• 3 months ago
Todo por mi Familia Capitulo 321 Completo en Español
Transcript
00:00I know, I know. I know I'm asking for a big amount, but I thought that since you work at a bank, you could help me get it easily.
00:07No, impossible Susan. I'm afraid I can't help you. Please excuse me.
00:12I understand. Yes, it's fine. Still, thank you very much for listening to me. Thank you. Take care.
00:20Oh, damn it! How am I going to get the money?
00:25No one has that much, and even if they had it, they wouldn't lend it to me.
00:32I have to know the truth about the accident.
00:49Answer the phone, damn it! Answer!
00:56Fine. If you don't want to answer, I'm going to go see you.
01:00I'll do what I need to know. Who is the person who took Ahmed's life just the day of our wedding?
01:06I have to know the truth now.
01:09Hey, but we're not going to see each other like this.
01:11We're not going to be in the picture, did you hear me?
01:13It's true, Gul. We're not going to go out either.
01:16Lydia, can you come closer?
01:19Enough.
01:26No, don't do that, Lydia.
01:28You're so grumpy.
01:31Yes.
01:33I don't like being far away, but...
01:56I love you.
02:17But what...
02:19What is that damn thing doing so close?
02:21Lydia!
02:51Don't move.
02:58Did you forget me so quickly?
03:02Well, why are you crying?
03:04Answer first what I asked you. Did you forget me?
03:07Are you with Lydia now? Tell me the truth.
03:10I realize how stupid you look.
03:12It doesn't take your eyes off of you, Omer.
03:14And if so, I have the right to know. Tell me.
03:17No, wait. I don't want to know.
03:19I don't want to hurt myself more than I already am right now.
03:22Calm down.
03:23I don't know what ideas you have in your head,
03:25but I have no intention of starting something with Lydia.
03:29Are you serious?
03:31Or are you just saying it because you don't want to make me feel bad?
03:34Suzanne, if I wanted to hurt you, there are other ways.
03:38It's three million.
03:40Thank you very much.
03:50And I should thank Gif.
03:52He was the one who convinced me to accept his money.
03:56Look, better shut up. Don't make me angry.
03:58Just take the money and leave. I don't want to see you ever again.
04:01If I didn't have problems, I would make his life impossible.
04:05Be grateful that it won't be like that.
04:07With this, I will pay my debts.
04:09Have a good day.
04:12Where are you going, Ado? Are you thinking of running away?
04:16Where are you going, Ado? Are you thinking of running away?
04:22And these men...
04:26What kind of problems are you getting me into, Ado?
04:31You'd better leave. This is going to get ugly.
04:35Get out! Now!
04:36Now!
04:43Listen, it's a misunderstanding. I'm not running away.
04:46On the contrary, I will pay you. You can see, everything is here.
04:49Give me that.
04:55Well, now that I've paid my debt, I'm leaving.
05:07SADO IS DEAD
05:21Sado is dead. How is it possible? They killed him without hesitation.
05:26I don't want to get into any more trouble.
05:36SADO IS DEAD
06:00What is that woman doing here?
06:06SADO IS DEAD
06:22What happened? Tell me something.
06:25Who did it? Don't die, please.
06:29I...
06:31I took the brakes off the truck.
06:34What?
06:37Why would he do something like that? Why?
06:40For money.
06:42Because he paid me well.
06:44What are you saying? He paid you well? Tell me, who paid him?
06:47No, wait, don't die, resist.
06:50No, please, you have to tell me the truth.
06:53Tell me who paid him to do it.
06:56Talk.
06:58It's too late, Susan.
07:00You'll never know the truth.
07:03SADO IS DEAD
07:08Tell me something.
07:33Good evening, what happened?
07:35Officer, there is a man covered in blood inside that building.
07:38I think he's dead and the woman with him is the person who killed him.
07:42Run, they must catch her.
07:44Okay, we'll take care of it.
08:01Don't move!
08:04SADO IS DEAD
08:07Up, now!
08:11I think he's dead.
08:13Stand up.
08:16Show me your hands.
08:22I didn't do it.
08:25I didn't do anything, I swear I'm innocent. I didn't kill him, you have to believe me.
08:33When I arrived, the man was already dead.
08:43Listen, officer.
08:46He's making a big mistake.
08:48The murderer is free, it's not me.
08:50I'm innocent.
08:51Check.
09:01I swear I'm not guilty.
09:04The messages.
09:06I have to delete the messages.
09:13SADO'S MESSAGES
09:33SADO'S MESSAGES
09:37It looks like I'll finally be able to get rid of you, Susan.
09:52We're just going to sleep, please.
09:55Just one thing.
09:57I don't think I was indifferent to Lydia's father.
09:59Ogulcan, you talked so much that it was impossible not to notice you. What are you talking about?
10:04Yes, besides, everything you said was to flatter you.
10:07I think you were a little disrespectful when you talked to Mr. Yaman, as if he were your great friend. You barely know him.
10:13Yes, that was bold of you.
10:15Hey, it's called a strategy to create links with people.
10:19Did you see that while Lydia was talking, she didn't take her eyes off me? She was hypnotized.
10:23No, we didn't realize you were talking to us.
10:26It's Homer who cares.
10:27But I don't want to compete with you.
10:30Oh, don't be ridiculous. Besides, I don't want to know anything about women now, cousin.
10:33Look, if at some point she catches your attention, I want you to tell me. I don't want to have problems with the family.
10:39Listen, if that were the case, I wouldn't have left Lydia's house to talk to Susan for a moment.
10:45And how did he know we were there?
10:47He posted the picture.
10:49Ah.
10:50And Susan was jealous. That's why she went to the house.
10:53I'm glad I did it. I'm glad. You should thank me. Otherwise, it wouldn't be ...
11:05She's depressed.
11:10It must be for Berk. It will be better if I go talk to her.
11:13Yes, you should. I wish Tolga were here.
11:16Come on, let's go inside.
11:17She gives us good advice.
11:18Ayvike?
11:20And how was it? Did you have fun?
11:23What makes you sad?
11:26I'm not sad. Why?
11:29Things are still bad with Berk.
11:34I'm done.
11:36What are you saying, Ayvike? Why?
11:39Do you know why?
11:41Well, yes, but remember that I warned you, Ayvike.
11:44That's why I told you to tell him the truth about Elif. Is there anything else you can't tell him? Or why did he decide to finish you off?
11:51It's just that Mrs. Ayla did something serious.
11:56And my mom also knows it.
11:59And what was it?
12:02I won't tell you. I'm sorry.
12:05Okay, but are you involved?
12:08It's just that if you don't give me information, I won't be able to help you.
12:11Please tell me.
12:16It bothers me to have to keep lying, not being able to tell the truth.
12:21And seeing myself forced to run away from Berk.
12:24I wish I could tell the truth.
12:28That way I wouldn't look like an idiot in front of his eyes.
12:35I'm sorry.
12:36That way I wouldn't look like an idiot in front of his eyes.
12:41But I can't, really.
12:44You don't know how much it hurts me to lose a person I love.
12:51It's hell.
12:53Because I can't do anything to change that.
12:56How could I not know anything?
13:00There's no way to fix it.
13:03Calm down, don't cry.
13:04I'd like to know what to do.
13:16Look, detective.
13:18Even if you've already asked me the same thing, I'll tell you as many times as you want.
13:22I have no idea who attacked him.
13:25I got there and he was dying.
13:27He said he asked for money before.
13:29That's right, he did.
13:30Look, my fiancé died in a traffic accident not long ago.
13:35That man told me he was the one who took the brakes off the truck
13:39where he, other people and I were traveling.
13:42Before he died, he confessed that someone paid him for that.
13:45Ma'am, he was next to the body.
13:47Covered in blood.
13:49Yes, because they had just injured him and I approached him.
13:51It was logical that he was going to dirty me.
13:53I wanted to help him. What else did I think I could do?
13:55Come in.
13:58Detective.
14:00The man who was stabbed went into surgery.
14:05He's still alive?
14:07If so, there is a possibility that he knows the truth.
14:09I have to go talk to that man.
14:11No, not so fast, ma'am.
14:13If he gets better, you'll be able to talk to him.
14:15While you go to prison.
14:17What prison?
14:19That's right.
14:21But I think I have the right to make a phone call.
14:24What a blessing it is to be able to see the rehearsals of Muge Anli's shows.
14:28They are one of the most enjoyable.
14:30I'm craving coffee. I'll make it.
14:33The phone?
14:35Who could it be at this hour?
14:37Is it here or on television?
14:39No, it's here.
14:41I wonder who it is.
14:44Tell me.
14:46Talk to Aki Fatakul.
14:48Yes, it's me.
14:50Hello.
14:51Yes, it's me. Talk to Aki Fatakul.
14:54Susan?
14:56Susan, what's going on? Is everything okay?
14:59Are you at the station?
15:01What are they accusing you of?
15:04I'm sorry about the time.
15:06But you're the only person I thought about calling.
15:09Do you think you can come to the station?
15:12Yes, of course. Of course I'm going to go, Susan.
15:15But first tell me, what are you doing at the station?
15:17What problem did you get into this time?
15:19What did you say?
15:21But I warned you. Do you remember?
15:23That's why I told you not to get involved with him.
15:25To forget about it at once.
15:27Calm down. I'm on my way. Don't worry.
15:30Damn Sebal.
15:32She's useless.
15:34I just had to give her that money
15:36and forget about him.
15:38I couldn't even do that.
15:40How did they stab him?
15:42Damn stupid woman.
15:45Did you do the homework, princess?
15:47Of course, Omer.
15:49Sister, the teacher asked us for crayons and a drawing book.
15:52Can I buy them?
15:54Yes, of course.
15:56Omer, by the way, there's almost no food left.
15:59So could you take care of that too?
16:01I just paid Berk for the copies.
16:03But it seems to me that tomorrow a student will pay me for a class.
16:06So don't worry.
16:08Okay.
16:11Who could it be?
16:12Who could it be?
16:17Mrs. Girmire.
16:19How are you? Please sit down.
16:28Asiye, there's a job for you.
16:31What is it?
16:33Look, I'm taking care of an older woman.
16:35But a lot of times,
16:37she just forgets what she says.
16:39Sometimes she recognizes me and sometimes she doesn't.
16:40That's a problem.
16:42Her daughter is paying me to prepare her food and do the cleaning.
16:46My aunt told me.
16:48Well, I can't take care of everything, Asiye.
16:51And I need someone to help me urgently.
16:54You know that my father is also in a delicate state of health.
16:58And I'm going to have to take care of him.
17:00What do you say if I take care of the lady in the mornings and you in the afternoons?
17:03Okay, but am I going to have to prepare food?
17:06No, don't worry about that.
17:08I'll take care of it.
17:10The rest of the time,
17:12you can study or watch TV, whatever you want.
17:14What do you think?
17:16As you wish.
17:20Let's split up.
17:22She pays for it, so don't worry.
17:24Very well. I'm interested.
17:26Well, then, see you tomorrow.
17:28I'm leaving. I won't bother you anymore.
17:30Good night, guys.
17:32Likewise.
17:34How lucky that the offer arrived just in time.
17:37Congratulations, sister.
17:53Enjoy your meal, sir.
17:57Mr. Orhan,
17:59your wife,
18:01Mr. Orhan,
18:03your wife.
18:05Zengul!
18:11What are you doing here?
18:13What do you think I'm doing?
18:15Why did you come? Did something happen?
18:17What happened?
18:19Did you change the park for this coffee shop, Orhan?
18:21What else can I do?
18:23Go to my house?
18:25Oh, come on, please.
18:27Don't be so dramatic, Orhan.
18:28Besides, your mother is already asleep,
18:30so you don't have to see her.
18:32Really?
18:34If I'm going to be asleep?
18:36I promise.
18:38Very well, then I'm going home because I want to watch my show.
18:40Beysel! Give me the bill!
18:42Where did he go?
18:44What show are you watching?
18:46It's about a woman who loses her children
18:48and looks for them everywhere.
18:50It's quite interesting.
18:52Oh, Orhan, it's the show of your life.
18:54Don't you realize?
18:56Is it a joke?
18:58I'm sick of your behavior.
19:00That woman left us and she's gone.
19:02It's very different.
19:04In the show, they get lost.
19:06Listen to me.
19:08What if your father invented all this to make you hate your mother?
19:10Remember, she's your mother.
19:12Don't treat her like that.
19:14Please don't start, Engul.
19:16I'm 40 years old.
19:18I know what I'm doing perfectly.
19:20Look, don't make me angry.
19:22I don't want to make a scene in this place.
19:24I would be ashamed.
19:26Let's go home.
19:32Hey, can I watch the show with you?
19:34What? Of course not, Engul.
19:36You'd be talking all the time and I wouldn't concentrate.
19:39Oh, really?
19:41What did you say?
19:43Oh, I spoke to you in English.
19:45Didn't I tell you that Ogulcan taught me?
19:47I'm not surprised.
19:51Three minutes, sir.
19:55Akif!
19:57Akif!
19:59Can I get out of here?
20:01I don't know.
20:03That's not true, Susan.
20:05Do you want me to throw a coin and see your luck?
20:07For some reason, I told you to stop.
20:09But you didn't listen to me, Susan.
20:11And here are the consequences.
20:13I told you not to mess with that man.
20:15I knew he just wanted to cheat you.
20:17That nothing good could come out of this, right?
20:19I had forgotten how stubborn you are when you have an idea in mind.
20:22But look at you now.
20:24I told you to get out of here.
20:26I had to do it.
20:28I had no choice.
20:30Ahmed deserves justice.
20:32I told him that night.
20:34Wouldn't you do the same for Nevat?
20:36Of course, and without thinking twice, Susan.
20:38The big difference is that by now I would already know the truth.
20:40But do you know something?
20:42Calm down.
20:44Okay, I didn't come to scold you, but to free you.
20:47If the man hadn't died, I could talk to him.
20:50I hope I can find another way to prove your innocence.
20:54Oh no, he's still alive.
20:56He's in surgery. His name is Sadetin.
20:58A policeman told him during my interrogation.
21:00We just have to wait for him to recover.
21:02And you'll be able to know the truth.
21:04That's right.
21:06That's right.
21:08When he wakes up, I'll talk to him and he'll tell me
21:10who the person who wanted Ahmed to die so much is.
21:12What great news.
21:14What a blessing in life.
21:16It's just that you haven't learned anything about what's going on.
21:18Do you still have that idea in your head, Susan?
21:20Understand that if you get involved with people like that,
21:22things won't end well.
21:24You can't know the truth when your freedom is at stake.
21:26What are you going to do if they lock you up all your life
21:28for finding out what you shouldn't?
21:30We'd better focus our energy on getting you out of here.
21:33It's more important to think about helping the living
21:35than investigating the dead.
21:37Hello, Mrs. Susan.
21:39Hello.
21:41One of our teams found suspects
21:43near the place where Sadetin was attacked.
21:46So, does that mean you think I'm not guilty?
21:49That's right.
21:51Oh, what a relief.
21:52Open the cell.
21:54That's great news, Susan.
22:03Hey, I'm sorry, detective.
22:05Can I go talk to that man now?
22:07Not yet.
22:09But as soon as possible, we'll let you know.
22:11Good night.
22:15Oh, Akif.
22:17Did you hear that?
22:19I think I know the truth.
22:21That makes me so happy, Susan.
22:23You have no idea how much I want to jump,
22:25even though everyone can see me.
22:27Tell me something.
22:29Did anyone else know you were in such a lovely place
22:31like your son, for example?
22:33No, I didn't tell anyone.
22:35I don't have any commitments.
22:37Why would I want to tell anyone what happened to me?
22:39Oh, you're such an unconscious woman.
22:41You called me to worry me.
22:43I think it's very unpleasant
22:45that I was the only person you took your peace from.
22:50Susan, listen.
22:52You know it's a joke.
22:54Come on, let's go.
23:06What are you hiding from me?
23:08Ayvike,
23:10why can't you answer that question?
23:12I already said no, Berg.
23:14No, no.
23:16Nothing's going on.
23:18Can you stop asking?
23:20Why don't you want to tell me?
23:22What's going on?
23:24Tell me now.
23:26When did you stop trusting me?
23:28Hey,
23:30I'm serious.
23:32Do you understand?
23:34Tell me or we're done.
23:42Hey,
23:44how can you sleep in that room
23:46with those noises?
23:48Is she asleep?
23:50Anyway,
23:52I need to rest.
23:56Besides, I have a date with my girlfriend in my dreams.
23:59I'm going to dream about Lydia.
24:01Oh, you should have seen her.
24:03She was looking at me all night.
24:05Seeing that was the most beautiful thing of the night.
24:08I'll dream about her.
24:10Oh, I can't wait to see her.
24:12Ayvike, are you listening to me?
24:15Ayvike,
24:16Ayvike,
24:19what's wrong, sister?
24:21Hey, that's the part where you tell me I'm not naïve.
24:34Look, if you care so much about your boyfriend,
24:37talk to him.
24:39Tell me, what's stopping you?
24:41Just look at him and that's it.
24:43No, wait.
24:44No, Ayvike?
24:46Was it rude?
24:48No.
24:50It was my fault.
24:53I hurt him.
24:55So calm down, I don't want you to interfere, okay?
24:58Okay, I won't do anything, but at least tell me what happened.
25:01No, Gulcan, please don't pressure me.
25:03I'm sad and I don't want to talk about it.
25:06Yes, I'm realizing.
25:08You know I feel bad when I see you depressed?
25:11Why?
25:12I love you too much, Ayvike.
25:14Seriously.
25:16Cheer up, okay?
25:18I love you too.
25:23Well, now we have to sleep.
25:25What, are you in a hurry?
25:27Well, yes, I'm going to dream about Lydia.
25:31Oh, how naïve you are.
25:36What did Omer tell me?
25:38You have to repeat the same word many times.
25:42Lydia.
25:45Lydia.
25:48Lydia.
25:50Tolga?
25:52Tolga, what are you doing? Get out of my mind.
25:55Pervert.
26:01I didn't expect to see Susan either.
26:04Sado had just taken the money and then that group of men came to the building all of a sudden.
26:09They stabbed him in front of my eyes, I couldn't do anything.
26:12Then Susan came.
26:14I hid immediately and then I went to talk to the police.
26:17I told them that she had killed him and then I left.
26:20Oh, what a good person you are.
26:22That really was a wonderful idea, Sebal.
26:24You are a genius.
26:26Congratulations.
26:28Thanks to that you sent Susan to prison and you could compete for the award to the most cruel woman in the city.
26:33What was I doing here?
26:35I saw an opportunity and I took it.
26:37Please tell me you wouldn't have done the same.
26:39I'm sure you would.
26:40I would have been successful, but it wasn't like that.
26:42Unfortunately, you failed this time, Sebal.
26:44Susan will be released.
26:46What are you saying?
26:48The police already caught the men who stabbed Sado.
26:52And what did they say?
26:54Didn't they mention my name at some point?
26:58It smells bad.
27:00Can you feel what it is?
27:02Oh, yes, it's your feet.
27:04They're burning, Sebal.
27:06This is serious.
27:08We can't leave you like this.
27:10Sebal, we're going to save you.
27:12The help is on its way.
27:14Think about it.
27:16Do you think if they had talked, you'd be sitting here talking to me quietly?
27:19No, you'd be in a cell like Susan.
27:21Do you understand?
27:23The bad thing is that we already have another problem.
27:25And what could be worse than this?
27:27Sado.
27:29Sado is dead.
27:31How sweet.
27:33You don't know anything, but don't worry, now you'll know everything.
27:37Calm down.
27:38Sado is still alive.
27:40He's in the hospital, getting better.
27:43If he recovers and decides to tell the whole truth, do you know what will happen next?
27:49They'll catch you and you'll go to prison.
27:51I'm sorry to disappoint you, but your plan was unsuccessful.
27:54Sado can't open his mouth, Kif.
27:57Never.
27:59Of course, that would be a problem.
28:01But Susan is too.
28:03She's obsessed with knowing the whole truth.
28:05Oh, damn it.
28:06Whatever.
28:08Why don't you just forget about it?
28:10She'll never do it.
28:12You'd better calm down, Sebal.
28:14It's easier said than done.
28:16Do you know why this is happening to you?
28:18Why don't you know how to end what you're starting?
28:20I don't know how I was able to accept getting involved with you in this.
28:22I didn't think you'd be so inept.
28:24But don't worry.
28:26I'll figure out a way to get rid of him.
28:28Wait for my call.
28:30As if you had an alternative.
28:32How grumpy.
28:34No.
28:36Sebal is a very stupid woman.
28:38If she weren't here right now,
28:40she wouldn't know what to do.
28:42She'd be completely worried.
28:44She doesn't know how to do this.
28:46She needs wisdom and experience,
28:48and I have both.
28:54Thank you very much.
28:56I really appreciate it.
28:58I have no words to thank you.
29:00In fact, I do, but you don't know.
29:02Good.
29:04Of course.
29:06Take care.
29:08Sado is out of surgery.
29:10Has anyone been able to talk to him?
29:12Did you send someone?
29:14That's right.
29:16No, of course I didn't send anyone.
29:18In case you haven't noticed, I'm the one who's doing everything.
29:20You, Sebal, are alone.
29:22You're thinking about home.
29:24You're useless.
29:26You're bribing a nurse.
29:28He's going to call me when Sado wakes up.
29:30And were you able to talk to Susan?
29:32She's going to the hospital.
29:34I can't believe how obsessed she is.
29:36I have to be at school.
29:38Are you going to take an exam?
29:40Will they need you?
29:42What are you talking about? Don't be ridiculous.
29:44Sebal, what do you have to do there?
29:46The school is yours.
29:48What could be more important than what we have to solve now?
29:50Ugh.
29:53Oh, shut up.
29:55It's Susan.
29:57I hope she's not at the hospital.
29:59Hello?
30:01Tell me, Susan.
30:03Where are you?
30:04Did you go to the hospital?
30:06Did you get out of surgery?
30:09And are you conscious?
30:11But, Susan, please tell me what you're doing there.
30:15What did we talk about yesterday?
30:17Don't get involved.
30:19Okay.
30:21In fact, I'm close to the hospital.
30:23I'm on my way there.
30:25I'll see you there.
30:27Very well.
30:29Did she go to the hospital?
30:31Yes, there she is.
30:32I hope Sado doesn't wake up soon.
30:34Look, Sebal.
30:36When we get to the hospital,
30:38I'm going to distract Susan so Sado wakes up
30:40so you can take care of him.
30:42Very well. I will.
30:44I hope we can solve this once and for all.
30:47Will you disappear?
30:49What are you going to do when this is over?
30:51I don't want to have any more problems.
30:53The best thing that could happen to me is that you leave here.
30:56No.

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