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Short filmTranscript
00:00♪
00:30Ah, Jeeves, how is the little chap this morning?
00:52Distressingly willful, sir.
00:53Oh, well, we must look on the bright side, Jeeves.
00:55We must think of the untold gooks we have done ourselves by nannying the beast
00:58until Aunt Agatha has finished her inspection of the Continent.
01:02True, sir.
01:03Erm, pardon me for asking, sir, but are you proposing to appear in public in those garments?
01:09Well, certainly, Jeeves, but a bit vivid, do you think?
01:14Not necessarily, sir.
01:15I am told that Mr. Freddy, he's a riot flower dew,
01:18often appears on the music hall stage in comparable attire, but...
01:22No, no, no, no buts, Jeeves.
01:25I happen to think very highly of them.
01:27Now then, yes, we must be making tracks.
01:29I tee off at eleven-thirty.
01:30Good luck today, sir.
01:31Oh, thank you, Jarvis.
01:32Yes, Jeeves, I rather think that today you will be proud to see the young master
01:44sail through to the quarter-finals at the very least
01:47of the Drones Club annual knockout golf tournament.
01:49Ah, this is indeed good news, sir.
01:53You see, Jeeves, my match is against Barney Frungey Phipps.
01:56Being drawn against him is generally considered to be the golfing equivalent of a walkover.
02:00I see, sir.
02:04I hope Bobby Wickham will be amazed at my exploits on the golf course today, too, Jeeves.
02:08Indeed, sir.
02:09May I inquire as to why you are so desirous of impressing Miss Wickham?
02:14Didn't I tell you, Jeeves?
02:15I'm in love.
02:16With Miss Wickham, sir?
02:19There's no need to say it like that, Jeeves.
02:22You're wrong about Miss Wickham, you know.
02:24If you say so, sir.
02:36Right, Jeeves, this is the time for plain speaking.
02:39Just what exactly is your kick against Miss Wickham?
02:42I insist.
02:43Well, sir, although Miss Wickham is a very charming young lady...
02:46Exactly, Jeeves.
02:47You speak an imperial court.
02:49What eyes!
02:51Yes, sir.
02:52What hair!
02:53Very true, sir.
02:54What lockiness!
02:56Precisely, sir.
02:58What exactly do you mean, precisely, sir?
03:00Well, sir, it is that very quality of espialerie which, to my mind,
03:04debars Miss Wickham from being a matrimonial prospect for a gentleman of your description.
03:08And what do you mean, a gentleman of my description?
03:12Miss Wickham, in my opinion, sir, is too frivolous.
03:14Whenever I see Miss Wickham, I know that trouble cannot be far behind.
03:18To qualify as Miss Wickham's husband,
03:20a gentleman should be possessed of a commanding personality
03:23and considerable strength of character.
03:25Exactly, Jeeves.
03:27Condemned out of your own mouth.
03:33What, oh, Bobby! Bobby!
03:35Hello, Bertie. Didn't know you'd arrived.
03:37Well, I haven't. Till now, of course.
03:39I didn't arrive somewhere once.
03:41Most extraordinary thing.
03:43Are you in mourning for someone?
03:45Yes, rather. Rather natty, eh?
03:48Then, of course, Jeeves is notoriously hidebound in the matter of legwear.
03:51I was on my way there, and something happened.
03:53I can't remember what, exactly.
03:55You'll look after the hound, won't you, Bobby?
03:57Of course, Bertie.
03:59Looking forward to the match, Bobby?
04:01I'll say. I've got this wonderful new gadget from Lilywhite's.
04:03You wind it up and clip it onto your club,
04:06and it buzzes to tell you when to start your downswing.
04:09Hmm.
04:18CLOCK TICKS
04:33BUZZER
04:37Good shot, Barmy!
04:39Thank you, Bertie.
04:43Have you been taking lessons, Barmy?
04:45No, it's this whatsit.
04:47Thank you, George. It works marvellously, don't you think?
04:49It's very good, yes.
04:55Macintosh, quiet!
05:03Macintosh! Sorry, Bertie!
05:11Sorry! Sorry!
05:13Oh, poor Bertie!
05:17Right, now, what I'm going to do here, Jeeves,
05:19is just keep it low, drill it straight out through the trees, quail high.
05:21Indeed, sir.
05:23And then dogleg it round the wood,
05:25and let it drift onto the green with just enough backspin
05:27to bring it up level with the pin.
05:29It might even plop straight into the hole, Jeeves.
05:31That would seem to be ideal, sir.
05:33That's finesse, you know.
05:35Aptly put, sir.
05:38Splendid shot, Barmy!
05:40Good shot, Barmy!
05:46Oh!
05:48Oh, Bertie, I'm sorry.
05:50Come here, Macintosh.
05:52Perhaps we are not keeping our eye on the ball
05:54with sufficient assiduity, sir.
05:56It's that blasted dog, Jeeves!
05:58Every time I look at the ball, it's the same dog!
06:00Oh, Bertie, I'm sorry.
06:02Come here, Macintosh.
06:04Perhaps we are not keeping our eye on the ball
06:06with sufficient assiduity, sir.
06:08It's that blasted dog, Jeeves!
06:10Every time I look at the ball, it starts yapping!
06:12Good dog, Macintosh.
06:14Good dog.
06:16Good shot, Bertie.
06:18Thank you, Barmy.
06:20Ah!
06:22Oi!
06:24Oh, Macintosh, it's not a bird.
06:26Come here.
06:28Macintosh!
06:30Good dog.
06:32You ask me, Jeeves,
06:34that animal is in the pay of the Fungie Fitzes!
07:04There you are, Jeeves, the old touch coming back.
07:06Shall I put you down for twelve there, sir?
07:08No!
07:10No!
07:12Nothing can make me
07:14disclose my secret.
07:16You have to tell us, Mother.
07:18Who is Oriana's father?
07:20Never!
07:22Yes, yes, who is
07:24my father?
07:26Do you think I can go on living with this hanging over me?
07:28It's a living hell!
07:30I tell you.
07:33Don't he say nothing,
07:35Mrs. Warminster?
07:37What the devil has he got to do with you?
07:39Old Elias.
07:41Hello, Lady Wickham. Hello, Sir Cuthbert. Hello, Tuppy.
07:43How are you, young man?
07:45I hear you made a dog's breakfast
07:47of your goth this morning.
07:49Oh, he was an absolute scream.
07:51Thank you, Bobby. I shall do my best to be the game and popular loser.
07:53Don't be such a stick, Bertie. It was fun.
07:55Goth isn't intended
07:57to be fun, Roberta.
07:59We're just reading my new play, Mr. Worcester.
08:01Would you care to join us?
08:03No, thank you. I've got to take the hound for a walk.
08:05I'll come with you.
08:07Oh, Bobby, who's going to read Oriana?
08:09Could you read Oriana, Mr. Glossop?
08:11Oh, right, yes.
08:13What the devil has he got to do with you, old Elias?
08:15He knows!
08:17He must know! How does he know?
08:19But to lose like that
08:21to Barney, of all people!
08:23They nearly died laughing in the refreshment tent.
08:25It's no laughing matter, young Bobby.
08:27No, no, I know, Bertie.
08:30But I've got an idea.
08:32I warn you that what I'm about to say,
08:34Jeeves, is going to make you look
08:36pretty silly. Indeed, sir.
08:38This morning, if I remember rightly,
08:40you stated that Miss Wickham was
08:42frivolous, volatile,
08:44and generally lacking in seriousness.
08:46Am I correct? Quite correct, sir.
08:48Yes, well, this afternoon I went for a walk with Miss Wickham
08:50and she has suggested to me
08:52the ripest, brainiest scheme
08:54for getting back at young Barney that anyone could possibly imagine.
08:56Getting back at him, sir?
08:58One wonders if this is quite
09:00the sporting spirit. Eh?
09:02One merely wonders, sir.
09:04No, no, no, this is the Worcester spirit, Jeeves.
09:06Unsporting would mean me
09:08reporting that blasted buzzer thing to the committee.
09:10No, this is strictly man to man.
09:12Very good, sir.
09:14Anyway, it appears that at the school
09:16where Miss Wickham was educated,
09:18it was from time to time necessary for
09:20the right thinking element to slip on
09:22over certain of the baser sort.
09:24Do you know what they did, Jeeves?
09:26No, sir, I don't.
09:28No, well, they used to take a long stick
09:30and follow me closely here, Jeeves,
09:32they used to attach a darning needle to it.
09:34And then at dead of night
09:36they would sneak privily into the party
09:38of the second class cubicle
09:40and they would poke the needle through the bedclothes
09:42and puncture the water bottle.
09:44Girls are so much subtler in these matters than boys, Jeeves.
09:46I'm sure you must be right, sir.
09:48And this, this
09:50is the girl that you call frivolous.
09:52Yes, sir, I do believe...
09:55To think I have a wheeze like that is my idea of a helpmeet.
09:57Now, have you any idea where young Barney sleeps?
09:59I believe he is currently
10:01installed in the moteroom, sir.
10:03Hmm.
10:05♪
10:07♪
10:09♪
10:11♪
10:13♪
10:15Because
10:17you come to me
10:19with not
10:21same love
10:23and hold my hand
10:25and lift mine eyes
10:27above
10:29a wider
10:31world of hope
10:33and joy I see
10:35because
10:37you
10:39come
10:41to
10:43me
10:45♪
10:47♪
10:49♪
10:52Because
10:54you speak
10:56to me in accents sweet
10:58I find
11:00the roses
11:02waking round my feet
11:06Jeeves?
11:08Yes, sir?
11:10You couldn't get me a darning needle, could you?
11:12And a bit of stick and some string?
11:14Because
11:16you
11:18seek
11:20me
11:22♪
11:24♪
11:26♪
11:28Because
11:30God
11:32made thee mine
11:34I'll
11:36cherish thee
11:38through
11:40light and
11:42darkness through
11:44time
11:46and
11:48He is
11:50a loving, ever-loving
11:52man
11:54Because
11:56you
11:58come
12:00to me
12:02with not
12:04same love
12:06and joy I see
12:08because
12:10you
12:12come to me
12:14with not
12:17same love
12:19and joy
12:21I see
12:23because
12:25you
12:27come to me
12:29with not
12:31same love
12:33and joy
12:35I see
12:37because
12:39you
12:41come to me
12:43with not
12:45same love
12:47and joy
12:49I see
12:51because
12:53you
12:55come to me
12:57with not
12:59same love
13:01and joy
13:03I see
13:05because
13:07you
13:09come to me
13:11with not
13:14same love
13:16and joy
13:18I see
13:20because
13:22you
13:24come to me
13:26with not
13:28same love
13:30and joy
13:32I see
13:34because
13:36you
13:38come to me
13:40with not
13:42same love
13:44and joy
13:46I see
13:48because
13:50you
13:52come to me
13:54with not
13:56same love
13:58and joy
14:00I see
14:02because
14:04you
14:06come to me
14:08with not
14:10same love
14:12and joy
14:14I see
14:16because
14:18you
14:20come to me
14:22with not
14:24same love
14:26and joy
14:28I see
14:30because
14:32you
14:34come to me
14:36with not
14:39same love
14:41and joy
14:43I see
14:45because
14:47you
14:49come to me
14:51with not
14:53same love
14:55and joy
14:57I see
14:59because
15:01you
15:03come to me
15:05with not
15:07same love
15:09and joy
15:11I see
15:13because
15:15you
15:17come to me
15:19with not
15:21same love
15:23and joy
15:25I see
15:27because
15:29you
15:31come to me
15:33with not
15:36same love
15:38and joy
15:40I see
15:42because
15:44you
15:46come to me
15:48with not
15:50same love
15:52and joy
15:54I see
15:56because
15:58you
16:00come to me
16:02with not
16:04same love
16:06and joy
16:08I see
16:10because
16:12you
16:14come to me
16:16with not
16:18same love
16:20and joy
16:22I see
16:24because
16:26you
16:28come to me
16:30with not
16:32same love
16:34and joy
16:36I see
16:38because
16:40you
16:42come to me
16:44with not
16:46same love
16:48and joy
16:50I see
16:52because
16:54you
16:56come to me
16:58with not
17:00same love
17:02and joy
17:04I see
17:06because
17:08you
17:10come to me
17:12with not
17:14same love
17:16and joy
17:18I see
17:20because
17:22you
17:24come to me
17:26with not
17:28same love
17:30and joy
17:32I see
17:34because
17:36you
17:38come to me
17:40with not
17:42same love
17:44and joy
17:46I see
17:48because
17:50you
17:52come to me
17:54with not
17:56same love
17:58and joy
18:00I see
18:02because
18:04you
18:06come to me
18:08with not
18:10same love
18:12and joy
18:14I see
18:16because
18:18you
18:20come to me
18:22with not
18:24same love
18:26and joy
18:28I see
18:30because
18:32you
18:34come to me
18:36with not
18:38same love
18:40and joy
18:42I see
18:44because
18:46you
18:48come to me
18:50with not
18:52same love
18:54and joy
18:56I see
18:58because
19:00you
19:02come to me
19:04with not
19:06same love
19:08and joy
19:10I see
19:12because
19:14you
19:16come to me
19:18with not
19:20same love
19:22and joy
19:24I see
19:26because
19:28you
19:30come to me
19:32with not
19:34same love
19:36and joy
19:38I see
19:40because
19:42you
19:44come to me
19:46with not
19:48same love
19:50and joy
19:52I see
19:54because
19:56you
19:58come to me
20:00with not
20:02same love
20:04and joy
20:06I see
20:08because
20:10you
20:12come to me
20:14with not
20:16same love
20:18and joy
20:20I see
20:22because
20:24you
20:26come to me
20:28with not
20:30same love
20:32and joy
20:34I see
20:36because
20:38you
20:40come to me
20:42with not
20:44same love
20:46and joy
20:48I see
20:50because
20:52you
20:54come to me
20:56with not
20:58same love
21:00and joy
21:02I see
21:04because
21:06you
21:08come to me
21:10with not
21:12same love
21:14and joy
21:16I see
21:18because
21:20you
21:22come to me
21:24with not
21:26same love
21:28and joy
21:30I see
21:32because
21:34you
21:36come to me
21:38with not
21:40no, no, no
21:42oh Bertie, you're such a dear
21:44help me Brandon, he's armed
21:46don't he come
21:48nigh me, young sir
21:50you cur
21:52oh
21:54if you don't take your hands off that young
21:56woman
21:58what then
22:00what'll he do to old
22:02Elias, happen he'll take
22:04thy riding crop to him
22:06like the old maester
22:08neither be used to do
22:10daddy, the dog's so cute
22:12isn't he
22:14don't you like to play, son
22:16sure, I like it fine
22:18but the dog's cuter
22:20yeah, sure, sure he is
22:28guess what
22:30I'm going to the opera tonight
22:32the opera, tubby
22:34chorusing in the, um, Barbara Figaro
22:36is that the one about the pyramids
22:38sounds like it, by the name
22:40I've never been to the opera before
22:42would you like to come with me, Bertie
22:44well, excuse me, sir
22:46there's a Miss Wickham for you on the phone
22:48well, righto
22:58yes, Bobby
23:00yes, good
23:02you've done
23:04what
23:06but why
23:08you kill me
23:14Jeeves, I couldn't stop her, sir
23:16do you mean to say
23:18that you stood by and allowed
23:20Bobby Wickham make a present of my Aunt Agatha's dog
23:22to some perfect stranger, Jeeves
23:24you know how headstrong a young lady she can be, sir
23:26is she mad
23:28the child took a fancy to the animal, sir
23:30in order to ingratiate herself to the boy's father
23:32she presented it to him
23:34I'm lost, Jeeves, sunk
23:36Aunt Agatha is due here at six o'clock
23:38if I might propose a course of action, sir
23:40anything, Jeeves, anything
23:42Mr Blumenfield and the young gentleman
23:44are attending a motion picture performance this afternoon, sir
23:46they will not return to their hotel
23:48until five o'clock, at which time Miss Wickham
23:50will call on them to sign the contract
23:52for Lady Wickham's play
23:54should they be delayed, she is to go straight up to their suite
23:56and attend them
23:58that helps us, Jeeves
24:00if you will bear with me, sir
24:02our first requirement is for aniseed
24:04aniseed
24:06to sprinkle on the trousers, sir
24:08aniseed is commonly and extensively used
24:10in the dog napping industry
24:12oh, I didn't know that
24:14oh, yes, indeed, sir
24:16come out of there
24:18now, sir
24:20you know how much the dog Macintosh enjoys your singing
24:28it's all right, it's the trousers
24:4247 ginger-headed sailors
24:46you can bet you're going to hear them
24:48when they hail us
24:50and when they set for shore
24:52they'll be a-waiting
24:54for 47 ginger-headed sailors
24:56you can bet you're going to hear them
24:5847 ginger-headed sailors
25:00afternoon
25:02you can bet you're going to hear them
25:04when they hail us
25:06and when they set for shore
25:26like a breeze, Jeeves
25:38like a breeze
25:40now, put the pooch somewhere
25:42where my trousers will cease to cast their spell
25:46tell me, Jeeves, were you always like this
25:48or did it come on suddenly
25:50sir?
25:52the brain, the grey matter
25:54well, my mother thought me intelligent, sir
25:56well, can't go by that
25:58my mother thought me intelligent
26:04who is that, Jeeves?
26:06probably Mr. Blumenfield Senior, sir
26:10what?
26:12he telephoned a short while ago
26:14to say that he was about to pay you a call, sir
26:16oh, don't stop, Jeeves
26:18get rid of him
26:20Jeeves!
26:22I'll see what I can do, sir
26:24right
26:28this guy, Wooster
26:30where is he?
26:32I could not say, sir
26:34he sneaked my son's dog
26:36most disturbing, sir
26:38you don't know where he is?
26:40my boy has his heart set on that little dog
26:42if he doesn't get it back, he's going to turn right against that play
26:44what's that smell in here?
26:46um, aniseed, I suspect, sir
26:48Mr. Wooster likes to sprinkle it on his trousers
26:50what the hell does he do that for?
26:52I could not say, sir
26:54Mr. Wooster is an eccentric
26:56you mean he's a loney?
26:58yes, sir
27:00not dangerous?
27:02yes, sir
27:04with regard to the aniseed, sir
27:06I fancy I have now located it
27:08unless I am very much mistaken
27:10it's proceeding from behind this sofa
27:12no doubt Mr. Wooster is sleeping there
27:14doing what?
27:16sir?
27:20oh my god
27:22would you like me to wake him up, sir?
27:24no, no
27:26just get me out of here alive, that's all I ask
27:28very good, sir
27:30but I think I can do better than that
27:34hey
27:36here's a five pound note
27:38thank you very much indeed, sir
27:40this way, sir
27:42this way, sir
27:44thank you
27:46good afternoon, Mr. Blumenfield
27:52Jeeves!
27:54sir?
27:58come with me
28:00no, sir
28:02Mr. Wooster, sir
28:08the Astor Hotel, you know where that is, buddy?
28:10make me the nurse!
28:12stop! stop!
28:14no!
28:16stop!
28:22Aunt Agatha?
28:28Aunt Agatha, you can't go up to the flat
28:30why? I trust Macintosh as well
28:32no
28:34he isn't
28:36I'm coming in the lift
28:38no, but you can't go up there
28:40no, no
28:42nobody can
28:48oh no, look
28:50Jeeves is in quarantine
28:56your mouth is hanging open again, Bertie
28:58aye
29:00there he is
29:02come to mother, Macintosh
29:04how's my baby
29:06my baby, then
29:08mouth closed, Bertie
29:16Jeeves!
29:18I'm sure Master Blumenfield, Jr.
29:20will not detect the fact that I purchased another dog, sir
29:24another dog?
29:26except to the eye of love, sir
29:28one Aberdeen Terrier is much like another
29:36isn't she wonderful?
29:58isn't she wonderful?
30:00stunning, stunning
30:02reminds me of that challenge to play rugby
30:04oh
30:06oh, Buffy, don't do that
30:16oh, not really
30:18just something about the trousers
30:34oh
30:46well, I told you I had a special reason
30:48isn't she wonderful at the loud bits
30:50yes
30:52look, the thing is, Bertie
30:54what with her great soul and everything
30:56she has this rather serious outlook on life
30:58I want you to back me up
31:00let her know I've got a serious mind and so forth
31:02I didn't know you had any sort of a mind
31:04that is just the sort of remark
31:06we don't want, thank you very much
31:08well
31:10I suppose we'd better get backstage
31:12and meet her
31:14oh, I think it's more opera first
31:16certainly not
31:18oh yes, that was only act one
31:20well, how many are there?
31:22four
31:24good God
31:26well, it's wonderful
31:28super
31:30what a treat
31:54come along, Bertie
31:56ahem
31:58oh, well done, splendidly
32:00yes, well done
32:04who is it?
32:06it's Hildebrand, darling
32:08one moment, Hildebrand
32:10Hildebrand?
32:12just shut up
32:14gentlemen
32:16hello, Cora
32:18you remember Bertie Worcester
32:20hello, Cora
32:22good evening, Mr Worcester
32:25topping show
32:27why, thank you
32:29I did not know you were a devotee of the opera, Mr Worcester
32:31oh, well
32:33I saw Naughty Naughty at the Hippodrome last year
32:35did you really?
32:37Hildebrand, I should be grateful
32:39if you do not smoke a cigar in my dressing room
32:41oh
32:43thank you
32:55mm
32:57oh, he's so serious-minded, old Tuppy
32:59I beg your pardon?
33:01Tuppy, serious-minded, oh, lord, yes
33:03indeed
33:05mm, famous for him
33:07I often say to him, you know, when we're at the races or drifting a few at the troc
33:09I say to him, Tuppy, old fellow
33:11you are serious-minded, aren't you?
33:13absolutely
33:15well, that went pretty well, I thought
33:17mm, but how are you going to keep it up, Tuppy?
33:19I have my long-term strategy, Bertie
33:21you remember Beefy Bingham?
33:23I spoke to him the other day, he's a parson now
33:25yes, quite, down in the East End
33:27well, the thing is, Chorus are frightfully keen on good works
33:29so I've been helping Beefy out at the lads' club
33:31he runs down there for the local tufts
33:33well, you know the sort of thing
33:35cocoa and cribbage in the reading room and what not
33:37yes, I wonder where you've been getting to
33:39what's more, Chorus promised to sing at Beefy's next entertainment
33:41and, mark my devilish ingenuity, Bertie
33:43I'm going to sing too
33:45and how is that going to get you anywhere?
33:47because I intend to sing a song
33:49which will prove to her once and for all
33:51that there are great deeps in my nature
33:53well, I'm not going to sing one of your mouldy old comic songs
33:55I'm going to sing about angels being lonely
33:57and, well, all that kind of stuff
33:59angels being lonely?
34:03you're not going to sing Sunny Boy?
34:05I jolly well am
34:07the angels grew lonely
34:09they took you because they were lonely
34:11now I'm lonely too
34:13Sunny Boy!
34:21I can't be responsible for Tuppy's affairs of the heart
34:23you may be my favourite nephew
34:25but Aunt Delia!
34:27but he is your friend, Bertie
34:29up until about three weeks ago
34:31that blasted glossop
34:33was all over my daughter
34:35haunting the house, lapping up daily lunches
34:37dancing with her half the night
34:39and so on
34:41well, naturally, the poor kid imagined
34:43that it was only a question of time
34:45before he suggested they should feed for life
34:47out of the same bucket
34:49and now he's gone and dropped
34:51Angela like a hot brick
34:53and I hear he's infatuated
34:55with some singer
34:57Cora Bellinger
34:59how do you know? I met her
35:01what's she like? bit on the lines of the Albert Hall
35:03I want this Bellinger business
35:05broken up, Bertie
35:07a little thing like this should be child's play
35:09to Jeeves
35:11from all I hear
35:13from what Mr. Worcester has told me of the lady
35:15I believe that should Miss Bellinger
35:17witness Mr. Glossop appearing
35:19to disadvantage in public
35:21she would cease to entertain affection for him
35:23in the event, for example, of his
35:25failing to please the audience on Tuesday
35:27with his singing
35:29why, Jove, you mean
35:31if he gets the bird, all will be off
35:33I should be greatly surprised if this were not the case, sir
35:35but we cannot leave this thing to chance, Jeeves
35:37we need not leave it
35:39entirely to luck, sir
35:41if Mr. Glossop were to sing Sunny Boy
35:43directly after you, too, sir
35:45if Mr. Glossop had sung Sunny Boy
35:47I fancy the audience would have lost their taste
35:49for that particular song and would respond
35:51warmly, I'm sure
35:53Jeeves, you are a marvel
35:55thank you, madam
35:57Jeeves, you are an ass
35:59me, sing Sunny Boy?
36:01what a beefy bingham's entertainment
36:03Mr. Worcester has a pleasant
36:05light baritone, Mrs. Travers
36:07he often uses it about the flat
36:09Bertie
36:11you'll sing it
36:13I like it
36:21England! England!
36:23England!
36:25wherever the daring
36:29by Arctic flow
36:31or torrent strands
36:33life heroes
36:35play their part
36:37England!
36:41England!
36:43England!
36:47not a large gathering, sir, but enthusiastically
36:49partisan
36:51you here, Jeeves
36:53indeed, sir. I've been present since the commencement
36:55any casualties yet? no, no, sir
36:57so I'll be the first, will I?
36:59by no means, sir
37:01I anticipate that you will be
37:03well received
37:05for one moment, when Tuppy Glossop
37:07hears me sing that dashed song
37:09he'll just stroll on a moment later and sing it too
37:13Mr. Glossop will not hear you sing, sir
37:15eh?
37:17at my advice, he has stepped across
37:19the road to the dog and duck
37:21and he intends to remain there until it's time for him to appear
37:23on the platform
37:25oh
37:27that the world
37:29repeats
37:35thank you, Mr. Simpson, thank you
37:37and now, an old friend of mine
37:39who's here to entertain us
37:41Mr. Bertie Worcester
38:05climb
38:07upon my knees
38:09sonny boy
38:11you are
38:13only three, sonny boy
38:15you've
38:17no way of knowing
38:19I've no way of showing
38:21what you mean to me
38:23sonny boy
38:25well, there are
38:27grey skies
38:29I don't mind
38:31those grey skies
38:33make
38:35them blue, sonny
38:37boy
38:39red
38:41people say
38:43less blue
38:45people say
38:47more blue
38:49people say, sonny
38:51boy
38:53you're
38:55sent from heaven
38:57I know your worth
38:59you made
39:01you made a
39:03you were only
39:05la la la la la
39:07la la la la
39:13time, Mr. Gossipson
39:15thank you, Jeeves
39:21the angels
39:23grew lonely
39:25took you
39:27because they were lonely
39:29lonely
39:31now I'm lonely too
39:33sonny
39:35boy
39:47and now, a real
39:49treat, someone who's become
39:51very familiar to us at the cribbage board over the past
39:53few weeks, but tonight
39:55he's going to sing for us, Mr. Hildebrand
39:57Glossop
40:05Mr. Glossop has also helped us
40:07with the ping pong
40:11most professionally performed, if I may say so, sir
40:13you may, Jeeves, you may
40:15mind you, the bird was definitely hovering
40:17in the air. I could feel the beating of its wings
40:19I fancy the audience may have lost their
40:21taste for this particular melody, sir
40:23eh?
40:25perhaps I'd mentioned it earlier, sir
40:27but the song was performed twice
40:29before you arrived
40:31do you mean to tell me, Jeeves
40:33that you deliberately... I think Mr. Glossop is about
40:35to begin, sir
40:43climb up on my knee
40:45sonny boy
40:47you are only
40:49three, sonny boy
40:51there's no way of knowing
40:53you've no way of showing
40:55what you mean to me
40:57sonny boy
40:59when there are
41:01three stars
41:03in the sky
41:05you make them
41:07glow, sonny boy
41:09your friends
41:11will forsake you
41:17no more, for God's sake
41:19you're making blue, sir
41:21you're making blue, sir
41:23for God's sake
41:25this is unfair, this is unfair
41:27the surgeon's knife, eh, Jeeves
41:29precisely, sonny boy
41:31yes, I think we may definitely consider the Glossop-Bellinger
41:33romance off
41:37now, the next item
41:39on the program was to have been
41:41songs by Miss Cora Bellinger
41:43the well-known operatic soprano
41:45now, I've just received
41:47a telephone message from Miss Bellinger
41:49saying that her car has broken down
41:51now, she is, however
41:53on her way in a cab
41:55and will arrive shortly
41:57now, in the meantime, perhaps our old friend
41:59Mr. Enoch Simpson
42:01Jeeves, she wasn't even here
42:03so it would seem, sir
42:05so she never saw Tuppy's Waterloo
42:07this whole agony has been for nothing
42:09most unfortunate, sir
42:11well, I'm going home, Jeeves
42:13never, never, never
42:15involve me in one of your schemes again
42:17very good, sir
42:19with your permission, sir, I would like to witness
42:21the remainder of the entertainment
42:23rather you than me, Jeeves
42:25personally, my heart has turned to stone
42:27may I, sir?
42:31he will come
42:33and he shall understand
42:43Mr. Jeeves
42:45good evening, madam
43:05yes, thank you, Mr. Simpson
43:07thank you
43:15thank you
43:25and now
43:27and well worth waiting for
43:29I'm sure you'll agree
43:31Miss Cora Bellinger
43:45Miss Cora Bellinger
44:15oh
44:31you know, Jeeves, I had one of the
44:33rummiest phone calls in a lifetime
44:35of rummy phone calls last night
44:37indeed, sir
44:39from my Aunt Dahlia, she told me that Tuppy was there with Angela
44:41and that all was over between him and Miss Bellinger
44:43I confess that I had
44:45anticipated some such eventuality, sir
44:47eh?
44:49the thought came to me
44:51when I observed Miss Bellinger strike Mr. Glossop
44:53in the eye, sir
44:55what on earth did she do that for?
44:57I fancy she was upset, sir, at the vigour
44:59with which the audience expressed their disapproval
45:01of her choice of song
45:03and now, Jeeves
45:05you're not going to tell me that Miss Bellinger
45:07sang Sunny Boy too?
45:09yes, sir
45:11what an extraordinary coincidence
45:13not entirely, sir
45:15I took the liberty of
45:17accosting Miss Bellinger on her arrival at the hall
45:19and saying that Mr. Glossop
45:21had requested that she sing Sunny Boy
45:23as a particular favour to him, sir
45:25I say, Jeeves
45:27precisely, sir
45:29she supposed that she had been the victim
45:31of a practical pleasantry by Mr. Glossop
45:33she took it hard, sir
45:35good heavens, Jeeves
45:37shall I run your bath, sir?
45:39thank you, Jeeves, yes
45:41oh, Jeeves
45:43yes, sir
45:45those plus sixes, Jeeves
45:47get rid of them, will you?
45:49thank you, sir
45:51it will be a wrench at first, but
45:53you'll feel better