
00:16:12 (WHISTLES)
00:16:14 Here they are, here they are, those free dancing daisies.
00:16:17 Never before seen in this country.
00:16:19 They were stolen from the Sultan of Calabas.
00:16:23 They've been bathed in goat milk.
00:16:25 They've been anointed with honey.
00:16:27 If you step on the inside and watch these little ladies...
00:16:30 I want to see the mechanical man in private.
00:16:31 ...you've never seen a sight like that before.
00:16:33 Hey, Joe, take the doll.
00:16:36 ...you wear my paint right in your tracks.
00:16:39 (KNOCKING ON DOOR)
00:16:40 Come in.
00:16:41 Who are you?
00:16:46 Friend of Marilyn Howard's.
00:16:48 What do you want?
00:16:56 Well, I hardly know where to begin.
00:16:57 I'd rather you did the talking.
00:16:59 I gave her my answer.
00:17:01 Not a very diplomatic one, was it?
00:17:08 The answer to you is the same.
00:17:09 Well, I haven't asked anything yet.
00:17:11 Look, buddy, I got a goose that lays golden eggs...
00:17:15 ...and I'm not letting her kill it.
00:17:16 Well, if you commit murder for it, other people might do the same.
00:17:19 It's okay, boss, but there was a guy with her who got away.
00:17:24 Your freaks are running amok.
00:17:30 You ought to feed them more often.
00:17:32 I throw 'em a sucker now and then.
00:17:34 All right, I'm coming.
00:17:37 (GRUNTS)
00:17:38 (GUNSHOTS)
00:17:39 (WOMAN SCREAMING)
00:17:53 (WOMAN SCREAMING)
00:17:54 The world has ever seen.
00:18:20 You can't trace the red star the way a fortress spins round and round.
00:18:23 A race is not snow-white and ice.
00:18:25 You're picnic.
00:18:27 This is very unorthodox, but may I ask you to move over?
00:18:30 Must I insist?
00:18:32 Who are you?
00:18:46 Who do you think you are?
00:18:48 At the moment, I'm a fugitive from an autopsy.
00:18:49 Almost, but not quite.
00:19:12 Your friend's a road hog.
00:19:14 That road hog's no friend of mine.
00:19:16 (TIRES SCREECHING)
00:19:17 The gentlemen are very persistent.
00:19:25 Take the wheel.
00:19:30 (TIRES SCREECHING)
00:19:37 (TIRES SCREECHING)
00:19:38 (TIRES SCREECHING)
00:19:52 (TIRES SCREECHING)
00:19:53 (BELL RINGING)
00:20:09 (BELL RINGING)
00:20:10 (BELL RINGING)
00:20:11 (BELL RINGING)
00:20:40 Hey, what's going on here?
00:20:41 It's okay, fella. Just got lost.
00:20:43 Took the wrong turn.
00:20:45 Then back up and get out. You're trespassing.
00:20:47 Where's this train going to, fella?
00:20:50 Valley Stream.
00:20:52 -Thanks, buddy. -Thanks.
00:20:54 They're moving.
00:21:06 We've got to get out of here.
00:21:10 (HORSE GALLOPING)
00:21:11 We, uh, we could jump, of course.
00:21:19 With my car under my arm, I suppose.
00:21:21 Oh, now look, what is this all about?
00:21:26 You hijack my car and your friends almost kill me,
00:21:28 and you get us locked up like cattle in a boxcar,
00:21:30 and you don't explain anything.
00:21:32 It's like giving me the second installment on a cereal.
00:21:34 I'm terribly sorry.
00:21:38 As soon as the train stops, I'll do everything I can
00:21:39 to get you out of here.
00:21:41 Whenever that'll be.
00:21:43 Now look, I want to know the whole story.
00:21:45 (HORN HONKING)
00:21:49 Well, I'm waiting.
00:21:55 I can't tell you the first installment.
00:21:57 And the rest of the story hasn't been written yet.
00:21:59 For all I know, we may both be corpses on the next page.
00:22:03 Oh.
00:22:07 (HORSE GALLOPING)
00:22:08 Now I know how we're going to get out of here.
00:22:20 Have you got a hammer in your pocket?
00:22:25 Do you realize there's a federal law against kidnapping?
00:22:29 I could have you arrested.
00:22:32 You haven't escaped yet, have you?
00:22:34 Why are you doing this?
00:22:35 You don't look like a criminal.
00:22:37 My grammar's much better too, don't you think?
00:22:39 Well, you're obviously running away.
00:22:43 You won't talk.
00:22:47 Oh.
00:22:50 You may be a murderer or something.
00:22:52 They slow 'em down here.
00:22:58 I don't know.
00:23:00 But if they stop, it'll save us the trip to Valley Street.
00:23:03 (MACHINERY WHIRRING)
00:23:04 (BELL RINGING)
00:23:09 Can we get out?
00:23:19 This is stupid, chasing a chump all over Long Island.
00:23:21 This chump knows too much.
00:23:23 Well, he was with the Howard Danes, so what?
00:23:25 Look down in the car.
00:23:27 Our friends think they have a rain check. They're coming back.
00:23:30 (BELL RINGING)
00:23:31 (HONKING)
00:23:39 (GROANS)
00:23:42 Are you all right?
00:23:58 Yes, still unperforated.
00:23:59 Who was this Miss Howard they said you were with?
00:24:04 Oh, just one of my former acquaintances.
00:24:07 Why do those men want to kill you?
00:24:10 I don't think they like me.
00:24:12 Good evening, ladies and gentlemen.
00:24:15 This is your 10 o'clock news reporter.
00:24:17 The highlight of tonight's news is murder.
00:24:19 Murder that took place in the tunnel of love
00:24:21 at the beach a short time ago.
00:24:23 The murdered woman was identified as Miss Howard.
00:24:26 The murdered woman was identified as an international spy
00:24:27 traveling under the name of Marilyn Howard.
00:24:29 Didn't I hear someone say you were at the beach with her?
00:24:37 The police would certainly love to know that.
00:24:43 They will.
00:24:46 But first I've got to get out of this jam
00:24:48 because right now it looks as if I did it.
00:24:50 Didn't you?
00:24:53 No.
00:24:56 Why didn't you tell the police that?
00:24:57 Because I have a reputation of sorts.
00:25:00 Have you ever heard of Boston Blackie?
00:25:02 Boston Blackie?
00:25:05 Yes.
00:25:07 Safe cracker, isn't he?
00:25:10 So I've heard.
00:25:13 But at any rate, I've never been accused of murder.
00:25:15 I'm terribly sorry to have inconvenienced you.
00:25:20 But I was in a bad spot until I got in your car.
00:25:24 You've really helped me a great deal.
00:25:25 Now I'm going to help you some more.
00:25:28 We're going to figure this thing out together.
00:25:30 Oh, no.
00:25:32 Oh, yes.
00:25:34 It's exciting, you're not...
00:25:36 Romantic.
00:25:38 Now look, any time I get locked in a boxcar
00:25:40 there's no one I'd rather have with me than you.
00:25:42 But this is a private matter.
00:25:44 Oh.
00:25:46 Oh, don't apologize.
00:25:48 I'm guilty too.
00:25:50 I'm an accomplice.
00:25:53 I'm not a car.
00:25:54 You were an innocent bystander.
00:25:56 Well, then, as a decent, upright citizen,
00:25:59 it's my duty to go to...
00:26:01 I've never committed a crime of violence,
00:26:03 but I'm beginning to feel the urge.
00:26:05 Police may trace my car and question me.
00:26:08 Then I'll have to talk.
00:26:11 And I always talk too much.
00:26:13 Yes, I can see that.
00:26:16 You have tattletale gray matter.
00:26:18 (car engine rumbling)
00:26:19 Runt, are you picketing me?
00:26:38 Sit down, you're making me dizzy.
00:26:40 Oh, I'm worried about him.
00:26:42 I always know where he is.
00:26:44 Usually.
00:26:47 I'll put him in a nice, safe place for you.
00:26:48 You can come and visit him twice a month.
00:26:50 In fact, if he isn't here in a half an hour,
00:26:52 I'm gonna send out a general alarm
00:26:54 and have the boys bring him in for you.
00:26:56 No need to be so formal with me, Faraday.
00:26:58 I thought something happened to you.
00:27:03 Yes, something did.
00:27:05 Oh, I beg your pardon, Miss Bradley, the Runt,
00:27:07 who got a merit badge for safe cracking.
00:27:09 And Inspector Faraday, who took it away from him.
00:27:12 Hello.
00:27:16 Sit down.
00:27:17 Hiya, killer.
00:27:21 Where you been?
00:27:23 Trying to keep myself out of the electric chair.
00:27:25 No luck, huh?
00:27:27 Well, you almost got killed.
00:27:29 I'm sorry I had to run out on you, Faraday,
00:27:31 but I was in a very unfortunate position.
00:27:33 You still are, Blackie.
00:27:35 Why?
00:27:37 Why what?
00:27:39 He wants to know why I shot Vestrick.
00:27:41 I didn't, of course.
00:27:43 Who was he?
00:27:45 Don't ask me.
00:27:46 Why do you go around knocking off strangers?
00:27:48 Now, don't be dull, Faraday.
00:27:50 Would I have come back here if I'd killed him?
00:27:52 I don't know.
00:27:54 Why did you run out on me in the first place?
00:27:56 He left your note, didn't he?
00:27:58 Yeah, and a fresh killed monkey.
00:28:00 Now, who did it, that Howard dame I saw you chasing around the bank?
00:28:02 I only saw it with Vestrick.
00:28:05 That's all I know about either of them.
00:28:07 Where is she?
00:28:09 Don't you know?
00:28:11 How should I know?
00:28:14 Why?
00:28:15 Oh, I thought you'd have her by now, Faraday.
00:28:17 Well, you're slipping.
00:28:19 You're the one that's slipping, Blackie.
00:28:21 Homicidal mania.
00:28:23 Knocking off complete strangers.
00:28:25 You know, Blackie, I don't really want to do this to you.
00:28:27 Not on a murder ramp, anyway.
00:28:29 Stop shaving my head, Faraday.
00:28:31 Remember, I phoned Runt to have you meet me here,
00:28:33 and I came back.
00:28:35 Yes, I remember.
00:28:37 And I remember there were fingerprints on the gun
00:28:39 that killed Vestrick, too.
00:28:41 Faraday, I'm surprised at you.
00:28:43 I don't know what happened to him.
00:28:44 I'll tell you, Blackie, I'll make book on it.
00:28:47 For a long time now, Faraday, you've wanted my fingerprints.
00:28:52 You even came down to the boat to get them.
00:28:55 You're pretty sure you have something on me.
00:28:57 But it's not in the cards.
00:29:00 This time you're wrong, Blackie.
00:29:02 You see, I have all the aces.
00:29:04 But you haven't, Inspector.
00:29:06 You see, I have them.
00:29:11 You know, finding your card is just like
00:29:12 finding the man you're looking for.
00:29:14 Look at the top card, Inspector.
00:29:18 Of course, I know that card is the Jack of Spades.
00:29:21 That's me.
00:29:23 It's a pretty corny trick, Blackie.
00:29:25 Oh, the real trick depends on being able to find it again.
00:29:27 Shall we press it in the middle?
00:29:29 Watch.
00:29:31 Where is it now, Inspector?
00:29:33 Oh, any baby would know that. It's mixed up in the deck.
00:29:35 You see, your man has eluded you again.
00:29:37 The black Jack is always on top.
00:29:41 I'll take those cards.
00:29:42 Fingerprints and all?
00:29:44 Oh, no.
00:29:46 You're the detective.
00:29:48 Now, which hand?
00:29:50 The right.
00:29:52 Not on the left either.
00:29:54 Another one of your tricks, huh?
00:29:56 Here's your man, Faraday.
00:29:58 The black Jack.
00:30:00 I'm going to give you my fingerprints.
00:30:02 Just to prove they don't match any you've got.
00:30:05 Try to parlay them into a murder charge.
00:30:08 Blackie, I'm still making book, but the odds are down.
00:30:10 These will hold me for a while.
00:30:12 And they may hold you a whole lot longer.
00:30:14 I'm going to pick up that Howard dame too.
00:30:16 I don't think she'll try to get away.
00:30:18 We'll see.
00:30:20 Come on, we've got work to do.
00:30:26 At this time of night?
00:30:28 When Faraday matches those prints with the ones in the dot that killed Marilyn Howard, it'll be too late.
00:30:30 Until then, I'm a free man.
00:30:32 Except for you.
00:30:34 Why don't you stay here while I can get in touch with you?
00:30:37 Where are you going?
00:30:38 Back to the beach.
00:30:40 We're going shopping for signs.
00:30:42 What?
00:30:44 Never mind.
00:30:46 We're going to try to get a gold ring on the carousel.
00:30:48 Better get one to match the bracelets Faraday's got for you.
00:30:50 Look, Max, I've got quintuplets for you.
00:30:58 Five little ones I've been after for a long time.
00:31:00 Who's that?
00:31:04 Boston Blackies, and they ought to be in the carousel.
00:31:06 Boston Blackies, and they ought to be on that gun that killed Vestrick.
00:31:07 Mm-hmm. Way off. Not even the right classification.
00:31:21 Hmm. It's funny, but I don't feel bad about that at all.
00:31:24 I'll give you another chance, Max.
00:31:26 Remember the Mansfield Pearls?
00:31:28 Mm-hmm.
00:31:30 How about the prints we found on that safe?
00:31:35 I'll see about that in a minute.
00:31:36 What, is it something I ought to know?
00:31:38 Hmm. These match the ones in the dart they just brought in.
00:31:41 Dart? What dart?
00:31:43 They just brought in a dame that got sucked in the neck with this.
00:31:46 When did that happen?
00:31:48 Just a little while ago. Where you been?
00:31:50 Never mind.
00:31:52 The woman's name wasn't Howard, was it?
00:31:54 Yeah.
00:31:56 Faraday, general alarm for Boston Blackie.
00:31:59 Description on file.
00:32:01 Yeah, all cars and all officers.
00:32:04 And get my car.
00:32:05 Yeah. Murder!
00:32:07 Yeah, I know. It's a new hobby he's got.
00:32:10 Thanks, Max.
00:32:12 There must be thousands of signs up there.
00:32:29 How will we ever find the one she told you?
00:32:33 I'll know it when I see it.
00:32:34 Are you tired?
00:32:36 A little.
00:32:38 Come on, I'll buy you a soda.
00:32:40 You wind him up like a thick-set toy.
00:32:42 Two bottles of milk.
00:32:44 You wind him up, folks, he keeps on moving.
00:32:46 And you swear that he's alive.
00:32:48 And I challenge you, ladies and gentlemen,
00:32:50 to find out anything about this mechanical being.
00:32:52 Don't yet now, but he's one of your friends.
00:32:54 Come on, we'd better go.
00:33:02 Come on.
00:33:03 And that's not all, folks.
00:33:08 There's more on the inside.
00:33:10 A headless woman.
00:33:12 Have a look, mister.
00:33:14 Here you are, just ten cents.
00:33:16 A woman without a head.
00:33:17 Got it all out of line.
00:33:37 There ain't nothing down there.
00:33:39 Oh, yeah?
00:33:40 Oh!
00:33:59 The wheel of fortune spins round and round.
00:34:01 That way she's gots nobody now.
00:34:03 You pick your number, we'll pay the odds.
00:34:06 Yesterday, Big Hawk never won a fair lead.
00:34:09 What now?
00:34:11 Those weasels recognize me.
00:34:13 I've got to get runt to help us find that sign.
00:34:15 Load it.
00:34:25 Load it.
00:34:26 I'm not here, runt, remember?
00:34:28 Hello?
00:34:32 Hello, runt. Are you alone?
00:34:34 Yeah.
00:34:37 Now listen carefully, runt, understand?
00:34:39 Very carefully.
00:34:41 Yeah, I got it. Go ahead.
00:34:43 I'll be home just as soon as I can.
00:34:47 Get the bags packed and get everything ready for a quick getaway.
00:34:52 We're going to be in a hurry.
00:34:54 Get everything set.
00:34:55 Understand?
00:34:58 Yeah, sure. I got it.
00:35:00 Okay. So long.
00:35:02 Well, there you are.
00:35:05 Thank you, runt.
00:35:07 I'm not very good at this dot and dash business,
00:35:09 but I think I can figure this out.
00:35:11 Meet me...
00:35:13 Skelly's...
00:35:16 boardwalk.
00:35:18 That's... that's unconstitutional.
00:35:21 What?
00:35:23 Unconstitutional.
00:35:24 Well, runt, you know I wouldn't do anything illegal.
00:35:26 Any more than you would.
00:35:28 I ought to take you downtown, but I haven't got time,
00:35:30 so I'm just going to wrap you up, if you don't mind.
00:35:32 What for?
00:35:34 What are we going to do till the runt gets here?
00:35:39 I don't know yet.
00:35:41 We've got to find that sign.
00:35:43 We'll never do it with those two weasels spotting us.
00:35:45 False beards are out of style this season.
00:35:48 Yeah.
00:35:50 Help a poor blind man.
00:35:53 Help a poor blind man.
00:35:54 Bless you.
00:35:56 What's your take for the night?
00:36:04 I'm a poor blind man.
00:36:06 Help a poor blind man.
00:36:08 Cut it out. I'll double your take for the night
00:36:10 and give you 50 for the cheer.
00:36:12 I can't see, mister.
00:36:14 I'm a poor blind man.
00:36:16 Can you see that?
00:36:18 That one really blinds me.
00:36:20 What now?
00:36:21 We're entering a baby parade.
00:36:23 Thanks, buddy.
00:36:32 Now I can look for that sign without any interference.
00:36:34 What do I do?
00:36:36 Make like you're invisible.
00:36:38 I'll meet you at the freak show.
00:36:41 (indistinct chatter)
00:36:43 (phone chimes)
00:36:44 (indistinct chatter)
00:36:50 (indistinct chatter)
00:36:51 Thank you, lady. I'm a poor blind man.
00:37:17 (indistinct chatter)
00:37:18 (indistinct chatter)
00:37:20 (indistinct chatter)
00:37:21 (indistinct chatter)
00:37:50 Give me a hot dog.
00:37:51 This man weighs no more than 162 1/2 pounds.
00:37:59 Did you hear that?
00:38:11 He guessed 162 1/2 pounds.
00:38:14 That sailor weighs at least 190.
00:38:19 Weight guessers don't miss by 30 pounds.
00:38:21 All right, who's next now?
00:38:23 It makes no difference if you're tall or short, fat or thin.
00:38:27 When the man yelled 162 1/2,
00:38:30 the mechanical man ducked inside
00:38:32 and the sailor went in without pain.
00:38:34 If the mechanical man's meeting the sailor inside,
00:38:37 then 162 1/2 must be a signal.
00:38:39 Yes.
00:38:42 I think we're breaking the camel's back.
00:38:47 (indistinct chatter)
00:38:48 Look right over the merry-go-round.
00:38:53 I found that sign.
00:38:56 It's a code.
00:38:58 Hiya, Blackie.
00:39:12 I prefer my cuffs starched, if you don't mind.
00:39:14 How did you know where we were?
00:39:16 I saw your house when I phoned, of course.
00:39:17 Where's Rucker?
00:39:19 He got tied up. He couldn't get here.
00:39:21 Now listen, Faraday, you've got to make a deal with me.
00:39:23 Nothing doing. This time I've got the answers, and you.
00:39:25 You'll be ruined if you don't.
00:39:27 You'll be pounding a beat so far out of town
00:39:29 you'll have to report by smoke signals.
00:39:31 I'll give you 100 to 1 on a bet like that.
00:39:33 Inspector, you've got to give him a chance to break this case.
00:39:35 I'm not just interested in clearing myself.
00:39:37 This is more important than anything you've got on me.
00:39:39 I don't care if you're tinkered up on your way through college.
00:39:41 This is it, Blackie. I'm sorry.
00:39:43 I'm sorry, too, Faraday.
00:39:45 Get down to the beach. I'll meet you at the next stairs.
00:39:46 Officer! Officer!
00:39:58 Say, what's going on here?
00:40:00 Well, it's about time you showed up.
00:40:02 Well, don't stand there. You don't deserve a break like this.
00:40:04 Do you know who that is?
00:40:06 No, I don't, Inspector.
00:40:08 That's Boston Blackie, wanted for murder.
00:40:10 Well, take him in. You'll probably get a promotion for this.
00:40:12 Well, thanks, Inspector.
00:40:14 You better double quick now. I've got another job to do tonight.
00:40:15 Right.
00:40:17 None of that or I'll beat the dandruff out of your skull.
00:40:30 I got Boston Blackie here.
00:40:32 Took him all by myself.
00:40:34 Faraday, Inspector Faraday.
00:40:36 Yeah, I know, I know.
00:40:38 Look at that, you nitwit.
00:40:40 Does that look anything like me?
00:40:43 It is you.
00:40:44 Oh, I'm sorry, Inspector. I...
00:40:46 I... well, get these cuffs off.
00:40:48 He can't be far away. And hurry up!
00:40:50 They ain't my cuffs. I haven't got the keys.
00:40:52 Oh, I think Blackie's got them, Inspector.
00:40:54 You're lucky he didn't get your badge.
00:40:56 He got yours, Inspector.
00:40:58 Where are we going?
00:41:08 We can get under the freak show.
00:41:11 Listen.
00:41:12 Now give me the last line.
00:41:32 215 vertical, to 280 horizontal,
00:41:38 to 143, and diagonally back to 108.
00:41:42 That's what they're using the Skyland sign for.
00:41:51 They're sending messages on it with lights.
00:41:53 Messages? But where?
00:41:56 There's a boat.
00:41:58 Is that all?
00:42:00 Sure. You want us to steal a battleship?
00:42:02 What about the bomb site?
00:42:04 It'll be here on schedule.
00:42:07 (INDISTINCT CHATTER)
00:42:08 That's what they were after. The Navy bomb site.
00:42:17 Well, we don't have to worry. Now we can go to Faraday.
00:42:20 Blackie, you can't handle this thing alone.
00:42:24 Those men have committed murder.
00:42:26 And they'll do it again.
00:42:28 Will I be any safer if Faraday gets me?
00:42:30 Yes, of course.
00:42:32 With two murders against me?
00:42:35 You'll prove what you say.
00:42:36 How? Dots and dashes in a notebook?
00:42:38 Electric signs? Weight guessers?
00:42:40 Sailors? Mechanical men?
00:42:42 Boy, they'll draft me for the loony bin at Bellevue.
00:42:45 And we aren't going to police headquarters?
00:42:47 Not yet. We've got to find the run if we can.
00:42:50 I need him. He's my rabbit's foot.
00:42:54 (ENGINE ROARING)
00:42:55 Blackie, I just saw Faraday go in.
00:43:09 So did I.
00:43:11 We're going to catch him in a plush line mousetrap.
00:43:14 (FOOTSTEPS)
00:43:15 Watch that pointer.
00:43:42 If he gets between 20 and the penthouse, tell me.
00:43:43 Now!
00:43:50 Come on, Cecilia. Let's take a look at our fine-feathered friend.
00:43:53 Is that you, Blackie? Blackie!
00:44:06 (MUFFLED YELLING)
00:44:08 Come on, Rant. The Marines are here.
00:44:12 I'm certainly surprised it's you.
00:44:13 We should have been able to get out of this.
00:44:15 Faraday don't play fair. He made sailors nuts.
00:44:19 Never mind that now. We've got Faraday in a cage for you.
00:44:22 Just like a canary.
00:44:24 Come on. Maybe he'll sing for us.
00:44:26 (CHUCKLING)
00:44:28 (FOOTSTEPS)
00:44:31 (FOOTSTEPS)
00:44:32 Inspector Faraday, I presume?
00:44:46 Hiya, Blackie.
00:44:50 Never mind pushing those buttons. He's fixed it.
00:44:52 What's the tariff, Blackie? What do you want?
00:44:54 I wouldn't think of blackmailing you, Inspector.
00:44:56 Of course, if you care to make me an offer.
00:44:59 -What is it, guys? -Cut it out.
00:45:00 Shots won't do you any good, officer.
00:45:02 You're between two duplex apartments.
00:45:04 My neighbors downstairs are out of town,
00:45:06 and, of course, I wouldn't hear any shots.
00:45:08 Well, it's up to me. They stayed here, they got their old age pensions.
00:45:11 Now, you see, public opinion's against you.
00:45:13 You can come up here to the apartment if you promise to behave yourselves,
00:45:16 and not try to get out until morning.
00:45:18 Stop kidding, Blackie. You won't get very far.
00:45:20 I'm not going anyplace. All I want is a good night's sleep.
00:45:23 By tomorrow night, you'll thank us for this.
00:45:25 Yeah, if you got any manners.
00:45:28 Now, what do you say?
00:45:29 It's your ending, Blackie, but look out when I start pitching.
00:45:31 And that won't be until tomorrow morning, will it, Inspector?
00:45:35 No.
00:45:37 All right, runt, throw the switch for the Inspector.
00:45:39 I hope I can do the same for you sometime, Blackie.
00:45:41 Cut, cut, cut, cut, cut, cut.
00:45:43 Come in, gentlemen, come in.
00:45:46 And check the artillery, please.
00:45:48 I wouldn't do that if I were you.
00:45:53 Would I, Faraday?
00:45:55 -Don't be a sucker. -Thank you, Mr. Faraday.
00:45:57 You ought to thank him, too. He almost lost an arm.
00:45:59 Runt, prepare the gentlemen's quarters.
00:46:01 Inspector, will you please listen?
00:46:04 You're all wrong about Blackie.
00:46:06 I know just how it is, Miss Bradley. You trust him.
00:46:08 I did, and I was never in love with the guy.
00:46:11 But I'm not in love with him.
00:46:13 Why not? He's a pretty swell guy.
00:46:15 For a heel.
00:46:17 Oh, come on now, Faraday, you're holding a grudge.
00:46:19 I can't help this. I've got to do it.
00:46:21 I don't blame you, Blackie.
00:46:23 You're gonna sizzle like a squab in a pan.
00:46:26 You'd better keep moving now.
00:46:27 Gentlemen, the bridal suite.
00:46:29 How do you figure you're gonna get out of this?
00:46:41 I don't have to figure.
00:46:43 By tomorrow morning, I'll be in the clear.
00:46:45 Or in the cooler.
00:46:47 Cheerfully cut his throat from ear to ear.
00:46:51 Room service, Runt. Get the lady a knife.
00:46:54 If I do, I want the outside cut.
00:46:55 Put yourself together.
00:46:57 Well, we have time out until morning.
00:46:59 Or have we?
00:47:04 Hello. Headquarters?
00:47:16 Yes, this is police headquarters.
00:47:20 This is McCarthy. I'm with Inspector Faraday.
00:47:24 Monster Blackie, eh?
00:47:25 I get it.
00:47:27 Okay, the squad car's going out right now.
00:47:29 What, are you trying to make a call?
00:47:35 I'm surprised at Faraday. He isn't playing fair anymore.
00:47:37 We'd better get out of here.
00:47:39 Can we go to your place?
00:47:41 Well, I only have a small apartment.
00:47:43 Sort of a room with an adjoining towel.
00:47:45 But I think we can manage.
00:47:47 What do you say, Blackie?
00:47:49 Fine. I want to get a piece of soap first.
00:47:52 What are you going to do?
00:47:53 Let's go.
00:48:05 Let's go.
00:48:06 Let's go.
00:48:07 [door opens]
00:48:08 [door closes]
00:48:10 [knocking]
00:48:38 Faraday?
00:48:39 Yeah?
00:48:41 It's an out-of-state license plate.
00:48:43 I can't see what state, but it's 4050K.
00:48:46 All right, we'll check every state in the union.
00:48:48 Come on, Faraday. You don't have to stick to that deal with Blackie.
00:48:51 He ran out on you, didn't he?
00:48:53 Yeah, he did.
00:48:55 All right, let's go.
00:48:57 If he gets away from me this time, I'll give him a medal.
00:48:59 A double cross with bars.
00:49:01 Give this thing a couple of flying tackles, eh?
00:49:03 [gunshots]
00:49:06 [gunshot]
00:49:07 You thrive on this sort of excitement, don't you?
00:49:20 Well, it's better than vegetating.
00:49:22 Couldn't anyone ever make you live like other people do?
00:49:27 You mean a normal life with a social security number and a bank book?
00:49:31 I'm afraid not.
00:49:34 Not anyone?
00:49:35 Mm-mm.
00:49:37 Why?
00:49:42 Because she'd probably want to wait up for me nights with the light burning in the window.
00:49:46 Is that bad?
00:49:48 Yes.
00:49:50 I'm not in the habit of entering a house until all the lights are out.
00:49:54 [car driving away]
00:49:55 [knocking]
00:50:04 Brunt! Brunt, wake up!
00:50:22 Don't get rough, honey.
00:50:23 Wake up! He's gone.
00:50:26 Who?
00:50:28 Blackie.
00:50:29 What's this?
00:50:36 If he went down the boardwalk, he's a candidate for the morgue.
00:50:41 He wouldn't go down there without us.
00:50:43 But there's no use wasting time. We both don't have to wait here for him.
00:50:47 All right, so you're waiting here. What am I going to do?
00:50:51 Why don't you go down the boardwalk and sort of see what's doing?
00:50:53 Sure. If I see him, I'll keep my eye on him.
00:50:56 All right, now step up and see the original South Sea Island dancers.
00:51:02 All the way from the Fiji Island.
00:51:04 They wiggle and they jiggle and they shake like a bowl of jelly.
00:51:08 Why, even a vibration alone is enough to loosen up the teeth of any living human being.
00:51:14 In the morning, before they come to work, we have to fireproof the skirts
00:51:20 because the dance they do is so hot, it'll burn the clothes right off the back.
00:51:24 Come on, now get your digging, folks.
00:51:26 Now, dance shows are for the price of wanting to dance. Step up and get it.
00:51:30 Here they are, here they are, those sweet dancing daisies.
00:51:33 And this little lady is Princess Beebee.
00:51:35 She's baffled the greatest scientific minds in the medical world.
00:51:38 Some believe she's half woman and half bird,
00:51:41 while others are too amazed to make any diagnosis whatsoever.
00:51:44 She was found playing in a pelican's nest high in the cliffs of Afghanistan.
00:51:49 When they tried to take her down, she screamed something like this.
00:51:51 (whistles)
00:51:53 We feed her nothing but raw eggs and angle worms.
00:51:55 And there's a standing reward of $2,500.
00:51:58 Think of it, folks, $2,500 for every man, woman, and child
00:52:02 that can penetrate the mystery of this unusual freak of nature.
00:52:04 Now, ladies and gentlemen, I'm going to pass among you some postcards of the little princes.
00:52:08 They can have no other place in the world but here.
00:52:10 They're only 10 cents, one-tenth of a dollar.
00:52:13 (crowd chattering)
00:52:15 All right.
00:52:28 - Blackie, he isn't here. - Where did he go?
00:52:32 I sent him down to the boardwalk to keep an eye on you.
00:52:35 You're an insidious female, Cecilia.
00:52:38 You're making me feel just like a husband.
00:52:41 By the way, where were you?
00:52:43 Now, that sounds just like a wife.
00:52:45 I broke that code.
00:52:47 They're delivering the bombsite tonight at 7.
00:52:49 We'd better get Faraday to help us.
00:52:51 - I'll be ready in a minute. - Wait a minute. He wouldn't do it.
00:52:53 And you're going to stay here if I have to handcuff you to the sink.
00:52:56 Oh, no, I'm not.
00:52:58 I'm going to be in on the last installment of this story.
00:53:01 Oh, Blackie, you can't leave me here all alone.
00:53:07 I'm afraid.
00:53:10 What if somebody should come up here?
00:53:11 Faraday or some of those maniacs from the beach.
00:53:15 You know you'll be a lot safer here.
00:53:17 I'm just doing this for your protection.
00:53:19 I get too much protection and too little care.
00:53:22 Yes, well, you're liable to be taken care of permanently
00:53:24 if you go down on the boardwalk.
00:53:26 What about you? I'm not going to just simply let you walk down there and be killed.
00:53:29 Cecilia, I haven't time to convince you that I...
00:53:31 If you don't take me with you, I'm going to telephone the police.
00:53:34 If I thought you'd do that, I'd lock you in a closet.
00:53:38 You'd look much better in the police lineup than the obituary column.
00:53:41 All right.
00:53:44 All right, get your hat and coat.
00:53:47 Thank you.
00:53:49 Not at all.
00:53:51 Oh, oh, oh, Blackie!
00:53:57 Blackie!
00:53:59 Blackie, I'll call the baron and I'll call the police.
00:54:02 I'll get out of here.
00:54:04 Let me out.
00:54:07 Blackie, you can't leave without me.
00:54:09 You should have stood in bed.
00:54:11 Let me out of here.
00:54:13 McCarthy's coming up with some more telegrams on that Bradley dame's license.
00:54:16 Couple of western states, I think.
00:54:18 32 states covered and no luck.
00:54:20 It'll turn out to be the last one we hear from.
00:54:22 We got it this time.
00:54:25 This is it, Cecilia Bradley.
00:54:28 We just talked to her father long distance.
00:54:30 He says she's living in Brooklyn, 146 Spruce Street.
00:54:33 Get a car.
00:54:36 Get a car.
00:54:37 Let me out of here.
00:54:57 Let me out of here.
00:54:59 Help, get out of the bed.
00:55:01 Open those doors.
00:55:04 Open those doors.
00:55:05 What you need is a little bigger dressing room, Miss Bradley.
00:55:14 Blackie been playing house with you?
00:55:16 Just wait till I get my hands on him.
00:55:18 Sure, so will I.
00:55:20 Inspector, he's trying to lick this thing all by himself.
00:55:23 He's taking a chance of being killed.
00:55:25 By whom?
00:55:27 There's a whole gang of them.
00:55:29 They're trying to get the Navy bombsite out of the country.
00:55:31 It's being delivered tonight.
00:55:33 You've got to help him.
00:55:34 Where's all this taking place?
00:55:36 Promise to help him, I'll take you there.
00:55:38 Is it a deal?
00:55:40 Sure, Miss Bradley, let's go.
00:55:43 All right, who's next now?
00:55:54 A beautiful prize if I fail to guess your weight within three pounds.
00:55:58 And it's only a dime.
00:56:00 All right, who's next?
00:56:02 How about you, sailor?
00:56:03 Here's another man trying his luck.
00:56:06 Sometimes I guess them, sometimes I miss them.
00:56:09 I'd say about 162 and a half.
00:56:15 And the man wins a prize.
00:56:27 Well, folks, there it is.
00:56:31 There it is, I missed again.
00:56:32 All right, who's next now?
00:56:34 Step right up.
00:56:36 It only costs you a dime if I'm right.
00:56:38 You win a beautiful prize if I'm wrong.
00:56:40 We're under arrest, Becky.
00:56:47 Inspector, you said you'd help him, you promised me.
00:56:49 Thanks for the haircut, Delilah.
00:56:51 Never mind your haircut, this time you're going to get your head shaved.
00:56:53 Look, your whole case is in that freak show.
00:56:56 You said you believed me.
00:56:58 A sailor just went inside and a mechanical man left the platform.
00:57:00 Blacky, I've known that man for 10 years.
00:57:02 What do you say now? He's back again.
00:57:07 I'm sorry, I knew this would happen, Miss Bradley.
00:57:10 That isn't the mechanical man.
00:57:13 This one has a flower in his buttonhole.
00:57:15 Since when is that a crime?
00:57:17 Why don't you cut it out, Blacky?
00:57:19 Come on, Blacky, come on.
00:57:30 Come on, Blacky, come on.
00:57:31 Well, what's the matter, cops?
00:57:45 This is what they're after, Inspector, a bombsite.
00:57:54 Well, look at this.
00:57:56 That's what we've been trying to tell you about.
00:57:58 All right, go ahead.
00:57:59 I'm just an ordinary cop with no imagination.
00:58:01 That's why I can't see how this clears you of murder.
00:58:03 You'd think he had an electric chair for rent.
00:58:05 These fellows will talk if you're persuasive enough.
00:58:07 Well, I'll try it. Get a wagon.
00:58:09 And have the Coast Guard watch that boat offshore.
00:58:11 What boat?
00:58:13 There's a boat out there. They've been sending code messages to it.
00:58:15 All right, get them out of here.
00:58:17 Just a minute.
00:58:19 Any of you see a friend of mine around here?
00:58:21 Little fellow with black hair.
00:58:23 Didn't see anybody.
00:58:25 What's the matter?
00:58:27 I don't know what's going on.
00:58:28 I don't know what's going on.
00:58:30 I don't know what's going on.
00:58:32 I don't know what's going on.
00:58:34 I don't know what's going on.
00:58:36 I don't know what's going on.
00:58:38 I don't know what's going on.
00:58:40 I don't know what's going on.
00:58:42 I don't know what's going on.
00:58:44 I don't know what's going on.
00:58:46 I don't know what's going on.
00:58:48 I don't know what's going on.
00:58:50 I don't know what's going on.
00:58:52 I don't know what's going on.
00:58:54 I don't know what's going on.
00:58:56 Get me out of here.
00:58:57 Come on, runt. Pull yourself together.
00:59:00 Thanks for everything, Cecilia.
00:59:12 It's been fun, Blackie.
00:59:14 What happens now?
00:59:16 I'm looking for Faraday.
00:59:18 I made a deal with him and I'm going to surprise him by sticking to it.
00:59:21 Those men confessed to the murder.
00:59:24 Yes, but this happens to be a little matter concerning some pearls.
00:59:26 Now a girl would have to keep a light burning in a window for 8 or 10 years with good behavior.
00:59:32 Well, a girl might think it was worth it.
00:59:35 A man might too, if he didn't have a conscience and if the girl weren't so...
00:59:39 I like that.
00:59:46 But you'd better be on your way.
00:59:49 Come on, come on. Pull yourselves apart.
00:59:51 Come on, come on. Pull yourselves apart.
00:59:54 Come on, come on. Pull yourselves apart.
00:59:56 Come on, come on. Pull yourselves apart.
00:59:59 Come on, come on. Pull yourselves apart.
01:00:02 Come on, come on. Pull yourselves apart.
01:00:04 Come on.
01:00:05 © BF-WATCH TV 2021
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