Ame ga Furu to Kimi wa Yasashii - 雨が降ると君は優しい - E1
Category
📺
TVTranscript
00:30I don't like morning.
00:35Well, whatever. Let's get started.
00:39Let's see...
00:41There were only suspense and incidents.
00:45I wanted to draw a human being, but I was so biased.
00:50Murder and revenge.
00:53The one who draws is also criticized.
00:55Do I fight evil?
00:57Or am I evil myself?
01:12It's not a fortune.
01:14It's a reward for myself.
01:17Anyway, it's love.
01:21It's embarrassing at this age,
01:24but it's not pure love.
01:26It's just a waste of time for young people.
01:31Isn't it?
01:33It's hot.
01:35Is the air conditioner broken?
01:54End of Part 1
02:46Good morning.
02:55Good morning.
02:57Good morning.
03:07Good morning.
03:16Good morning.
03:17Good morning.
03:18Good morning.
03:19Good morning.
03:20Story file?
03:21Good morning.
03:22Good morning.
03:23Good morning.
03:24Chief Editor, we're finally going to publish our monthly magazine.
03:27Yes.
03:28We're going to publish it in the Tachikiga Fukuen.
03:31I'd like to see if we can get a copy of it.
03:36It's not like we're going to sell it.
03:39It's going to be published in the summer.
03:41It's going to be published in the summer.
03:43It's not like we're going to sell it.
03:45I don't want to miss the summer fair.
03:48I want to take a vacation.
03:49I've already got permission from the five teachers here.
03:52Really?
03:53You're good, Nobu-chan.
03:54No, it's all thanks to the chief editor's cat.
03:57No, I didn't want to do it that much, Chief Editor.
04:00You're going to blow it up.
04:02There's a side to it where we're advertising for the magazine.
04:07It's not a bad thing for the teachers either.
04:09And Tachiki.
04:11Yes.
04:12Ask Mr. Onoda for me.
04:16Mr. Onoda?
04:18Yes.
04:19He's a young man.
04:22The new work will be remade into a TV drama.
04:26The magazine will be able to line up the past works at that time.
04:30We're going to do it.
04:31Are you going to do a cyber boom?
04:33Can you still write?
04:34I haven't seen it lately.
04:35Shut up.
04:36Don't force me to write.
04:38Force you to write?
04:39Hey, Hiraka.
04:41You go to the teacher and ask him.
04:44If it goes well, I'll tell the manager.
04:46No.
04:47Yes, I understand.
04:52Chief Editor.
04:53Are you serious?
04:55What?
04:56Huh?
04:58Force me to stand up.
05:00I don't know what you're talking about, but I'll sue you for sexual harassment.
05:03Oh, I'm scared.
05:04I'm sure you'll be fine.
05:06What?
05:08What?
05:10You're the worst.
05:12The worst?
05:20Here's the soba soup.
05:26Isn't it bad?
05:28Mr. Onoda and Hiraka.
05:31You can still do what you did decades ago.
05:34But it's too bad.
05:38He used to be a teacher.
05:44He's lying about being pure love.
05:48It's like a novel.
05:51That's why he's so good at editing women.
05:55Like a toy.
05:57Break it and throw it away.
05:59He's over 70 years old.
06:02His legs and back seem to be quite weak.
06:06I'll go with Mr. Onoda.
06:09I'll go with Hiraka.
06:11You're very serious and worried.
06:14Hiraka is also a college junior.
06:19Hey, Dachiki.
06:21I think it would be great if we could make a new series of that teacher at this timing.
06:26The chief editor's intuition is sharp.
06:29I came here with my intuition.
06:32Love and sex.
06:34It's like a rebellious flow.
06:37That teacher's fortune smells.
06:42Love and sex?
06:50Love and sex.
06:52It's pure love, Dachiki.
06:55Love comes before sex.
06:59No.
07:02I don't understand.
07:04I give up.
07:08It's like saying you don't understand women.
07:12I'm sorry.
07:28Love and sex.
07:30It's pure love, Dachiki.
07:33Love comes before sex.
07:36No.
07:38I give up.
07:40I give up.
07:42Love comes before sex.
07:45No.
07:47I give up.
07:49Love comes before sex.
07:52No.
07:54I give up.
07:57Love and sex.
07:59Please come in.
08:01Yes.
08:27I looked it up on the internet.
08:30And I also read your book.
08:38There are many kinds of addiction.
08:42Alcohol, drugs, and gambling.
08:46Yes.
08:48When I try to quit, I feel anxious and irritated.
08:53I don't feel irritated.
08:58I see.
08:59Yes.
09:03I'm sure you've heard of sex addiction.
09:07But the official name is sexual assault.
09:12Yes.
09:13It's much more common among men.
09:17It's even more common when you can't control your sexual desire.
09:21I see.
09:25It's when you want to have a lot of sex.
09:29But I don't know if it's true.
09:32It's hard to get advice from a woman.
09:37I see.
09:39It's rare for me.
09:42It's a precious sample.
09:45I'm sorry.
09:47I haven't diagnosed you yet.
09:50Is that so?
09:52Yes.
09:54It's not sexual desire.
09:57It's when you can't control your sexual desire.
10:01It's when you want to have a lot of sex.
10:05It's an addiction.
10:07Yes.
10:08In the West, there are many couples who have sexless relationships.
10:12And there are many couples who have a lot of sexual desire.
10:16Yes.
10:18It's a different problem from sexual desire.
10:26Yes.
10:28In other words, it's not a disease.
10:36Are you relieved?
10:38No.
10:39I don't mean that.
10:41I think I'm misunderstood.
10:45Misunderstood?
10:47You are famous on TV.
10:51I want to meet you for a reason.
10:56I don't mind.
10:59If you can get a reward, not a suspicious person.
11:03Yes.
11:05Not now.
11:07I'm sorry.
11:15What's wrong with your abs?
11:17That's right.
11:19It's disgusting.
11:21You have a good name.
11:24Really?
11:25Yes.
11:27Wait a minute.
11:29No.
11:31It's easy.
11:33Don't compare.
11:36You are fine.
11:39It's cold.
11:49How can you stay in the water for a long time?
11:52I feel good.
11:54You are a pervert.
11:56You should go to a woman.
11:58I haven't done it yet.
12:00Let's go.
12:03Are you going to have an operation?
12:07I don't want to hurt.
12:09But I want to meet someone I like.
12:14Do you have someone you like?
12:16No.
12:17Who are you talking about?
12:19The president.
12:21No.
12:22You are a fool.
12:24How can you know?
12:26I don't know.
12:28What's your type?
12:30You look delicate.
12:33It's a mystery.
12:36I can't see your private life.
12:38You are right.
12:40You don't tell me what to do.
12:44I can't do it.
12:46I can't do it either.
12:48Go ahead.
12:56What is the basis?
12:59Why do you think you are a pervert?
13:20You...
13:23I love you.
13:30I love you very much.
13:40But...
13:47It's delicious.
13:49I sweat a lot.
13:54Good job.
13:56Don't overdo it.
13:58Do you meet your son?
14:01Not at all.
14:03I talk to him on the phone.
14:07Don't you miss him?
14:10Do you want to remarry?
14:12I don't want to remarry.
14:15I work from morning to night.
14:18I don't appreciate it.
14:20I don't know if it's hormonal balance.
14:23I don't want to see a woman who expresses it.
14:27You are a pervert.
14:30No, no, no.
14:32There are many reasons for men.
14:34There are many reasons for women.
14:36You are right.
14:3926 years old in Tokyo.
14:41Don't meet a lot of women.
14:43You are a pervert.
14:48You don't have to be a pervert.
14:50It costs a lot of money.
14:52We have the same goal.
14:55I'm not a pervert.
14:57But there are some women who surprise me.
15:00I'm not a pervert.
15:03I'm a pervert.
15:08What do you mean?
15:10Is it okay for you?
15:12You are a new employee.
15:14You can't go home.
15:16I'm not that kind of person.
15:18No.
15:20I'm afraid you'll die.
15:22I have a guilty conscience.
15:24I sometimes smile at my husband.
15:27You are not that kind of person.
15:29I've met a lot of women.
15:31You are a beautiful woman.
15:33You are a neofeminine.
15:35I used to be.
15:37Now I'm a nurse.
15:39That's great.
15:41I bought a house in the suburbs.
15:43It costs a lot of money to go home by taxi.
15:47She is a muscular woman.
15:49She has a lot of wives.
15:51I don't think she's going to be unhappy.
15:55I think she's going to say,
15:57Give me a break.
15:59Do you think so?
16:03Do you have sex with your husband?
16:06Yes.
16:08I don't know how normal it is.
16:12Do you have any particular dissatisfaction?
16:15I don't have any dissatisfaction.
16:17He loves me very much.
16:19I love him.
16:21He's a calm person.
16:23He's always smiling.
16:25He cares about you.
16:27Yes.
16:31But...
16:33I feel like I'm betraying my husband.
16:39Do you feel that way during the day?
16:44Yes.
16:45Explain it to me again.
16:48So...
16:51The blood vessels in my body are tingling.
16:58And...
17:00It's hard.
17:03Red...
17:05Insects?
17:07Insects.
17:09It's like a worm.
17:13It's rough.
17:16The blood vessels in my body are tingling.
17:22It's rough.
17:24Yes.
17:26And...
17:29I feel like I'm going to vomit.
17:34Do you put on makeup?
17:37Yes.
17:39It's not natural like it is now.
17:45It's red.
17:48And...
17:51I'm wearing clothes.
17:54It's very flashy.
17:58I don't remember when I bought it.
18:01I took it out of the dresser.
18:05The clothes are red, too.
18:07I am...
18:10Red.
18:11Insect.
18:12Maybe...
18:14It's from a black mask.
18:16It's a double personality, right?
18:18I looked it up on the Internet.
18:20But it's not.
18:23It's not because there's another me.
18:28No?
18:29That's why I'm an insect.
18:33I'm sorry.
18:39It may take a long time.
18:44It's hard to get rid of your addiction.
18:49You need to find the cause.
18:52And you need to fix it.
18:58Then...
19:01Twice a week.
19:03One hour in the afternoon.
19:05I'll take your time.
19:10I'll adjust the shift.
19:14See you later.
19:16Yes.
19:31Insect.
19:34Good.
19:37Next, sexy.
19:40Yes.
19:41OK.
19:43OK.
19:44Yes.
19:45We'll take a break.
19:46We'll resume in 30 minutes.
19:55I'm sorry.
19:57I'm editor Shinjo.
20:00I'm in the same class as her.
20:02But I'd like to work with her.
20:06I'm Yuri Hirakawa.
20:09I'm glad.
20:11You finally have a subordinate.
20:13I'm not a subordinate.
20:15We're almost the same age.
20:19She's a junior at university.
20:21She was in the literature club.
20:23I want to work with her.
20:26If you don't, I'll be in trouble.
20:29I'll do my best.
20:32You'll be bored if you stay there.
20:35I'll invite you to the girls' club.
20:49You're great.
20:51Will you be in charge of the girls' club?
20:53Of course.
20:55If I want to be an editor.
20:57I'm impressed.
20:59What do you think?
21:02She's a good adult.
21:05Don't say that in front of the teacher.
21:07I know.
21:08She's a sexually ill person.
21:10She's a womanizer.
21:13She's a hypocrite.
21:15Don't say that.
21:18What?
21:19Yes.
21:23Senior.
21:26What kind of person is your wife?
21:30What do you mean?
21:31She must be happy.
21:33She's loved by you.
21:38Shinjo is beautiful.
21:41A real model was shooting there.
21:44But you didn't look at her.
21:47Did I?
21:49Yes.
21:50You didn't care about her.
21:53Because she's not my wife.
21:57I don't think so.
21:59Your wife is beautiful, too.
22:05She's too good for me.
22:10I'm not proud of you.
22:14Why?
22:17Why?
22:20I'm not beautiful.
22:25What?
22:28I'm sorry.
22:43I'm impressed.
22:46I thought my work would be a hit.
22:52I'm impressed.
22:57I'm sorry.
22:59I'm an old man.
23:02You guys are like hyenas.
23:07No.
23:08You're still young.
23:10I hope you'll continue to work hard.
23:12What about your wife?
23:14I've read all of your books.
23:17That's good.
23:20If she's not with her boss,
23:23she can't apply for a job.
23:25Is she a criminal?
23:27No.
23:28I'm sorry.
23:29I didn't mean to...
23:32I didn't ask you.
23:35I'm sorry.
23:37I just started.
23:40I just finished my internship.
23:42As you said, she may be a criminal.
23:45It's my pleasure to work for you.
23:50You're too kind.
23:52You don't have to be so polite.
23:57It's a chance for me,
23:59but I think it's a chance for you, too.
24:03Hirako.
24:04I think it's a chance to see the world again.
24:10Isn't it a burden to be the last loser?
24:14Don't you think so?
24:17I'm the last loser?
24:23You...
24:24I think it's a burden to be the last loser.
24:28Please be proud of yourself again.
24:33You're still young.
24:41Did you go out to gamble?
24:49Do you want to get angry?
24:53I was caught.
24:58I have a manuscript.
25:00I can give it to you.
25:04Really?
25:05Yes.
25:08The editor-in-chief will be happy, too.
25:11He's crazy.
25:13He won't give it to me.
25:15As a new work,
25:17I'll take good care of it.
25:20I'll give you a plan.
25:22I want to go for a walk.
25:26Here you are.
25:43Sorry to keep you waiting.
25:53Are you busy?
25:55Not recently.
25:59But I'm not lonely.
26:06It's my job.
26:09You're busy with your job.
26:12There are many women who don't drink.
26:16Are you cheating on me?
26:19No.
26:21My husband is not that kind of person.
26:25He's a man who keeps his word.
26:28He's married.
26:30He said that only his wife is a woman.
26:34He said that?
26:35He said that.
26:38So,
26:40my husband is not the cause.
26:43I've never been worried about him.
26:49He's kind and loves me.
26:54Yes.
26:59I heard that it happens not at night,
27:03but during the day.
27:06Yes.
27:08How often does it happen?
27:10Every day?
27:13Not every day,
27:15but quite often.
27:18Did you have a counseling session yesterday?
27:22I'm sorry.
27:24Yes.
27:26Did he hug you?
27:29Yes.
27:31Does he know you?
27:34No.
27:36Did you meet him?
27:39Yes.
27:41So, he's a man who keeps his word.
27:51Are those tears
27:53the guilt of your husband
27:56or the hatred of yourself?
28:03Would you like to take a break?
28:05I'm fine.
28:07I'm sorry.
28:12I'm fine on a day like this.
28:16Is there anything in common
28:19between a day like this and a day like that?
28:22Yes, there is.
28:26On a rainy day.
28:42You did well.
28:44I didn't expect you to get the manuscript so soon.
28:48It just happened.
28:50I heard from Tachiki.
28:53He seemed to be thrilled by your statement,
28:56but I'm sure he's glad you got it.
29:00He must have been lonely
29:02and had no family at that age.
29:04He must have been a grandfather
29:06who was scolded by his granddaughter.
29:11Anyway, you did well.
29:14You're a good daughter.
29:17Were you worried about me?
29:20No.
29:22I was worried about Tachiki.
29:26Tachiki?
29:29I was worried that he might get caught.
29:35Do you know he used to write novels?
29:41Really?
29:43He was a college student,
29:45so it's been over 10 years.
29:48He's still the best novelist in Hokuto.
29:51Wow.
29:53It's not bad.
29:55It's not sophisticated,
29:57but it's a story about a boy and a puppy
29:59who are warm and friendly.
30:03Shiro Onoda was the class president.
30:07What?
30:09He was humiliated in the paper.
30:13He's not a poison or a medicine.
30:17Onokaki is a way of expressing
30:20the unyielding spirit of the soul.
30:23He has such a fundamental quality
30:26in his writing.
30:29It's good to be a professional writer,
30:32but it's not good enough
30:34to be the last straw.
30:38I think I can go home tonight.
30:44I knew you were young and talented.
30:47I didn't know you had that kind of talent.
30:50Maybe.
30:53So I stopped writing.
30:57In fact,
30:59you can't quit
31:02if you have a passion.
31:07That's the reason
31:10why I write.
31:22Alcohol.
31:24You quit drinking.
31:27Yes.
31:29That's good.
31:54Yes.
31:56Tatsuki, I...
31:58What's wrong?
32:00Did you celebrate with the editor?
32:02No, I'm not feeling well.
32:04What?
32:05I was going to take a taxi home
32:07and take a shower.
32:10Where's the editor?
32:12At the store.
32:13His cell phone is dead.
32:16I see.
32:18What about the taxi?
32:19You got a receipt, didn't you?
32:21I called the taxi company.
32:24But I couldn't find the receipt.
32:28I see.
32:30Where did you drink?
32:32At a store called Shippers in Aoyama.
32:35I know.
32:37I'm going there.
32:40I'm sorry.
32:43I have a problem.
32:45I'm sorry, but I can't go home tonight.
32:48I'm sorry.
32:51I'm sorry.
33:00Is the temperature okay?
33:04Yes.
33:06I'm going to rinse it.
33:22I'm sorry.
33:35I'm sorry.
33:40I'm sorry I came to apologize alone.
33:43Do you want me to praise you?
33:45Of course.
33:47But...
33:50There are things you can forgive
33:53and things you can't.
33:55Yes.
33:56I understand.
33:59I'm an old-fashioned writer.
34:03I believe in words.
34:07That's why I put my soul into my writing.
34:11Of course, I don't take copies.
34:13I don't let fakes exist.
34:21You're like a young girl.
34:29Young lady.
34:35Your performance is...
34:39It's a little embarrassing.
34:44I'm sorry.
34:49What should I do?
34:51What should I do to make you forgive me?
34:59Stand up.
35:02Yes.
35:06Take your clothes off.
35:12What?
35:16Didn't you hear me?
35:20I told you to take your clothes off.
35:36I'm sorry.
36:06I'm sorry.
36:36I'm sorry.
36:38I'm sorry.
36:42I'm sorry.
36:46I'm sorry.
36:50What's wrong with you?
36:52You're so cool.
36:56You're so cool.
37:02This is my editor.
37:06Do you know what an editor is?
37:08You don't know, do you?
37:10I know. It's like a butler.
37:12A butler?
37:13A butler is a maid.
37:15A maid is a maid.
37:17Something like that.
37:18A bestseller writer like me is a king.
37:24No.
37:25I'm the only one who thinks so.
37:28I have a golden egg.
37:30On the contrary, I'm a chicken.
37:33Tachiki.
37:35No.
37:36For me, you're a king.
37:39That's right.
37:41That's why I don't get angry no matter what I do.
37:48No.
37:52Don't you get angry no matter what we do?
37:54She was your friend.
37:57No.
37:58Even if you do this?
38:00No.
38:06Stop it.
38:08Why are you suddenly angry?
38:09Get out of here.
38:10What's scary? I don't want to.
38:13Get out of here.
38:21I'm sorry, Tachiki.
38:23Don't worry about it.
38:25You haven't shown me your face lately.
38:31I was so embarrassed.
38:34I'm sorry.
38:37I've been busy lately.
38:40No.
38:42If you don't come every day, I'll go crazy.
38:47I'm sorry.
38:54There are only scum around me.
38:59Tachiki is the only sane person.
39:08Everyone is a scum.
39:14Everyone is a scum.
39:22I'm their teacher.
39:30You are...
39:34a genius.
40:35You're late.
40:38Sit down.
40:41Sit down.
40:42I'm fine.
40:44I'm fine.
40:46It doesn't mean anything.
40:48I see.
40:51I just wanted someone to talk to me.
40:55I can't talk to anyone about this.
41:00I know.
41:02I can't get better.
41:05I just want to die.
41:11Why don't you want to die?
41:13Because...
41:16I love my husband.
41:24I don't want to leave Nobu.
41:28If he finds out,
41:31it will be very painful for him.
41:37That's why you came to me.
41:45This kind of thing takes time.
41:49Whether it's alcohol or drugs,
41:51or the relationship between people,
41:57or the trauma of childhood,
42:01or the relationship with family,
42:04there is a process of slowly loosening the chain.
42:14If necessary,
42:16it's like hypnotherapy.
42:29It's like a textbook.
42:31Yes.
42:33You are a smart person.
42:37You went to a good university
42:39and read a lot of documents.
42:44But I don't think you can fix this.
42:49A person like you
42:53who suffers from the same disease
42:56and has only been cured
42:58has no right to be treated.
43:01I understand what you want to say.
43:04I don't care anymore.
43:06It's a waste of money.
43:08Yes.
43:12I'm sorry.
43:14I didn't mean to say this.
43:18You didn't show me your face.
43:21You should have called me.
43:23Yes.
43:25But...
43:32I'm sorry.
43:34I'm going home.
43:36The red clothes.
43:40The red lipstick.
43:43The feeling of a centipede crawling inside your blood vessel.
43:50You become a centipede.
43:57But why are you red?
44:04I understand why you love him.
44:19Come here.
44:28Look.
44:35The word red
44:38looks like a person is crying.
45:01I'm going home now.
45:03I think I'll make it in time for dinner.
45:09Mr. Tatsuki.
45:13What's with that face?
45:15Nothing.
45:17I was wondering if something happened again.
45:20I thought you wouldn't be able to go home tonight.
45:24Today is our wedding anniversary.
45:28Is that so?
45:30Congratulations.
45:32I heard from the editor-in-chief the other day.
45:36What?
45:37He said you were writing a novel when you were a student.
45:41Is that so?
45:44He said you were so close.
45:47I wasn't close at all.
45:49So you had such a fate with Mr. Onoda.
45:55I don't remember that fate.
46:00But I remember being shot.
46:05What you said is correct.
46:12I don't have any talent.
46:15No way.
46:17Listen.
46:19Everyone can write a decent book.
46:28You can write about yourself.
46:33A boy and a puppy.
46:40Can I read it next time?
46:44Sure.
46:47I'm going now.
46:56Sorry to keep you waiting.
47:04He didn't doubt it.
47:07Because he had a perfect intuition.
47:27At that time, no matter what anyone said,
47:33he would have laughed and shot himself in the head.
48:26Do you know the theory of catastrophe?
48:38The deeper the love and trust for the other person,
48:43the greater the shock when betrayed.
48:47Cheers.
48:56Ah...
49:02Love and hatred are like twin brothers.
49:12Sometimes it's a catastrophe.
49:17Outside the rain begins
49:21And it may never end
49:25So I cry no more
49:27On the shore a dream
49:31Will take us out to sea
49:37Forevermore
49:41Forevermore
49:47Close your eyes on me
49:50And you can be with me
49:54Beneath the waves
49:56Through the caves of hours
50:00Gone forgotten now
50:06We're all alone
50:10We're all alone
50:14Close the window of my life
50:19And it will be alright
50:23No need to bother now
50:27Let it out
50:29Let it all begin
50:33All forgotten now
50:38We're all alone
50:42All alone
50:46Close the window of my life
50:51And it will be alright
50:55No need to bother now
50:59Let it out
51:01Let it all begin
51:05All into the wind
51:08My love
51:12All forgotten now
51:15My love
51:21We're all alone
51:42It's me, Ringo-chan.
51:45If you love me, I won't cheat on you.
51:48Don't you want a baby?
51:50A disease that you can't tell your loved ones.
51:54Hiding it is wonderful.
51:57I feel like it's important.