Kyosokyoku - 協奏曲 - E10
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00:30I'm sorry. I'm Hirotsu from the Tatsumi House.
00:53The president wants to see you.
00:57I was talking on the phone. I'm getting ready to move out.
01:01If you're moving out, I'll help you out.
01:03Please feel free to ask me for anything.
01:06I'll leave it up to you.
01:09I'd appreciate it if you could give me an hour.
01:11I'd like to ask Mr. Takakura to come with me.
01:13I'd like to talk to him.
01:14He's been invited too?
01:16Yes.
01:17Mr. Takakura said he'd like to come with you.
01:19He's waiting for someone else.
01:21It's such a nuisance.
01:23Besides, I don't have a reason to see Mr. Tatsumi.
01:26If you don't mind, I'd like to talk to him.
01:28Mr. Takakura.
01:35This way, please.
01:37Thank you for coming today.
01:41I've been waiting for you.
01:47I'm not kidding.
01:50Are you really coming today?
01:57Don't surprise me like that.
02:00Are you sure?
02:01Yes, I am.
02:02Mr. Takakura is going home.
02:04It's been a while, hasn't it?
02:06Yes, it has.
02:08It's the last time I've drawn a picture of your house.
02:11It's been about eight months since then.
02:13No, it's been about a year.
02:15It's been that long?
02:18You're right.
02:20Hello, hello.
02:21It's been a long time.
02:22I've been waiting for you.
02:25This way, please.
02:28I'm sorry to trouble you again today.
02:33Thank you for coming.
02:36Don't mention it.
02:40Thank you very much for your help.
02:46I won the first prize at the competition in February.
02:52I won the first prize at the competition in February.
02:55Did you give me a tour?
02:57I heard it on the phone.
02:59That design was really good.
03:03I was impressed that you were a good teacher.
03:07He drew half of it.
03:09I heard it when I received it.
03:13I'm glad you came here today.
03:20So?
03:23I asked my family to draw a design based on the design you drew.
03:31But the Americans said it wasn't good enough.
03:35At this rate, the construction of the library will be delayed.
03:43What do you think?
03:46Could you draw a design for me?
03:52I'd like to ask you to do that today.
03:56Hey!
03:57Yes, I'm home.
04:01Excuse me.
04:10I have 200 million yen.
04:16I'll give it to you two.
04:18Think of it as a commission for the implementation of the design.
04:22I won the competition at the competition in February.
04:25I won the competition at the competition in February.
04:28I won the competition at the competition in February.
04:33I'm so happy.
04:37I'd like to ask you to help me.
04:46That's right.
04:50That's the condition.
04:52I see.
04:53Excuse me.
04:55Please don't say that.
04:59I know it's a good thing to ask you.
05:05Here you are.
05:13Let's make it 300 million.
05:17Our company's reputation is at stake in this project.
05:22Please.
05:29Why?
05:31It's 300 million.
05:35Don't you want money?
05:55You're always like this.
06:02How is she?
06:04How is she?
06:06What is she?
06:08She is Hana.
06:10How is Hana?
06:12Hana?
06:14Hana is with you, isn't she?
06:18With me?
06:20Right?
06:22No.
06:24She's not with you?
06:26No.
06:29When did she leave?
06:33When did she leave?
06:35She left when I finished my drawing.
06:41That day?
06:45What?
06:47You didn't see her after that?
06:51No.
06:59I want her to be with you.
07:03That's what I want.
07:11That's my decision.
07:15You have to believe me.
07:19I...
07:21That's what I want.
07:29You have to believe me.
07:33She left the house because of you.
07:39So I...
07:43I didn't see her.
07:47I went home alone.
07:51I thought I was living with you.
07:55Me too.
07:57I thought I was living with you.
08:01That's why I didn't call you.
08:10I went after you.
08:15And then you disappeared.
08:20I went after you.
08:24And then you disappeared.
08:26But why?
08:28But why?
08:30How long have you been in touch with her?
08:34A year.
08:38A year?
08:49A year.
09:07Anna?
09:19What's it all about, Alfie? Is it just for the moment we live?
09:36What's it all about when you sort it out, Alfie?
09:45Are we meant to take more than we give? Oh, are we meant to be kind?
09:59And if only fools are kind, Alfie Then I guess it is wise to be cruel
10:16And if life belongs only to the strong, Alfie What will you lend on an old golden rule?
10:33As sure as I believe there's a heaven above, Alfie I know there's something much more
10:56Something even non-believers can believe
11:26Konnichiwa!
11:28Irasshaimasen ka?
11:30Konnichiwa!
11:36Sensei! Long time no see!
11:40I'm sorry the door was open.
11:45I got a divorce three years ago.
11:51I used to work for him as a salesman.
11:59Now I work for Masa Suzuki.
12:04You work for Suzuki?
12:06He knows a lot about my marriage.
12:10I don't mind.
12:13I'm so happy right now.
12:18I came to see you today because I'd like you to design our house.
12:28Our house?
12:30Yes.
12:32It's an apartment.
12:34In Saitama, my parents left me a piece of land.
12:39It's a small piece of land.
12:42Next year, I'll have a child.
12:45Oh, I see.
12:47I don't know if I'll be able to pay for it.
12:51It's a small house, so I don't think you'll be able to design it.
12:57It's a small house.
12:59But I've always wanted to live in a house designed by you.
13:06I'm so happy for you.
13:08I'm thinking of moving to the countryside and taking it easy.
13:14I see.
13:16You don't want to live in a 17-bedroom house?
13:20That's not what I meant.
13:22You're a great man.
13:25You said you wouldn't let me design a house for a salaryman.
13:30But I met you last month.
13:34You told me to ask you for a job.
13:37Did you meet Hana?
13:39I was so surprised.
13:42Where did you meet her?
13:44In an asylum in Atami.
13:46Asylum?
13:48I didn't know you and Hana were separated.
13:52I was wondering why.
13:54Then we started talking about our house.
13:57Um...
13:59Where's the asylum?
14:02Here.
14:16Sorry I'm late.
14:17I'm sure you were busy. I could have been by myself.
14:19I was in the middle of a meeting.
14:21I've been thinking about it since yesterday.
14:24I went to a biotech company.
14:27Please.
14:28Two is better than one, isn't it?
14:32You met Mr. Ooki, didn't you?
14:35His name is Suzuki now.
14:41Anyway, you went to the souvenir shop in Ajiro, didn't you?
14:46On the way back from Ito in Fufu,
14:49I met him at a store selling dried fish.
14:54But why were you there?
14:58I don't know.
15:08You should have found him earlier.
15:12Do you think so?
15:16What will you do if you meet him?
15:19I'll take him home.
15:22Who? You? Me?
15:25Hana left my house.
15:28But she didn't go to you.
15:31In other words, she didn't choose either of us.
15:37She left.
15:41What would Hana think if she met us now?
15:47But you told her you were in Ajiro.
15:51I thought so.
15:54That's good, isn't it?
15:57I thought I'd go right after hearing that.
16:01I've been watching him since he was 20.
16:06He runs away when it's hard for him to choose.
16:11In such a case,
16:14if I pull his hand,
16:18he'll be happy.
16:21Are you going to take him home?
16:26Yes.
16:28I won't leave him to you for a year.
16:31I'm not leaving him.
16:33Anyway, I had an important meeting today.
16:37If I don't go today,
16:40I'll be arrested by the Osaka Trade Center.
16:45I won't be able to go.
16:48That's right.
16:51I'll be back tomorrow.
16:55I have a meeting at a new hotel in Nagano.
16:59I'm confused.
17:04What is it?
17:09It's me from 20 years ago.
17:12You always have a picture in your head.
17:17That's right.
17:20I can't wait to be born 10 years later.
17:26Why?
17:28What do you mean?
17:30It's like a dream to meet me for the first time.
17:34That's true.
17:37I don't know.
17:40Maybe I don't want to build this building.
17:46Everyone has a big job,
17:50but they're all the same.
17:53Remember the church we built?
17:56It's not as exciting as it was then.
18:01I don't want to go back to 10 years ago.
18:08You didn't feel that way, did you?
18:11I did.
18:13I did feel that way.
18:19But I forgot about it.
18:25I have to work.
18:28Right?
18:30That's what work is all about.
18:33That's right.
18:36That's right.
18:39That's right.
18:49It's good.
18:51By the way,
18:54about what we were talking about.
18:57You said you'd take Hana home.
19:04So what did I come here for?
19:10She doesn't feel the same way.
19:13She has the right to take me home now.
19:18What if I say no?
19:21What if I say no?
19:27I won't take you home this time.
19:33We'll talk about this when I meet her.
19:47I'm sorry.
20:17I'm sorry.
20:47I'm sorry.
20:53I have a question.
20:56I'm looking for a woman named Hana.
21:00She's my daughter.
21:03Oh, this girl.
21:05She was at the shop next door last month.
21:08She went to a ramen shop.
21:12I wonder what happened to her.
21:15The place where she lives is on the other side of the mountain.
21:22She said it was an apartment.
21:25An apartment?
21:36She moved in last month.
21:39She did?
21:41She lives in Kansai.
21:42Kansai?
21:44No.
22:05Let's go home.
22:08Take care of yourself.
22:11It's good that you know that.
22:23Excuse me.
22:25I want to take this home.
22:32Hold this.
22:48Are you okay?
22:52Be careful.
22:53Where are you taking this?
22:58Hold this.
22:59It's okay.
23:01Where are you taking this?
23:03Home.
23:05Home?
23:06A tree burned down.
23:10A tree burned down?
23:12Yes.
23:19Let's go.
23:36Let's go.
23:41Go straight.
23:43Wait a minute.
23:45Are you okay?
23:48Toshiko, bring the axe.
23:51Okay.
23:57Watch out!
23:59Let's go back.
24:01We should get off.
24:03We should get off.
24:04We should get off.
24:05What?
24:07We can't stay here.
24:09We should get off.
24:11We can't stay here.
24:16What are you doing?
24:18What are you doing?
24:20What are you doing?
24:22We have to fix the pillar.
24:25We fixed the pillar.
24:27We didn't fix it.
24:28It's broken.
24:33You'll get hurt.
24:35I'm fine.
24:37You should leave it to Daichi.
24:40He won't come next week.
24:42We can't fix it.
24:44I told you.
24:46Let's do it again.
24:48Toshiko, bring the axe.
24:51We should fix it.
24:53We should fix it.
24:55We should fix it.
24:56He won't listen.
24:58What should we do?
25:00We should fix the pillar.
25:02We should fix the pillar.
25:04We should fix the pillar.
25:06You should fix the pillar.
25:08We should fix the pillar.
25:11I understand.
25:13I understand.
25:15I need to ask Seiichi.
25:18Hey, Seiichi.
25:20He is...
25:22When did you meet him?
25:24When did you meet him?
25:26I'm an editor.
25:28I asked a friend of mine to build a temporary hut for me.
25:33But he said he had a job he couldn't leave.
25:37So I was late.
25:40My husband had a seizure.
25:43Where do you sleep?
25:46In the neighborhood.
25:48We split up and live separately.
25:53My daughter and I are relatives.
25:55It's lonely.
25:58We decided to build a temporary hut for everyone.
26:04But it's hard to build a house.
26:10Let's help Dad.
26:14I'll do it.
26:25I'll do it.
26:27Be careful.
26:29It hurts.
26:31Why did you do it?
26:33I'll do it.
26:37Hurry up and give me a hand.
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36:55Yes, this is Ebisawa.
36:57Hello, is this the teacher?
36:59It's me, Kakeru.
37:02I think I'm in the neighborhood.
37:07I don't understand the map you drew.
37:14Where are you now?
37:25I don't know.
37:36I don't know.
37:38I don't know either.
37:44You look great.
37:50I'm going to Chicago next week.
37:53Before that, I thought I'd check out your new house.
38:00Oh, I almost forgot. I'd like to move this bookshelf over there.
38:04Could you bring it over here?
38:06What?
38:07Could you bring it over here?
38:10Oh, okay.
38:13Did you have lunch?
38:15No, not yet.
38:16Is there any place nearby where I can eat?
38:18No, there's a bakery called Roast Beef.
38:22I'll take that.
38:24I'll take this one.
38:28You must be hungry.
38:29Yes, I am.
38:30Let's eat.
38:31You can sit over there.
38:32No, I'll do it.
38:33You came all the way here.
38:34No, I came here on my own.
38:36You can sit over there.
38:37I'll sit over there.
38:43What kind of work are you doing right now?
38:45I only have one job.
38:48What about you?
38:49No, I don't have a job.
38:53Is it fun to work like this?
38:55This is Masa Suzuki's house.
38:59It's closed.
39:00Do you want to take a look later?
39:01Did you rent that house?
39:02Yes.
39:04It's a small house, but it's quite spacious.
39:08Take a look later.
39:10Let me know what you think.
39:12Okay.
39:14Is this garden made of bricks?
39:16I don't think it's a garden.
39:20It's a three-bedroom house without a roof.
39:28The land is small.
39:30I have to build a lot of things.
39:34This is the outside room.
39:36Is this made of glass?
39:38Yes.
39:39If you build a room like this,
39:41there will be no space for the teacher.
39:44I don't think it's made of glass.
39:47I think the light will go through.
39:50But the wind won't go through.
40:05I've never seen anything like this.
40:08I don't think this is good.
40:10Let's make all the openings vertical.
40:13Vertical?
40:14Then the wind will go straight through the courtyard.
40:19But even if the windows are open,
40:21the building won't be beautiful.
40:26I see.
40:28Let's make it vertical.
40:30Then we can open it all the way.
40:32Then it'll be beautiful.
40:34That's a good idea.
40:35Then the whole house will be one room.
40:38The wind and light will go through.
40:52You didn't say it was white.
40:54It's red.
40:55You said it was white.
40:57You said it was red.
40:59I didn't say that.
41:00You said it was white.
41:01I didn't say it was red.
41:03You said it was red.
41:09What do you think?
41:10I like it.
41:12Is it spicy?
41:13A little.
41:20If I live alone in a place like this,
41:23I'll be a man who can't wait to eat.
41:34Good morning.
41:35Good morning.
41:45What do you think of living away from Takayu?
41:50I feel the air of the mountains in my head.
41:58It's nice.
41:59It's relaxing.
42:02I've been thinking about whether I should live in a place like this.
42:08When you're two years old,
42:10would you like to think about living on the map with me?
42:13You mean that?
42:17Does that mean I shouldn't go to Chicago?
42:22No.
42:27There's a house next door that's open next month.
42:34Really?
42:35Yes.
42:52It's a flat surface.
42:54What should I do with the flat surface and the cross section?
43:00Let's start from there today.
43:23TAKAYUKI
43:42It's different from what you're wearing.
43:44It's not simple.
43:46This is simple.
43:52TAKAYUKI
44:22TAKAYUKI
44:53TAKAYUKI
44:58TAKAYUKI
45:02TAKAYUKI
45:06TAKAYUKI
45:10TAKAYUKI
45:14TAKAYUKI
45:18TAKAYUKI
45:25TAKAYUKI
45:31TAKAYUKI
45:36TAKAYUKI
45:42TAKAYUKI
45:47Lord, something even non-believers can't believe in.