Las Muñecas de la Mafia 2 - Capitulo 36 Completo 2024
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Short filmTranscript
00:00Janay Castrillo has suffered a miscarriage.
00:02All the information circulating about her death
00:05is unfounded.
00:07She's currently under medical observation.
00:09Is her health very serious? What's her prognosis?
00:12According to the doctors who are treating her,
00:14her condition is very critical.
00:16When will she be discharged?
00:18I can't give you more information.
00:20But you know the reasons she had to...
00:22No, but I don't have more information.
00:24♪♪♪
00:31-♪♪♪
00:38-♪♪♪
00:45-♪♪♪
00:52-♪♪♪
00:59-♪♪♪
01:06-♪♪♪
01:13-♪♪♪
01:20-♪♪♪
01:27-♪♪♪
01:34-♪♪♪
01:41-♪♪♪
01:48-♪♪♪
01:55-♪♪♪
02:02-♪♪♪
02:09No, no es cierto. Usted no vale un peso.
02:13Vuelve.
02:15Vuelve para acabar con Raúl.
02:17Es en serio.
02:19Ya lo intentó.
02:21Y lo único que consiguió fue que su mejor amigo
02:24terminara como una coladera.
02:26Debe ser muy perraco darse cuenta que, por su culpa,
02:30su único amigo terminó así.
02:33-♪♪♪♪
02:37-£50.
02:40-£50.
02:41-¡Despeje!
02:42-♪♪♪♪
02:46-£20.
02:50No, no le estoy hablando de él, le estoy hablando de usted.
02:54Ana.
02:55Ana.
02:56Ana.
02:57Ana.
02:58Ana.
02:59Ana.
03:00Ana.
03:01Ana.
03:02De nuevo, 100 joules.
03:04-♪♪♪♪
03:09-♪ A la rueda, rueda de pan y canela ♪
03:13♪ Los pajaritos cantan, las nubes se levantan ♪
03:18♪ Que salga el sol, que hace salir ♪
03:22-♪ A la rueda, rueda de pan y canela ♪
03:27♪ Los pajaritos cantan, las nubes se levantan ♪
03:30-¡Penata, mi amor!
03:31-¡Papi!
03:33-¡Tira!
03:37¿Tu helado preferido?
03:38¡Venga, corazón!
03:40¿Cómo te has pasado?
03:41¿Bien?
03:42¡Oye, oye, oye, oye, oye, oye!
03:45Oye, bebé.
03:46¿Quieres ir donde la mamá?
03:47Sí.
03:48Yo sé dónde está la mamá.
03:50¡Vamos, yo te llevo!
03:52¿Sí?
03:53A ver, dame un poquito.
03:54¡Bermúdez!
03:56¿Dónde muero?
03:57No, no, no, no, no, no, no.
04:00¿Qué pasa?
04:01No, no.
04:02Tranquila, tranquila, que estoy.
04:06Todo va a salir bien.
04:07Sí.
04:08Todo va a salir bien.
04:09Sí, sí.
04:20Ya sé que este ahí es un tipo de ciro.
04:23Ignórelo, ignórelo.
04:29Gracias, señor, gracias.
04:50¿Hermanito, qué?
04:52A 800 metros hay una tienda.
04:55Y por ahí a la derecha.
04:58Bueno, están vigilando, pero...
05:00pero yo no veo a nadie por ahí.
05:02Tampoco nos vienen siguiendo.
05:04Yo creo que nos pusieron un localizador.
05:08Yo creo que esa es la que está allá, ¿sí pillo?
05:11Sí.
05:12Sí.
05:13Sí.
05:14Sí.
05:15Sí.
05:16Sí.
05:17Sí.
05:18Esa es la que está allá, ¿sí pillo?
05:31¿Qué, Memo, qué pasó?
05:32Deniente, todo en orden.
05:34Seguimos detrás de ellos.
05:36Bien, bien.
05:37Cualquier cosa me va informando.
05:38Chao.
05:48♪♪
05:53¿Me acompaña?
05:56Claro que sí.
05:59Yo no soy muy de rezar, pero mi mamá sí lo era.
06:04Le quiero pedir para que mi chiquita salga sana
06:06y salva de todo esto.
06:10En el nombre del Padre, del Hijo y del Espíritu Santo,
06:13amén.
06:14Padre nuestro, que estás en el cielo santo,
06:16te calzo a tu nombre.
06:19♪♪♪
06:29♪♪♪
06:39♪♪♪
06:49Despacio, despacio, se detuvieron.
06:52Esperen, esperen, esperen.
06:55Preparaos.
06:59Despacio.
07:02♪♪♪
07:09Tomás, ahí, ahí.
07:12♪♪♪
07:22♪♪♪
07:32♪♪♪
07:45Es esta mierda.
07:47Aquí no hay nadie.
07:48Perímetro, perímetro.
07:51♪♪♪
08:01♪♪♪
08:12¿Sí?
08:14¿Hasta cuándo pensó que iba a seguir jugando con nosotros?
08:17¿Quién habla?
08:18Usted dijo.
08:19Juró que no tenía nada que ver con lo que pasó.
08:22¿Olivia?
08:23El man que me pegó los tiros trabaja para usted.
08:26Tengo fotos donde está enfrente de la fachada de su casa.
08:29Eh, no, es una trampa, tiene que ser.
08:32¿Insiste?
08:33Mire, le juro que no es una trampa.
08:36Eh, no, es una trampa, tiene que ser.
08:38¿Insiste?
08:39Mire, le juro por mi hija que es lo más sagrado que tengo en mi vida.
08:43Yo no tuve nada que ver con lo que le pasó, Olivia.
08:45Vieja mentirosa.
08:47Se lo juro.
08:48Vea, yo le advertí, le dije que no se metiera conmigo.
08:52Ahora sí, téngase.
08:54¿Aló?
08:55¿Aló?
08:56¿Aló?
09:09No, no, no, no, no, no.
09:12Perra.
09:14¡Perra!
09:18El día de ayer, en horas de la tarde,
09:20el abogado del señor Laureano Aguilera,
09:22testigo clave en el caso del señor Ortiz,
09:24se presentó en la fiscalía a dejarnos una declaración juramentada.
09:28¿Tú sabes qué...?
09:30Actuando de buena fe en su señoría,
09:31me gustaría que usted mismo leyera el documento
09:33antes de continuar con la diligencia.
09:35Adelante.
09:36Mis colegas y yo consideramos que lo que este señor tiene
09:38para aportarle a la investigación
09:40cambiaría totalmente el rumbo de la investigación.
09:48Bien.
09:50¿Tú sabes qué...?
09:52¿Qué es lo que pasa? ¿Qué...?
09:54Que gracias a un desconocido,
09:56le encontramos el lado flaco a Ciro.
09:59El hombre está dispuesto a testificar
10:01si su señoría y la defensa lo consideran pertinente.
10:05¿Podemos saber qué atestigó?
10:08El señor Laureano Aguilera asegura tener pruebas
10:12que confirman que su cliente no está involucrado
10:15en las acciones que iniciaron su proceso.
10:20Dice que aprovecharon su ingenuidad
10:23y que lo usaron como archivo de expiatorio.
10:27Agrega que siempre y cuando se le garantice su seguridad,
10:31está dispuesto a declarar eso.
10:35O sea, si podemos...
10:38Si su señoría está de acuerdo,
10:40podríamos llamar al testigo a declarar.
10:42¿O no?
10:43¿O no?
10:49No, mi teniente.
10:51No sabemos.
10:53¿Qué?
10:54¿Cómo que no sabe?
10:56Memo Marica, ¿cómo que no sabe?
10:58La vida de la niña depende de esto, huevón.
11:00¿Qué pasa?
11:02Lo estoy oyendo hablar con Memo. ¿Qué pasa?
11:05Orlando, respóndame. Es la vida de mi hija, por favor.
11:13¿Qué pasa?
11:30¿Cómo vas?
11:33Esta marica, hombres.
11:35Ya me requisaron, me cambiaron la ropa.
11:37Limpio.
11:43Limpio.
11:59Limpio.
12:07Bienvenido.
12:37Bienvenido.
12:38Bienvenido.
13:08Limpio.
13:20¿Aló? ¿Aló? ¿Aló?
13:22Aló, Memo.
13:23Ponga el altavoz. Ponga el altavoz.
13:26¿Qué pasó, Memo?
13:28Mi teniente, encontramos un rastro cerca del carro de Braulio.
13:30¿Y?
13:31Lo seguimos, pero...
13:32llega a un campo abierto.
13:34¿Cómo así?
13:35Wait, what did you find?
13:36There were many traces of people and cars,
13:38but there was no one there.
13:41What about Renata?
13:43I'm sorry, Brenda, but we don't know anything about her yet.
13:50No.
13:52No.
13:54No.
13:56No, no. Why the hell did you send them to follow you?
13:59If the Jimenezes find out that you were following them,
14:02they'll think that Braulio is working with the police
14:04and they'll kill him and then they'll kill my daughter.
14:06They didn't notice anything.
14:08How do you know?
14:09Because of what Memo said.
14:11Where Braulio was lost, there were no signs of violence.
14:14It just happened what had to happen.
14:16Braulio met with Raul Jiménez and that's it.
14:19Nothing else happened.
14:20Where are they?
14:21They must be somewhere that Raul Jiménez
14:25and them consider safe.
14:27Don't worry, nothing happened to Braulio.
14:29He must be fine.
14:31If they wanted to kill him, they would've done it there.
14:33There was no point in taking a risk and killing him elsewhere.
14:36No, no, no. I don't agree with you.
14:39You shouldn't have done that.
14:41Brenda, understand one thing.
14:43Renata is in the middle of a war of attacks.
14:46Who cares about Renata? Us two.
14:49I can't just sit around.
14:50I have to do something to bring her back.
14:52You know what you're doing?
14:55Playing the hero.
14:56What?
14:57Yes, you're exposing my daughter's life.
15:00All I'm trying to do is bring the girl back
15:03and save this house again.
15:05All you want is to trap Braulio and Raul.
15:09Is that why you're playing the hero?
15:11Is it true?
15:13Or what did you do at my parents' house?
15:15You tried to trap Braulio.
15:18You killed my dad.
15:20And then what did you do to my mom?
15:23You tried to take her from the hero.
15:25You killed her.
15:28All you're doing is putting a cross on my daughter's head.
15:32That's it.
16:28Let's go.
16:38Brenda. Brenda.
16:44Hello?
16:47Only with Orlando? Why?
16:49Okay.
16:51I'm coming.
16:53What happened?
16:55I have to go down and open the door.
16:57Where are Ciro's people?
16:58They arrived in a couple of trucks.
17:00Yes, I know.
17:01What do you mean?
17:02They called me. I'm going to open the door.
17:04No, no, no. Why?
17:06Because they have to give me something.
17:08Wait, wait, wait.
17:09Let's take our time.
17:10Let's think. It could be a trap.
17:12Yes, and what if it's Renata?
17:13And what if it's not?
17:14In the end, what do I have to lose?
17:22You have to go, Brenda.
17:24And Renata? Where is Renata?
17:26I don't have Renata.
17:27What do you mean you don't have her?
17:29Where is she? How is she?
17:31I don't have her, but I assure you she's fine.
17:44These were the evidence that Ciro gave to Livia.
17:54I want to know who it is.
17:56I don't know.
17:57Are you sure?
17:59Because that photo was taken on the front of this house.
18:01I know.
18:03Aren't you going to tell me anything?
18:05What do you want me to tell you?
18:07Don't you realize that a lot of people come to this house?
18:12I don't know who this guy is.
18:15I have nothing to do with him.
18:17And I don't know why he wanted to do that to Olivia.
18:19She wants to talk to the police.
18:22Yesterday when she was talking to you she was about to do it.
18:25She says we have no other option.
18:27I asked her for time to clear things up.
18:30To show her that this taxi thing is a plan to get rid of Ciro.
18:36And knowing about the war between you two,
18:38it would be convenient to damage her head
18:40and get her in trouble with you.
18:42No.
18:44It could be.
18:45It could be, right, Lucrecia?
18:47At this point and with evidence like that?
18:51I want to avoid problems for her and for us too.
18:55That's why I'm here.
19:02What?
19:04Come with me.
19:18I knew Ciro and his people were watching me,
19:20but that picture...
19:22There, there it is.
19:25Turn it around a bit.
19:34That's it.
19:37So you're going to keep telling me it has nothing to do with you?
19:40Because it's parked right in front of your house.
19:43It's the same plates and everything.
19:44Well, yes.
19:46But it's usually the same taxis that cover this area.
19:50And you're not expecting me, are you?
19:56There it is.
19:57There's the person I was waiting for.
19:59Do you see her?
20:00Who is she?
20:06Tell me.
20:26Mrs. Lucrecia, if you're calling to ask about your friend,
20:31you should tell him he's doing well.
20:33He's doing well on the appointment we had.
20:36I'm glad, but it's not why I'm calling, you know?
20:41Oh, no?
20:43No, I have information for you.
20:46About?
20:47An old enemy who has serious problems.
20:52Very serious problems with you.
20:54Why didn't you let Ciro help you?
20:56Because that guy is dangerous, and I already told you.
21:00Don't you realize we're in the middle of a war?
21:02Liliana.
21:03Grandma, but it's true, and Olivia knows it too.
21:06In these cases, what we have to do is a stronger initial.
21:09Do you really think so?
21:11A creature like you thinking that way?
21:14That's why this country is full of people like you.
21:17You're the only one who can help me.
21:21That's why this country is full of violence and war.
21:25I don't know.
21:26If we keep fighting alone, we won't survive.
21:28The only way to survive is to get away from those mobsters.
21:31That's right.
21:32Or what?
21:33Aren't you happy with the man who broke into our house?
21:36To extort us, to take away the little money we earn?
21:40You think it's little?
21:41Precisely.
21:42If we had someone close to us like Ciro,
21:44those people wouldn't even mess with us.
21:46Monica.
21:47No, keep thinking like that.
21:49Keep thinking like that,
21:50that you're making a very nice path towards crime.
21:53Of course.
21:54Be careful. Ciro will protect us.
21:56He won't protect us!
21:59Huh?
22:00Ciro will protect us as long as we're useful to him.
22:03And then what?
22:04He'll get us out of the way.
22:06You don't understand, Liliana.
22:08Those people, the only thing they leave you with
22:10are problems, enemies, and death.
22:12I know why I'm telling you this.
22:14So what are we going to do?
22:15Stay here locked up and wait for them to come kill us?
22:48I don't know.
22:49I don't know.
22:50I don't know.
22:51I don't know.
22:52I don't know.
22:53I don't know.
22:54I don't know.
22:55I don't know.
22:56I don't know.
22:58I don't know.
22:59I don't know.
23:00I don't know.
23:01I don't know.
23:02I don't know.
23:03I don't know.
23:04I don't know.
23:05I don't know.
23:06I don't know.
23:07I don't know.
23:08I don't know.
23:09I don't know.
23:10I don't know.
23:11I don't know.
23:12I don't know.
23:13I don't know.
23:14I don't know.
23:15I don't know.
23:16I don't know.
23:18I don't know.
23:21I don't know.
23:37No, no, no.
23:40No, no.
23:42No, no, no.
23:44No, no, no, no.
23:45No.
23:47No, no, no!
23:51No, don't take him away from me!
23:53No, no, no.
23:54You will have to learn to do good and bad.
23:57Because with me, no one gets in the way.
23:59Much fear in my woman.
24:00No, no, no.
24:01No.
24:04No.
24:05Don't take him away from me.
24:12No.
24:15No.
24:16♪♪
24:24♪♪
24:31Ah.
24:33I'll pour you a drink.
24:35♪♪
24:42I want you to know that you're better than Tris.
24:44Mm-mm. No, no.
24:47You know, I think Emilia did a lot better
24:49in her character.
24:50False.
24:52And I'm going to tell you why.
24:53Because all she did as an actress
24:57was maintain her comfort zone.
24:59On the other hand, what you did was risk everything.
25:04All you did was prove that you're a great actress.
25:08A great actress, okay?
25:10I don't think so.
25:12For God's sake.
25:13I didn't feel so good doing it.
25:15I think I could've done better scenes.
25:18Well, I'm going to tell you something.
25:21This award is for you.
25:23And I'm sure it's going to be the first of many.
25:27You know what? I want to make a toast to that.
25:30A toast because you're a great actress.
25:33You've had an impeccable career.
25:35A wonderful career full of success.
25:38You've raised an audience that follows you.
25:40And that's a toast.
25:43And with that, I just want to say
25:45a toast to your success.
25:50We don't know anything about Esteban.
25:54We have no clue about him or Raul Jimenez.
26:00We're doing everything we can to find him.
26:07But I must be honest with you.
26:11The chances of finding your friend alive
26:13are getting more and more remote.
26:17Your luck depends on how useful you are to Jimenez
26:20at this time.
26:41Your luck depends on how useful you are to Jimenez.
26:45And honestly,
26:47I don't know how useful you are right now.
27:10Oh, my God.
27:41Is it true, or not,
27:44that you were the one who tried to kill Olivia?
27:55Wrong.
27:57Very wrong, Mantilla.
28:00A big mistake, you know?
28:03And not just for hiding such a serious matter.
28:07But for having...
28:09For having left the job half done, Mantilla.
28:13We don't know yet.
28:15I hit her hard. I saw her fall.
28:17They were accurate shots.
28:19And the last thing I knew about her was that her condition was critical.
28:22It was.
28:24It's not anymore.
28:26She's alive, hanging around,
28:29and looking for the person who shot her.
28:31What the hell was she thinking?
28:34Well, that she was extorting me.
28:36She was in charge of ending my career.
28:39And I had to make her pay for ruining my life, didn't I?
28:43Oh, yes.
28:45But you made her pay very well, you know?
28:47Because Olivia already knows that you were the one who shot her.
28:51And she also knows that you work with me.
28:54So when she decides, she's going to start singing.
28:58She's going to screw us all.
29:00So what do you suggest we do?
29:07Yes, sir. Perfect.
29:09Yes.
29:20Oh, okay.
29:2175 milligrams of...
29:24What?
29:2675 milligrams of...
29:29Okay.
29:31Okay, perfect.
29:32One dose in the morning, another in the afternoon.
29:38Perfect.
29:40Ibuprofen. Okay, perfect.
29:47Ah, okay, okay. Yes, sir.
29:54Don't worry.
29:59Okay.
30:06Oh, yes.
30:08Give me a second.
30:10Do you need anything?
30:16Is everything okay, Yanet?
30:23Look, I'm sure it's Raúl's handwriting.
30:26When did he receive it?
30:28No.
30:29Well, I wouldn't be able to tell you exactly.
30:31It came with all this that my followers sent me.
30:33And they were in some flowers.
30:36Do you know what's strangest?
30:38This.
30:39If you see those numbers,
30:42what does it mean?
30:46Raúl doesn't know this.
30:48He knows everything.
30:49No, he doesn't.
30:50And it's better if he doesn't know.
30:52Because even though things between him and that woman
30:54didn't end in the best way,
30:56when I touch her hair,
30:58Brenda, or you...
30:59No, no, no, no, no, no.
31:01Wait a minute.
31:02Don't put me in the same boat as that couple.
31:07We may share
31:09the bad taste for men,
31:11but from the moment you come to tell me that we look alike...
31:16Listen.
31:19I forgot.
31:23The man who helped you with the job,
31:25what did he do?
31:26The one who was driving the taxi?
31:29Because I'm telling you,
31:30Olivia and her people
31:32investigated everything.
31:34They even know
31:35the number of the car plates.
31:38Well, with that patient, there's no problem.
31:41In fact,
31:42it's true that he's not breathing right now.
31:47Look, Mrs. Lucrecia,
31:49I give you my word
31:51that you won't find out about this again.
31:53In fact,
31:55that topic is finalized today.
31:58Oh, and one more thing.
32:00Look.
32:01Besides Olivia Regifo,
32:02there's that lady and the two boys.
32:04Do whatever you have to do,
32:06but I don't want to know anything.
32:09I do ask you a favor.
32:11This time,
32:14do it right.
32:17Count on it.
32:20Excuse me.
32:26Easy.
32:50Gold rule in this business.
32:52Never doubt.
32:53Never doubt.
33:01The girl says that the guy
33:02did have a couple of deals with her,
33:04but he never gave her any orders.
33:07She suspects that if Mantilla did what he did,
33:09it was for a personal reason.
33:11She knew that you two knew each other before,
33:13that you had friends in common,
33:15and all the video, you know?
33:17And she didn't want to tell me more,
33:19but you probably knew very well
33:20what she was talking about.
33:22There she is.
33:25I'll leave her there so she can talk to herself.
33:27Whatever she has to say.
33:36Mantilla won't make a problem again.
33:39Lucrecia, I...
33:40He made a mistake with me,
33:41and he made a bad mistake,
33:43judging me for the way he did it.
33:45I know.
33:47Thank that boy you live with.
33:49Because if it hadn't been for him,
33:51I would've gotten into trouble with the police.
33:53And in return,
33:55I would've had to do something I didn't want to do.
33:59Get better.
34:09Hello, Olivia. How are you?
34:11Fine, thank you.
34:13Have they treated you well?
34:15Yes, yes.
34:16Yes, very well.
34:18He's a cop who works with an old friend of Olivia's.
34:22A certain Mr. Orlando.
34:25And then she spoke to him on the phone.
34:27She told him everything.
34:29She told him the whole story.
34:31And he told her not to worry,
34:32that he was in charge of everything.
34:34He was the one who sent the cop
34:35who's talking to her right now.
34:41What?
34:43Edgar.
34:45Edgar.
34:47Don't tell me you're like your sister,
34:49who thinks that in order to get rid of a criminal,
34:52she has to ally herself with someone worse.
34:54With someone in worse condition,
34:56and more of a murderer, or worse of a scoundrel.
35:01No.
35:04They paid me to plant drugs in the dealership
35:06and in the cars,
35:07and to do everything I had to do
35:10so that in the eyes of the investigator,
35:12this man that you see sitting there,
35:14would look like the kind of person
35:16they wanted him to look like.
35:18Who paid you for that?
35:19My client won't give names
35:22until we have perfected
35:24the deal we had with the DA.
35:27What I can tell you is that
35:29the target was not your husband.
35:31It was you.
35:32The lawyer of Dr. Raúl Jiménez.
35:36They wanted to control you,
35:37and at all costs,
35:38prevent you from continuing to work
35:39in what you are working.
35:41There are many people who don't want
35:43a guy like Raúl Jiménez to get out of jail.
35:47Many.
35:56How's it going?
35:57Everything's in order, just like you asked.
36:41Considering the evidence
36:44and the testimony
36:45that Mr. Lauriano Aguilera
36:47and his lawyer
36:48delivered to this court,
36:50the new evidence that the DA has gathered,
36:54the recommendations of the Prosecutor's Office
36:57and the Defense,
36:59and not finding any more merits
37:01to continue with this process,
37:03I order
37:05that the charges against Mr. Ortiz
37:08be lifted
37:11and his case filed
37:14and the former union member released.
37:34Tell me.
37:36They're already outside.
37:38You tell me.
37:41You tell me.
37:52Define the perimeter.
37:54Not a single meter is left unchecked.
38:11No.
38:39Son, let's do this.
38:40As soon as you get out of class,
38:41make a video call
38:43with your sister
38:44and I'll talk to both of them.
38:45What do you think?
38:48I'm also very happy to hear from you.
38:51Of course I missed you, son.
38:54I love you.
38:56A kiss.
38:59We'll talk later. Bye.
39:01And? What did he say?
39:03He almost went crazy
39:04when he realized he was talking to me.
39:07We'll see each other again.
39:10See you, Laura.
39:11My home.
39:13Marta, I can't believe it.
39:14Welcome, my love.
39:18My wife, my children, my home.
39:24What?
39:25Marta.
39:27What?
39:29You didn't fix the curtain.
39:33I saved it for you.
39:41Let's go.
39:51I missed you, son.
39:52I missed you.
39:53I missed you.
39:54I missed you.
40:03I'll take you home.
40:05Come on.
40:10Come here.
40:12I love you.
40:14I love you.
40:15I love you.
40:17No, no, no.
40:18The police are still investigating.
40:20I just finished remodeling.
40:22So for now,
40:23I prefer you to stay at home.
40:25You know what?
40:27Call the group
40:28and tell them that
40:29when the foundation resumes work,
40:32if it does,
40:34I'll let them know.
40:40Okay.
41:04Guadalupe.
41:05Mom.
41:06Guadalupe, my love.
41:08My daughter.
41:09My beautiful daughter.
41:12How did you get here?
41:14Where did you come from, my love?
41:16I can't believe it.
41:17I can't believe it.
41:19Why didn't you tell me?
41:20Come.
41:21You're at home.
41:22Come, my love.
41:23Come.
41:24Keep going.
41:25Congratulations.
41:39Congratulations.
41:45The questioned ex-colonel of the police
41:47was found at night
41:50by inhabitants of the area.
41:52And even though the murderer's mobile phone
41:54is unknown,
41:55it is already rumored
41:57that it was for alliances
41:59that the man held
42:01with criminal organizations in the country.
42:03Someone said that no death should cause relief.
42:05But the one who said that has no idea what it means to have an enemy like that guy.
42:13Hello.
42:15It's good to see you.
42:27We should go far away.
42:30Where?
42:32Where?
42:34I don't know. Anywhere.
42:38The truth is that as long as I'm with you and the kids, I'm happy.
42:50Seriously, my love.
42:52Let's sell everything and with that we'll leave.
42:56We won't tell anyone where we're going to be and we'll start a new life.
43:02That sounds like a witness protection program.
43:07Well, yes.
43:10If the truth came out with nothing, we do it on our own, right?
43:15And we change our names and surnames.
43:21Why not?
43:23What does it sound like?
43:24I would really like to escape with you and the kids and forget about all this nightmare.