Movie
  • 8 months ago
Transcript
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00:01:01 [Sound of a train]
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00:01:35 [Sound of a door knocking]
00:01:37 Come in.
00:01:38 Here's your mail, Miss Nelson.
00:01:44 Put it on the desk. And don't call me Miss Nelson.
00:01:46 Yes, ma'am.
00:01:47 You're the new mail boy?
00:01:49 Yes, ma'am.
00:01:50 Well, anything you get for Jerry Crail is for me, understand?
00:01:53 Gosh, don't anybody go by the right name around here?
00:01:56 You just remember that I'm Jerry Crail.
00:01:58 Uh, yes, Miss Crail.
00:02:04 Heart thumps.
00:02:06 [Phone ringing]
00:02:08 Hello?
00:02:10 Will you tell Mr. Bradshaw I'm all a-Twitter, but he'll have to wait. I've got work to do.
00:02:16 And Mopey's laid out stiff.
00:02:23 Shammy spots the gun near him, he sticks it in the dame's mitt and...
00:02:26 B'looey!
00:02:27 Swell shot, ain't it?
00:02:29 Not bad, Danny. I suppose the dame kept that rod hot waiting for you's guy.
00:02:33 Oh, you mean the smoke?
00:02:35 Well, ain't that what we got white paint for?
00:02:37 Wait through these. Let me have 'em quick.
00:02:39 Okay, Dawson.
00:02:40 Hey, look. I got it on that Mopey McKee shooting. Ain't it a pip?
00:02:43 Not so hot.
00:02:44 You mean you ain't gonna run it?
00:02:46 No. I'm gonna use a diagram.
00:02:48 Charlie, draw me a diagram of the merry-go-round club. I want to use it for McKee killing.
00:02:51 Right.
00:02:52 Jake, chop that junk down to a half a column.
00:02:59 Sue, when Ellie arrives, give her an old-day sucker and tell her to wait for Papa.
00:03:03 Yes, Mr. Bradshaw.
00:03:04 Howdy, Steve.
00:03:06 Howdy, Charlie.
00:03:07 Hiya.
00:03:08 Come on, boys. Let's go.
00:03:15 Well, what's hot?
00:03:17 Ron L's ace killer, Mopey McKee, was bumped off last night at the merry-go-round club by his blonde honey.
00:03:22 I got Shammy on the job now, and he's due any minute with a lead we can smash with.
00:03:25 Colonel Jacobs is doing a rewrite of the interview he had with the governor on the Canfield sewer investigation.
00:03:29 Why, what'd the mayor have to say about that Thompson sewer scandal?
00:03:32 Not a thing. He's plenty sore. He says we ain't giving him a break.
00:03:35 Oh, he is, is he? Well, you tell his honor I'll rip him apart on page one tomorrow night.
00:03:39 That's the second time he's refused to answer what I want to know.
00:03:42 I'm gonna run a diagram of the club.
00:03:43 No photos?
00:03:44 Danny got this.
00:03:46 Oh, it's a pony.
00:03:47 Run it on top of a spread, page three.
00:03:49 I got a room on page three.
00:03:50 A big room. Move that big restaurant there to across page seven. Nice work, kid.
00:03:53 Thanks, Chief.
00:03:55 City desk. Dawes talking.
00:03:57 Yeah. Yeah.
00:04:00 Not Frank J. Canfield.
00:04:03 Are you sure about that?
00:04:05 Who is this calling?
00:04:06 Of course I've gotta know.
00:04:09 Hello.
00:04:10 Hello.
00:04:12 Somebody tried to tip me off that Canfield took it on the lam. Disappeared, he said.
00:04:15 Oh, that's screwy. Why should Canfield step out just when he's all set to rip this Thompson sewer scandal wide open?
00:04:20 It don't sound kosher to me.
00:04:22 Get me Canfield's office.
00:04:24 Hello. Get Frank J. Canfield, the lawyer's building. Mr. Bradshaw calling.
00:04:28 Say, who wrote this Polish children's picnic yarn?
00:04:30 Helwig.
00:04:31 Get me Helwig.
00:04:32 Helwig. Hudson City.
00:04:34 Helwig.
00:04:36 Hello.
00:04:37 Helwig.
00:04:38 Yeah.
00:04:39 Helwig.
00:04:40 Well, when do you expect him back?
00:04:41 Helwig.
00:04:42 Is this his secretary?
00:04:43 Helwig.
00:04:44 Hello. This is Mr. Bradshaw, the Time Star.
00:04:46 It's very important I get in touch with Mr. Canfield immediately.
00:04:49 But where out of town?
00:04:52 Did he tell you where?
00:04:54 I see.
00:04:56 I see.
00:04:58 Okay.
00:05:00 This is Helwig.
00:05:01 How do you do, Mr. Bradshaw? I'd never heard of you.
00:05:03 Wait a minute. Get some of the boys to check Canfield at the lawyer's club. He's home, all over town.
00:05:07 He's really gone with a crack of dick, but I want to be sure.
00:05:09 Okay.
00:05:10 Well, why didn't you write what happened on this Polish picnic?
00:05:14 Because nothing happened.
00:05:16 You sure about that?
00:05:17 Yes, sir.
00:05:18 You see, there were 600 kids on the excursion boat going up the Hudson to Bear Mountain, but they never got there.
00:05:23 The boat ran aground onto a sandbar and broke up slowly.
00:05:26 Well, they got the children ashore all right, took them all day, but there wasn't any picnic.
00:05:31 So I only wrote a paragraph.
00:05:33 I see.
00:05:34 No picnic, no story.
00:05:37 The lives of 600 children in danger, but no picnic.
00:05:42 You have your supper yet?
00:05:45 No, sir. I was just about to start.
00:05:46 Well, there's a swell place over on Center Street.
00:05:48 Get yourself a cup of coffee, some fried potatoes, and a big plate of scrambled eggs and brains for a quarter.
00:05:53 Why?
00:05:54 When you eat that, you'll have more brains in your belly than you've got in your head.
00:05:56 That's all, Halloway.
00:05:58 Tell Dawes to have Joe Sterling rewrite this picnic yarn into a feature.
00:06:03 And tell him to can Halloway.
00:06:07 Hi, boy.
00:06:09 Check that weather.
00:06:11 How about dinner tonight?
00:06:12 No, thanks. Not tonight.
00:06:13 You've got to eat someplace, sir.
00:06:14 I want to eat somewhere.
00:06:15 I want to eat someplace, haven't you?
00:06:16 I want to dine.
00:06:17 Hi, Nelly.
00:06:22 Punk.
00:06:24 Hello, Sue. Is the big brain in?
00:06:27 He said for you to go right in, Miss Crail.
00:06:29 Where?
00:06:31 I don't care if they get all their friends to pull their advertising. I'm not laying off Thompson, and that goes.
00:06:36 You sent for me, Mr. Bradshaw?
00:06:38 Sure I sent for you.
00:06:39 Well?
00:06:40 Now, Miss Nelson.
00:06:43 Crail to you.
00:06:45 I'm sorry.
00:06:47 Crail.
00:06:49 That's right.
00:06:50 The name is Crail.
00:06:52 I once knew a gal named Crail.
00:06:55 A swell gal.
00:06:57 She and me used to go out ringing doorbells together.
00:07:00 Good old Jerry Crail.
00:07:02 The one time ace reporter with a rep from coast to coast of the best newspaper man in skirts.
00:07:08 Never mind the knife.
00:07:10 What's on your mind?
00:07:12 If any.
00:07:13 Well, now, Miss Crail.
00:07:14 I've been hoping that sooner or later you'd realize that you're passing up a splendid opportunity.
00:07:19 Meaning what?
00:07:20 Meaning you're a column.
00:07:21 Hark, Rob.
00:07:22 It's dead. No snap. No bounce.
00:07:24 You're passing up a chance to become another Beatrice Fairfax.
00:07:27 You're dealing with love, girl.
00:07:29 You remember?
00:07:32 Love.
00:07:34 The heart of humanity.
00:07:36 Do you think anybody could get excited over that?
00:07:38 I don't think. I know you could do the job if you had your heart on it.
00:07:41 Well, let's not go into that.
00:07:42 I've got to.
00:07:43 It's not fair to you, me, or the paper to have that column kicked around.
00:07:46 That can make us a lot of circulation.
00:07:48 And, baby, we're gonna need it.
00:07:49 Well, why don't you fire me?
00:07:50 Why don't you quit?
00:07:51 I gave you your chance when you fell down on that Stenfield confession.
00:07:54 Fell down?
00:07:55 You would say that.
00:07:57 You know very well...
00:07:58 Whoa, whoa, whoa. Wait a minute.
00:07:59 Let me tell it.
00:08:01 You hadn't slept for nights hanging around the tombs waiting for the Stenfield kit to come clean.
00:08:06 So you grabbed yourself a nap.
00:08:08 And when you came to, every other paper but ours had the kid's confession smeared all over the place.
00:08:14 You know, they found bigger hearts in fleas.
00:08:16 You'll flop hard on that, John, and that's something I wouldn't forgive my own mother for.
00:08:19 And you talk about the heart of humanity.
00:08:21 What do you know about the heart of anything?
00:08:23 More than you think, Jerry.
00:08:25 Except that I see it differently.
00:08:28 Yeah, I know. You see it wrapped up in a five-star final.
00:08:31 All finished?
00:08:33 Yes.
00:08:35 Oh.
00:08:37 Now how about you and me picking up where we left off?
00:08:40 You know...
00:08:41 Doorbells?
00:08:43 Guess again.
00:08:45 The answer is no.
00:08:47 Right.
00:08:48 Okay.
00:08:50 Nelly?
00:08:53 [door slams]
00:08:54 [crowd noise]
00:09:21 [crowd noise]
00:09:23 Get me Dawes. This is McClure.
00:09:26 Don't take it so hard, Mr. Sheldon. This isn't the only bank's folded up lately.
00:09:30 Hello, Dawes. Shammy.
00:09:32 Hey, you dumbclock. Where you been? I've been waiting.
00:09:34 Well, lay off, will you? And get this.
00:09:36 I'm at the Central Labor Bank. It's just folded. Half a million bucks short.
00:09:39 Where's the Mopey McKee yard?
00:09:41 Wait a minute, will you? Get this. This is the angle.
00:09:43 This is Canfield's pet bank. He's chairman of the board.
00:09:46 Yeah, Frank J. Canfield. You know.
00:09:49 Yeah, the bank's been looking for him since noon yesterday, but no can find.
00:09:53 Ah, they turned the whole town upside down, but he's gone.
00:09:57 They think he's scrammed, and they're not sure he ain't got most of the bank's money with him.
00:10:01 Hey, with that, Shammy, I'll switch you over to Joe.
00:10:03 Hey, Joe, take it from Shammy on my line and give me plenty.
00:10:06 Hold for replates. I want an eight-column spread.
00:10:08 Canfield disappearance closes the Central Labor Bank.
00:10:10 Right.
00:10:11 Hey, Evans. Send Danny over to the bank for some action shots of the mob and get me a couple of cuts of Canfield.
00:10:15 Right away.
00:10:16 Hey, Brian. That tip's on the level. Canfield's gone.
00:10:19 How do you know?
00:10:20 His bank's just closed. A half a million bucks short.
00:10:22 Shammy just phoned in.
00:10:23 The Central Labor?
00:10:24 Boy, oh, boy. Can you imagine the stink that's gonna raise?
00:10:27 The head of the governor's investigating committee takes a powder with the hard-earned dough of the poor working class?
00:10:32 And does that pin it on Canfield?
00:10:33 Why, sure. It's simple. No dough, no Canfield. Just like putting two and two together.
00:10:37 Yeah, and adding them up to a million.
00:10:38 I'm holding for a replate. I laid out an eight-column spread.
00:10:41 Canfield disappearance closes the Central Labor Bank.
00:10:43 Keller! Listen, Dois. Don't ever let me catch you putting anything like that in this paper.
00:10:46 But, Brad.
00:10:47 You're having a bit of proof that Canfield took one cent from that bank and you're all ready to crucify him as a thief.
00:10:50 I'm not saying he took the money.
00:10:51 No, you're just sneaking around calling a shout.
00:10:53 But every paper in town will play it that way.
00:10:55 I'm only interested in this paper and you play it my way.
00:10:57 Smash with a lead. Canfield disappearance a mystery.
00:11:00 Plant the bank closing in a double column and don't play it too hard.
00:11:03 That's all and nothing else, eh?
00:11:04 But, Brad, you're throwing away the biggest story.
00:11:05 There's time running this, Clambake. Get that.
00:11:08 Send me all the copy before it goes through.
00:11:09 And remember, if there's one word hinting that Canfield took a penny from that bank, you better start a run.
00:11:14 Okay. You're the doctor.
00:11:16 You're telling me.
00:11:17 Frank J. Canfield, prominent lawyer.
00:11:35 Reported missing. Description follows.
00:11:38 [Gunfire]
00:11:44 [Shouting]
00:12:06 It happened just like I told him.
00:12:07 Every paper in town covered us like a tent.
00:12:09 I had a swell layout for him, too.
00:12:11 But would he use it?
00:12:12 No. He had some screwy idea that he didn't want to knife Canfield.
00:12:16 And if you'd stop shooting your mouth off so much, maybe we'd get that three-star out on the line.
00:12:21 Oh, Brad, I was only...
00:12:23 Why didn't you tell me he was there?
00:12:28 I tried to tell you.
00:12:30 Morning, Susie.
00:12:31 Good morning, Mr. Bradshaw.
00:12:33 This came from Mr. Graham's office for you.
00:12:35 Sealed and marked personal.
00:12:37 I didn't think I should open it.
00:12:38 Ah, sealed orders. The plot thickens.
00:12:42 I wonder what's biting the old man out.
00:12:45 Well, well. Just a nice, friendly sort of a note, isn't it?
00:12:53 I hope there's no trouble.
00:12:59 Graham, I always figured you were a smart newspaper man.
00:13:03 But you sure muffed this Canfield story.
00:13:06 And are the boys laughing?
00:13:08 You know Canfield's run out.
00:13:11 You can't whitewash him with this phony mystery yarn.
00:13:14 What do you want here, McConnell?
00:13:15 Lay off Thompson.
00:13:17 You call him a crook and back Canfield's whole lying campaign against him.
00:13:22 But you put your money on the wrong man, Graham.
00:13:25 Breakdown. Admit it. Canfield's the crook.
00:13:28 Not Thompson.
00:13:30 You go back and tell Thompson he may be running this town.
00:13:32 He may be running the mayor.
00:13:34 But he's not running me.
00:13:36 Good day, O'Connell.
00:13:38 You're putting yourself in a spot, Graham.
00:13:41 It's better to have Thompson for a friend.
00:13:45 Goodbye, Mr. O'Connell.
00:13:47 Thanks for the courtesy.
00:13:49 Oh, Bradshaw.
00:13:52 Splendid piece of journalism you turned in last night.
00:13:56 [laughs]
00:13:58 What's O'Connell up to now?
00:14:02 Well, you took your time, Brad.
00:14:04 Yeah. I had work to do.
00:14:06 I said immediately.
00:14:07 I know, but you caught me on the line.
00:14:09 Oh, I wasn't aware that an edition couldn't go out without you, Mr. Bradshaw.
00:14:13 Well, maybe it could, but as long as I'm able to walk, it won't.
00:14:17 Oh, I see. I suppose the Time Star couldn't get along without you.
00:14:20 Now, now, now. Let's get on with this.
00:14:23 What's on your mind?
00:14:25 You know what's on my mind, all right.
00:14:27 You mean that Canfield yarn?
00:14:29 Yes, the Canfield yarn.
00:14:31 Well, what about it?
00:14:33 That's what I'm asking you.
00:14:35 What about it? And what about this and this?
00:14:37 Even the pokey old gazette that's been in the Comerson's arms since they cracked under an eight-column line?
00:14:42 And we looked pretty, didn't we, coming out with this?
00:14:46 Now just look at it.
00:14:47 I ask you.
00:14:49 Look where you stuck the bank story.
00:14:52 You think the story was underplayed?
00:14:54 Underplayed?
00:14:55 You bury the biggest story since Lindbergh flew to Paris and you ask me if I think it was underplayed?
00:15:00 A yarn that every rank in town played from here to breakfast.
00:15:04 Have you lost your mind?
00:15:05 It was my judgment.
00:15:07 Your judgment?
00:15:09 Your judgment!
00:15:10 Have you forgotten who owns this newspaper?
00:15:12 No, I haven't.
00:15:14 But I'm the managing editor, J.L.,
00:15:16 and I'm not in the habit of running to Papa every time a story breaks to see how he wants it handled.
00:15:22 I don't know what you're bellyaching about.
00:15:24 I printed the facts that Canfield was gone and the bank closed.
00:15:27 What more do you want?
00:15:28 I wanted a story with teeth, and these two things coming together made that story.
00:15:32 As every other paper in town realized.
00:15:34 I don't give a flying hoot about the other papers.
00:15:37 Frank Canfield's always been on the level.
00:15:39 And until he's proven otherwise, I'm forgiving him a break.
00:15:43 Let those lice go out on a layman knife an honorable man and his family.
00:15:47 That's not my way.
00:15:48 I'm running a newspaper.
00:15:50 You mean you were running a newspaper.
00:15:52 So what?
00:15:53 So what?
00:15:55 So you're fired, that's what!
00:15:56 Now get the devil out of here!
00:15:58 Don't be a sap, J.L.
00:16:00 You can't fire me.
00:16:01 Oh, I can't!
00:16:03 Get out!
00:16:04 Easy, J.L.
00:16:05 You'll burst a blood vessel.
00:16:08 You'll forget there's a little slip of paper.
00:16:11 I believe they call it a contract.
00:16:13 And a contract, J.L., is a contract.
00:16:15 Yes, well, I'll break it if I have to.
00:16:17 Nate Nathan doesn't draw that kind of a contract.
00:16:20 All right, then sue me, but get out!
00:16:23 That's oak with me.
00:16:28 I'll be suing you.
00:16:35 Get me the legal department.
00:16:39 Hi, Nellie.
00:16:43 I've got some good news for you.
00:16:45 Any news you've got for me is bad news.
00:16:47 I'm leveling, kid.
00:16:48 This is good.
00:16:50 You're not putting me back on the city staff.
00:16:53 You've developed hydrophobia.
00:16:55 Better than that.
00:16:56 I've been fired.
00:16:59 What?
00:17:00 Fired.
00:17:01 Can.
00:17:02 Bounced.
00:17:03 The belly old sack.
00:17:04 What's it all about?
00:17:05 The can fill you on.
00:17:07 J.L. no like either way I play that one.
00:17:09 He says I muffed it.
00:17:11 Well, you sure did.
00:17:13 You flopped cold and I am laughing.
00:17:17 You only have to slip up once, mister, to get the business.
00:17:20 And how do you like it, pal?
00:17:21 I like it fine.
00:17:23 So I'll take myself a little vacation with pay.
00:17:26 Yeah?
00:17:28 Well, I hope they put you over the jumps, mister.
00:17:30 I'm going to see you end up on the rim of some hick sheet or in the gutter.
00:17:33 Thanks.
00:17:34 And good luck to you, too.
00:17:37 Nelly.
00:17:38 Don't call me Nelly and don't slam the door when you go out.
00:17:40 All right.
00:17:42 Nelly.
00:17:44 Nelly.
00:18:12 And that the publisher hereinafter called the employer does employ the said Samuel N. Bradshaw as managing editor of the Time Star or in any other editorial capacity at the designation of the employer.
00:18:26 Or in any other editorial capacity.
00:18:31 Say, where was that great legal mind of yours when you let that clause slip through?
00:18:35 I thought I had him hog tied.
00:18:37 Sure you have.
00:18:39 He's got to pay you even if he makes you sweep out the office.
00:18:42 And you can just sit back and collect.
00:18:44 Yeah, and take orders from a sap like Dawes.
00:18:47 You ride me like a mule.
00:18:49 That's what I'm through.
00:18:50 Fifteen grand, fifteen--
00:18:52 I wouldn't do it for fifty.
00:18:56 Get me Mr. Grant.
00:18:58 Canal 30400.
00:19:00 Mr. Bradshaw called it.
00:19:02 What are you going to do?
00:19:03 Never mind.
00:19:04 I'll handle this from now on.
00:19:06 Slucky it reads editorial capacity.
00:19:09 Or he can make a copy boy out of me.
00:19:11 Sure he could.
00:19:13 But what do you care?
00:19:14 Fifteen grand--
00:19:15 Oh, shut up.
00:19:18 You in jail.
00:19:20 So I quit.
00:19:21 Now, wait a minute, Brad.
00:19:23 There's still that little matter of a contract.
00:19:25 And a contract is a contract.
00:19:28 You can take that contract and--
00:19:30 Now, never mind that stuff.
00:19:32 When are you reporting back to work?
00:19:34 I said I quit.
00:19:36 I heard you.
00:19:38 But if I can't fire you, you can't quit me.
00:19:42 When are you coming back to work?
00:19:43 When they grow whiskers on billiard ball.
00:19:47 That's a long time to be out of a job.
00:19:49 Any paper in town will give Sam Bradshaw a job.
00:19:53 Not while you're under contract to me.
00:19:56 If you don't work for the Time Star, you don't work at all.
00:20:00 And what are you going to use for money?
00:20:03 He says I can't work for anybody else.
00:20:05 Not while you're under contract to him.
00:20:08 You got me into this.
00:20:11 Very well, Mr. Graham.
00:20:13 I'll report at ten sharp in the morning.
00:20:17 If you can stand it, I can.
00:20:20 Your hours are from nine to five from now on.
00:20:25 Very well, sir.
00:20:27 At night.
00:20:30 (Gunshot)
00:20:32 Give me a spot on the sport page.
00:20:42 Anything but that.
00:20:43 It's that or nothing.
00:20:45 Take it or leave it.
00:20:48 Yes?
00:20:50 Oh, send her right in.
00:20:51 Now listen, J.L., you...
00:20:54 Good morning.
00:20:55 Good morning, Miss Crail.
00:20:56 I've decided to put you back on the city staff.
00:20:59 You wouldn't fool a poor girl, would you?
00:21:01 Oh, no, I'm serious.
00:21:02 You will report to Mr. Dawes for your assignments.
00:21:05 Dawes?
00:21:06 Yes.
00:21:07 Mr. Dawes is now managing editor.
00:21:09 Mr. Bradshaw has kindly consented to take over the editorship of Heartthrobs.
00:21:16 Bradshaw?
00:21:18 Heartthrobs?
00:21:20 (Laughter)
00:21:23 Oh, that's marvelous!
00:21:26 Bradshaw!
00:21:30 Oh, that's marvelous!
00:21:36 What the...
00:21:38 Hi, Nelly!
00:21:40 Hi, Nelly!
00:21:46 Hi, Nelly!
00:21:48 Hi, Nelly!
00:21:50 Hi, Nelly!
00:21:51 Hi!
00:21:53 Why, Nelly Bradshaw!
00:21:55 Hi, Nelly!
00:21:57 (Laughter)
00:22:03 (Water running)
00:22:06 Hey, boys, get some water!
00:22:08 (Water running)
00:22:11 Water!
00:22:14 (Water running)
00:22:39 Dear Heartthrobs,
00:22:44 If you really love that boy,
00:22:55 let him have woman and half of your happiness.
00:23:07 Love is a beautiful thing for which there is no substitute.
00:23:18 It makes life an adventure and a blessing.
00:23:27 (Door opens)
00:23:29 Hi, Nelly!
00:23:40 (Door slams)
00:23:42 Oh, so they want to play.
00:23:54 (Paper rustling)
00:23:57 Well?
00:24:05 Did you see Mrs. Canfield?
00:24:07 Oh, you can't get near her.
00:24:09 She won't talk to anybody.
00:24:10 Reporters are poisoned to her.
00:24:12 What's her number?
00:24:13 Don't bother.
00:24:14 She blew town this morning.
00:24:15 Gone into hiding up in Maine.
00:24:17 Well, keep right after her, will you, Sammy?
00:24:19 I've got to get to the bottom of this.
00:24:21 You don't think I'm going to take this laying down.
00:24:23 Stay after it, all right.
00:24:24 I even moseyed over to the bank this morning
00:24:26 and had a talk with that guy Sheldon.
00:24:28 Well?
00:24:29 They got positive proof over there
00:24:31 that Canfield bowed out with that doe.
00:24:33 He showed me the vouchers with Canfield's signature.
00:24:37 Hmm.
00:24:39 Looks like I put my money on the wrong horse.
00:24:41 Well, I'm with you and for you.
00:24:43 Right or wrong.
00:24:44 You know that, don't you?
00:24:45 Sure, I know.
00:24:47 So long.
00:24:48 So long.
00:24:49 (Door opens)
00:24:51 (Door closes)
00:24:52 How goes it, Hartrobs?
00:25:03 Why, how do you do?
00:25:05 Come on in.
00:25:06 Have a dish of tea.
00:25:08 You're just in time to hear old Doc Bradshaw
00:25:12 on "Love Through the Ages."
00:25:14 ♪ For love is that beautiful thing ♪
00:25:17 No, I believe you actually go for that hooey.
00:25:19 I simply adore it.
00:25:21 Idiot.
00:25:22 Look, baby, this love is a great thing, no kidding.
00:25:25 You ought to go in for it sometime
00:25:27 before you get too old.
00:25:29 You keep your advice for your column where it's needed most.
00:25:31 And how it's needed.
00:25:32 After you laid a cake,
00:25:33 this column was sadly neglected.
00:25:35 Okay, Big Shot.
00:25:36 Go ahead.
00:25:37 Make it snap.
00:25:38 Make it bounce.
00:25:39 Keep your face out of the way.
00:25:41 Miss Crail,
00:25:43 when you have less time and can't stay so long,
00:25:46 come in and see me.
00:25:48 But don't make it too awful.
00:25:50 I'm a busy man.
00:25:52 Man?
00:25:53 You heard me.
00:25:54 Okay, Nelly.
00:26:16 Ah, drugs.
00:26:19 Doss, this is without doubt
00:26:22 the sloppiest job of news editing I've seen for a long time.
00:26:25 It's an eyesore.
00:26:27 Take it away.
00:26:28 Now, you see, Mr. Graham,
00:26:29 you're so used to Brad's old-fashioned makeup
00:26:31 that the new layout don't appeal to you.
00:26:33 Listen, Doss,
00:26:34 Brad may be a bullheaded, stubborn jackass,
00:26:36 but he's a newspaper man.
00:26:38 I don't make him any better.
00:26:40 Oh, I'm not trying to run Brad down.
00:26:42 I think he's aces.
00:26:44 But I got some ideas of my own.
00:26:46 If you give me a little time to work them out,
00:26:48 I can put them over for you big.
00:26:50 You've been in Brad's spot now for two months,
00:26:52 and that certainly is time enough to deliver.
00:26:54 Well, you see, Mr. Graham, I...
00:26:55 Oh.
00:26:56 Hiya, Lurky.
00:27:04 Hello, there.
00:27:12 Hiya, Chief.
00:27:13 Well?
00:27:14 What is it?
00:27:16 I just thought I'd say hello and bring you these.
00:27:20 If you get any more of your lunkhead, put him with those.
00:27:23 Honest, Chief, I didn't mean to...
00:27:25 Get out of here and stay out!
00:27:26 Okay, Chief.
00:27:30 All right.
00:27:31 Hello, Brad.
00:27:48 Anything I can do for you, Mr. Dawes?
00:27:51 Yes and no.
00:27:52 Well, make up your mind.
00:27:54 Now, listen, Bradshaw, I didn't come in here to fight with you.
00:27:56 No?
00:27:57 Well, what did you come in for?
00:27:59 To tell you I'm not satisfied with the way you're handling your column.
00:28:02 Oh, you're not satisfied?
00:28:04 Ha! That's the payoff.
00:28:06 You don't like my stuff.
00:28:08 And how do you want it run, Mr. Dawes?
00:28:10 You're dogging it, Brad, and you'll know it.
00:28:12 Well, Mr. Managing Editor, you're my boss.
00:28:15 Why don't you fire me?
00:28:16 Why don't you tell J.L. my column smells?
00:28:19 'Cause I won't run it your way.
00:28:20 Still riding high.
00:28:21 Sure, high, wide, and handsome.
00:28:22 You're not kidding me, Bradshaw.
00:28:24 You're washed up.
00:28:26 You're through.
00:28:28 You were tops in this racket, Brad.
00:28:30 But the skids are under you.
00:28:32 You're on your way down.
00:28:34 And when you hit the gutter, don't forget it was your old pal Dawes told you so.
00:28:38 Why, you dirty, miserable...
00:28:40 skunk.
00:28:44 Skunk?
00:28:46 Hello, Mr. Managing Editor.
00:29:00 How you doing, Mr. Bowden?
00:29:02 I'm better.
00:29:03 What the heck's the matter here? What's going on?
00:29:06 What happened, Durkee?
00:29:11 You should have seen him, Jerry.
00:29:13 He looked like a crazy man.
00:29:15 Gee, I didn't know it would get him that way.
00:29:28 Don't you think we ought to do something?
00:29:41 Mac!
00:29:43 Mac!
00:29:44 Coming, sir.
00:29:45 You give me a rotten service, Mac.
00:29:51 I'll have a cup of more whiskey.
00:29:53 Off on a binge, huh?
00:30:08 Go ahead, shoot a whore in.
00:30:10 So, you can't take it.
00:30:12 Yes, sir, you can dish it out, but you can't take it.
00:30:16 Go on home with it, sister. Leave me alone.
00:30:19 Sure, I'll let you alone, pal.
00:30:21 I hope you didn't order that rat poison for me, because I'm particular whom I drink with.
00:30:25 Goodbye.
00:30:27 Goodbye, goodbye.
00:30:29 Goodbye, sucker.
00:30:31 Stay drunk till they fire you.
00:30:33 Take plenty, you'll need it.
00:30:35 But with every shot, turn this over in that big brain of yours.
00:30:38 You broke Jerry Crail and she didn't squawk.
00:30:41 Eight months she battled that heart-probed bilge without a peep.
00:30:44 Three's pretty good for you.
00:30:47 Because you're short, mister.
00:30:49 Short on guts.
00:30:51 I have to apologize to my friend, old fella.
00:31:16 She's young and married.
00:31:19 She insulted you.
00:31:22 Called you a rat poison.
00:31:25 Forget it.
00:31:28 She didn't mean any harm.
00:31:31 Just her way, that's all.
00:31:34 Look at what she told me.
00:31:37 She said I couldn't take it.
00:31:41 Because you're short, mister.
00:31:45 Short on guts.
00:31:49 Short on guts.
00:32:00 Short on guts.
00:32:10 No guts, eh?
00:32:39 No guts, eh?
00:32:59 My dear.
00:33:17 Love is sick.
00:33:42 Come in.
00:33:55 What, another load, Louie?
00:33:58 If this keeps up, I'm gonna get me a truck.
00:34:00 Number on the desk, kid.
00:34:05 You must know all about this love business if you get all those letters, Mr. Bradshaw.
00:34:11 Do you mind if I ask you something?
00:34:13 No, shoot.
00:34:14 Well, uh, I got a girl.
00:34:17 You got a girl?
00:34:18 Oh, I got lots of girls.
00:34:20 But this one girl.
00:34:22 Yes?
00:34:23 She's two-timing me with some little runt from Brooklyn.
00:34:26 You sure?
00:34:28 No.
00:34:29 That's what's eating me.
00:34:32 My dear, Louie.
00:34:35 Beware of the green-eyed monster.
00:34:38 If you love the girl, you must have faith in her.
00:34:43 You must trust her implicitly.
00:34:49 Now, listen, kid.
00:34:50 If you catch her at it again, give her a kick in the pants and go find yourself another babe.
00:34:54 Thanks.
00:34:56 And keep her out of Brooklyn.
00:34:57 That's what I thought, too.
00:35:01 See, you're a white guy, Nelly.
00:35:14 For the 536th time, how about having dinner with me tonight?
00:35:17 No can do, Philly.
00:35:18 Very, very busy.
00:35:19 I'm going to get sore sometime and quit asking you.
00:35:22 No, you won't.
00:35:23 Yes, I will.
00:35:24 Hey, Jerry.
00:35:25 How will you get away from me?
00:35:27 There's a gal outside with a bad case of heart problems and she wants to talk to Nelly.
00:35:31 Oh, what's stopping her?
00:35:32 You know Brad can't see her.
00:35:34 He's supposed to be a dame.
00:35:36 Yeah?
00:35:37 Go on, buy him an old mother Hubbard and a set of curls.
00:35:38 Kidding aside, Jerry, I'm in a spot and you've got to help me ease her out.
00:35:44 Oh, all right.
00:35:46 Yes, well, Jerry, you took a load off my mind.
00:35:49 Give me a cigarette.
00:36:00 Oh, Miss Nelson, I knew you wouldn't turn me down.
00:36:03 Now, wait a minute.
00:36:04 I'm having such terrible trouble, Miss Nelson.
00:36:06 You're the only one that can help me.
00:36:08 It'll only take a few minutes.
00:36:10 Please.
00:36:12 Well, all right.
00:36:13 Come on.
00:36:14 Sit down there, dear.
00:36:26 Thank you.
00:36:27 Now, now, you mustn't mind him.
00:36:29 He's only my secretary.
00:36:32 Oh, Bradshaw, Miss...
00:36:34 Rosa Maranello, Miss Nelson.
00:36:37 How do you do?
00:36:38 Bradshaw, I want you to take some notes.
00:36:40 Yes, Miss Nelson.
00:36:47 Now, then, my dear, you may feel free to unburden your heart to me.
00:36:50 Thanks.
00:36:52 I felt I could talk to you as I would my own mother, if she were alive.
00:36:56 This was to be my wedding day.
00:36:59 Everything was all arranged.
00:37:01 I sent invitations to my friends.
00:37:03 It was to be a big wedding with bridesmaids and everything.
00:37:06 Nick had even rented our flat and bought furniture for it.
00:37:09 And last night, my father suddenly called it off.
00:37:12 Why?
00:37:13 Oh, I don't know.
00:37:14 Some business call my father had with Nick.
00:37:16 Oh, I see.
00:37:17 They're partners.
00:37:18 Oh, no.
00:37:19 Papa's an undertaker and Nick is a florist.
00:37:21 But they do business together.
00:37:23 Everything went fine until last night when Papa came back from Nick's place.
00:37:26 He was very mad.
00:37:28 He kept on hollering, "Nick's no good.
00:37:30 He's not the kind of a man for you to marry."
00:37:32 And that I should never see him again.
00:37:34 Mm-mm, that's bad.
00:37:36 You've got to talk to my father.
00:37:38 Maybe he'll listen to you because you're from the newspaper.
00:37:41 Maybe you can get him to change his mind.
00:37:43 This means so much to me.
00:37:45 I'll never forget you for it.
00:37:47 Very well, Rosa.
00:37:49 We'll talk to your father.
00:37:50 Oh, you're an angel.
00:37:52 I knew you'd help me.
00:37:53 Now, of course, I may not be able to go myself.
00:37:55 But I'll send somebody.
00:37:56 Oh, Miss Nelson, I can't tell you how happy you've made me.
00:37:59 I'll always remember you for it.
00:38:01 That's all right, Rosa.
00:38:02 Now, where do you live?
00:38:03 530 West Houston Street.
00:38:05 Did you get that?
00:38:08 Rosa Marinella, 530 West Houston Street.
00:38:11 Mm.
00:38:12 (Mumbling)
00:38:15 Let me see.
00:38:17 I ought to talk to Nick, too.
00:38:19 I ought to hear both sides of this story.
00:38:21 Nick is just around the corner from our place, 142 Sullivan Street.
00:38:25 The elite floral shop, Nick Grassi, proprietor.
00:38:28 Did you get that?
00:38:30 Yeah.
00:38:31 Read it back so there's no mistake.
00:38:34 Elite floral shop, 142 Sullivan Street.
00:38:40 Nick Grassi, prop.
00:38:44 Well, now, Rosa, I don't promise anything, but I'll try awfully hard.
00:38:50 Thanks a million times.
00:38:51 That's all right, Rosa.
00:38:52 I'm glad to help you.
00:38:54 Goodbye.
00:38:55 Goodbye, Miss Nelson.
00:38:56 Goodbye.
00:38:57 All right.
00:38:58 And thank you, too.
00:38:59 All right.
00:39:00 (Door opens)
00:39:03 Well, there's a nice assignment for you, Mr. Bradshaw, a little fieldwork.
00:39:07 Listen, Jerry, don't be a smart aleck.
00:39:10 You sold that kid an idea, you better go and see your old man.
00:39:13 Don't be silly.
00:39:14 I fronted for you.
00:39:16 Now you can do the rest yourself.
00:39:17 I'm for minding my own business, Miss Crail.
00:39:20 I'm not running a court of domestic relations.
00:39:22 Oh, pardon me, Mr. Samuel L. Bradshaw.
00:39:26 You could have just told me you were going to do the fieldwork.
00:39:29 You couldn't waste your good talents on the simple tale of a kid whose heart's broken.
00:39:34 Well, whether you like it or not, you're in.
00:39:37 (Doorbell rings)
00:39:40 Ah, Trubbs.
00:39:41 Yes, Mr. Graham.
00:39:43 Possibly Mr. Graham.
00:39:44 If you're not too busy, Brad, I wish you'd drop up and see me now.
00:39:49 Well, I was right in the middle of tomorrow's column, but...
00:39:53 Okay.
00:39:54 Be right out.
00:39:56 (Door opens)
00:39:59 You know, something tells me you're going to have the pleasure of meeting Rose's old man after all.
00:40:09 So long, Nelly.
00:40:12 (Door slams)
00:40:17 When was the last time you either saw or heard from your husband, Mrs. Canfield?
00:40:21 About 4 o'clock on the day he disappeared.
00:40:23 He phoned me he wasn't coming home to dinner that night, that he had a business engagement.
00:40:27 Nothing else?
00:40:28 Nothing.
00:40:29 Except he asked for an address that he had written on his desk memo pad the night before.
00:40:33 Have you that address?
00:40:34 Yes.
00:40:35 Have you given that address to anyone?
00:40:37 Yes, the police.
00:40:38 What did they do about it?
00:40:41 Nothing.
00:40:46 Here's his desk, exactly as he left it.
00:40:50 There's the address.
00:40:52 If Frank were alive, I should hear from him.
00:40:54 No matter what he had done, he'd want me to understand.
00:40:57 There's only one possible explanation for his silence.
00:41:00 He's been done away with.
00:41:02 He's dead.
00:41:03 You've sure put it over.
00:41:05 Why, before you took that column over, it was dead.
00:41:08 Now it's got a wall.
00:41:10 Look here.
00:41:11 Letters. Hundreds of them.
00:41:12 Take them away.
00:41:13 You're breaking my heart.
00:41:15 I've seen enough letters in the last three months to last me a lifetime.
00:41:19 And every one is a rave for heartthrob.
00:41:22 Man, you've got a real thing there.
00:41:24 Do you know how much circulation that column has built?
00:41:27 I know one circulation that's wrecked.
00:41:29 And look, a laugh's a laugh, and I guess you got one comedy in.
00:41:34 You paid for it.
00:41:35 But let's cut the comedy and get down to business.
00:41:39 Of course, Brad, of course.
00:41:42 Now, when do I get my desk back?
00:41:45 You don't seriously think that I'd wreck that heartthrob column just to put you back at your desk?
00:41:49 What?
00:41:52 Now, listen, J.L., you don't mean--
00:41:54 Exactly.
00:41:56 So go back to your cubbyhole and keep it up.
00:41:59 That's all I wanted to see you about, to tell you that you're hitting the ball, and I'm mighty pleased.
00:42:04 So you're still giving me the business.
00:42:10 You don't think I've had enough?
00:42:13 You're going to hold me to that cock-eyed contract.
00:42:15 Until they grow whiskers on billiard balls.
00:42:18 I believe that was your phrase, Brad.
00:42:20 So you'll even pay 15 grand a year to suck to me.
00:42:25 Boy, that grudge must be biting you deep.
00:42:27 I haven't any grudge.
00:42:29 Why, that column is worth $15,000 a year to me.
00:42:33 Well, that's all, Brad.
00:42:34 Good afternoon.
00:42:35 All right, J.L. All right.
00:42:38 You've got me right so far, but I've got an ace in the hole that maybe you didn't figure on.
00:42:43 From now on, that column's going to be so blah that even a half-witted old maid won't read it.
00:42:49 And how do you like them apples?
00:42:51 You couldn't lay down on a job if your life depended on it.
00:42:54 You're too good a newspaper man.
00:42:56 I'm too good a newspaper man, am I?
00:42:58 Now you listen to me, Mr. John L. Graham.
00:43:01 Show Miss Nelson out.
00:43:04 Why, you...
00:43:08 Hmm.
00:43:09 Good.
00:43:14 Hey, Brad, I've got news for you.
00:43:15 Yeah, well, I've got news for you, too.
00:43:16 A minute.
00:43:17 I'm just going to murder Nelson.
00:43:18 Wait a minute.
00:43:19 The poor gal is going to shrivel up from starvation.
00:43:21 I'll show the old buzzard he ain't seen nothing yet.
00:43:23 Will you pipe down a minute?
00:43:24 I've got to tip you off.
00:43:25 I don't want to hear nothing.
00:43:26 Mrs. Canfield just got back to town.
00:43:28 For all I care, she's going to stay away forever.
00:43:30 You told me to stay on the job, didn't you?
00:43:32 Well, I have.
00:43:33 I got a new angle on Canfield.
00:43:35 The address of...
00:43:36 Nellie is going to be the comic strip of this paper.
00:43:39 Well, if you've gone screwy, I'm not going to waste any more of my time.
00:43:43 There's something I thought you ought to know about.
00:43:45 I'm hittin' the ball, am I?
00:43:47 So stay in your cubbyhole.
00:43:49 I'll give 'em something to rave about.
00:43:51 I don't know why I bother about all this.
00:43:53 Barnstorming all night in the rain, sleeping in coal holes like a stray dog.
00:43:58 When I do bring you in something, you won't listen.
00:44:00 Yeah, wait a minute, will you?
00:44:02 What's this?
00:44:04 530 West Houston Street?
00:44:06 530 West Houston Street.
00:44:09 That's funny.
00:44:10 Maranillo?
00:44:12 Canfield.
00:44:14 Say, where'd you get this?
00:44:15 Yeah, where'd I get it?
00:44:17 That's the address Canfield phoned his wife for the day he disappeared.
00:44:22 It is?
00:44:24 Let's go, Shemmy.
00:44:31 I'm not gonna bother.
00:44:33 I've got to take a--
00:44:36 (indistinct chatter)
00:44:38 What do you want, love?
00:45:04 Wait a minute, Inspector.
00:45:05 How long you live here?
00:45:07 You live here how long?
00:45:12 Me know nothing. I just got a job.
00:45:14 When you come home--
00:45:15 Wait a minute, this is important.
00:45:16 Now, wait a minute.
00:45:18 That's a help.
00:45:33 Looks empty.
00:45:34 Nicely furnished.
00:46:02 Hey, Brad.
00:46:03 Take a peek at the date line on this paper.
00:46:05 April 16th, 1933.
00:46:11 Hey, you, Forrest.
00:46:13 What do you want here?
00:46:15 Who are you?
00:46:16 What for you want to know, huh?
00:46:18 Tenement inspectors.
00:46:19 You the janitor?
00:46:21 Yes, mister. I'm janitor.
00:46:23 I've been janitor three years.
00:46:25 I got certificate for to be janitor. I show him--
00:46:28 Well, never mind that.
00:46:29 How long has this place been empty?
00:46:31 Oh.
00:46:32 These rooms is hard luck.
00:46:34 No can get tenors for to rent.
00:46:36 Rentlord all the time say, "Why you no rent?"
00:46:39 Just a minute, Stanislaw.
00:46:41 Please, mister. You call me Steve.
00:46:43 Listen, you dumb ox.
00:46:44 Tell the man what he wants to know.
00:46:46 Please, mister. You call me Steve.
00:46:48 All right, Steph.
00:46:49 Now, get this.
00:46:51 Did anybody live here last month?
00:46:54 Well, that's hard for to remember.
00:46:57 Let me see.
00:46:59 We have to throw Mrs. Andrakony out.
00:47:02 She no can pay rent.
00:47:04 How you call that?
00:47:06 Dispossessed?
00:47:08 Yeah.
00:47:09 That was February.
00:47:12 And nobody's lived here since?
00:47:14 No, mister.
00:47:16 You sure?
00:47:17 Sure nobody live here.
00:47:19 I only let undertaker downstairs use for to keep chairs.
00:47:23 He give me big tip.
00:47:25 That was in April, wasn't it?
00:47:27 Yeah, April.
00:47:29 How you know that?
00:47:30 Never mind.
00:47:32 Look here, Steve.
00:47:33 You get this place cleaned up or I'll slap a fine on you.
00:47:37 I am good Amerikonsky Democrat from Tomany Hall.
00:47:41 Why bother?
00:47:45 Well, what now, Hawkshaw?
00:47:47 I guess I'll have to say it with flowers.
00:47:55 You stay out here, Shemmy.
00:47:58 I didn't want to go in there anyway.
00:48:01 Yes, sir.
00:48:02 Nick Brassie?
00:48:03 Yes.
00:48:04 My name is Mr. Bradshaw.
00:48:06 I'm an old school teacher of Rosa's.
00:48:08 Rosa asked me if I couldn't help get you and her father straightened out.
00:48:12 Listen, I don't want to talk about it.
00:48:14 Now, don't be that way, Nick.
00:48:17 You won't let a little petty squabble spoil your happiness?
00:48:20 I did all I could.
00:48:21 I'd cut off my right hand for Rosa.
00:48:23 But nobody's going to make a fool out of me and get away with it.
00:48:25 What do I care for the few dollars?
00:48:26 It wasn't that.
00:48:27 Look, I'll show you something.
00:48:30 Now, see this?
00:48:32 Furniture, 1,000 bucks.
00:48:33 I paid for it.
00:48:34 Deposit on a flat.
00:48:36 I paid.
00:48:37 Lots of other things, too, but that's all right because I'm nuts about Rosa.
00:48:40 It didn't cost the old man a cent.
00:48:42 But when he tries to play me for a sucker, that's when I stop.
00:48:45 Well, maybe there was a little misunderstanding, Nick.
00:48:48 Misunderstanding my eye?
00:48:50 Wait a minute.
00:48:51 I'll show you in black and white.
00:48:52 You see, the old man and me has got a deal.
00:48:54 I kick back 15% for an exclusive on all of his flowers.
00:48:58 He builds them, collects, and settles up with me.
00:49:00 Well, look at this.
00:49:01 George Deloreal funeral, 800 bucks.
00:49:05 Look at this.
00:49:06 Moby-McKee funeral, 1,500 bucks.
00:49:09 Last night when he comes to settle up, he shows me this.
00:49:13 Hernandez, 35 bucks for a wreath and some stale roses.
00:49:17 The same guy orders them.
00:49:18 Can you imagine that?
00:49:19 See?
00:49:20 Brownell.
00:49:22 Brownell.
00:49:24 You mean the beau Brownell?
00:49:26 Yeah, the beau.
00:49:27 You know, the big shot.
00:49:28 I see.
00:49:29 The old man's got all of his flower business.
00:49:30 Everybody knows the beau's got a weakness for flowers.
00:49:32 He buys them by the ton.
00:49:34 I see.
00:49:35 It seems that you cannot become reconciled to the fact that Mr.
00:49:39 Brownell should only spend $35 for flowers on this Hernandez funeral.
00:49:45 Is that right?
00:49:46 Right.
00:49:47 I see.
00:49:48 So I say to the old man, nice and friendly like,
00:49:50 "How come only 35 bucks on a Brownell funeral?"
00:49:53 He starts hemming and hawing and gets white around the gills.
00:49:55 I begin to think maybe he's trying to pull something.
00:49:58 So I go after him.
00:49:59 He gets mad and I get mad and we end up in a terrible battle.
00:50:02 Well, well, well.
00:50:04 That's too bad, really.
00:50:06 Too bad.
00:50:07 Well, Mr. Grassi, it was a great pleasure to meet you.
00:50:10 And maybe I'll be able to get you straightened out.
00:50:14 I hope so.
00:50:16 [chatter]
00:50:22 Come on, Timmy.
00:50:23 Where to now, Sherlock Holmes?
00:50:25 Brownell's got his finger in it somewhere.
00:50:27 I've got to find out more about a guy named Hernandez who was buried April 17th.
00:50:32 Municipal building.
00:50:42 Francesco Hernandez.
00:50:44 Died April the 17th, 1933.
00:50:47 Burial, woodlawn.
00:50:49 Right.
00:50:50 Take this down, Shammy.
00:50:52 Dr. John W. Wilson.
00:50:55 213 West 56th Street.
00:50:59 Cause of death, endocarditis.
00:51:02 Endocarditis.
00:51:04 A-N--
00:51:05 No, it's E-N.
00:51:06 I know, I know.
00:51:07 Is there a phone handy?
00:51:08 Yes, sir. Right over there.
00:51:11 [footsteps]
00:51:14 Is Dr. Wilson in?
00:51:17 The Bureau of Vital Statistics calling.
00:51:20 Hello?
00:51:23 Dr. Wilson?
00:51:25 We're checking our records.
00:51:26 Did you attend to Francesco Hernandez who died of endocarditis on April 17th this year?
00:51:33 Sorry, I have no record of any such patient.
00:51:38 I'll get a doctor.
00:51:40 So that's how it is.
00:51:45 Come on, Shammy.
00:51:48 [shouting]
00:51:53 You wait here. Be right back.
00:51:54 Yes, sir.
00:51:55 Give me a chance to warm the old guy up.
00:52:01 Then give him a buzz and lay it on thick.
00:52:03 Don't worry. He'll get plenty.
00:52:05 We'll go to the drugstore.
00:52:06 Right.
00:52:07 [footsteps]
00:52:10 How do you do?
00:52:17 How do you do?
00:52:18 How do you do, Miss Marinello?
00:52:21 Oh, hello.
00:52:23 Oh, Papa, this is a friend of mine.
00:52:26 He wants to talk to you about Nick.
00:52:28 Nick?
00:52:29 What has he got to do with Nick?
00:52:31 What is it he's making me--
00:52:32 Now, just a minute, Mr. Marinello.
00:52:35 I want to talk to you about Rosa.
00:52:36 What about Rosa?
00:52:37 Well, you see, I used to be Rosa's schoolteacher.
00:52:40 And, of course, I'm interested.
00:52:43 You know she loves Nick.
00:52:45 Please, mister, you mind your own business.
00:52:47 Let me worry about Rosa.
00:52:49 I don't want to hear anything about a good-for-nothing Nick.
00:52:53 You should not mix in family affairs.
00:52:56 I told you last night was the finish.
00:52:58 Why do you run to other people?
00:53:00 [speaking Italian]
00:53:01 But, Papa--
00:53:02 Shut up!
00:53:03 [crying]
00:53:08 [phone ringing]
00:53:09 [speaking Italian]
00:53:15 Yes, that's Marinello talking.
00:53:17 Bureau of Vital Statistics calling.
00:53:19 Did you bury a Francisco Hernandez at Woodlawn?
00:53:23 What name?
00:53:27 Francisco Hernandez?
00:53:29 Uh, just a minute.
00:53:31 I'll look it up.
00:53:32 I'll look it up.
00:53:33 Bad news?
00:53:40 [speaking Italian]
00:53:44 Yes, I buried him.
00:53:46 What's the matter?
00:53:47 Something wrong?
00:53:49 Sure, Dr. Wilson case.
00:53:51 Dr. Wilson says he has no record of the case.
00:53:54 He says he was out of town at the time.
00:53:56 Hmph.
00:53:57 It's impossible.
00:53:58 It's a mistake.
00:54:00 I got all the paper here.
00:54:02 Sure, come on.
00:54:03 Come on any time at all.
00:54:05 I have nothing to hide.
00:54:07 Now, Mr. Marinello, you know you want Rosa to be--
00:54:13 [speaking Italian]
00:54:18 Get out from here!
00:54:20 Well, how did you make out?
00:54:26 Swell.
00:54:29 Taxi, quick!
00:54:31 Don't bother.
00:54:32 It's taken.
00:54:33 Oh.
00:54:34 Hurry, go down the floor.
00:54:39 Quick!
00:54:40 Tell that cab that it's just pulling out.
00:54:57 [car engine]
00:54:59 That's Brownell's spot.
00:55:06 Yeah, right home to Papa.
00:55:07 Come on in, I'll buy you a drink.
00:55:09 [music playing]
00:55:12 Good evening, sir.
00:55:30 Mr. Brownell in?
00:55:31 Yes, sir.
00:55:32 Is it up to him?
00:55:33 Oh, aye.
00:55:35 [music playing]
00:55:38 Hello, Mike.
00:55:42 Come on up and sit down.
00:55:43 Thanks, Mr. Brownell.
00:55:46 Somebody at the bureau is monkey me the death certificate.
00:55:50 Take it easy, Gracie.
00:55:52 Well?
00:55:53 They check up.
00:55:54 They call me from--
00:55:55 Come on upstairs, Link.
00:55:56 Come on, Leo.
00:55:57 [music playing]
00:56:00 [music playing]
00:56:03 I'd give my good right arm to be in on that little session.
00:56:18 All right, come on.
00:56:19 Wait a minute.
00:56:20 Call the office.
00:56:21 Get Durkee on the phone.
00:56:22 Tell him to send Fully and Danny Sullivan down here
00:56:24 on the double.
00:56:25 This is going to be more than a two-man job,
00:56:27 or I miss my gas.
00:56:29 [music playing]
00:56:32 Hello, Shami.
00:56:35 Hello, Starsky.
00:56:36 What are you laughing about?
00:56:37 I'm happy.
00:56:39 Hello, get me O'Connell.
00:56:41 Brownell call him.
00:56:43 And Leo, be sure and bring him back,
00:56:45 and don't take no for an answer.
00:56:47 There ain't no such word.
00:56:50 Hello, O'Connell.
00:56:51 Now get this.
00:56:52 Mike just came in and said some sharp apple was fooling
00:56:55 around with that death certificate.
00:56:57 [music playing]
00:57:00 Let's go.
00:57:08 [music playing]
00:57:11 Hello, is that you, Durkee?
00:57:26 Can you hear me?
00:57:27 This is Shami.
00:57:29 No, not Fanny.
00:57:31 Shami.
00:57:32 Shami.
00:57:33 I don't want to talk any louder.
00:57:34 You've got to talk louder.
00:57:35 I can't hear you.
00:57:36 Yeah?
00:57:37 The merry-go-round club?
00:57:38 Yeah.
00:57:39 Brad's got what?
00:57:41 So much noise around here.
00:57:42 Say that again, will you?
00:57:44 Oh, Brad's got something hot?
00:57:47 Sure, I get it.
00:57:48 Danny and Fullerton.
00:57:49 He wants them right over to the merry-go-round club.
00:57:52 Sure, I'll keep it quiet.
00:57:53 You know me, kid.
00:57:54 No, I won't tell a soul.
00:57:57 For the 536th time, how about taking me out to dinner tonight?
00:58:01 What?
00:58:03 Did you say what I heard?
00:58:05 Sure, providing you buy it at the merry-go-round club.
00:58:07 Wrap it up.
00:58:08 I'll take it.
00:58:09 Hey, Fully, just a minute.
00:58:11 Not now, Durkee.
00:58:12 We're just on our way to dinner.
00:58:13 If the boss wants me, you can pace me at the merry-go-round club.
00:58:16 So you're not kidding me, are you?
00:58:18 Sure I'm not.
00:58:19 [music playing]
00:58:23 [music playing]
00:58:26 I want to see him.
00:58:33 Why doesn't he leave me alone?
00:58:35 [music playing]
00:58:38 See that big lug with the gray suit?
00:58:43 He was sent out to pick up that stew.
00:58:46 Look, you know it ain't polite the way I happen here, don't you?
00:58:50 Come on.
00:58:51 I know that guy.
00:58:53 Which guy?
00:58:54 The drunk.
00:58:55 Sure, that's him.
00:58:57 That's Sheldon, the cashier of Canfield's Bank.
00:59:01 That so?
00:59:03 Get up.
00:59:04 [music playing]
00:59:07 Jimmy!
00:59:09 [music playing]
00:59:12 Gracie, why don't they stop honking?
00:59:15 I'm sorry, Gracie.
00:59:16 It's the boss' orders.
00:59:17 [music playing]
00:59:20 Where's Brownell?
00:59:34 Mr. Burnell is--
00:59:35 Colonel O'Connell wants to see him here.
00:59:37 Yes, sir.
00:59:38 [music playing]
00:59:42 [music playing]
00:59:45 Hello, Bradshaw.
00:59:56 Hello, Colonel.
00:59:58 Got a match?
00:59:59 Sure.
01:00:01 Thanks.
01:00:03 Still in the doghouse?
01:00:05 Yeah.
01:00:06 That's the breaks you get.
01:00:09 Why don't you get wise to yourself, Bradshaw?
01:00:12 You could cut yourself in for a lot of dough if you wanted to play with the right people.
01:00:17 Trying to throw me a bone?
01:00:21 Wouldn't you use one?
01:00:23 Yeah, if it's not too dirty.
01:00:26 Where are you going?
01:00:30 I gotta see him.
01:00:31 He just passed out cold.
01:00:33 Let him sleep it off.
01:00:34 You didn't do anything to him.
01:00:36 Don't take it so hard.
01:00:38 He never used to worry about me like this.
01:00:41 [laughs]
01:00:42 Come on.
01:00:43 [music playing]
01:00:46 Well, take it over.
01:01:06 Thanks.
01:01:07 Hello, O'Connell.
01:01:16 Come on up and sit down.
01:01:19 Well, what did you find out?
01:01:21 Nobody called Marinello.
01:01:22 I checked just as soon as I heard from him.
01:01:25 Well, the guy ain't nuts.
01:01:26 Somebody must have called him.
01:01:28 You better put the fix on him.
01:01:29 Now, don't you worry, Bo.
01:01:31 I already got my own boys working on the inside.
01:01:34 Me worry?
01:01:35 [laughs]
01:01:36 That's what I got you for, ain't it?
01:01:38 Yeah, and I'll take care of you too.
01:01:39 Well, I'm going upstairs.
01:01:43 I don't want to be disturbed, see?
01:01:46 You're putting yourself in a tough spot that may not be so healthy.
01:01:50 [music playing]
01:01:53 [music playing]
01:01:56 [music playing]
01:01:59 [music playing]
01:02:02 [music playing]
01:02:05 [music playing]
01:02:09 [music playing]
01:02:12 [music playing]
01:02:15 [music playing]
01:02:18 [music playing]
01:02:21 [music playing]
01:02:24 [music playing]
01:02:27 [music playing]
01:02:30 [music playing]
01:02:33 [music playing]
01:02:36 [music playing]
01:02:39 Wake up.
01:02:40 Wake up, do you hear me?
01:02:41 Jimmy, wake up!
01:02:43 It's Grace.
01:02:53 [music]
01:03:22 [music]
01:03:26 Hey, wake up! Wake up, do you hear me? Wake up!
01:03:31 Who are you?
01:03:32 You don't know who I am. What happened to the bank?
01:03:34 The bank?
01:03:35 Yeah.
01:03:36 Oh, it'll blow over. Gracie says it'll blow over. It always blows over.
01:03:42 Come on now. You stole that money and let a dead man take the rap for it, didn't you? Didn't you?
01:03:47 I don't know. I don't know anything. Gracie says we got a stick and we can go away. Europe, China, any place.
01:03:58 Come on, answer. Canfield's dead, isn't he? Isn't he?
01:04:02 Dead?
01:04:03 Yeah. And they buried him under a phony name, didn't they?
01:04:06 Dead?
01:04:07 Didn't they?
01:04:08 Canfield dead? No. No. They told me he went to Mexico.
01:04:12 Who told you?
01:04:13 They killed him. They killed him.
01:04:15 I tell you somebody's in there. I tried the door but it was locked.
01:04:19 What killed him?
01:04:21 I don't know.
01:04:25 You helped him, didn't you? Yes, you did. You helped kill Canfield.
01:04:28 No. No. Who leaves the bank?
01:04:31 How?
01:04:32 Why don't you leave me alone?
01:04:34 Come on now. You...
01:04:40 That's all right, old fellow. Take it easy.
01:04:45 You'll be all right in the morning. What are you doing here? What's your angle?
01:04:49 Hello, Bo.
01:04:51 Why, I just came in to see you on business and found this drunk laying out on the couch.
01:04:59 I was just trying to help him a little bit.
01:05:01 Quit your stalling. What do you want?
01:05:03 Didn't O'Connell tell you?
01:05:05 What O'Connell? You don't have to be cagey with me, Brownell.
01:05:10 I'm working for O'Connell.
01:05:12 On the inside. Something special.
01:05:16 You know.
01:05:19 Yeah? What?
01:05:22 What I've got to say is just between you and me.
01:05:26 All right, Gracie. Let's do business.
01:05:31 Is it all right to talk in front of this guy? If you want.
01:05:35 You've got to get Hernandez out of Woodlawn Cemetery the quicker the better.
01:05:39 Yeah?
01:05:43 Because if you don't, there's a newspaper in this town that's going to beat you to it.
01:05:46 And it's just going to be too bad for all of us if they find Canfield in that box.
01:05:51 Don't stand there gaping. You haven't much time.
01:05:54 Call Marinello. Have him come to the office.
01:05:56 Don't stand there gaping. You haven't much time.
01:05:59 Call Marinello. Have him get some of his men, dig it up and get rid of him.
01:06:03 Well, you heard him. What are you standing there for? Take some of the boys.
01:06:12 Well, what's the next move?
01:06:20 Just sit tight and let me handle it from now on.
01:06:25 Hi, Chief.
01:06:26 Oh, hello.
01:06:28 Was he the guy Gracie saw come up here?
01:06:32 Yeah. He's working for you, ain't he?
01:06:34 Working for me?
01:06:35 Sure. He just tipped me off. One of the papers is ready to dig out Canfield.
01:06:39 Do what?
01:06:40 Sure. But I got it covered. I sent Leo up to Woodlawn to head him off.
01:06:43 And you did that in front of him?
01:06:45 He just told me to.
01:06:46 You dumb crock of all the people in this town.
01:06:48 You mean to tell me he's a phony?
01:06:49 Sure. He slipped a fast one on you.
01:06:51 No, he won't. You can't pull any rough stuff. He's a newspaper man. Don't you understand? You can't touch him.
01:06:56 You ain't gonna let him get away with it.
01:06:58 Oh, not if I can help it. What's Marinello's number?
01:07:00 Orchard 40263.
01:07:02 Hey, what did you tell that guy? What did you tell him?
01:07:06 Leave me alone.
01:07:07 Hello, Marinello.
01:07:08 Hi, Millie.
01:07:17 Will you shut up?
01:07:18 What's the matter? What's the matter?
01:07:19 Have you got your car here?
01:07:20 Sure. You want to borrow it?
01:07:21 Yeah, you too. Come on.
01:07:22 Come on.
01:07:23 Hey, Danny. Come on, quick. Ranger Sammy.
01:07:33 Hurry up.
01:07:34 Right away.
01:07:35 What's up, Sammy?
01:07:36 Get in the front.
01:07:37 What a swell dinner date this turned out to be.
01:07:44 Oh, never mind. I'll give you a rain check.
01:07:46 Get into the office as fast as you can. I'll drop you there.
01:07:48 You start lining up the story for next one. Hold it until I get back.
01:07:50 Find Graham and drag him down to the office if you have to carry him.
01:07:52 Danny, you're going with me.
01:07:53 You know how to get to Woodlawn Cemetery?
01:07:55 Woodlawn Cemetery? Yeah.
01:07:57 Well, that's where you're going.
01:07:58 Oh, what a fine dinner date this turned out to be.
01:08:01 There they are.
01:08:15 You keep out of sight for the camera until I call you.
01:08:18 Come on.
01:08:19 Oh, hello.
01:08:30 They're okay.
01:08:31 I've got to take a look. The boss wants to be sure.
01:08:34 Help yourself.
01:08:35 Can I have your flashlight?
01:08:36 Sure.
01:08:37 Let them look, boys.
01:08:38 Say, that's not it.
01:08:43 Why, that's not...
01:08:45 You've got the wrong man.
01:08:47 Oh, that's Hernandez, mister.
01:08:49 Are you sure?
01:08:55 Sure.
01:08:56 I've got to get this thing out of here. What do you say?
01:09:01 All right.
01:09:04 Let's go.
01:09:06 So long, fella.
01:09:10 We're sunk.
01:09:11 Well, if it wasn't Canfield, who was it?
01:09:14 I don't know.
01:09:16 And I thought I had it all sewed up.
01:09:21 No, it's a tough break.
01:09:24 I'm sorry, sir.
01:09:25 I didn't mean to interrupt you.
01:09:27 I'm sorry, sir.
01:09:28 I didn't mean to interrupt you.
01:09:29 I'm sorry, sir.
01:09:30 I didn't mean to interrupt you.
01:09:31 I'm sorry, sir.
01:09:32 I didn't mean to interrupt you.
01:09:33 I'm sorry, sir.
01:09:34 I didn't mean to interrupt you.
01:09:35 I'm sorry, sir.
01:09:36 I didn't mean to interrupt you.
01:09:37 I'm sorry, sir.
01:09:38 I didn't mean to interrupt you.
01:09:39 I'm sorry, sir.
01:09:40 I didn't mean to interrupt you.
01:09:41 I didn't mean to interrupt you.
01:09:42 I'm sorry, sir.
01:09:43 I didn't mean to interrupt you.
01:09:44 I'm sorry, sir.
01:09:45 I didn't mean to interrupt you.
01:09:46 I didn't mean to interrupt you.
01:09:47 I didn't mean to interrupt you.
01:09:48 I didn't mean to interrupt you.
01:09:50 Give me your light, quick.
01:09:51 Don't you think we ought to get out of here while the getting's good?
01:09:55 Somebody's headed this way.
01:09:57 See?
01:10:00 There goes that light again.
01:10:01 There's somebody in there.
01:10:02 Oh, let's get out of here.
01:10:03 Hey, Brad!
01:10:04 It's Canfield this time, all right.
01:10:05 They thought they'd fool me by switching in a phony to zap.
01:10:07 But, Brad, we're spotted.
01:10:08 Let's get going.
01:10:09 Get a flash, quick.
01:10:10 Okay, chief.
01:10:11 Get to the cemetery office and raise the watchman.
01:10:14 If the police come, don't tell them.
01:10:15 I'll get the watchman.
01:10:16 I'll get the watchman.
01:10:17 I'll get the watchman.
01:10:18 If the police come, don't tell them a thing.
01:10:19 Let them find out for themselves.
01:10:20 I need time.
01:10:21 Right.
01:10:22 Give me that, quick.
01:10:24 Take this flashlight and run yourself around in circles.
01:10:26 That'll cover me until I get to the car.
01:10:27 Okay, chief.
01:10:28 Get that guy with the camera.
01:10:31 Come on.
01:10:32 There's another one for you, kid.
01:10:52 And the body of Francisco Hernandez was positively identified as that of the missing Frank J.
01:10:58 Canfield.
01:10:59 What a story.
01:11:00 What a story.
01:11:01 Here, have this developed.
01:11:02 Here's your story.
01:11:03 It's great.
01:11:04 Fine.
01:11:05 Where's Jeremy O'Malley?
01:11:06 She's trailed him off to his lodge.
01:11:07 The relectium high commander of the Cy Wash Indians or something.
01:11:10 I guess she didn't have the password, so she couldn't get to him.
01:11:13 Yeah?
01:11:16 Talking?
01:11:17 What?
01:11:18 Stay right with it, fully, and phone it in as soon as you get it.
01:11:20 You fellas all right?
01:11:21 Fine.
01:11:22 Come on, let's go.
01:11:23 The homicide squad's there already.
01:11:24 Every rag in town will have the story in an hour.
01:11:26 I can't wait.
01:11:27 Doors or no doors.
01:11:28 I'll get it through if I have to strangle him.
01:11:31 Hold for a replay.
01:11:32 Stop all copy.
01:11:33 Don't sit there like a dummy.
01:11:34 I said hold for a replay.
01:11:35 Now, wait a minute.
01:11:36 Now, now, Jeremy, get on that phone.
01:11:37 Tell them I want a replay.
01:11:38 Give me a copy.
01:11:39 Give me an eight-column spread.
01:11:40 Canfield murder.
01:11:41 Get the person in the back.
01:11:42 Tell them we've got Canfield.
01:11:43 Also Sheldon.
01:11:44 Tell them we want a statement.
01:11:45 Now, wait a minute.
01:11:46 Wait a minute.
01:11:47 Wait a minute.
01:11:48 You take your orders from me.
01:11:49 The first one makes a move and this story is through.
01:11:50 I'm running this paper.
01:11:51 Don't you forget it.
01:11:52 You mean you'll print it.
01:11:53 Get out of my way before I break into.
01:11:54 Sure, I'll take you up on that.
01:11:55 Hey, hey, what's going on here?
01:11:56 Why nothing, Mr. Graham.
01:11:57 I'm just trying to protect you and the paper from a lot of libel suits.
01:11:58 And he wants to come.
01:11:59 Mr. Cochran, you'll get this.
01:12:00 Canfield was framed at the bank.
01:12:01 Rubbed out on orders from Charlie Thompson.
01:12:02 Planted under a phony tank at Woodlawn Cemetery.
01:12:03 Canfield Thompson?
01:12:04 Yes, sir.
01:12:05 I'm sure you'll get this.
01:12:06 Canfield Thompson?
01:12:07 Yes, sir.
01:12:08 I'm sure you'll get this.
01:12:09 I'm sure you'll get this.
01:12:10 I'm sure you'll get this.
01:12:11 I'm sure you'll get this.
01:12:12 I'm sure you'll get this.
01:12:13 I'm sure you'll get this.
01:12:14 I'm sure you'll get this.
01:12:15 I'm sure you'll get this.
01:12:16 I'm sure you'll get this.
01:12:17 I'm sure you'll get this.
01:12:18 I'm sure you'll get this.
01:12:19 I'm sure you'll get this.
01:12:20 I'm sure you'll get this.
01:12:21 I'm sure you'll get this.
01:12:22 I'm sure you'll get this.
01:12:23 I'm sure you'll get this.
01:12:24 I'm sure you'll get this.
01:12:25 I'm sure you'll get this.
01:12:26 I'm sure you'll get this.
01:12:27 I'm sure you'll get this.
01:12:28 I'm sure you'll get this.
01:12:29 I'm sure you'll get this.
01:12:30 I'm sure you'll get this.
01:12:31 I'm sure you'll get this.
01:12:32 I'm sure you'll get this.
01:12:33 I'm sure you'll get this.
01:12:34 I'm sure you'll get this.
01:12:35 I'm sure you'll get this.
01:12:36 I'm sure you'll get this.
01:12:37 I'm sure you'll get this.
01:12:38 I'm sure you'll get this.
01:12:39 I'm sure you'll get this.
01:12:40 I'm sure you'll get this.
01:12:41 I'm sure you'll get this.
01:12:42 I'm sure you'll get this.
01:12:43 I'm sure you'll get this.
01:12:44 I'm sure you'll get this.
01:12:45 I'm sure you'll get this.
01:12:46 I'm sure you'll get this.
01:12:47 I'm sure you'll get this.
01:12:48 I'm sure you'll get this.
01:12:49 I'm sure you'll get this.
01:12:50 I'm sure you'll get this.
01:12:51 I'm sure you'll get this.
01:12:52 I'm sure you'll get this.
01:12:53 I'm sure you'll get this.
01:12:54 I'm sure you'll get this.
01:12:55 I'm sure you'll get this.
01:12:56 I'm sure you'll get this.
01:12:57 I'm sure you'll get this.
01:12:58 I'm sure you'll get this.
01:12:59 I'm sure you'll get this.
01:13:00 I'm sure you'll get this.
01:13:07 I'm sure you'll get this.
01:13:14 I'm sure you'll get this.
01:13:21 I'm sure you'll get this.
01:13:22 I'm sure you'll get this.
01:13:23 I'm sure you'll get this.
01:13:24 I'm sure you'll get this.
01:13:25 I'm sure you'll get this.
01:13:26 I'm sure you'll get this.
01:13:27 I'm sure you'll get this.
01:13:28 I'm sure you'll get this.
01:13:29 I'm sure you'll get this.
01:13:30 I'm sure you'll get this.
01:13:31 I'm sure you'll get this.
01:13:32 I'm sure you'll get this.
01:13:33 I'm sure you'll get this.
01:13:34 I'm sure you'll get this.
01:13:35 I'm sure you'll get this.
01:13:36 I'm sure you'll get this.
01:13:37 I'm sure you'll get this.
01:13:38 I'm sure you'll get this.
01:13:39 I'm sure you'll get this.
01:13:40 I'm sure you'll get this.
01:13:41 I'm sure you'll get this.
01:13:42 I'm sure you'll get this.
01:13:43 I'm sure you'll get this.
01:13:44 I'm sure you'll get this.
01:13:45 I'm sure you'll get this.
01:13:46 I'm sure you'll get this.
01:13:47 I'm sure you'll get this.
01:13:48 I'm sure you'll get this.
01:13:49 I'm sure you'll get this.
01:13:50 I'm sure you'll get this.
01:13:52 I suppose so.
01:13:53 Hold on.
01:13:54 Hey, Brad, they're waiting for that heartthrob column for the morning edition.
01:13:59 Tell 'em they'll get it.
01:14:01 It's on the fire.
01:14:03 Nellie!
01:14:06 Don't call me Nellie!
01:14:07 Nellie!
01:14:08 You're fired.
01:14:09 Miss Crail, I'm afraid you'll have to take over heartthrobs.
01:14:13 Oh, gee, Mr. Graham, don't wish that job on me again.
01:14:16 I'm sorry, Miss Crail, it's out of my hands now.
01:14:19 You'll have to take it up with the managing editor.
01:14:21 What do you say, Brad?
01:14:23 Well, I don't know.
01:14:30 Oh, Brad, listen, I...
01:14:31 Nellie Nelson?
01:14:32 I should say not.
01:14:35 I've got to have a good man for that job.
01:14:39 Oh, Miss Nelson, they're waiting for your column.
01:14:42 How about it?
01:14:44 What?
01:14:45 Hi, Nellie!
01:14:51 Hi, Nellie!
01:14:53 Oh, Miss Nelson, they're waiting for your column.
01:14:55 How about it?
01:14:57 What?
01:14:58 Hi, Nellie!
01:15:03 Hi, Nellie!
01:15:05 Hi, Nellie!
01:15:06 © BF-WATCH TV 2021
01:15:11 © BF-WATCH TV 2021
01:15:16 © BF-WATCH TV 2021