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00:00This is the 2.5 hour special of Shogun's Ritual, Reiwa's Ritual, and Unbelievable Shocking Person!
00:07Please watch the 2.5 hour special while eating well.
00:10It would be nice if there was something to eat.
00:12It would be nice if there was.
00:13But isn't it good to have a little bit of shock and stimulation now?
00:17What?
00:18What was that?
00:19What was that?
00:20What was that?
00:21What was that?
00:22While I was talking for a moment, I was like, oh, I forgot the subject.
00:25Yeah, I couldn't see the scenery at all.
00:27Today's guest is actor Naohito Fujiki.
00:31He has a body that wakes up at an unbelievable time after getting old.
00:37When you get older, you wake up earlier in the morning.
00:41I've heard of that, but what time is it?
00:43Around 4 o'clock.
00:44That's early.
00:45That's early.
00:46That's the time I went to bed yesterday.
00:48That's right.
00:49You sleep late.
00:50Do you go to bed early?
00:51I go to bed pretty early.
00:53If I don't have anything to do, I eat.
00:55If I drink alcohol, I get drowsy.
00:58But when I get late at work, for example, at 1 or 2 o'clock, I come home.
01:02Late at night.
01:03I wake up at 4 o'clock.
01:04What? You don't sleep?
01:06The time I wake up is probably the time the clock inside the house rings.
01:09I went to bed at 11.30 last night.
01:11I woke up at 6.30 today.
01:13I've been waking up at 6.30 every day lately.
01:15I don't need anything.
01:17What are you doing?
01:18You don't have to set an alarm.
01:20I don't have to set an alarm in the last three years.
01:23I don't have to shoot early in the morning.
01:26I can go to work normally.
01:27I don't want to waste my time in the morning.
01:29I'm doing something that no one else is doing.
01:32What are you doing?
01:33I'm doing Billy's Bootcamp.
01:36I haven't done it.
01:38I haven't done it.
01:42It's amazing that you left that video.
01:44I happened to find it.
01:46It's a DVD.
01:48Captain Billy is probably retired.
01:51I'm probably the only one who's retired.
01:53You're the captain now.
01:55You're the captain.
01:57I'm sure Billy is happy.
01:59What do you do when you wake up at 4 o'clock?
02:01What do you do when you wake up at 4 o'clock?
02:03But it's still cool in the summer.
02:06Before the sun rises.
02:07So I go jogging.
02:09I go jogging.
02:11When I run, I wear sports sunglasses.
02:16After running, I came home.
02:18I took the glasses off.
02:19I took off two glasses.
02:22I thought, is that possible?
02:23I put on the glasses I wore in the morning.
02:28I don't want Fujiki to do that.
02:32It's lonely to get old.
02:36But that's what happens.
02:37I'm a little sad.
02:39I don't want you to say that.
02:42It's a morning story.
02:44What?
02:45I post pictures of Asahi on my Instagram stories every morning.
02:51I decided to do it once.
02:53I set an alarm at 4.30 a.m. during the summer.
02:58I set an alarm every time, took a picture, and posted it on my Instagram stories.
03:02Then I went to bed.
03:03You went to bed?
03:04I went to bed again.
03:05That's amazing.
03:06It's amazing that you can go to bed twice.
03:07No, no, no.
03:10It's impossible.
03:12If I go to bed, I think I'll wake up, so I try to sleep.
03:16What?
03:17If I wake up, I can't sleep.
03:19Is it that hard to sleep?
03:21I think I need physical strength.
03:22That's why I'm young.
03:23Are you serious, Anju?
03:25Actress Anju Suzuki said there was an unbelievable incident that made her feel old.
03:34I do this all the time.
03:36I'm going out of the house to go out by car.
03:39I go to the parking lot of the apartment.
03:41I forgot my car key.
03:45I went back to get my car key.
03:49I got my car key.
03:50I got out of the car.
03:51I was going to drive.
03:52I didn't wear my glasses.
03:56I have nearsightedness and astigmatism.
03:59So I definitely need glasses when I drive.
04:02But when I'm in my daily life, I look far with my left eye and close with my right eye.
04:08I live in an autofocus.
04:10So I don't notice.
04:12When I look far away, I can't see.
04:15So I go back to get my glasses.
04:20I'm so tired.
04:22Were there so many people from Kansai?
04:25That's right.
04:27It's hard to see.
04:30There are people from Kansai.
04:32If all the people in Kansai were from Kanto, I wouldn't be here.
04:35I agree.
04:37I'm being influenced by many people.
04:39I'm being pulled by many people.
04:41You're being pulled by many people.
04:45She's more like a village girl than us.
04:50She has dark eyes.
04:53She's like a Naniwasha.
04:55She hasn't disappeared yet.
04:57She's been so far away.
04:59She hasn't disappeared at all.
05:01She used to be a model for POPTAIN.
05:04YUMEPOTE has become popular with the younger generation.
05:09Recently, when she returned to Tokyo from a location in Hokkaido,
05:13she was involved in an unbelievable trouble.
05:17It's a modern look.
05:20YUMEPOTE's looks.
05:23When I went to a location in Hokkaido,
05:26I flew from the airport in Hokkaido to Haneda.
05:29The sky in Haneda was full of thunder and rain.
05:32I decided to go to the airport.
05:34I was surprised.
05:37It took about two hours to get to the airport.
05:42I arrived at the airport at 12 o'clock at night.
05:46I thought I could get off the plane,
05:48but I didn't know what was going on.
05:52I woke up and looked at the sky.
05:54It was morning.
05:56I was on the plane for the first time until morning.
06:01I was on the plane in Hokkaido for about 10 hours.
06:06No one was bad, so I couldn't see it.
06:09I've never been on a plane like this.
06:12I thought it was a defect.
06:14It's very rare.
06:16I thought it was a defect.
06:18I don't use the word defect.
06:21I thought the plane was like this.
06:24I was surprised that it was impossible.
06:27There are many cases like this recently.
06:30I went back to Hokkaido the other day.
06:32I couldn't get off the plane.
06:34I got on the plane at 11 o'clock at night.
06:38When I arrived at Haneda,
06:40I couldn't get off the plane.
06:42I had to wait in line to get off the plane.
06:45I had to wait in line to get off the plane.
06:48I got off the plane, but I couldn't move at all.
06:51I thought I was walking.
06:54When I got off the plane, I was in a taxi.
06:58I thought I was going to die.
07:01I thought I was going to die.
07:03I thought I was going to die.
07:05I'll use it next time.
07:07It's a good phrase.
07:09In addition, a senior entertainer from the same agency as Tsuchida
07:13I was shocked because I was too stupid.
07:18My senior entertainer is called Higo.
07:21Higo is a fool.
07:24I was talking about idols.
07:26I was talking about idols of each generation.
07:28For example, I watched Oniango Club.
07:30I was talking about SMAP.
07:33Who is Higo?
07:35It's the Shingo family.
07:37The Shingo family consists of Go Hiromi, Noguchi Goro, and Saijo Hideki.
07:41The Shingo family consists of Go Hiromi, Noguchi Goro, and Saijo Hideki.
07:42Ariyoshi asked me,
07:43Ariyoshi asked me,
07:45Don't make fun of me.
07:46Don't make fun of me.
07:47Hiromi, Go, Hideki, and Goro.
07:50There are four people.
07:53Hiromi and Go are also included.
07:55There are four people.
07:57I can't betray them.
07:59I thought they were amazing.
08:01I thought they were amazing.
08:02I wondered why they were the leaders.
08:04No one hurts them.
08:06It's a saminai.
08:08But when I was on stage, I was able to say the lines.
08:13When I was an actor, I had a way to live.
08:17I don't know if I'm better suited for acting.
08:20I can't be a freelance actor.
08:21I can't be an ad-lib.
08:23I can't say that.
08:24I can't be an ad-lib.
08:26I'm an idiot because I can't say that.
08:30You and Jimon are two different people.
08:32I just say that.
08:35Amazing.
08:36Jimon only thinks about himself.
08:39I only think about myself and meat.
08:42Amazing.
08:43Amazing.
08:44It was a miraculous trio.
08:46Oh, yeah, so stick on auto show on a Joshi Kiwa, they were no he Joshi Ki
08:53Mariko Toshino, how can you say that?
08:56Thank you much. Well, I think I saw it. You are the static. It's a quality. What does that mean?
09:01Show on a show like say that you are worried. You could also start on a Cheney. What do you think you thought they eat up?
09:09One June a couple moves in go to it. Oh my god
09:12Don't know
09:22So I said I know cause a gin no e-mail you mean the only a hand are they don't talk
09:31Fuck it up
09:37So got the whole I don't like this car I don't think I'll tell you
09:41Hey, what do I get tiny are you in show on a show?
09:45I'll say that's no idea. They're higher. Don't you can see you know, I saw beat on war
09:50Yeah, yeah
09:56Narita and oh my god, you don't know me. I don't come by my show
10:02Ah
10:05Shikoku tomorrow, so you say show no kid. It's not me. I know how to do you
10:10Hey, thank you. No, can you go?
10:12Oh, they thought no kids. I got you. No need to use skateboard
10:17Hey, baby. Come on girl. Super. I don't know. I can't be single now
10:22You've got a little some of them on a monkey. Don't you?
10:26Nippon don't be like you're just a demo. You're cute. Oh, don't call me muss
10:30Come kind of a mama
10:32She can show do you show you know, do you like drama?
10:36I guess I couldn't go I got you wishy-washy. I don't know. She's the answer. Come on. You're not that
10:40Sorry, it's me. I know it's all go. Okay. You must come. Yes. I don't know. You must go. Do you go to do you must?
10:46You know, I mean, that's not a keen enough to bond I do
10:49My own name. Oh, it's cool. Come on
10:53suck on she can she hold on you, you know
10:56Walk, no, you may jingo show you know, I can't mean
11:01Okay, you know, it's the no hudson. I enjoy she cuts don't choose
11:07Okay, I'm sorry. They're not up to push them
11:10Mother, I was up to you. Thank you. They've seen you know, I got to you know, Joe Joe Demo
11:16What a good I got us. We got our kiss case
11:19Sumo
11:21Limbo no telebikyo kua sponsor ariki debunking anita teirutame
11:27So she's a fusio. She'll go. She's a new majin. Ma. Koba
11:33Matama churro kuzumi no mono de attemo katto oshite hosou suru no ga tsurei ni natte imasu
11:41No, a kyo wa terebi nomi narazu
11:44Hey, Gaya, Sabu-sukuna
11:47Komi, girl. She's a bigot. Okay. You'll have to be the vitality. They have to go
11:53Hi, you know, bring your Yakubetsu no shioh, Nado, Niyori
11:57Saki no koukai. No, he's she
12:01Mata, and can you know the case? No, she must she cos you told it
12:09Saki nitsumi one night
12:12You know, they are a
12:13Sonosaki, you know, Milka. No, I'm done. But you don't know you don't know you can
12:20Show you
12:22No, no, bye-bye. This rush. It was music
12:26Saki, Nita, you know, okay. Do you see me now?
12:30Gay, no, no, no, no, no
12:33No, I think you must go
12:35More than demo it's good enough to move you this car. I don't know. Can you not do that?
12:39I said, you know how that we know on that isn't it? Yeah
12:42Don't mean I have a cook who's gonna end it. So
12:46Not got that I'm already
12:48Goodman choke on this kid. Oh, come on. Go to there. What's up? I don't want to knock out the go-to-go
12:53I got the union. Oh, come on. I don't think you're a doctor
12:56Are you a condom? Yeah, it's not a more movie. It's more net
13:00You know
13:05You didn't mind you did it. I don't got to do that. I don't see it. No, I don't know
13:09I'm gonna go again. I did I don't know
13:11Book on it. You're correct. Oh, no. It's all done to you. That's more you got more
13:14She needs to go kids do you see what I'm gonna take it out?
13:17What are you must up to you? What I thought? Oh, I'm so much in touch. I don't know what I'm she
13:20Oh, I don't know. What are you doing? We didn't I don't care. I don't think you're going to do it. Oh, I don't know. Yeah
13:56Nikko
14:26So
14:56I
15:26I think that's a good thing.
15:28If an actor is playing a role in a movie,
15:32and that actor causes an accident,
15:34it doesn't matter if it's an affair or something else,
15:36but if he causes an accident,
15:38for example, people like me,
15:40or Maeta-san,
15:42we express our thoughts, right?
15:44If that's an affair,
15:46and if expressing our thoughts
15:48is considered strange,
15:50if that's the case,
15:52if that's the case,
15:54we don't know if we can't get out of it.
15:56But if an actor
15:58is just acting,
16:00why can't we get out of it?
16:02It's a mystery.
16:04It's strange, isn't it?
16:06His thoughts don't appear.
16:08Because he's acting.
16:10He's just acting.
16:12That's why it's a mess,
16:14and there's no reference.
16:16That's right.
16:18That's why it's so confusing.
16:20It's the same with music.
16:22If you release a song,
16:24it's a disaster.
16:26It's a case like that.
16:28Yes, even outside of movies,
16:30when an artist causes an accident,
16:32for example, with drugs,
16:34it's a case like that.
16:36It's a case like that.
16:38It's a case like that.
16:40It's a case like that.
16:42It's a case like that.
16:44It's a case like that.
16:46It's a case like that.
16:48I think it's important to decide.
16:50When you make a film,
16:52you have to make a contract
16:54with the content of the contract,
16:56including crime and infringement.
16:58You have to make a contract
17:00that you can't release
17:02the moment it happens.
17:04That's what a commercial is.
17:06That's right.
17:08Even if you make a contract,
17:10it's not good to make it
17:12with a title
17:14or a title.
17:16That's right.
17:18The decision is decided
17:20by the mood of the world
17:22and the atmosphere.
17:24If you think about it,
17:26it's a matter of mood.
17:28The atmosphere.
17:30You don't want to be told
17:32you're not good enough.
17:34You don't want to get involved
17:36in trouble.
17:38You'll end up with
17:40just a human weakness.
17:42That's right.
17:44If the commercial you're working on
17:46lowers the image of consumption,
17:48it's a loss-gain.
17:50That's what you're talking about.
17:52That's the biggest problem.
17:54Does that apply to everything?
17:56Like TV appearances
17:58and movie appearances.
18:00But you may not
18:02have to do that anymore.
18:04We're getting closer to that.
18:06We're actually getting closer to that.
18:08There's a slight difference.
18:10Sensually.
18:12If you move,
18:14it becomes a problem.
18:16If you have a meeting,
18:18it's about whether
18:20that meeting was good or not.
18:22If you have a meeting,
18:24it's mostly about failure.
18:26It's about feeding the elements
18:28that are being hit.
18:30If you buy a product,
18:32you buy a product.
18:34Why don't you buy it?
18:36Then you have no choice but to quit.
18:38You have to have a meeting.
18:40You have to ask them
18:42to listen to you.
18:44That's right.
18:46It's a excuse.
18:48Is there anyone who's been able to
18:50recover from that?
18:52I don't think so.
18:54Like Ebisu, the manga artist?
18:56Yes, he's been out of business.
18:58In 1998,
19:00Ebisu Yoshikazu
19:02was arrested for
19:04gambling.
19:06At the next day's
19:08apology meeting,
19:10he said,
19:12I won't gamble again.
19:14I don't want to be
19:16grounded.
19:18Then,
19:20the reporters laughed
19:22and he was in a good mood.
19:24He was grounded
19:26for only three months.
19:28However,
19:30he became popular
19:32with a unique character.
19:34It's an open-ended meeting.
19:36I don't think anyone can
19:38overcome it.
19:40Hikakin, for example.
19:42He was in a good mood.
19:44Yes, he was.
19:46It's true.
19:48There's a pattern
19:50that you can get rid of
19:52a small problem
19:54by solving it quickly.
19:56However,
19:58there are some people
20:00who get hit more and more
20:02because of that.
20:04It's a feeling.
20:06As a trigger,
20:08I don't know
20:10where to start.
20:12I just spread out.
20:14You can't decide
20:16what to do.
20:18You're in a state of suspicion.
20:20The element of absurdity
20:22is too wide.
20:26It's all over the place.
20:28If you get hit
20:30by absurdity,
20:32you can't get out of it.
20:34You can't face it.
20:36However, there are people
20:38who face it strongly.
20:40It's a waste of the system
20:42to get rid of it.
20:44That's true.
20:46I don't like it
20:48when I'm hit
20:50and I can't get out
20:52because I'm in a state
20:54of suspicion.
20:58I don't think it's good.
21:00I think it's good
21:02if there are mentally strong people
21:04who want to stay.
21:06I think it's good.
21:08I think it's better
21:10to quit if it's impossible.
21:12It's not suitable for this era.
21:14I don't want people
21:16to push themselves too much.
21:18I think it's been like this
21:20since humans came out.
21:22So we have to wait
21:24for humans to disappear
21:26from entertainment.
21:28I think it's good
21:30if AI Kami Shingo
21:32or avatar Kami Shingo
21:34can do it.
21:36As a talent,
21:38I want him to do it.
21:40I'll make grapes.
21:42I'll quit and make grapes.
21:44I'll have another face
21:46on the next road.
21:48If it's not like that,
21:50I'll have to face
21:52the problem
21:54that I don't understand.
21:56In fact,
21:58AI models created
22:00by AI technology are active.
22:02This is an AI model
22:04named Luna.
22:06It was featured
22:08in fashion center
22:10Shimamura's ad
22:12and became a hot topic.
22:14AI model company
22:16that deals with such ads
22:18provides many
22:20AI models.
22:22In the future,
22:24AI will create models
22:26that fit the image of companies
22:28and ads.
22:30Unlike famous people,
22:32they don't have to worry
22:34about scandals like pudding.
22:36They have a low
22:38skill level.
22:40I think the biggest problem
22:42of global TV is
22:44what to do with entertainment.
22:46I think it's a temporary job.
22:48It's the same now.
22:50The format of all programs
22:52is the same.
22:54I don't know
22:56where the arrow
22:58will come from.
23:00I think it's a big problem.
23:02I think it will get worse.
23:04I can't say black jokes.
23:06It's amazing.
23:08I think it's a temporary job.
23:10I think there are more
23:12safety nets for people who disappeared.
23:14If you think about it
23:16including the internet,
23:18you can do whatever you want.
23:20You can create your own space.
23:22You can do live streaming.
23:24That's one thing.
23:26But I think
23:28if a lot of people
23:30disappear from TV,
23:32the way to come back
23:34is a very tough road.
23:36It's really tough.
23:38Of course,
23:40it's impossible to
23:42keep the original brand.
23:44But there are
23:46many other ways.
23:48It's just a way to live.
23:50So,
23:52it's important
23:54not to worry about
23:56easy-to-understand brands.
23:58But the income
24:00will change a lot.
24:02It depends on
24:04what kind of life
24:06you want to live.
24:08It's a way of life.
24:10I think it's the way
24:12to face the time
24:14left in your life.
24:16Is it really fun
24:18to be a TV host?
24:20Yes, it is.
24:22Don't you get tired of it?
24:24No, I don't think
24:26I'm getting tired of it.
24:28It's because you have money.
24:30That's true.
24:32You don't know
24:34what will happen to you
24:36when you become poor.
24:38There are some cases
24:40where you become poor later.
24:42It's like rock-paper-scissors.
24:44I don't think it's a good idea.
24:46That's why
24:48I don't feel like
24:50fighting anymore.
24:52I don't care.
24:54That's how I feel
24:56including your reactions.
24:58I wonder why
25:00I made a fuss about it.
25:02I'm sure people will think like that.
25:04If I say that,
25:06people will forget
25:08what I said.
25:10I'll keep what I said.
25:12Do you think Japan and the U.S.
25:14are the same?
25:16I think the U.S. is more strict.
25:18I think Japan and the U.S.
25:20are the same.
25:22I see.