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00:00Where are you? Where are you, a bunch of men and policemen?
00:19Hi, Gala.
00:21Hi, hi.
00:22I'm a little tired.
00:24And I really wanted to call you.
00:29To tell you that everything was...
00:31...unintentional.
00:32What do you mean, everything?
00:34Well, this thing about Fame.
00:36Oh, that?
00:37And Lisičić.
00:41No, no, I would call it, God forbid,
00:44a fateful coincidence.
00:46I just don't understand why you disappeared after that.
00:49Oh, no, no.
00:51No, I didn't.
00:52Oh, yes, God forbid.
00:54Maybe from your perspective, but I'm not for myself.
00:57I'm here.
00:58You're here, I'm here.
00:59I mean, I'm...
01:00What do you want?
01:01Well, I wanted to do something similar again,
01:04maybe you could seduce me again.
01:06You know?
01:07Right?
01:08No, no, Gala, please stop.
01:10Please, please.
01:11Don't, don't, don't, please.
01:13You're an inspector of duty,
01:15and you can't do that.
01:17You're an inspector of duty.
01:19Do you understand what I'm saying?
01:21Wait, you're an inspector of duty,
01:23but tell me, what is your duty?
01:25You're on duty.
01:26You're a midwife's daughter.
01:28You're really...
01:29No, no, no.
01:30What am I laughing at?
01:31You're laughing at me.
01:32I mean, you fell in love with her,
01:34when I don't know what.
01:35You don't see other women around you.
01:37You don't see real women with legs.
01:40Yes, that, yes.
01:42I mean, who are real women, exactly?
01:45Galica.
01:47Me?
01:48You're a woman?
01:49Uh-huh.
01:50And a half.
01:55Okay, okay.
01:56Well, okay.
01:57No, Gala, Gala, Gala.
01:58What?
01:59Gala, please.
02:00You're just making me mad.
02:02No, no, no, Gala, please.
02:04Gala, please.
02:05Don't, don't, don't.
02:07So, don't.
02:08I told you nicely.
02:09So, me and Ljubinka are together,
02:11I'm another man, I've changed,
02:14and I'm with her.
02:15So, I'm with her.
02:16Nice.
02:17And we're in a serious relationship.
02:18Nice.
02:19In a serious relationship.
02:20Nice?
02:21Yes.
02:22You're a happy man.
02:24You're a happy man,
02:25because now you have two.
02:27I do?
02:28Uh-huh.
02:29What two?
02:30Well, two relationships, my fool.
02:33There you go.
02:34We're not going to have a nice drink,
02:36something like that, specifically.
02:38Come on.
02:39In that, huh?
02:40You know, something like that.
02:41You know, something like that.
02:42Something like what?
02:43Something like what.
02:44Something like something.
02:45Here it is.
02:46Something like something.
02:47Wow.
02:48Wow!
02:49You'll pay for that.
02:50You look better, alright.
02:53I knew you were kidding.
02:58I like that, I like that.
03:03This is like a game to me.
03:08Hey, the photos are here!
03:18Hi!
03:20Hello!
03:22I hope you are satisfied.
03:24Well, more than satisfied.
03:26We are not satisfied, too satisfied.
03:28Well, this was the best night of my life, honestly.
03:30You deserve it.
03:32I can't believe it's finally over.
03:34What are we going to do now?
03:36Nothing.
03:38Now we are making contracts related to the collection.
03:40Let's make some contracts with fashion houses
03:42and hopefully get some mass production.
03:44Come on, let's do it.
03:46Or even better, with the confectionery house.
03:48Yes, with the confectionery house.
03:50Well, that will be easy for us,
03:52we have excellent critics.
03:54You are on the right track,
03:56but still, for all this,
03:58Laura and her connections deserve it.
04:00Come on, let's cheer, people.
04:02Come on, you can.
04:04Here we go.
04:08Don't be afraid.
04:10No, I'm sorry.
04:12Just a little.
04:14Don't worry.
04:18To Laura.
04:20To all of us.
04:22Cheers!
04:30Where did you get the information
04:32that she was looking for me?
04:34Because she was at my place that morning
04:36and she told me
04:38that you didn't come home all night.
04:40So you two were talking
04:42about my disappearance, right?
04:44We made friends.
04:46It just happened.
04:48When? Oh my God.
04:50What united you?
04:52Love for the director, right?
04:54I don't know what united us,
04:56but it was natural,
04:58and I'm glad she believes me.
05:00It's really nice to see
05:02the relationship between people
05:04in this company improving.
05:06Yes.
05:08So, what's the conclusion?
05:10There's no conclusion
05:12because we both
05:14resisted each other's comments.
05:16That's how it should be.
05:18As far as I'm concerned,
05:20that's understandable,
05:22and that's why I came to talk to you directly,
05:24I'm not going around the offices.
05:26Thank you, friend Bobo.
05:28As far as I'm concerned,
05:30and as far as she's concerned,
05:32you'll have to see.
05:34I just came to tell you what's going on.
05:36Okay, thank you.
05:38Well, it's time
05:40for both of us to go home.
05:42Let's go.
05:44Let's go.
05:58Let's go.
06:06I don't want you to misunderstand,
06:08but I have to ask you something
06:10that interests me a lot.
06:12Go ahead.
06:14Did you really decide
06:16to enslave yourself
06:18next to those pianist girls
06:20from those whores?
06:24Why not?
06:26Why not?
06:28You, a guy from Belgrade,
06:30I really don't understand
06:32that connection.
06:34Do you really need a girl like him?
06:36Wait, Gala.
06:38You don't know
06:40that I really liked her.
06:42A lot.
06:44A lot.
06:46Can you explain that to me?
06:48Well, maybe I don't know
06:50how to explain it to you
06:52in words.
06:54Well,
06:56I can tell you that she
06:58is the one
07:00who stood by me
07:02most of all women
07:04I've ever had in my life.
07:06You're so naive.
07:08How can you be naive?
07:10You can use her
07:12to get rid of your frustrations.
07:14That's it.
07:16What do you mean?
07:18Believe me.
07:20You'll remember this.
07:22She's your sweetheart.
07:24She'll make you quiet.
07:26She'll throw you in the trash
07:28like you've never existed.
07:30I'm sorry, Gala,
07:32but I think you're wrong.
07:34She's my sweetheart
07:36and I'm her first boyfriend.
07:38You know?
07:40Are you serious?
07:42Yes.
07:44Then she'll definitely make you quiet.
07:46How?
07:48What do you mean?
07:50You know
07:52that she'll make you quiet.
07:54You know that?
07:56How do you know that?
07:58You have no idea.
08:00But that's how you are.
08:02Always?
08:04Always.
08:06Are you normal?
08:08You didn't know that?
08:10I was the first.
08:16So, guys, what's this silence?
08:18Is it a party or not?
08:20It's a party.
08:24Say something to the musician.
08:26I have to.
08:28I don't.
08:34Congratulations.
08:36You know what?
08:38Are you ready?
08:40Always.
08:42I love you so much.
08:46Call Pančet.
08:48Just a second.
08:50Hey, Panči!
08:52Sorry, it's a bit noisy here.
08:54How did it go?
08:56It was phenomenal.
08:58It was magical.
09:00I'm sorry you weren't there,
09:02but I can't even tell you how it went.
09:04Congratulations.
09:06We're not done yet.
09:08We have a lot to do.
09:10You deserve a good answer.
09:12We do.
09:14Tell me about it.
09:16I don't know what to say.
09:18Wait, where are you?
09:20I just landed on an island.
09:22You can see the airport.
09:24I don't know what to say.
09:28What's wrong?
09:30Come on.
09:32Panči, come on.
09:34Give me a hug.
09:38I don't know if I'm desirable,
09:40but I came to congratulate you.
09:42Well done, Laura.
09:56Listen to me carefully.
09:58The golden rule.
10:00A woman will always leave her first man.
10:02Yes.
10:04What?
10:06Okay, what do you suggest?
10:08How can I be second?
10:10Third?
10:12How can I get back into the game?
10:14I suggest
10:16that you don't fall asleep like a fool.
10:18A fool, a whore.
10:20It would be nice if you speed it up
10:22so you can have fun with me.
10:24Hey, hey, hey.
10:26Is this the one
10:28you arrested?
10:32Yes.
10:42Luka.
10:46Enjoy your victory.
10:58Do you hear me?
11:00I hear you.
11:02I'm here with you.
11:04This is
11:06Mrs. Gala.
11:08I arrested her.
11:10And this is
11:12Ljubinka.
11:14We know each other very well.
11:16I just don't know why you arrested her
11:18for the second time.
11:20Why are you talking in third person
11:22when I'm here?
11:24Let me tell you something, Ljubinka.
11:26You are in Belgrade right now.
11:28This is not Kosmaj
11:30where you can only play with pigs.
11:32This is Belgrade.
11:34Everyone can go
11:36wherever they want.
11:38This is Belgrade.
11:40But this is the place
11:42where you sell pigs from Kosmaj.
11:44You'd better watch out
11:46so we don't kick you out of here.
11:48Hey, hey, hey.
11:50This is one of my premises.
11:52No one is going to kick anyone out.
11:54Is that clear?
11:56This is not a pub.
11:58It's a famous restaurant.
12:00It's just a hole in the wall.
12:02It's enough not to see
12:04a new clientele.
12:06You'd better leave
12:08because you are not such a clientele.
12:10God bless you.
12:12Have a nice trip.
12:14I will leave
12:16because I want to leave.
12:20It's time to say goodbye.
12:22Mila, bye.
12:24Bye.
12:26See you.
12:28Have a nice trip.
12:30Bye, Gala.
12:32Okay.
12:34Bye.
12:36So what?
12:38You are here with this
12:40disgusting Gala.
12:42What did you talk about?
12:44You are exaggerating.
12:46We have to tell you.
12:48A woman came
12:50and sat next to me.
12:52We didn't talk about anything.
12:54This is a big city.
12:56She can come wherever she wants.
12:58You can't think
13:00that she is following me.
13:02You are following me.
13:04You are following me, right?
13:06Anyone can come here.
13:08I didn't call her.
13:10What should I do?
13:12What should I do?
13:14Ljubecica, listen.
13:16This is Belgrade.
13:18Every woman or girl
13:20can come to a man
13:22and sit next to him.
13:24Will she be accepted or rejected?
13:26This is a man.
13:28Don't worry.
13:30Did you hear that?
13:32Ljubecica, please.
13:34We need to solve
13:36your problem.
13:38I don't know what it is.
13:40But this Ljubomor
13:42is a bit worrying.
13:44I am your first boyfriend.
13:46I understand
13:48everything.
13:50I will help you.
13:52I will be there for you.
13:54You should be impressed
13:56that you are my first boyfriend.
13:58I don't want to bother you.
14:00I don't want to bother
14:02anyone else.
14:04I didn't say that.
14:06Ljubica.
14:08She is following me.
14:10Run.
14:12Run.
14:14She is following me.
14:16Ljubica.
14:18I didn't mean that.
14:20I am coming.
14:22I am coming.
14:24Run.
14:26Tell me.
14:30Idiot.
14:32Ljubica.
14:34Ljubica.
14:36Ljubica.
14:38Ljubica.
14:44That's it.
14:48I poured some petrol and it started.
14:52Where did you start it?
14:54In the middle of the yard.
14:56I watched it until it stopped.
14:58Why did you do that?
15:00No, you'll know when I get my answer to my question.
15:05Uh-huh.
15:06All right, go ahead.
15:08Where were you that night when you disappeared?
15:12Oh, please, I told you. I was on this sidewalk.
15:15You're making a fool of me. I know that's not true.
15:18Where were you?
15:21True?
15:22I'm sorry if my answer doesn't satisfy you.
15:26Well, I think the truth is completely different.
15:31We've already been through all this.
15:33Yes, we have, from the beginning. For me, for love.
15:37Are you sure?
15:38Absolutely. At the cost of my life, yes.
15:52Luka!
15:54It's all right, it's all right.
15:56What have you done?
15:57It's all right, it's all right.
15:59It's all right.
16:00Don't worry.
16:01Don't worry, it's nothing to him.
16:04I'm a precise shooter, I just stabbed him.
16:09You've ruined your own life, Laura.
16:11I'll call the police.
16:12No, no one will call the police.
16:13What?
16:14No one will call the police.
16:15What are you talking about, man?
16:16What are you talking about?
16:18I was stabbed by the smallest of my debtors.
16:20It's okay.
16:21That's what I thought.
16:23That's the smallest you owe me.
16:26So you can see what it's like when you're in love.
16:35Come on, Laura.
16:36It's okay, it's okay.
16:37Hey, people are here.
16:39Sit down.
16:40Give me a little.
16:41Pour it.
16:42Pour it, come on.
16:45Okay, let's just clean this up.
16:47Give me a brush.
16:57Oh.
16:59Jesse, my hero.
17:03Milo.
17:04Is my sister coming?
17:06She's coming.
17:07She came, made a mess and left.
17:10What are you talking about?
17:11What mess?
17:13She was mad at Trivanović, who was sitting with Gala.
17:16She made a mess and left.
17:19Why are you making fun of me, Milo?
17:22Are you crazy?
17:24She got up on her left foot.
17:26Ljubinka.
17:29I barely answered that expensive apartment.
17:32Now you have to prepare this for me.
17:36What is it?
17:37Come on, spit it out.
17:39Ljubinka is a dangerous game.
17:42Is it?
17:43You concluded it well.
17:45Not dangerous, but a miracle.
17:47Who would say, my dear?
17:49She's peaceful, peaceful.
17:51She plays the piano.
17:54And under the piano, there are hundreds of pianos.
17:57All at once, sometimes.
17:59What is this?
18:00She just spits fire, spits fire, spits fire.
18:02Well, not all at once,
18:04she spits fire, spits fire, spits fire,
18:06but she came to Belgrade,
18:08she fell in love,
18:09and now I'm telling you, from my point of view,
18:12maturity.
18:13Maturity.
18:14Don't philosophize, mother.
18:16Give me a drink, come on.
18:18Maturity.
18:20My dear, that's youth,
18:22that's madness,
18:23that's, you know.
18:26In those years,
18:27you just watch how you bond,
18:29how much you bond,
18:30and when you get to my age,
18:33you just watch how you unbond,
18:35my dear.
18:36In my years, you know, those bonds
18:40can cost you your life,
18:42your money, your life.
18:44Yes,
18:45yes.
18:46Can I tell you something, young man?
18:48Go on.
18:49Ljubinka,
18:50she was a bit
18:52attracted to Leposavlje.
18:54A bit?
18:55Yes.
18:56My dear, it's not a bit,
18:58unfortunately,
18:59it's a lot.
19:00A lot.
19:01She found that unfortunate Trivanovic,
19:04well, Djelje.
19:05Djelje.
19:06Djelje.
19:08To tell you the truth,
19:10I feel sorry for him.
19:12Sometimes I feel like crying for him.
19:15I don't want you to cry.
19:16Do you know what's going to happen in the end?
19:18He's going to get rid of her,
19:20with his head,
19:21no matter what,
19:22with his feet,
19:23in the dust.
19:24Until she's gone.
19:26You'll see.
19:28I wish I could do that.
19:37Okay.
19:39Let's do it like this.
19:41When you tell me
19:43what actually happened that night.
19:45Like this.
19:46I think you weren't walking,
19:47and I think you weren't sleeping.
19:52What am I?
19:54You left,
19:55you disappeared,
19:56I don't know where,
19:57and you spent the whole night there.
20:00Okay.
20:01And on what basis did you conclude that?
20:03On the basis of your feelings.
20:04If you were here, you would know.
20:06All of that?
20:07Just on the basis of feelings?
20:08Not just on the basis of that.
20:10You didn't spend the whole night here,
20:12you overslept somewhere,
20:13you got up in the morning,
20:14because you were in the gym,
20:15you didn't know what to do,
20:16you went to buy a new part
20:17from that Radule,
20:18or whatever his name is.
20:20Radule.
20:21You were at his place.
20:22And since you didn't have cash,
20:23you didn't have a card,
20:24you couldn't pay with a card,
20:26you took the money
20:27and asked them to give you an invoice.
20:29Okay, and?
20:30And then it all came to you
20:32with a high interest.
20:36What are you laughing at?
20:38Unbelievable.
20:39Unbelievable?
20:40You filmed the whole movie.
20:43Great idea.
20:44Do you want to deny it all?
20:45No, no, no.
20:46I'm not going to deny it.
20:48Who's to blame
20:49for marrying such a smart woman?
20:50I see,
20:51that helps me a lot and it's worth it.
20:53It's worth it.
20:55Do you know why?
20:58Because on the basis of all this,
21:00I owe you a confession.
21:03Yes.
21:05That's right, isn't it?
21:07I didn't spend the night
21:08on this throne.
21:15But?
21:18Where?
21:22But, dear,
21:24can I ask you something?
21:25Ask.
21:26How are things with you and Kai?
21:28What happened?
21:32What?
21:33What?
21:34What does that mean to you?
21:35It's not bad with Kai,
21:37but I have a problem with my aunt
21:40from Australia.
21:41Why?
21:42What happened?
21:43Because she has some conditions all the time.
21:46She asks me to tell her three reasons
21:48why I love Kai,
21:50but I don't know any.
21:53Well, you know what?
21:54I totally understand her.
21:55How?
21:56Do you know why?
21:57What?
21:59If you, as a man...
22:01Yes?
22:02find and admit at least one reason
22:05why you love a woman,
22:06then you're done.
22:08Like a baked chicken, my dear.
22:10For the rest of your life.
22:12Only if I could somehow
22:14get her here,
22:15at least for two days.
22:16Who? Who?
22:17Wait.
22:18I'll get my aunt.
22:19Your aunt?
22:20Yes.
22:21Wait, is she alone?
22:22Does she have anyone?
22:23I think she's alone,
22:26that she has no one.
22:28What do you mean?
22:30How rich is she?
22:32How heavy is she?
22:33She used to weigh 130 kilos,
22:35but then...
22:36Stop it, Vetin.
22:37I'm not asking you how many kilos she has,
22:38I'm asking you how many dollars she has.
22:40Yes, she has...
22:41Pockets.
22:42She has pockets.
22:43She has pockets wherever she goes.
22:45She does, doesn't she?
22:47Why?
22:48Stop it, stop it.
22:50What? I stopped.
22:52You know what would be good?
22:54What?
22:55For you and her,
22:56actually, you and her,
22:57to bring her here
22:58so you see
22:59that we meet someone here,
23:01that we sleep with someone.
23:07That would be great.
23:08That would be great,
23:09to meet you,
23:10to sleep with you.
23:13Are you crazy?
23:14Where is she with me?
23:15Don't worry about me,
23:16I have her, she has everything.
23:17Okay?
23:18You hear me?
23:19But, you know...
23:22You see,
23:24as soon as she wants you to marry her,
23:26what does it mean?
23:28It means that she is very lonely,
23:31and loneliness burns to the nails.
23:34But we will be nice to her.
23:36Come on.
23:40Come on, for auntie.
23:41Drink some more.
23:42Come on.
23:43Come on.
23:45For auntie.
23:46For auntie.
23:51Maybe she is drunk now.
23:54Okay.
23:55When did you decide to admit me?
23:58Where were you?
24:00You see,
24:01I think it doesn't matter where I was.
24:03It does.
24:04Of course it does.
24:06But it doesn't matter to me.
24:08The most important thing to me
24:09is that I am happy with you.
24:10Come on, help me,
24:11I beg you to be happy with me.
24:12In the end,
24:13things work out.
24:15In the end,
24:16we love each other as we should.
24:17In the end,
24:18things work out in bed.
24:19I even suggest
24:20that we go to Venice.
24:21Now is the time for that,
24:22the right time.
24:23No.
24:24Now is not the time
24:25to go to Venice.
24:26Why?
24:27We love each other.
24:28Because
24:29I won't go anywhere
24:30until I find out
24:31why you lied to me.
24:32Lied to you?
24:33Yes.
24:35Come on,
24:36be careful with those words.
24:37They can
24:38ruin the dignity
24:39of a man.
24:40Okay,
24:41a man,
24:42tell me,
24:43how would you call it?
24:44I would call it
24:45our common life.
24:46The first time
24:47I saw you,
24:48I was sure
24:49it was
24:50that.
24:51What did I do
24:52so impressively?
24:53I lied to you.
24:54Okay,
24:55maybe I lied to you,
24:56but
24:58all that power,
24:59the whole situation,
25:01knowing about it
25:02wouldn't change
25:03anything for us.
25:06Okay,
25:07if that's the case,
25:09just tell me
25:10what happened.
25:11I have the right to know.
25:12Una,
25:16I love you
25:18and I think
25:19that's the most important thing.
25:21Do you believe me
25:22when I tell you that?
25:26No.
25:35Hello.
25:36Hello.
25:37How are you?
25:39I talked to the doctors.
25:40What did they say?
25:41Nothing,
25:42they said it was a superficial wound,
25:43nothing serious.
25:44They said it was a concussion.
25:45A concussion.
25:46A concussion.
25:47Listen,
25:48what could have happened?
25:49What could have happened?
25:52I told you not to panic.
25:53I told you nicely
25:54that I'm fine.
25:55What do you mean
25:56not to panic?
25:57You're drunk.
25:58Okay,
25:59I'm a girl,
26:00I like it.
26:01Are you sure
26:02we won't report Laura?
26:03No,
26:04no way.
26:05No,
26:06don't report her,
26:07please,
26:08there's no need.
26:09Okay,
26:10I have to go.
26:11What time is it?
26:12I have to go
26:13to Lenka,
26:14she's a bit worried,
26:15so...
26:16Say hi to Lenka,
26:17tell her I'm in safe hands.
26:18Yes.
26:19Bye.
26:20Bye.
26:21Bye.
26:22See you.
26:30What are you doing here?
26:32What am I doing?
26:35What are you looking at?
26:36I don't know what I'm doing.
26:37I think you should report her to the police.
26:38No.
26:40Believe me,
26:41I shouldn't.
26:42It's my fault.
26:44It's my fault.
26:45I gave her false hope
26:46that...
26:48that someone truly loves her
26:50and...
26:51maybe I...
26:52maybe I deserved it.
26:54Why did you do it
26:55if you don't think so?
26:57That's when I thought.
27:00And then you showed up
27:01and I realized
27:02I was wrong.
27:05And I realized
27:06one more thing.
27:08That you didn't show up by accident.
27:11What's wrong with that?
27:12You always show up
27:13when I need you
27:14in my life.
27:16And when I need you?
27:17And...
27:20What more can a man ask
27:21from a woman
27:22than to be in her arms?
27:23It's the hardest thing.
27:24Maybe.
27:26Maybe that's what you mean.
27:28Yes.
27:33You showed up
27:34during that affair
27:35and...
27:36when I was in chaos
27:38that's when I realized
27:41that you're the one
27:42and that's it.
27:44I feel you a little
27:45without heavy words.
27:49Will you come back
27:50only for Beverly Hills?
27:52Can I?
27:59You're asking me
28:00if we should live together.
28:14You can't expect me
28:15to be so weak
28:16to let this
28:17go without an explanation.
28:19I wouldn't
28:20interpret it as weakness.
28:22I owe it to myself.
28:24I owe it to us.
28:27To us?
28:29We'll be good
28:30and without explanations.
28:31No, we won't be good.
28:34Please believe me.
28:36Look, Andrej.
28:37I've been through
28:38so much
28:39in this situation
28:40that it would be
28:41really hard
28:42to let it go.
28:55You should thank Luki
28:56for not putting us
28:57in jail.
28:59I should thank him?
29:01We're in this situation
29:02because of him.
29:03No, Laura.
29:04You need to realize
29:05that from now on
29:06you're alone
29:07in this.
29:08Okay, don't panic.
29:10Are you aware
29:11of what you've done?
29:14Yes, I'm very aware.
29:16I blamed him
29:17and I did it on purpose.
29:18And you know
29:19that I did it on purpose.
29:20Laura, I've had enough
29:21of your shows.
29:35Ilija.
29:38I'm going to beg you.
29:39I'm begging you.
29:40I'm sorry.
29:41I don't know what to say.
29:42I'm sorry.
29:43Please, I'm begging you.
29:44Don't apologize to me.
29:45You can tell me
29:46whatever you want.
29:48Why are you shaking?
29:51Ilija.
29:52If I tell you something
29:53you have to promise me
29:54that this will be
29:55between the two of us.
29:56Please.
29:57It's a deal.
29:58It's a deal.
30:09Where are they now?
30:11I don't know.
30:12They're probably still
30:13at the meeting.
30:14It's taking too long.
30:16Why are you doing
30:17such a job?
30:18We won't be late
30:19for the flight, right?
30:20Forget about the flight.
30:21It's good that we're alive
30:22and healthy and quiet.
30:23How much did you scare us?
30:24The same.
30:25I mean,
30:26Laura really
30:27crossed every line.
30:28She could've killed him.
30:29It's okay.
30:30We just survived.
30:31That's all.
30:39It sounds incredible to me.
30:41You can't imagine
30:42what it's like for me.
30:43And after everything
30:44that happened between you two.
30:46That didn't particularly suit me.
30:49Didn't he tell you
30:50where he spent the night?
30:51No.
30:53Did he admit
30:54that he was lying?
30:56Imagine
30:58if he did.
31:09What do you think
31:10when you're walking
31:11like a cop?
31:13What are you thinking about?
31:14What are you glaring at me for?
31:17I think about it all the time.
31:19Do you think
31:20I'm missing something?
31:22But I've walked,
31:23I have a clicker.
31:24I can be sure
31:25of that.
31:37In my day
31:38We are going to find out.
31:48I felt Laura a lot from the stay.
31:50Yes.
31:51Yes, maybe because of that she could think that we were leaving.
31:57Yes, yes.
31:59When we are already at that... Where is Laura?
32:08We are going to find out.
32:16But you should be sure before you say something like that.
32:23What if I am sure?
32:39Hey, Paolo.
32:41We know what we are going to do.
32:43What happened?
32:44Laura intentionally blocked the negotiations.