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00:00You
00:30I
00:37Know it's cool Sabita, Kanamono, Noona, Chino, Niagara, Kobe, Ritsu, Ita, Hana, Renai
00:48Squishy, Zutsu, Meta, Kunate, Ikuta, No, Kanka, Kuo, Ima, Demo, Oboete, Iru
00:54Oh
01:19Dijon
01:24No, she was between it or not. It's got to be not that kind of cure. I got to get some of you need to
01:30You know, it's gonna get knocked to stay look I need to come on
01:35Yeah, I'm gonna take a break, what's the
01:40Immortal, you're sure I don't
01:55Talk more than what she's coming to me. Oh, it's just a way to ask must be my
02:06Don't come on, you know, it's gonna see us don't know
02:10Sumimasen to do that. Yeah
02:14It's not just your shit. Then the boy
02:18Take Tony's up there
02:24We
02:31Don't use your kid at all, you know
02:34She knew not to stop so it's economy which is she got a Lucy in there
02:39Can't look about what the can do that's it. They're not on the table. Kasane
02:42They
02:49Did Kimio aqua no, no, no, no, no, no, no, no
02:56It's you
03:00Sorry, no, she don't need to go there your tender
03:04My
03:06Connoisseur tsunara, how does she do it?
03:08I
03:14Said I don't know
03:18Koso, this is
03:23Nice
03:25Gakino colony, he don't eat again. You know, I
03:29Must know what I'm with us to talk to you don't get cornered
03:33You are you PTSD just now
03:39I
03:40Don't go to counseling. Okay, so tonight on the guy
03:43I'm money cousin. You should buy a coconut on the moon. Ah
03:47conscious to finish there
03:54Sorry, I was a little again. I you know what it is not that she'll kiss it now
04:01He don't you can't say it tight on that
04:09I'm Mary since I could say that they could
04:13Just pull it with you. I said I'm gonna model my day. You'll see me today. Okay, Master
04:38I
04:53Gotta say then Shazokusita Ichigo production the Shazoku
04:58Futago no emoto to Tomoni me moto Hikiyuki Nina Saito Miyako Shachou to Tokyo stereo
05:04You moto a psyche I don't know. She be Komachi to you. I don't agree with Tachiya get up
05:11Kodai Tomani I need to the naranushi chakar
05:15Imamo, Toka there. How could she go gotta keep it at least a nice
05:20Gakino colony, she don't eat again. You might come on it, you know
05:24Iowa he get you know, she'll talk it a little
05:27Son Dakota Moshi Kimi no mini okotte. Ita. No, that's Tara
05:36Atashi wake me up
05:39Watch it. Yeah
05:42What did you say?
05:57I
06:03Don't stop
06:10Akane
06:13Chottanay koha is also shut down
06:22Atashi
06:25I need to get my car. Can you cut that off?
06:31Say I go towards
06:33a fish
06:39Don't know how much time
06:44Atashi got on my
06:47Moshimono honest, I owe
06:49You
06:53Chara no setsu me wa kore de daijoubu to so this
06:58Tensaku to a kick coach. Yeah, I'll get all your money party. What did you see?
07:03What is it? Oh my muscar
07:06Hi, Monday night is
07:09Just some of our cordon you got to go to that. What's going on?
07:13I
07:43Didn't
07:46Y'all
07:56Come on, I'm gonna stay there. Oh my god. Oh my god
08:05Cut the
08:08Mm-hmm. Oh, she was eating. Yeah. Give us your
08:11You know more go see me. Take over. She must be come on my job. It's a good money. I know this
08:20Make a story do you miss it? Yes, it is. Yes. Thank you
08:25Yeah, I'm okay
08:33I'm Marie. Can you sir Koto? No, you can die. It's time. What do you see by now? They're gonna talk us again
08:41Can't open the ace and put I read I know
08:44What is it? You could do so good
08:47It's good to give him a sign on the NASA. Oh, it's a consulate
08:49I
08:52Know the night you know, how could I don't see you up there? No
08:57Shibai, that's good. I got off
09:00So they don't know what I mean
09:02It's a more you guys should know I know you don't see how much so don't know
09:07What a show I couldn't we can't stay gotta keep it in the kiddo
09:10Oh
09:16Moshe or a new moped eager
09:26He told Koto
09:29Dattara
09:33Gay don't kind of Naka Nima could take you know Jean Boots guy today
09:37So it's a Sagashi dash to Kono to the Colostomy in Yakusha ać£ć¦ćć£ć¦čØć£ćć
09:45Misha Nikola stay agar
09:52Sonohito Kurosutai Tomono so they saw no you gotta get you
09:58Akua kun got to me or say on that
10:01What I see my son he say or die
10:06Hmm
10:09Sonobu Sona kotokarga Rishiki you know, sorry cry no kakugo day. What does she walk? I couldn't talk to get there
10:17So they got a toy business Joe no can't get that was them
10:23Akane, I'm at home tonight
10:26So you need my Tomo some automobiles don't cost
10:30You saw Kamoshida night
10:36A
10:57Traveller in Patsunaka Nantoka Tokyo Braid on the whole soga hajimata. Hi, you know, I'm cutting us
11:06I
11:36Know
12:06I
12:27Don't you know
12:36Wow!
12:44Tokyo Blade and Toe Blade. Both are trending.
12:49As expected of Golden. I can't keep up with the impression.
12:53I can't keep up with the impression.
12:56Yeah.
13:01Wow!
13:03I can't believe that the first episode was on air 30 minutes ago.
13:11It's the first time for me to watch a TV show that doesn't have a preview.
13:16The viewership of the first episode is 2 digits.
13:20Tokyo Blade, the TV show, had a big slip-up.
13:26It looked like this.
13:29Episode 2 is 6.8.
13:33Episode 3 is 5.1.
13:37Episode 4 is 4.3.
13:43I can't believe that this number is possible with such a popular series.
13:49I'm sorry.
13:51I can't believe that the viewership of the first episode is 2 digits.
13:58But the first episode is on air.
14:01The second episode will be more popular.
14:04The book is too sharp.
14:07Do you understand?
14:09This is the Golden of the market class.
14:14It's the Golden of the market class.
14:17I'm sorry.
14:19Anyway, you should improve your love life.
14:23You should have more handsome guys.
14:26But the world view of the series is...
14:29I don't care about the world view.
14:32TV shows are meaningless without women and children.
14:38And you should reduce the budget.
14:42If you reduce the number of episodes,
14:45you will lose viewership.
15:06The number of episodes is getting more and more difficult.
15:11What is the cause of the decrease in the number of episodes?
15:17I think it's because we spent too much time on the set-up.
15:21Set-up?
15:23It's the introduction of characters and settings.
15:30The more time we spend on the set-up,
15:33the slower the story will develop.
15:36But the story will develop rapidly.
15:40I don't want to change the story halfway.
15:43I want to be aggressive until the end.
15:46I understand.
15:49I'm sorry.
15:51Someone is calling me.
15:53I'll be back soon.
15:57Is it really okay?
16:01Are you satisfied with the result?
16:06I think it's a great drama.
16:09But I'm still worried.
16:12I think we should make it easier to understand.
16:18You can make a story freely
16:21only when you have a schedule like this.
16:27Anyway, the shooting will be prioritized.
16:30So don't ask the opinions of those who don't know how to make a story.
16:34We will be aggressive until the end.
16:38This is the producer's decision.
16:41We will follow it.
16:45Now, let's believe in Mr. Raida's decision
16:49and make it exciting until the end.
16:52Yes.
16:56Shall we take a break?
17:00Let's resume in 10 minutes.
17:0410 minutes later
17:06We should make it easier to understand.
17:09Mr. Urekko, you're so weak.
17:16As long as the direction of the story is going down,
17:20it's natural to think about countermeasures as a producer.
17:24I remember when the serialization of Tokyo Blade started.
17:27The result of the reader survey was bad,
17:30so I was trying to appeal to the reader early.
17:33What?
17:36The evaluation will be asked from now on.
17:40Believe in the power of your work more.
17:43Believe in yourself.
18:03I'll take the power, so make a base on top.
18:06Well, I'll leave the rest to Arima.
18:09I understand.
18:13Thank you for your hard work.
18:29Hey, can you stop glaring at me?
18:34I'm not glaring at you.
18:36When I look at you, you look at me strangely.
18:39It's hot.
18:42Kana-chan, you just feel that way because you think so, don't you?
18:46What?
18:48Who do you think you are?
18:51It's annoying to say that you're a genius.
18:54Don't cling to the glory of the past and try to polish yourself now.
18:57Oh, you're telling me.
19:03You must hate me.
19:06What?
19:08You're a young genius actress.
19:13Akane Kurokawa?
19:18What?
19:20What?
19:22Do you want to be like Kana-chan?
19:26Do you want to be like Kana-chan?
19:29Do you want to be like Kana-chan?
19:32What?
19:34I don't like it.
19:36If you like me so much, you should have told me that.
19:40I should have loved you.
19:44Who told you that?
19:46It must be someone from LALALAY.
19:48Oh, I'm sorry.
19:52Himekawa-san.
19:57You're merciless.
19:59It's true that I used to admire you.
20:03But when I look at you in person, you have a big attitude and a terrible personality that makes people look down on you.
20:09Staff, I'm scared because I'm confused.
20:12No!
20:13Himekawa-san, Arima-san, please come to the scene.
20:16Okay.
20:19Ta-da!
20:24Okay, okay.
20:25What?
20:27Do your best.
20:46Okay, let's do it.
20:49Let's do it.
20:51Let's do it.
20:53Okay, let's do it.
20:55Let's do it.
20:57Okay, let's do it.
20:59Let's do it.
21:03Kento!
21:09Akane and I face the play differently.
21:13We face the play differently.
21:21What makes a good play?
21:24It's natural that there is a difference.
21:30But you feel that you are right and you are wrong.
21:36I feel that pressure.
21:44It's really annoying.
21:50I'm glad you're safe.
22:02It's true that you have a special talent.
22:06You play a strange play.
22:09But I have a strong attachment to acting.
22:21Cut!
22:22Cut!
22:23Okay!
22:24Okay!
22:25Okay!
22:26That's all.
22:30I'm glad you're safe.
22:32I'm glad you're safe.
22:33I'm glad you're safe.
22:37We will be eaten.
22:44After that...
22:45We were fooled by a fake.
22:51The famous scene of Kusshi, played by Himekawa and Arima...
22:55I'm glad you're safe.
22:58I'm glad you're safe.
22:59I'm glad you're safe.
23:00Okay.
23:01Tokyo Blade gradually increased the number of viewers.
23:04It suddenly rained and it recovered to two digits.
23:09The number of views of the missed broadcast recorded the highest in history.
23:16Senpai!
23:17It's a hot topic on the Internet.
23:19It's a premonition of Arima, Kana, and Cybreak, the ex-genius actors.
23:25By the way...
23:26It's been two months since the last time I took a lesson.
23:29Are you a demon or something?
23:31I'm the president of Ichigo Productions.
23:34President!
23:35Now is the time to attack Sensei D. Komachi.
23:38Let's make an original song!
23:40Let's make it, president!
23:42Let's record it as soon as Kana cranks up!
23:45Let's do it, president!
23:48Actually...
23:49I've already ordered the song.
23:52No way!
23:53In the blink of an eye!
23:57I asked Himura-san to produce it.
24:02Himura-san is the one who made the representative song of D. Komachi, Starting Rain, right?
24:06That's right.
24:07But it's been more than a month since the deadline, and the demo hasn't come up yet.
24:13You're completely underestimated.
24:15The longer the career, the longer the deadline.
24:18So it may take time to finish.
24:20No!
24:21I want to hear it and sing it as soon as possible!
24:23Miyoko-chan, hurry up!
24:24Hurry up!
24:25I'm a busy person, so I can't force myself.
24:29A long time ago, Yoshimi, who took care of D. Komachi, gave me a special offer.
24:33No, no, no!
24:34Call me right now!
24:35Call me!
24:36I'm not announcing the release, so you don't have to rush.
24:42I'll go and hurry up.
24:46Ruby, wait a minute!
24:51Thank you for your hard work.
24:53Thank you for your hard work.
25:04You go out alone right after the shooting, right?
25:09Where are you going?
25:11To the uncle's room.
25:13I'll be right back.
25:19Himura-san, I'd like a rock song, please.
25:23Okay, okay.
25:24I'd like to hear a lot of Hiburabushi.
25:28Himura-san!
25:30I'm Ruby Hoshino of D. Komachi!
25:33I'm Ichigo Prono.
25:34I heard you were going to sing, so I came to see you.
25:39By the way, when can I get the original song of D. Komachi, which ended last month?
25:46Oh, I'm sorry. I'm a little busy right now.
25:50At the end of this month...
25:51Please.
25:53Don't think about it when you're an adult.
26:01It doesn't take long for an idol to be an idol.
26:04We are running now.
26:08I'm looking forward to it.
26:12I'm looking forward to Himura-san's song.
26:16I look forward to working with you.
26:24See you.
26:28What?
26:31D. Komachi?
26:38What?
26:48It's a prank, isn't it?
26:50I can't help it.
26:51Did you write a masterpiece?
26:53No, no, no, Himura-san.
26:54I haven't written a song yet.
26:56Creators are people who get fired up by simple things.
27:03I'd like you to write a song.
27:05Bring me the fire.
27:08Yes.
27:10Himura-san, please write our song.
27:17How is it?
27:20I think it's a good ending.
27:24I think so, too.
27:27So, are you going to send it soon?
27:31Oh, just one more time.
27:34It's all my fault if I fail.
27:40Why don't you stop doing that?
27:44What?
27:46Certainly, the quality of the script is important.
27:52But that's not all.
27:56A drama is not made by one person.
27:59So, as the person in charge of the script, we gave you a book.
28:09Leave the rest to us.
28:14Yes.
28:16I'll send it to you.
28:23Excuse me.
28:24Yes.
28:26A few years ago, I read your book.
28:32Your book?
28:35What?
28:37How do you know I wrote it?
28:40I heard it from you.
28:45I see.
28:47It's my favorite book.
28:51It's my favorite book.
28:58I have a lot of them.
29:21You gave me a difficult book again.
29:37It's so good.
29:39I can't believe it.
29:41As expected of you.
29:43I can't wait to record it.
29:45When will you upload it?
29:47Tomorrow.
29:48We can meet on the weekend.
29:53I'm back.
29:54Welcome back.
29:55Aqua, I got an original song.
29:58It's a great song. Listen to it.
30:00Okay.
30:01Aqua, this is for you.
30:12Aqua, listen to it.
30:15President, I made a song.
30:18Why don't we make a music video?
30:20That's a great idea.
30:22I can't make a music video.
30:24I don't have the budget.
30:26Don't worry.
30:27My friend, a video creator, will pay for it.
30:32You're a good friend.
30:35But her company is in the countryside.
30:38We can't shoot there.
30:42What's that?
30:43Miyazaki.
30:46Miyazaki?
30:49What's famous there?
30:50Mango.
30:58Shiro.
31:00Shiro.
31:01Shiro.
31:02Shiro.
31:03Shiro.
31:04Shiro.
31:05Shiro.
31:06Episode 2
31:21Director.
31:23What?
31:24We can't shoot the temple today.
31:26I know.
31:27We have to hand it over to the editor by 10 p.m.
31:30I know.
31:32Let's roll.
31:33Okay.
31:45No way.
31:49Action.
31:50Action.
31:54Ready.
31:55Action.
31:56Action.
31:59Action.
32:02The final episode is a traditional festival.
32:07The festival is the climax.
32:27I want to be like you.
32:29So, I decided to be an actress.
32:35Mom!
32:37You said you'd come back, right?
32:40Look at me.
32:42I'm Kana Arima, who screams with all her might.
32:45I'm a professional actress.
32:47I'm a professional actress.
32:49I'm a professional actress.
32:50I'm a professional actress.
32:51I'm a professional actress.
32:52I'm a professional actress.
32:53I was attracted to Kana Arima, who screams with all her might.
32:59No. 22 and No. 23.
33:02Please audition.
33:03Okay.
33:08Kana Arima.
33:11Kana, what's your favorite food?
33:13Wabu-kun.
33:14Wabu-kun is delicious, isn't it?
33:15Yes.
33:16Kana, please prepare a lot.
33:18Kana, you're so cute today.
33:20It suits you.
33:21Kana.
33:24I always watch TV.
33:29Who is it?
33:30It's my son.
33:32No matter how much I was ignored,
33:35no matter how many times I was cast,
33:38my longing for you didn't change.
33:44I'm here because you're here.
33:49And now, we're on the same boat.
33:54I've been looking forward to the day I can fight against you in a play.
34:02Watch me.
34:04It's my turn this time.
34:07I won't lose, Kana.
34:09No. 23.
34:15Kento and Tsurugi, played by Himekawa and Arima,
34:18finally arrive at the real culprit of a series of murder cases.
34:24The mastermind was Saya, played by Akane.
34:30I, who was informed of the truth,
34:33tried to save Saya,
34:36but Saya committed suicide in despair.
34:42The climax is a scene where Saya, covered in blood, is held up and chased.
34:50Are you enjoying the play?
34:57The more you get into the play, the more you look like you're suffering.
35:06Just like me.
35:10We'll resume in five minutes. Get ready.
35:13Yes.
35:36Your trigger is guilt.
35:42Guilt?
35:44When you get into the play and feel fulfilled,
35:48when you feel the joy of living,
35:52you'll definitely panic.
35:57You'll think to yourself,
35:59You'll definitely panic.
36:04You like the play more than you think.
36:12When this play is over,
36:14leave the entertainment world and focus on your treatment.
36:20I don't care what happens to me.
36:29Besides, the play is just a means to stay in the entertainment world.
36:42It's been a long time.
36:45I can imagine what you're going to do in the entertainment world.
36:52But don't push yourself too hard.
37:00Use everything you can to make up for your lack of talent.
37:06That's how I do it.
37:12Anger and regret.
37:16Sadness and revenge.
37:30That's it.
37:35That's it.
37:37For me, acting is revenge.
37:45It looks good in the picture. Let's go with this.
37:51Are you okay? You're sweating a lot.
37:54I'm fine.
37:56Director, we have 15 minutes left.
37:59I know. Let's do the play.
38:01Let's do it.
38:04We don't have time.
38:06No more tests.
38:08No more NGs.
38:10Do your best.
38:15Play.
38:17Ready.
38:18Play.
38:25Start.
38:43I couldn't do anything because I was powerless.
38:48I couldn't do anything.
38:50I couldn't do anything.
38:52I couldn't do anything.
38:54I couldn't do anything.
38:56I couldn't do anything.
38:58I couldn't do anything.
39:00I couldn't do anything.
39:02I couldn't do anything.
39:04I couldn't do anything.
39:06I couldn't do anything.
39:08I couldn't do anything.
39:10I couldn't do anything.
39:12I couldn't do anything.
39:14I couldn't do anything.
39:16I couldn't do anything.
39:18It's not your fault.
39:25I'm begging you.
39:28Please forgive me.
39:34I'm sorry.
39:36I'm sorry.
39:38I couldn't be with you.
39:40I wanted to be with you forever.
39:48I wanted to be with you forever.
40:00I'm sorry.
40:02I'm sorry.
40:04I'm sorry.
40:16I'm sorry.
40:18I'm sorry.
40:28I'm sorry.
40:30Cut.
40:32Okay.
40:35Director, please go ahead.
40:37There's a car parked over there.
40:39Okay.
40:41I'm going ahead.
40:43Mr. Daida.
40:46I'm going to pick it up.
41:01Kana.
41:06Thank you so much for this time.
41:10Today's play was great, too.
41:12You're a genius.
41:15You'll be a genius when you grow up.
41:20No.
41:24Mr. Daida, please go ahead.
41:28I'm going to pick it up.
41:29I'm going to pick it up.
41:40The real genius can be seen at a glance.
41:47I'm just...
41:50I'm just desperately devouring it.
42:09Thank you for your hard work.
42:16I'm a minor.
42:19I'm kidding.
42:22Could you give me some time after this?
42:25You're meeting a girl today, aren't you?
42:29Yes.
42:38What's this?
42:55Let me hear it.
42:57It's about you and me.
43:00It's about my father.
43:26It's about you and me.
43:27It's about my father.
43:28It's about my father.
43:29It's about my father.
43:30It's about my father.
43:31It's about my father.
43:32It's about my father.
43:33It's about my father.
43:34It's about my father.
43:35It's about my father.
43:36It's about my father.
43:37It's about my father.
43:38It's about my father.
43:39It's about my father.
43:40It's about my father.
43:41It's about my father.
43:42It's about my father.
43:43It's about my father.
43:44It's about my father.
43:45It's about my father.
43:46It's about my father.
43:47It's about my father.
43:48It's about my father.
43:49It's about my father.
43:50It's about my father.
43:51It's about my father.
43:52It's about my father.
43:53It's about my father.
43:54It's about my father.
43:55It's about my father.
43:56It's about my father.
43:57It's about my father.
43:58It's about my father.
43:59It's about my father.
44:00It's about my father.
44:01It's about my father.
44:02It's about my father.
44:03It's about my father.
44:04It's about my father.
44:05It's about my father.
44:06It's about my father.
44:07It's about my father.
44:08It's about my father.
44:09It's about my father.
44:10It's about my father.
44:11It's about my father.
44:12It's about my father.
44:13It's about my father.
44:14It's about my father.
44:15It's about my father.
44:16It's about my father.
44:17It's about my father.
44:18It's about my father.
44:19It's about my father.
44:20It's about my father.
44:21It's about my father.
44:22It's about my father.
44:23It's about my father.
44:24It's about my father.
44:25It's about my father.
44:26It's about my father.
44:27It's about my father.
44:28It's about my father.
44:29It's about my father.
44:30It's about my father.
44:31It's about my father.
44:32It's about my father.
44:33It's about my father.
44:34It's about my father.
44:35It's about my father.
44:36It's about my father.
44:37It's about my father.
44:38It's about my father.
44:39It's about my father.
44:40It's about my father.
44:41It's about my father.
44:42It's about my father.
44:43It's about my father.
44:44It's about my father.
44:45It's about my father.
44:46It's about my father.