Adéntrate en el oscuro y escalofriante mundo del Manicomio Cresson con "Destino Terror: Manicomio Cresson," un documental que explora la historia macabra y los misterios que rodean este lugar abandonado. Descubre la verdad detrás de las leyendas urbanas, los testimonios de antiguos pacientes, y las inexplicables actividades paranormales que han convertido a Cresson en uno de los lugares más terroríficos del mundo.
Este inquietante documental te llevará a un viaje a través del tiempo, desde la construcción del manicomio hasta su misterioso cierre y posterior abandono. Descubriremos la historia de sus pacientes, muchos de ellos víctimas de tratamientos crueles e inhumanos, cuyas almas parecen seguir vagando por los pasillos y celdas. A través de imágenes de archivo, entrevistas con investigadores paranormales y testimonios de personas que han osado adentrarse en sus ruinas, desentrañaremos los secretos de este lugar maldito.
A lo largo del documental, se presentan numerosas evidencias de actividad paranormal, incluyendo grabaciones de audio y vídeo con fenómenos inexplicables, fotografías que revelan apariciones espectrales, y relatos de experiencias aterradoras vividas por investigadores y curiosos que se han atrevido a explorar el interior del manicomio. Escucharemos historias de voces susurrantes, sombras que se mueven, objetos que se desplazan solos, y la escalofriante sensación de ser observado constantemente por presencias invisibles.
"Destino Terror: Manicomio Cresson" no solo se centra en el misterio, sino que también analiza el contexto histórico y social que rodeó al manicomio, ofreciendo una visión completa de su pasado y su presente sobrenatural. Se exploran las prácticas médicas de la época, las condiciones de vida de los pacientes, y las razones que llevaron al cierre de este siniestro lugar. El documental busca no solo entretener, sino también generar una reflexión sobre el cuidado de la salud mental y el respeto a la memoria de quienes sufrieron en este lugar.
Prepárate para una experiencia aterradora. "Destino Terror: Manicomio Cresson" te hará cuestionar la realidad y te dejará con la piel de gallina. Este documental no es apto para personas sensibles.
Este inquietante documental te llevará a un viaje a través del tiempo, desde la construcción del manicomio hasta su misterioso cierre y posterior abandono. Descubriremos la historia de sus pacientes, muchos de ellos víctimas de tratamientos crueles e inhumanos, cuyas almas parecen seguir vagando por los pasillos y celdas. A través de imágenes de archivo, entrevistas con investigadores paranormales y testimonios de personas que han osado adentrarse en sus ruinas, desentrañaremos los secretos de este lugar maldito.
A lo largo del documental, se presentan numerosas evidencias de actividad paranormal, incluyendo grabaciones de audio y vídeo con fenómenos inexplicables, fotografías que revelan apariciones espectrales, y relatos de experiencias aterradoras vividas por investigadores y curiosos que se han atrevido a explorar el interior del manicomio. Escucharemos historias de voces susurrantes, sombras que se mueven, objetos que se desplazan solos, y la escalofriante sensación de ser observado constantemente por presencias invisibles.
"Destino Terror: Manicomio Cresson" no solo se centra en el misterio, sino que también analiza el contexto histórico y social que rodeó al manicomio, ofreciendo una visión completa de su pasado y su presente sobrenatural. Se exploran las prácticas médicas de la época, las condiciones de vida de los pacientes, y las razones que llevaron al cierre de este siniestro lugar. El documental busca no solo entretener, sino también generar una reflexión sobre el cuidado de la salud mental y el respeto a la memoria de quienes sufrieron en este lugar.
Prepárate para una experiencia aterradora. "Destino Terror: Manicomio Cresson" te hará cuestionar la realidad y te dejará con la piel de gallina. Este documental no es apto para personas sensibles.
Category
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Short filmTranscript
00:00We are back.
00:02Oh my God.
00:04And this time, we're going to get into the dark more than ever.
00:08God, what was that?
00:10It's scary.
00:11It's a huge property.
00:12It's like a small town.
00:13I feel like there's a tightrope between good and evil.
00:15You sit and listen.
00:17Were you a patient, an inmate, or something else?
00:19It's terrifying.
00:21What a strong chair!
00:22It's sinister.
00:23The property is a paranormal trifecta.
00:25They don't know what to expect.
00:31Come on!
00:33My name is Dakota Layden.
00:35I'm going with my sister and two good friends on a road trip
00:38to explore the most haunted places in the United States.
00:43Oh my God!
00:48Come on, come on, come on!
00:50I'm scared shitless.
00:51In order to experience fear
00:54and see how it affects our interaction with the paranormal,
00:57every night we separate and sleep alone.
01:00The catch is that only one of us knows where we're going.
01:06Horror Destination
01:11Las Vegas, Nevada
01:18Well, guys, it's been a long time since our last trip.
01:21We're a little rusty.
01:22It's time to ask you about your teams.
01:24Are we ready?
01:25Tanner, Renpo, what is this?
01:26Approved.
01:28Who's in here?
01:29We're leaving tomorrow and we're getting ready.
01:31I'm sure we're going to Kauai, so I'll take this.
01:33I have the most essential thing, a blanket.
01:37Are you ready for this?
01:38Oh, I'm never ready.
01:40It's a lot of stuff.
01:42Look at all these boxes.
01:43You only have a couple of friends.
01:44Don't lose them.
01:494,150 kilometers to Crescent, Pennsylvania
01:57Las Vegas, Nevada
02:05Well, the end of our last trip was insane.
02:10We went to Ireland and you only have one light.
02:14My candle's out.
02:16No, no.
02:18Shit! Dakota!
02:20As intense as the one in Ireland was,
02:22what I have planned this time around
02:24will make our trip the most challenging so far.
02:28What if we could go deeper into the darkness
02:31in every sense of the word, physically, emotionally, and psychologically?
02:36I want to see what happens when we go deeper into the darkness
02:39more than ever before to surpass the limits of our fears
02:42and be more vulnerable to paranormal activity.
02:46The majority of the nights we'll be in complete darkness.
02:51My first experiment starts now
02:56at a place that combines, in one place,
02:59some of the worst places we've ever explored in one.
03:03We are going to an isolated area in Pennsylvania
03:06to an abandoned sanatorium and prison.
03:13The paranormal activity has been reported
03:15since the facilities were in operation.
03:18They have seen apparitions in person with the whole body.
03:22Audible whispers have been heard without any equipment.
03:26And maybe most disturbing of all
03:28is that a mysterious entity takes over the voices of the visitors
03:32and manipulates them.
03:35This place has been haunted for a very long time.
03:39And above all, I have a very dark and twisted experiment
03:43that is going to impact everyone.
03:48Welcome to Pennsylvania.
03:5421 kilometers to the destination.
03:58Well, we are back on the road.
04:00We are in Pennsylvania right now.
04:04How are you?
04:06That's not good.
04:08I feel how much of it remains, and how hard it is.
04:11I'm not going to yell even once on this trip.
04:14I doubt it.
04:15It's going to be the biggest and worst place we've ever been to.
04:19How can it be worse?
04:20Here's the clue.
04:21This is the location.
04:22The place is practically like a city, that's how big it is.
04:25You'll find out a lot today.
04:26The theme of this new trip is going to be darkness.
04:29And I'm not talking so much about evil spirits,
04:31but that you physically can't see.
04:34Every time we sleep alone or do some kind of experiment alone,
04:39we won't have flashlights.
04:42What?
04:44No flashlights?
04:45No.
04:46You don't have a heart.
04:47This is a bad start.
04:48I don't think it's a good idea.
04:50So how do you expect us to see anything?
04:52You'll have to use your night vision camera.
04:55And the rule is for everyone?
04:57For everyone.
04:58For everyone.
04:59For everyone.
05:00For me too.
05:01For me too.
05:02Every time we've done an experiment in the middle of the dark,
05:04it's been a little bit scarier.
05:06You're not wrong, but you're still the worst.
05:10Tonight we're going to read the envelope.
05:12And in fact, I have something for all of you.
05:15I have something for our new trip.
05:18Cookies!
05:19Something like that.
05:20Chelsea, do you want to go first?
05:21Give it to me.
05:22Okay, Chelsea.
05:23Here you have a bandage.
05:25There you go.
05:27For everyone.
05:28Alex, your bandage.
05:29No, I'm recording the reading of the envelope.
05:31No, not this one.
05:32Why did you give it to us, Dakota?
05:34We will read it.
05:36Why did you give it to us, Dakota?
05:38We will soon arrive at Phantasmal Destination.
05:41I'm going to guide you one by one so you can go alone to different buildings.
05:44And from there, we'll read the envelope through the walkies.
05:47I don't feel good, Spina.
05:50Anyway, we're close.
05:52Time to put on the bandages.
05:58All right.
05:59Now I'm going to accompany you one by one to your position.
06:03Let me give you the cameras.
06:05Oh, no.
06:07Follow me, but be careful.
06:09Oh, God, man.
06:10To the shit.
06:14Oh, sorry.
06:15Can you listen to me?
06:16Sorry.
06:17God.
06:18Seriously, Alex.
06:19I think this is the most sinister building I've ever been in.
06:22I believe you.
06:23There are stairs here.
06:24Let's go up.
06:25Let's go in.
06:26Are we deep in here?
06:28All right.
06:29You feel it?
06:30I'm here.
06:31See you.
06:32Why do we let them get us into these things?
06:37It's not something friends usually do together.
06:39No.
06:40Do you want to be next?
06:41No.
06:42Rock, paper, scissors?
06:43No kidding.
06:44I know what you did, Tanner.
06:46I'm going to leave it to fate.
06:49Chelsea!
06:51It's Chelsea's turn.
06:52Am I next?
06:53Yes, you can.
06:54It's the last step.
06:55All right.
06:56No, there's one more.
06:57The floor is frozen.
06:58Come back here.
06:59Get out of here.
07:03I feel like I'm going very far.
07:07This is terrifying.
07:09I'm sorry, Chelsea.
07:12Now, left.
07:13I don't know what's worse.
07:14The place I'm going to or the journey to get there.
07:17It smells like mold.
07:19All right.
07:20It's probably...
07:21What?
07:22What was that?
07:23A door.
07:24I closed it.
07:25You scared me.
07:26This is scary.
07:28There's a chair.
07:29All right.
07:31Dude, there's some creepy noises.
07:36We're about a kilometer away.
07:39We're stuck in the middle of the snow.
07:42Any idea where you might be?
07:45Not a clue, to be honest.
07:47Okay.
07:51All right.
07:52See you, man.
07:55All right, guys.
07:57You can take off your blindfolds.
08:01Holy shit.
08:03I'm inside the pipe system.
08:06What are you talking about, Dakota?
08:08Under your chairs, you'll find an envelope.
08:11This is disgusting.
08:13What the hell?
08:14Feel free to open the envelope and find out where we're at.
08:20Crescent.
08:21Sanatorium.
08:22Prison.
08:23This could be the most terrifying place in the country.
08:27Not a good start.
08:29Chelsea, do you mind reading the first paragraph?
08:33Let's see how this goes.
08:36Buried deep in the dense forests of the lands
08:40dominated by bands of the state of Pennsylvania
08:44is the gigantic and undoubtedly intimidating complex
08:48of the former Crescent Sanatorium and Prison.
08:53I told the owner that he was sitting on a paranormal gold mine
08:56as soon as I saw it.
08:57I feel that there is a good and a bad tie between the good and the bad.
09:01The unique complex in the United States
09:05is made up of 20 gigantic buildings
09:08spread out over 14 hectares
09:12which are complemented by a system of sinuous and terrifying tunnels.
09:18Crescent is a paranormal trifecta.
09:20It is so over-infected from all three eras.
09:25The Sanatorium of Tuberculosis Allegheny
09:28was built on a land owned by Andrew Carnegie
09:32and was inaugurated in 1913.
09:35People came from all over the state
09:38hoping to find a cure for the deadly white plague.
09:41The facility was known for its revolutionary treatment plan
09:46which included a lot of free air,
09:48a high in vitamin A and protein food
09:51and more invasive measures
09:54such as neumothorax treatments
09:56to partially or completely collapse the lung.
10:00I still don't understand how this was a sanatorium and a prison.
10:04They seem like two totally different things.
10:07Yeah, I agree with Chelsea.
10:09I don't understand how they can be linked.
10:11It doesn't make any sense.
10:13Well, you'll find out.
10:14Alex, do you want to read the next two paragraphs?
10:16The treatments were highly sought after
10:19and eventually so many patients came in
10:22that they built a 122-bed children's ward.
10:26It is said that over the four decades of operation
10:29nearly 45,000 people were treated at the sanatorium
10:33and many of them died.
10:36Between 4,000 and 5,000 people died of tuberculosis on the property
10:40not counting the history of the prison.
10:42Sometimes the families didn't want to pick up the remains of their loved ones
10:45because they were afraid of getting infected.
10:47There are rumors that there are bodies buried.
10:50So many patients died at the sanatorium
10:53that the tunnels were allegedly used
10:56to discreetly remove the dead from the site
10:59and the institution would bury them
11:01in an abandoned cemetery in the vicinity.
11:04So you're telling me that they moved the bodies through these tunnels?
11:08Chelsea, you're in deep shit.
11:11How did I get so lucky?
11:13Read the next two paragraphs.
11:16Following the invention of antibiotics
11:18the facility became a hospital.
11:21They began to receive patients with mental disabilities
11:24and were open until 1983.
11:27They ended up closing but the state wanted to continue using the property
11:30so they began to build the state penitentiary.
11:34In 1987 the complex became SCI Crescent
11:40a male-medium security prison.
11:43Instead of the ground being filled with people
11:45who came voluntarily to receive treatment
11:48suddenly it was occupied by people
11:50who were involuntarily locked up inside.
11:53Tanner, so you're in the prison?
11:55I think so.
11:56Yo, dude, I'm starting to hear movement in this building.
12:00Seriously?
12:01Yeah, even when I had the bandage on
12:03I heard things and now I heard something at the end of the hallway.
12:06Okay, yeah, the statements are true.
12:09The prison had a considerable number of inmates
12:12with serious mental illnesses.
12:15The relationship between the guards and the inmates was delicate
12:18and since the prison was closed in 2013
12:21there have been alleged reports of abuse
12:24and unnecessary prolonged solitary confinements.
12:28Some of the abuses documented included
12:31that they undressed the inmates, tied them to the bed
12:34and electrocuted them repeatedly.
12:37Well, it sounds like I'm in the prison area.
12:40Yeah, Tanner, you're in a very bad place.
12:43Bloody hell.
12:44What? Chelsea?
12:45Chelsea, are you okay?
12:47I'm okay, guys, I'm okay.
12:49I was scared to death. What happened?
12:51It seemed like a huge door was closing on me.
12:54I can guarantee you that we didn't go in.
12:56What's that on me?
12:58The chapel.
13:00That's creepy.
13:04The most active areas are the administrative areas.
13:08The administration building was part of the tuberculosis sanatorium,
13:12the oldest in the complex.
13:14While it was in operation,
13:15the guards claimed to have seen the appearance
13:17of an entire body in front of the windows of the second floor
13:20when the building was completely empty.
13:23And that's where I am, guys.
13:25Alex, do you want to read the next ghost place?
13:28Okay, that's where I am.
13:30All right, let's see if I can figure this out.
13:32The children's courtyard.
13:34Built in the 1930s,
13:37it was used to treat children under the age of six
13:40who suffered from tuberculosis,
13:42and at one time housed the sanatorium's morgue in the basement.
13:46Though there are some spirits of playful children
13:49who still live among the walls,
13:51there is also a more aggressive presence lurking here.
13:55There's something that we like to call a lookout
13:58or a stalker, and it stays at the end of the hall.
14:01It's known that the shadow figures
14:03come out like an arrow and chase people down the corridors.
14:07They've captured hostile psychophonies here,
14:09and there's also a famous entity for its imitations.
14:12It imitated some of the people I was with.
14:15All of a sudden, our radio would go off
14:17and it would sound exactly like the person I was with.
14:20Their voice, everything.
14:21I had the radio off.
14:22I hadn't communicated with anyone.
14:24What in the world is going on with you?
14:26I also have to say that the ghost that is said to imitate people
14:29is one of the most famous claims here.
14:32Oh, my God.
14:33Okay, Chelsea, can you read the next part?
14:36Okay, here I go.
14:37The tunnels.
14:39Scattered around the entire property,
14:42the tunnels connect nearly every building in the complex.
14:46It's completely dark.
14:48There's no light in the tunnels,
14:50and it's really hard to see where you're going
14:52even with a flashlight.
14:54People have reported feeling followed
14:57and experiencing sudden and drastic temperature drops.
15:01Not many people have been here,
15:03and I can tell you that the tunnels are the least explored.
15:06I don't know.
15:07But I don't think it's a good idea to leave your sister
15:09in the tunnel system from the start.
15:12Tanner, if you want to read the last ghost place.
15:15What is it? Where are you?
15:16Block F.
15:18It's in the middle of the complex.
15:21Was Block F the mental health pavilion?
15:24Yes.
15:25Block F was sent to all the prisoners
15:27who suffered from serious mental illness.
15:30Well, that's going to raise it up a little bit.
15:32Block F looks to be coming in from the outside,
15:35but as I walked into it,
15:37I felt like I couldn't breathe,
15:38like I was being strangled.
15:40When the prison was open,
15:42several guards saw somber figures
15:44walking down the corridors
15:46after having locked up the prisoners in their cells.
15:49You go in there, and you just sit and listen.
15:52You can hear them moving,
15:54crouching between the paintbrushes.
15:56When you walk down the corridor,
15:58you get the feeling that if you turn around,
16:00there will be a hundred behind you.
16:02You hear things with your own ears,
16:04like laughter.
16:05You go up there,
16:06and you feel that there's something
16:08right in front of you,
16:09and you can't keep moving forward,
16:11or something will get thrown.
16:14It's terrifying.
16:16It's better not to be there alone.
16:18The Rembots are very active here,
16:20and many responses have been obtained
16:22on the digital tape
16:24about what life was like during the prison.
16:27The psychophony that I captured
16:29caused me to run out of the cell,
16:31and I said, let me out.
16:33Which, if you're in a prison cell,
16:35that's probably what you want.
16:37This place actually is terrifying.
16:39Whatever's in there is intelligent.
16:42They have no idea where they're going.
16:47Okay, guys,
16:49it's time for us to be alone for a few hours.
16:52Please, don't use the flashlights.
16:54That's rule number one.
16:56Don't use them, please.
16:58Good luck.
17:00The events you're about to see
17:02happened within the next three hours.
17:07Oh, dear.
17:09I don't like this at all.
17:12If you want to get an idea
17:14of how dark it is,
17:15I'm going to show you.
17:16Over here.
17:17Infrared lights on, off.
17:20It's totally dark.
17:22This is going to be a very long experience.
17:26So Dakota left me with the music box.
17:29What this device does is,
17:31it has a motion sensor,
17:33and if something comes within the range of the sensor,
17:36it will trigger,
17:37and it will play a very long song.
17:40So I am going to leave it on the floor,
17:42in front of me,
17:43pointing right towards the hallway.
17:46If any of you guys want to get out
17:48and enter this room,
17:50I have a device that will play a song.
17:53It's like a little toy that lights up.
17:55All you have to do is come to this room
17:57and join me here.
18:01Oh, dear.
18:06If you want me to leave this room,
18:09can you turn on the music box?
18:21So, if I am in the tunnels without a flashlight,
18:25I can't see two or three centimeters from what I have in front of me.
18:29This is terrifying.
18:33It's really hard to walk,
18:35because I have a perception of the depth that I'm in.
18:51Just knowing that these tunnels
18:54connect all the buildings,
18:57makes me think that this is going to be a very active area.
19:03I used to think that my basement was scary.
19:06And here I am,
19:07wandering through a damn tunnel system.
19:12What's going on in my head?
19:20So, right now, I'm going to use a new component of the equipment.
19:24This is an improved audio recording device in real time.
19:27Basically, this is two different stereo microphones.
19:30One points to the left and one points to the right.
19:32And what it's going to do is capture any amplified noise.
19:35People have heard whispers here,
19:37and I want to see if I can capture anything.
19:39It's going to be really creepy,
19:41because any noise you hear will be much louder.
19:44Here we go.
19:51Whew!
19:54People have heard whispers here.
19:57Can you whisper something to me?
20:07If you can hear my voice,
20:09can you come closer and whisper something to me?
20:21Hello?
20:26That wasn't even a whisper.
20:28That was a female voice.
20:40Did I hear you?
20:45Can you repeat it?
20:51I swear it was like the scream of a woman.
20:54The weak scream of a woman.
21:04If there's anyone here with me,
21:06or can hear my voice,
21:08I've set up a little device.
21:10If you want to come closer to that red light,
21:12I'll be able to know if you're here.
21:14Can you do me a favor?
21:16Can you do me a favor?
21:21If anyone can hear me, can you activate that?
21:35Oh, my God.
21:37This is horrible.
21:40I'm on my second floor now.
21:43There's supposed to be a dark entity
21:46that mimics you or the people in your group,
21:50so I want to try a little experiment here.
21:55If there's anything or anyone up here with me,
21:58can you repeat this sound?
22:00Can you repeat that sound that I'm about to do?
22:13I'll do it one more time.
22:16And just repeat it the same way I do it.
22:33All right.
22:34I'm just going to keep going down the hallway
22:36and see what I see.
22:43Tunnels.
22:46I have been walking for a long time
22:48and I have no idea where I'm going.
22:52If there's anybody down here with me,
22:54can you make any noise?
23:06Hello?
23:09I keep noticing that I hear something behind me.
23:17It gives me a terrible feeling.
23:24Block F.
23:26Is there someone here with me?
23:33What was that?
23:36Okay, I'm going to take this for a moment
23:39because I think I see movement over there.
23:43What the hell happened to my camera?
23:46What is happening to my camera?
23:48Why is it so blurry?
23:50Just when I want to go down that hallway.
23:53I've never seen this before.
23:58What? What?
23:59Whoa, whoa, whoa, whoa, whoa.
24:01Okay, okay.
24:02This is what I'm seeing right now.
24:04All of a sudden, the infrared lights went out
24:06when I said I didn't like what I was seeing down this hallway.
24:09I don't like the camera to fail,
24:11to malfunction, to get annoying, whatever.
24:13Come on, come on, come on, please.
24:14Don't waste the battery.
24:18What is going on?
24:21Holy mackerel.
24:23But I was looking down this window
24:24and it looks like everything has darkened in.
24:26And when I went to grab my camera,
24:28all of a sudden the infrared lights went out
24:30and I was totally in the dark.
24:32Luckily, I have more batteries.
24:35Holy mackerel.
24:39Is something in that hallway?
24:45Hey guys, I'm Dakota.
24:47We have been in our positions for about three hours.
24:50It's almost midnight.
24:52If you want to pick up your things and meet up with me in the yard,
24:55you can use the flashlights to get out.
24:58Dad!
24:59Dad!
25:01Those tunnels are about two kilometers long.
25:03I couldn't find the end.
25:05Have you taken a walk?
25:06I've stayed.
25:07I've sat in the chair in which you've sat me
25:09and that's what I did.
25:11Let's go in.
25:12Let's go to the equipment room
25:14and finish the night in a group.
25:16I can't believe you put me in a tunnel.
25:19I can't believe you went around the tunnel, Chelsea.
25:21That's so crazy.
25:24We've already set up the equipment room
25:26in one of the abandoned buildings
25:28and now we're going to spend the rest of the night
25:30from about midnight to seven,
25:32exploring the place in a group.
25:34I think we should start in the children's pavilion.
25:37I'll be recording in this new digital recorder
25:39for as long as we're there.
25:41The difference is that we won't know
25:43if we've captured anything on this
25:45until this trip is over and we review the audio.
25:55Oh my God.
25:57Holy crap.
25:58It looks so sinister on the outside.
26:13This is the children's pavilion.
26:15This is where people claim to have noticed
26:17a very mysterious entity
26:19that mimics the voices of those who explore it.
26:22To be the children's pavilion
26:25is very negative and ghostly.
26:28Let's just take a look around and see what happens.
26:40Sir, is there a child around here?
26:47Can you mimic us?
26:48Can you mimic one of our voices?
26:55It seems that something dark has begun lurking around
26:58when it has noticed that we are in the building.
27:04Oh my God.
27:07So, down here is the creepiest staircase
27:10that goes down to the morgue.
27:17Oh my God.
27:18This is so, so creepy.
27:21All the corpses,
27:22the thousands of people who died here at some point,
27:24were in this basement.
27:41Hello?
27:43I have something on my camera that records something
27:46that it can hear your voice.
27:49Do you have a message for us?
27:53Without the group knowing,
27:54the next psychophony was recorded at that moment.
28:10Well, let's continue.
28:12The truth is that this is terrifying.
28:22Oh my God.
28:28Let's go back up.
28:35Whoa!
28:37Whoa!
28:40Oh my God.
28:41It sounded really loud.
28:43Wow.
28:44Yeah, really loud.
28:48That was literally one knock.
28:50And then two more after it.
28:51Yeah.
28:53Yeah, exactly like that.
28:58Whoa!
29:00Whoa!
29:04Whoa!
29:06Whoa!
29:08Dude, earlier around when I was alone,
29:10I said that if there was that thing that imitated it,
29:12I would repeat it, and I did that.
29:16Really?
29:17Yeah, 100%.
29:18You did three different knocks.
29:20Yeah, because I wanted it to be special.
29:22I didn't want it to be like, tap, tap, tap.
29:24Are you telling me that you copied the same pattern?
29:26I don't remember how long I paused it,
29:28but it's about a knock.
29:37Whoa!
29:39Whoa!
29:40What the...
29:41This might be a hasty conclusion,
29:43but it is said that the imitator spirit
29:45wants to attract people to it, right?
29:48Yeah.
29:49What have we heard here?
29:50And what's in that corridor?
29:52The tunnel.
29:53The only part that we haven't explored
29:55of the whole complex is the tunnel.
29:57Maybe we can explore it now.
29:59It's directing us here.
30:01I hate tunnels.
30:13Is there anybody down there?
30:16Who did those three knocks?
30:25So, the tunnels connected all the buildings on the property.
30:28It was meant to connect all the buildings
30:31because they wanted to hide that a lot of people
30:33were dying of tuberculosis.
30:35When I was down here,
30:37I felt the whole time that something was following me.
30:40I just felt like there was something in the tunnels with me.
30:45If there's someone here,
30:47can you do something to get our attention?
30:51Wow!
30:52What a low ceiling.
31:01I don't know.
31:02I don't like this.
31:03What?
31:04I just have a bad feeling about this.
31:06I don't like this.
31:07The more we go into the tunnels,
31:09the weirder it gets.
31:11I'm pretty sure that this is actually where I was sitting.
31:14Yeah.
31:15It definitely is.
31:16I brought you into this chapel right here,
31:19and I sat you right there.
31:24Because we're all feeling something weird,
31:26I'm going to pull out the Ovilus.
31:28It's a device that has an internal database of words,
31:31and if there's something here,
31:33it can choose word by word and talk to us.
31:36Chelsea, you'll have the Ovilus,
31:38and I'll keep recording with the recorder.
31:41Let's keep going.
31:49Are we talking to the person
31:51who hit Alex three times?
31:57Can you tell us who you are?
32:03Oh, my gosh.
32:04Keep going.
32:09This is weird.
32:10Is this the same chair I sat you in, Chelsea?
32:13Wait a minute.
32:14Is this the chair I left you in?
32:17Because it's not supposed to be here.
32:20Wait.
32:22I don't think it's the chair I left you in.
32:24No, it's not.
32:25Okay, good.
32:26Okay.
32:27That would be very strong.
32:31What the hell?
32:34What?
32:35What?
32:36He said chair.
32:38Chair.
32:39He said chair.
32:40Chair.
32:41That's scary.
32:42Okay, something's been imitating us
32:44when we've been talking about the chair.
32:47Oh, my gosh.
32:49It's imitating us.
32:51It's not imitating us.
32:52It's mocking us.
32:53Yeah.
32:54Really?
32:56It's listening.
32:57Whatever it is,
32:58I don't know if it's the imitating spirit,
33:01but it's imitating us.
33:03I'm not trying to scare you guys.
33:05What?
33:06But this is where I've heard a ton of noises.
33:09What?
33:10Right here.
33:11Right here?
33:12Like...
33:13Whoa, what was that?
33:17Oh, my God.
33:21Hello?
33:31Is someone there?
33:36Oh, my God.
33:44Oh, what was that?
33:45I've heard a lot of noises there.
33:47What?
33:48And it said count.
33:49Like the three of us.
33:50I can swear I've heard a lot of noises.
33:53Not just one.
33:54When it said count.
33:55It's not imitating us.
33:57Can you say that again?
34:05Oh, my God.
34:11Oh, what was that?
34:14Oh, what was that?
34:15Oh, what was that?
34:16I've heard a lot of noises there.
34:19It said count.
34:20Like the three of us.
34:22Not just one.
34:27Oh, my God.
34:28Me too.
34:29It's like we're confined right now.
34:32There's no way out right now.
34:35Hello?
34:39Knock on one of these pipes.
34:43Can you imitate Alex?
34:44Can you knock on one of these metal pipes?
34:50Wait.
34:56There's something there.
35:01Are you down there?
35:04No.
35:09As much as I don't want to, we should keep going.
35:18We're coming down towards you.
35:20Oh, my God.
35:24We know you can hear us.
35:26Is it music?
35:33What is it?
35:34Oh, holy shit.
35:37It's music.
35:38What?
35:40It sounded like a bell.
35:41It sounded like a music box.
35:42It sounded like a music box.
35:50Has it been the music box or just music?
35:52It has been the music box sounds.
35:54The music box is pretty clear, yeah, obvious.
35:58It's impossible that it was the music box.
36:01No, it's not possible that it was the music box.
36:03I've brought the music box from my position to the equipment room and I've put it in the box.
36:10What?
36:11Oh!
36:12Damn!
36:14It's music!
36:16That sounded like the music box, but it's physically impossible that it was the music box.
36:22If that thing can mimic hits and sounds, why can't it mimic the music box?
36:26I've used it.
36:27Yeah, you had it.
36:28It's the same building where I've hit it.
36:34Damn!
36:38Let's go down there.
36:39Dude, I don't want to go and check.
36:41No kidding.
36:42Dude.
36:52What is that?
36:54It's an entrance.
36:55Yeah.
36:56What is that?
36:57I don't know.
36:58I don't think it has an exit.
37:00It just pops.
37:01That's what it looks like.
37:03Oh!
37:05Great.
37:06We can go to the right or to the left.
37:10Where are we going?
37:11I don't know.
37:12I don't know what this is.
37:13This is the block F or the administration.
37:15I don't know.
37:16What do you see there?
37:18A super sinister corridor.
37:20Yeah, the most sinister corridor in the world.
37:23But what?
37:24Oh, my God.
37:26Dude, there's a staircase.
37:28Yo, there's a staircase, too.
37:38Oh, my God.
37:40Dude.
37:41Dude, this is the administration.
37:43This is the administration, yeah.
37:44What?
37:45Yeah.
37:46Down there in that corridor, in that door is where I was.
37:49It's the administration.
37:50Bro, this is scary.
37:52The music box came from under these stairs, under the administration.
37:56We've been led through the whole facility.
37:59Is this where you wanted us to be?
38:09We probably want to spend some time in the administration.
38:12We only have like...
38:13I mean, I hate to be the party pooper, but I literally only have like 20 minutes of battery left.
38:17I want to go to the equipment room to check if the music box is there.
38:29Okay, look.
38:31Yep, there it is.
38:32In this white box.
38:34It's been here since Alex came back from the playground.
38:40There it is.
38:41What?
38:42I'm going to put it on.
38:44What?
38:45Dude.
38:46It sounds like what we've heard.
38:48It's the same bells.
38:53What?
38:54Whoa!
38:55Whoa!
38:58How's that even possible?
39:00I don't know.
39:01It's been imitating you, Alex.
39:02All night long.
39:03It's been imitating your punches.
39:04And then it's gone even further.
39:06It's been imitating one of the equipment that you've been using.
39:11I don't understand.
39:12How do we know that we've heard an equipment that we didn't even have?
39:15What's the biggest fear in hearing the music box go on is hearing it when it's not there.
39:22Let's put the batteries in the cameras and go back to the administration.
39:26There's only an hour and a half left until dawn.
39:33So, we're back in the administration building and we're going to follow what we've experienced.
39:43First, let's take a walk and explore.
39:50This is the most sinister thing we've ever had, guys.
39:53Nothing has ever been able to ring those bells.
39:56I'm looking at it all to see if something has fallen to the ground or if it's been a metal pole.
40:01No.
40:02No.
40:04If you can hear my voice, would you mind playing that music again?
40:13Without the group knowing, the next psychophony was recorded at that moment.
40:30It's like he's dead.
40:32Yeah, it looks like he's heading somewhere.
40:35And then he just ran away.
40:37All right.
40:40I am going to put the digital recorder on.
40:43It's a device that captures frequencies that our ears can't hear.
40:47Right now, I think we're at a point where we need to get direct answers.
40:51We need something.
40:54Have you tried to bring us to this building?
40:57It seems like we've only spoken or communicated with one entity, with one person, tonight.
41:03Were you a patient, a rape, or are you something else?
41:1327 minutes have elapsed.
41:18All right, I'm going to put the digital recorder on.
41:22All right, I'm going to put the digital recorder on.
41:26Nothing.
41:28There are no answers or anything in the digital recorder after so many questions.
41:33Whatever it is, it controls the whole situation.
41:38It only does what it wants.
41:40Yeah, like whatever that is, the imitator spirit.
41:43It's dominant.
41:45Yeah.
41:46I wonder if when that entity has been around with us,
41:49it would have been afraid of other things.
41:51If its goal was to bring us to the administration building,
41:54don't you think it would have said something in the recorder?
41:58It's not always about finding answers.
42:00It's about experimenting, and we've experimented a lot tonight.
42:04No matter what, at some point, we need to go back to this location.
42:10I don't agree with that.
42:13I don't.
42:14The sun is out, and it's time to get out of here.
42:17What?
42:19This is what it looks like in daylight?
42:22Oh, my God.
42:23This is huge.
42:25I'm not going to lie.
42:26I haven't seen that building.
42:28I didn't see it last night.
42:30Yeah.
42:31There's a lot more to see here.
42:35Taking away the lights and being in the dark has been another story.
42:39And after overcoming this night,
42:41I can say that it works.
42:43Being completely in the dark,
42:45I haven't been able to know how big that building was.
42:48You are in the dark, and your brain is full of holes for you.
42:52Knowing that we're not going to have any lights
42:55on the rest of the trip,
42:57makes me not want to go back.
43:00As bad as that night was,
43:02things are going to get a lot worse.
43:06At the beginning of this trip,
43:08I've been talking about an experiment
43:10that's going to impact the whole world.
43:12The next destination will be just as scary,
43:16because we're going to go back to Creston.
43:21Not even in my dreams, man.
43:23Are you kidding me?
43:24No.
43:25No.
43:26And the experiment is going to start now.
43:29She's trying to say something.
43:31My eyes are playing tricks on me.
43:33What was that?
43:34My eyes are playing tricks on me.
43:36What was that?
43:38What was that?
43:39They have no idea what's coming at them.