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Short filmTranscript
00:00I've heard about many enchanted theaters.
00:03Come on, show yourself!
00:05Is this Mary Blendy?
00:07The one who poisoned her father?
00:09Might not even be Mary.
00:11Could be someone else.
00:13What was that?
00:15Did she say murderer?
00:16Murderer, that's what I heard.
00:17Oh, f***!
00:18I just saw a shadow move.
00:19Is someone over there?
00:21Are you a murderer?
00:23What was that?
00:25Hey, did we just see Mary?
00:31I've seen the way
00:35Through all the pain
00:39I've walked through darkness, fire and rain
00:48They fill my grave
00:5172 hours of confinement.
00:54My soul remains
00:58In the most terrifying places
01:00In search of unusual proof
01:10Paranormal Lockdown
01:15The Kenton Theatre in Henley-on-Thames
01:17has been famous for decades
01:19for having one of the most enchanted scenes in England.
01:22Since it was built in 1805,
01:24the building has been a school, a church
01:26and a clinic for soldiers.
01:28But since the 1960s,
01:30when it was reopened as a theatre,
01:32the paranormal activity seemed to intensify.
01:34Many of these signs are centered
01:36around one of the most infamous inhabitants of Henley,
01:38Mary Blendy.
01:40After poisoning her father by pouring arsenic
01:42into his tea in 1751,
01:44they condemned and hanged Mary for murder.
01:47But in the centuries following her death,
01:50many claim to have seen her ghost.
01:53In 1969,
01:55in the Kenton Theatre,
01:57the play Hanging Wood was performed several times,
01:59which revolves around the life and death
02:01of Mary Blendy.
02:03During rehearsals and performances,
02:05the murderous lady of Henley
02:07was forever united with the Kenton Theatre.
02:09The members of the theatre
02:11saw a woman in a grey dress
02:13at the end of the hall,
02:15a ghostly figure stalking the stage
02:17and a cup of tea
02:19that rose from a table
02:21and then fell and broke
02:23as they talked about Mary Blendy.
02:25In the 50 years since the first performance,
02:27the paranormal activity
02:29has been maintained by the theatre.
02:31Katrina and I will spend 72 hours
02:33confined between the walls
02:35of this historic theatre,
02:37living together with the most famous
02:39ghostly inhabitants of Henley
02:41to try to establish
02:43if Mary Blendy
02:45really is here
02:47or there is something else
02:49that stalks the enchanted Kenton Theatre.
02:53I've always wanted to investigate
02:55the Kenton Theatre
02:57because it's one of the oldest
02:59in the United Kingdom.
03:01I've investigated many theatres
03:03and they've always been fantastic
03:05investigations.
03:07In addition, I was director
03:09of a theatre at the university,
03:11so this little world
03:13is very close to my heart.
03:15Hi Paula. Hi.
03:17My name is Katrina.
03:19Hi Katrina, nice to meet you.
03:21It's a theatre from the Regency period.
03:23It's the fourth oldest
03:25active theatre in the United Kingdom
03:27and I've been director for a year.
03:29During the year you've been here,
03:31has anyone come up to you and said
03:33I've lived a paranormal experience?
03:35I've met many people from all over Henley
03:37who have lived experiences here.
03:39Could you introduce them to us
03:41so we can talk to them?
03:43Of course. I think Elisabeth,
03:45as a local historian,
03:47is the most suitable
03:49Elisabeth Heyselding is a writer
03:51and a local historian
03:53and she knows more about this place
03:55than anybody.
03:57She's going to show us the theatre
03:59and she's going to talk to us
04:01about the apparitions and investigations
04:03that she's done.
04:05It's an impressive theatre.
04:07Tell us the story of this building.
04:09Well, it was a poor people's asylum,
04:11two houses that joined in one.
04:13They were in charge of the poor
04:15and the helpless and in 1805
04:17they moved to an asylum like this.
04:19Was it well looked after
04:21or was it something that people
04:23wanted to avoid as it was?
04:25At the beginning these asylums
04:27were beneficial places
04:29but then in Victorian times
04:31they started to look at them
04:33with worse eyes
04:35and they ordered the poor
04:37to work as hard as they could
04:39to show that they were making money.
04:41Were there many deaths during that time?
04:43Yes, because initially
04:45you don't stop seeing people
04:47from this type of asylums.
04:49It's going to be very difficult
04:51to decipher who we are talking
04:53to exactly because so many things
04:55have happened in this property.
04:57So many deaths have taken place
04:59and we don't know the real names
05:01of those who lived and died here.
05:03What do you know about the ghost here?
05:05Well, Mary Blendie was a very well
05:07instructed lady and her father,
05:09Francis, was a lawyer.
05:11Now, she went to a garden party
05:13with William Henry Cranstone.
05:15Now, they fell in love very quickly
05:17but Cranstone had a wife
05:19so his father forbade that relationship.
05:21Eventually they decided to poison
05:23Francis Blendie
05:25and Mary had to pour a powder
05:27on her father's tea.
05:29She later died of poisoning
05:31of arsenic.
05:33Mary was locked up in the Oxford jail
05:35and hanged on April 6th, 1752.
05:37And it was a very unpleasant
05:39hanging.
05:41There was a rope between the trees
05:43and they pushed her off the stairs.
05:45My God!
05:47People often got angry
05:49and thought she was still alive
05:51so they threw the body to the crowd
05:53to confirm that she was dead.
05:55So now, what is your relationship
05:57with this land and this building?
05:59Well, John Morgan wrote the book
06:01The Hanging Boots about Mary Blendie
06:03and in 1969 they turned it into a play
06:05and they performed it in the Kenton.
06:07And the following week, Mary began to appear.
06:09She's been here since then,
06:11she's never left.
06:13How do they know it's Mary
06:15and not some other ghost?
06:17That's what I was thinking.
06:19She's known as Lady Grey
06:21because of her dress as a prisoner.
06:23There are lithographs of her
06:25having tea with friends.
06:27And they match those lithographs?
06:29Yes, exactly.
06:31Pretty much everyone says
06:33they've seen a woman in white
06:35or a woman in grey
06:37and the Kenton Theatre
06:39makes my skepticism
06:41about the truth of history appear.
06:43What else has people experienced?
06:45Paranormal activity?
06:47In the pit of the orchestra,
06:49if you'll come with me.
06:51Is it under us?
06:53It is, yes.
06:55One gentleman in particular
06:57was rehearsing in the pit
06:59and he took a picture with his mobile phone
07:01and when he looked at it
07:03he saw the image of a woman's face
07:05when they're down there.
07:07I think there's a lot of energy
07:09in this area because normal people
07:11would stand here
07:13to see the representations.
07:15It's an important area we should investigate.
07:17Yes, of course.
07:19There are more stories up here.
07:21Alright, let's go.
07:23Some artists were heading to the dressing room
07:25and they thought they saw Mary Blendy
07:27going down the stairs,
07:29turning around and disappearing
07:31through the wall.
07:33Did people walk down the street
07:35before they saw the work?
07:37Shortly after she hanged herself,
07:39a gentleman said he saw Mary
07:41near the execution site.
07:43A lot of people have seen her
07:45over the decades,
07:47which is always interesting
07:49for us as researchers.
07:51People didn't start seeing Mary
07:53until they saw the work
07:55of Hanging Wood about her life.
07:57We know that people
07:59saw her in the 18th century
08:01and if something is told about her life
08:03and people pronounce her name,
08:05could that attract her to a place?
08:07Elizabeth, thank you so much
08:09for showing us the theatre.
08:11You have a lot of knowledge.
08:13I think you know more about this place than anyone.
08:15Yes, of course.
08:17You're welcome.
08:19I think if we find something
08:21that we can't connect,
08:23we can actually bring you back
08:25to help us connect all the pieces of the puzzle.
08:27Great, I'm looking forward to seeing
08:29the theatre, but there's a lot of stories
08:31about a lady named Mary.
08:33I'm intrigued to know
08:35that a spirit could have travelled to this location.
08:37It's really important
08:39to always try to talk to people
08:41who have lived these experiences.
08:43You want to always avoid that
08:45because it brings out the rumours.
08:47So Nick and I are going to be seeing
08:49actors and actors who have been here
08:51over the years.
08:53Nice to meet you, Lottie.
08:55Hi, nice to meet you.
08:57How long have you been acting here?
08:59About two years full-time,
09:01and I've done a couple of plays here in Kenton.
09:03What's the part that gives you the worst
09:05vibrations of all of them?
09:07In the wings.
09:09You feel the presence of something there.
09:11Someone has seen the figure of a shadow
09:13rushing around while they were working.
09:15Supposedly it's a woman.
09:17There's a recurring ghost in Kenton,
09:19and it's Mary Blendy.
09:21Where else in the theatre have you had
09:23paranormal experiences?
09:25Can you tell us what happened?
09:27What's really interesting
09:29is the ghostly figure.
09:31A lot of people say they've seen ghostly figures.
09:33Is it Mary, or is it something else
09:35that appeared in this theatre?
09:37So down here is dressing room two.
09:39One occasion, I was the last one to leave.
09:41I realized I had forgotten my keys.
09:43So I came back for them,
09:45and the door was open,
09:47and the light was on.
09:49Again, I felt like there was
09:51someone else around.
09:53I felt like there had to be something else here.
09:55We'll spend some time investigating,
09:57and we'll see what happens.
09:59There's night concerts here.
10:01People go out to perform on stage.
10:03The employees are working.
10:05There's so much energy in this building.
10:07I'm glad to meet you. I'm Nick.
10:09Hi, I'm Katrina.
10:11How was it when you used to work here?
10:13One of my obligations as a stage director
10:15was to close the theatre every night
10:17when the performances were over.
10:19But one night, I definitely had an experience
10:21while I was walking to the exit of the auditorium.
10:23Guide us along the path you took
10:25when you were about to close.
10:27I was walking down this corridor,
10:29and I got to the point
10:31where you turn the corner.
10:33So right here?
10:35Right here.
10:37Probably the first thing I felt
10:39was that the temperature dropped,
10:41and I heard the sound of a bag
10:43or something sliding by.
10:45So I said, excuse me,
10:47and I looked, and there wasn't anything there.
10:49But I felt a movement
10:51near my right hand.
10:53I didn't tell anyone for a long time.
10:55Really?
10:57Yeah.
10:59How come?
11:01Because I didn't want people to think
11:03that I was crazy,
11:05that I was imagining things,
11:07or anything like that.
11:09Thank you for telling us this story.
11:13It seems to be a lot of things
11:15going on in the theatre.
11:17Is Mary here, or is Mary not even here?
11:19There's so much energy
11:21from the living and the dead here.
11:23So we're going to have to use our equipment
11:25to try to validate some of the experiences.
11:27So we need to get one-way readings
11:29of the entire building
11:31to figure out what the hot spots are.
11:33I think this is a good area to start
11:35because a lot of people have had experiences
11:37with Mary here.
11:39So we'll be using a digital camera
11:41hoping to capture something
11:43that's moving between us.
11:45We're going to be using these
11:47static sensory antennas
11:49that attract energy
11:51so that the entities
11:53can produce smart answers
11:55to our questions.
11:57Let's set up one of the devices
11:59down there.
12:01Oh, wow.
12:03We're going to be using
12:05the vibration box.
12:07It's going to detect vibrations
12:09inside the space that it covers.
12:11If someone walks by,
12:13now that it's completely dark,
12:15the room is different.
12:17It's scary.
12:19It's so still.
12:21It doesn't seem natural.
12:23Let's activate the Geoport
12:25and see if we can talk to whoever's here.
12:27Mary?
12:29Can you hear us?
12:31If you're still here
12:33in the building or walking by
12:35or there's someone else here,
12:37you can make noise.
12:39You can talk to us.
12:43Wow.
12:45There was something right there.
12:47Holy shit.
12:49What was that?
13:01What was that?
13:03There was something right there.
13:05Holy shit.
13:07What was that?
13:09I saw a shadow move like that
13:11very quickly.
13:13It's like flashes.
13:15You see them for a second and they disappear.
13:17When we were talking to Lottie,
13:19it almost felt like there was
13:21someone in the sound booth.
13:23Every now and again I saw flashes up there.
13:25Is there anyone here with us?
13:29William?
13:31I think so.
13:33Can you hear that?
13:35Yeah.
13:37Can you hear those cries?
13:41Who's crying?
13:43I mean, the plague was here
13:45and it killed 500 people.
13:47This is also where the poor shelter was
13:49and we know it was hard.
13:51Imagine all the people who came here.
13:53Due to the different phases
13:55and the raw history of this property,
13:57it will be a challenge to figure out
13:59who we are communicating with exactly.
14:01It's important that we go through the whole space
14:03to better understand this paranormal activity.
14:05Whose room is this?
14:07Are you getting ready to go on stage?
14:09Get out of there now!
14:13He said, can you hear something?
14:15Wait, I've heard thumps.
14:17I've heard them here.
14:19Yeah, it's been...
14:21Hold on.
14:23I've heard thumps right up here.
14:25To me, they seemed very consistent.
14:27It was like...
14:29Yeah, that's what I've heard.
14:31It's like they're going down the stairs
14:33or walking down the stage.
14:35Yeah, you're right.
14:37I've seen a figure moving.
14:39Let's go to the stage.
14:41Are you over here?
14:43On the stage?
14:47Let's just try to increase the energy
14:49to see if we can make something.
14:51One of the techniques that we've used in the past
14:53when we've been investigating different places
14:55is recreating events that could have happened
14:57in different places.
14:59Here there were actors
15:01and we've tried to do some acting.
15:03I've tried to teach Nick the Mirror Game
15:05but it didn't work out.
15:07This is my theatre!
15:09Nick is...
15:11He's a unique actor.
15:13Wow.
15:15I'll tell you something.
15:17It's really weird in a way
15:19when you see someone back in their seat
15:21and they don't want to obstruct the viewer's vision
15:23and they're like, oh, it's something like that.
15:25That's what it's been like.
15:27Let's take the Geoport and go up there.
15:29We couldn't stop seeing ghostly figures
15:31all over the theatre
15:33What are those figures? Where do they come from?
15:35Who are they?
15:37Do you feel that?
15:39It's a strange feeling.
15:41Up here it feels completely different.
15:43It's a space and a different energy.
15:45Absolutely.
15:47As we go up on the stage
15:49there is a sudden change of environment.
15:53It is a feeling of being very alive
15:55and it just feels
15:57to be more interactive
15:59than other places that we've seen in the theatre.
16:03Is it okay up here?
16:07Katrina, have you seen someone up there?
16:09She did.
16:11She did, yeah.
16:13Who did I see? Do they have a name?
16:17Mary, are you a murderer?
16:19Murderer is what I heard.
16:25Who's the murderer?
16:29We heard you say murderer.
16:31Who is it?
16:33Who did you say murderer?
16:39It's been a long time.
16:41There's been a moment where it feels a little weird.
16:43We catch a glimpse, we hear precise words
16:45and then it's gone.
16:47For now, we've seen a lot of activity tonight.
16:49But we're not close to
16:51discovering who appears in the theatre.
16:53We've decided to separate and isolate ourselves
16:55to sleep, with the aim of
16:57establishing contact with the spirits on their own.
16:59The absolute best place to sleep
17:01and experience paranormal activity
17:03is right on the stage.
17:05I'm hoping that Mary
17:07or any other spirit or energy
17:09that's still here will show up
17:11through this spot.
17:13I'm going to leave this recorder on
17:15while I sleep to see if we can capture
17:17voices when we're silent.
17:19You never know what could happen.
17:23Tonight I'm going to sleep on the stage
17:25because in the rest of the places
17:27that I've been with you so far,
17:29I felt pretty peaceful.
17:31There was a totally different energy
17:33on the stage.
17:35There was a lot of life, a lot of activity.
17:37I'm going to sleep here to see if anyone
17:39is trying to make contact with me.
17:45I just thought I heard someone
17:47moving around here.
17:49Mary?
17:57Oh!
18:03You can't even tell
18:05if it's day time or night time outside.
18:07It's always the same inside the theatre.
18:09It's very dark.
18:11I'm going to wake up Katrina now.
18:13I'm going to see if anything's happened to her.
18:17How's it going, Katrina?
18:19How are you?
18:21Well, I'm here in a lovely theatre.
18:23Has something happened?
18:25I fell asleep and turned on the recorder.
18:27We have to check it.
18:29When I first fell asleep
18:31and I was starting to fall asleep,
18:33I thought I heard something move.
18:35That's strange.
18:37It sounded like someone was moving around here.
18:39We should get up and start investigating.
18:41Yes.
18:43Day two.
18:45We decided to take a breath
18:47and check the recorder
18:49that I left on while I was sleeping
18:51to see if anything was captured.
18:55Wake up!
18:57Wake up!
18:59This is like steps.
19:01It's like, wake up!
19:03Wake up, Nick!
19:05Wake up!
19:07Listen to it.
19:09Wake up!
19:11Wake up!
19:13Oh, yes.
19:15Wake up!
19:17Wake up!
19:19It's smart.
19:21The wake up sounded very clear.
19:23It's not the typical confused sound.
19:25It's more like a murmur.
19:27Yes, it's very clear.
19:29Yes.
19:31We've been looking at the recorder
19:33and we've found that what should be silence
19:35is not.
19:37And you can hear steps and murmurs.
19:39I think that the energy is starting to ramp up here.
19:41So we'll go set up the 3D mapping camera
19:43to try and get visual evidence
19:45of whatever was talking to me while I was sleeping.
19:47Is everything ready?
19:49Yes, the 3D mapping is set up.
19:51We're going to the airport
19:53to try and clarify what he said.
19:55Who did Nick and I hear last night around here?
20:01Mary.
20:03Has someone said Mary?
20:05Mary.
20:07Let me know if anything shows up, Kat.
20:09OK.
20:11I'm going to go up to the platform
20:13in which I've seen this ghostly figure.
20:15OK.
20:17Shall I go up?
20:19Are you up here?
20:21Yes.
20:23I can feel a lot of energy up here.
20:25It's completely changed, yeah.
20:27Who's coming through right now?
20:29What's your name?
20:33What the f***?
20:35The door's closed.
20:37Oh, I thought I heard it.
20:39Close it.
20:43What the f***?
20:45Who's she?
20:47Who's she?
20:49I'm Katrina.
20:51Shh.
20:53OK, I'm coming down.
20:55OK.
20:57What did you feel up there, Nick?
20:59Just a surge of electricity
21:01that went through the whole area.
21:03And all of a sudden,
21:05there was an immense amount of sound
21:07that started to sound really loud.
21:09So I think at this point,
21:11and with more evidence that we can gather,
21:13we can try to figure out who this spirit is.
21:15Do you agree?
21:17I agree.
21:19I think something is going on here.
21:21But we can't really put our hands
21:23on who that is yet.
21:25So let's get our asses ready for tonight
21:27and see if we can get any further communication.
21:29It's been 24 hours of investigation.
21:31We haven't captured anything yet
21:33to confirm the ghost stories
21:35and the appearances that have occurred in the theatre.
21:37But I hope that tomorrow,
21:39with a new team,
21:41we can find out what's happening in this location.
21:43On the second night,
21:45we'll use the vibration box
21:47that will tell us if it detects any movement on the floor,
21:49like steps, for example.
21:51All right, so just to confirm
21:53that there are no gusts of wind here,
21:55I thought it was important
21:57to place these ping-pong balls
21:59just in case the curtain moves
22:01or anything else happens on the stage.
22:03It can rule out this type of environmental element.
22:05We also put a motion detector
22:07on the curtain
22:09to tell us only if it moves.
22:11I'm glad to hear this.
22:13It's not always so precise, to be honest.
22:15You have to move them directly.
22:17What? What happened?
22:19I just saw a shadow.
22:21Is there someone over there?
22:23Let's go down and check it out.
22:25Is everything on?
22:27In that corner.
22:29Where did you see it? Right here?
22:31Right here.
22:33The energy is really intense in here.
22:35So yesterday, up here,
22:37it made me feel strange.
22:39Did you see something?
22:41Yeah, I did.
22:43What?
22:45I think I just saw a shadow up there.
22:47Really?
22:49It looked like a person.
22:51It just passed by.
22:53A shape?
22:55Yeah, it looked like a person.
22:57And there's nothing there.
22:59The sensation that we have
23:01on the second night is very different.
23:03In my experience, when you experience that
23:05and you know you're not alone,
23:07you have to get ready,
23:09because usually it's a moving night.
23:11Can you move down
23:13to one of the sides
23:15and move to the stage, please?
23:17When you see a shadow,
23:19anybody in the changing room, come on, come on.
23:21Can you try to move the curtain?
23:23And it's just more and more sun.
23:27He said medicine.
23:29What do you need medicine for?
23:31What kind of disease do you have?
23:33He said a disease.
23:35Who's been coming to the theater
23:37and showing up in front of the people?
23:39Were you in the pit of the orchestra?
23:41A lady?
23:43The Lady of Grease
23:45that's been seen?
23:47Rob, what was that?
23:49What was that?
23:51Shhhh!
23:55Shhhh!
23:59Shhhh!
24:01Shhh!
24:07Who's been coming to the theater
24:09and showing up in front of the people?
24:13Were you in the pit of the orchestra?
24:15A lady?
24:17The Lady of Grease
24:19Rob, what was that?
24:25I think that was the curtain.
24:29That curtain moved.
24:30Get in.
24:31Yeah, it was the curtain.
24:32It was the curtain.
24:33The alarm went off, and the motion detector on the curtain, something physically moved
24:44the curtain to make the alarm go off.
24:47Holy ****.
24:48Something.
24:49I swear to God.
24:51I just saw a shadow right there.
24:55Right here, there was a shadow.
24:57It moved through this door.
24:58Right in the corner?
24:59It was perfectly visible.
25:00Right here.
25:01Look at the hair.
25:02It's so cool.
25:03Oh, my God.
25:04Who is it that I see?
25:10Is there anything else you can do to help us?
25:17I'd like to tell people who you are and what you're doing here still.
25:24What the **** was that?
25:29What the **** was that?
25:32Did we just hear you on the stage?
25:37Right here.
25:39Hold on.
25:40Shh.
25:41I'll stop playing.
25:42Wait, wait.
25:43I hear it.
25:44It's moving.
25:45In the back, no.
25:49We're seeing so many things un-explainable that night.
25:53Sounds, things, steps, someone surrounding us.
25:56Were their spirits trying to get our attention?
25:59They want to tell us something.
26:01All right.
26:02So whoever's out here, use what I'm handling to communicate with us.
26:05Tell us your full name.
26:07Tell us, what are you doing here?
26:10Sarah, what is your last name?
26:35Can we see you again?
26:42Sick. She said sick.
26:44Yes, this is the second time this has happened.
26:46Why are you sick?
26:49As we investigate, we hear the name Sarah, but also the words sick and medicine,
26:55which could be related to the story of Mary Blendie.
26:58But we also know that the poor people's home used to be on this property.
27:02A lot of people were sick. It could be related to someone else.
27:06A lot has happened tonight. The sun is about to rise.
27:10Most of the experiences we've heard have been alone.
27:14So, if we split up, maybe we have more opportunities to have an activity.
27:18I'll go back to the place where we saw the figures. Something is happening in that area.
27:23So, I want to go back to the platform.
27:25Okay.
27:26Because we're seeing a lot of activity around the stage.
27:29When I slept here the first night, we heard all those voices.
27:32So, let's get our things and get started.
27:34Let's go.
27:37It's 8.30.
27:39Rob leaves, and Katrina and I split up to sleep.
27:42I go to the platform where the trap was closed before, and where a lot of people have seen shadows.
27:51There's barely any room here.
27:56Taking into account that we had very good recordings last night,
28:00Katrina goes back to the back of the theater to investigate more thoroughly with the recorder.
28:05Are you Mary Blendy?
28:10Did you work or live in the asylum?
28:18Are you Mary Blendy?
28:21Did you work or live in the asylum?
28:24What disease did you die from?
28:26Did you work or live in the asylum?
28:30When I ask about the asylum, that's when I get a clearer answer.
28:37If you want to come talk to me, I'm sleeping on the platform.
28:45Tonight I'm going to sleep in the orchestra pit, because I got an answer to the question about the asylum.
28:50And the lowest point is the orchestra pit.
28:53So, maybe if I go to that maximum point on the lowest floor,
28:58I'll have some sort of connection to whoever makes the orchestra.
29:03It's actually very trippy.
29:05Let's see.
29:13It's 8.42.
29:24Okay, I just woke up.
29:26I'm going to take a look at Katrina.
29:28I'm exhausted.
29:33Let's go.
29:42Katrina?
29:43Yeah?
29:44How are you? Are you okay?
29:46Yeah.
29:47This is crazy.
29:48You slept in the orchestra pit, under the stage.
29:52There's a weird mist here.
29:54It's weird.
29:58Look how she comes out of her cave.
30:03It's 4.46.
30:05We're going to review the evidence from last night's investigation,
30:08because we know that the sensor went off.
30:10So, now we need to check if, in addition to the sensor going off, the curtain moved.
30:14So, let's look at the rest of the footage and see if there's anything strange going on out there.
30:18Gris's girl has appeared.
30:22Did you see that?
30:23Wow.
30:24It moved.
30:25It's the same point that activated the sensor.
30:27Gris's girl has appeared.
30:31You can see how the curtain moves.
30:34Gris's girl has appeared.
30:39The ping-pong balls that we put on the stage didn't move.
30:43There's no air burst or anything that moved the curtain.
30:46Otherwise, we would have seen that.
30:48Yeah, it's really weird.
30:50The curtain moves.
30:52And it's really weird
30:54because it almost looks like someone has pulled it out from behind or touched it.
30:59And then another section moves
31:01and then the whole one big curtain starts to sway.
31:04At first, it looks like it's moving around here.
31:07That's what I was going for.
31:09That's where you see most of the movement.
31:11But when you watch it again several times, the top part also moves, it seems to wave a little.
31:17What's behind? Just a wall?
31:19Just a wall and a ladder.
31:21Just a wall.
31:23We asked him to move the curtain, to start the function.
31:27Look at the stage, please.
31:29Can you try to move the curtain?
31:32The energy has increased a lot all of a sudden.
31:34Having this happen, I think it confirms many of the experiences that we've had.
31:40But tonight, can we put a name on what happened?
31:44We've had a lot of experiences, but we still don't know what happens in the theater.
31:48We have one night to try and find out.
31:51I think the stage is the hottest point of this location.
31:54We have to focus on the last night on the stage and do an experiment to try to get more answers.
32:00We have activated the 3D mapping camera focused on the curtain
32:04to try to capture visual evidence or anything in the environment.
32:08We have activated the lights that capture movement along the last row of the first floor
32:13and also on the second floor.
32:15If anything crosses its path, the movement will make the lights activate.
32:19Can you move the curtain again?
32:21Can you do a function?
32:24Can you see me coming up here?
32:26This is Nick. He's going to act with you.
32:31Who are these shadows that we can't stop seeing?
32:36We're trying to figure out who Mary is,
32:39the one who poisoned her father.
32:42Mary, are you here?
32:45Can you come up here to the stage where I am?
32:49Can you use all your energy and manifest yourself by moving the curtain?
32:58You want to go up here, Katrina?
32:59Yeah.
33:01All right, go ahead.
33:06Where's the energy we felt last night?
33:09The intensity?
33:11Can we feel that energy again?
33:13Can you show yourself to us?
33:15It's weird because I feel it more in the armchairs than I feel it up here.
33:19Do you want to go up there?
33:20Yeah.
33:21All right.
33:27Are you back there?
33:29Are you getting ready to sit in your seat?
33:32What the fuck is that?
33:35Hey, something's moving up there.
33:50Are you back there?
33:51Are you getting ready to sit in your seat?
34:01What the fuck is that?
34:07Hey, something's moving up there.
34:09Katrina?
34:10In the curtain?
34:11Did you see that?
34:12Yeah.
34:13Holy shit.
34:14I saw something forming up here.
34:17Yeah.
34:20What the fuck is that?
34:23What the fuck is that?
34:25Hey, I was looking at you and I turned around and I saw something forming up here
34:30and then it just vanished.
34:32It was like a mass.
34:34Yeah, yeah, it was like a mass, right?
34:36And then it started to grow and then it just disappeared.
34:39What do you think it was?
34:40I don't know.
34:41It looked like energy.
34:42I'm going to grab the geoport.
34:43Okay.
34:44Well, let's try to make audio contact to tell who it is.
34:47Yeah.
34:52Can you use this as a signal to come and talk to us?
34:56What did you see up here, right over here near this curtain?
35:04Did we see Mary?
35:10You did.
35:15She said Mary.
35:16It was Mary.
35:20She said Mary.
35:21She said Mary.
35:22After seeing how this anomaly formed and then suddenly disappeared,
35:27I heard a clear voice that said Mary.
35:30Could it be Mary Blendy's voice that was appearing in this place?
35:35Let's go this way.
35:38Are you already here?
35:40Where we've been seeing these shadows?
35:42Can you try to move to that corner and make the lights go out?
35:48Come on, don't you want to play a game?
35:51We're in a theater.
35:52Let's have fun.
35:55She said money.
35:57What do you need money for?
36:02She said I need it.
36:04She said sick.
36:06We asked through the geoport who it is and what is its connection to this place
36:10and we started to get intelligent answers like sick, which we had heard before,
36:15and money.
36:16Something is manifesting and I don't think it's connected to Mary.
36:19Do you need money for medicine?
36:22She said yes.
36:23Oh, shit.
36:25I've got goose bumps.
36:26All of a sudden, in the stage, the sensors activated.
36:30Okay, let's go up.
36:32Stay there so we can see you.
36:42Is this the way up?
36:46Are you here with us?
36:55Are you still up there?
36:58I'm feeling a big boost of energy right there.
37:01Yeah.
37:02First, I feel a very intense energy, but all of a sudden it disappears.
37:07I mean, I don't think there's anything here at all.
37:10There's too many things happening and it doesn't make sense for it to be happening
37:14and it doesn't make sense for it to be just one time.
37:17Yeah.
37:18We have found many things during the investigation that don't fit with Mary.
37:23We also know that many other people have passed through these doors,
37:26have lived in this property, and maybe many things happen here at the same time.
37:34So, this is the last night we're going to be here.
37:36Is there anything you want to tell us?
37:38If you're still in there and you're still part of this building and its history,
37:42can you give us another signal before we leave?
37:47The sun's going to come out soon.
37:49We don't have much time until we leave.
37:52We're not living here anymore.
38:03We've got some really incredible evidence,
38:05certain phenomena that we don't quite understand.
38:08We're going to have to get together with Elizabeth to try and explain to her what's going on here.
38:12It's good about Elizabeth.
38:13She just has a lot of knowledge about this town.
38:17Maybe we can establish a connection that we can't see.
38:20All right, let's put everything away and get ready to leave.
38:30Hi, Elizabeth.
38:31Hi.
38:32I'm glad to see you again.
38:33Thank you for coming.
38:34We have had 72 exciting hours.
38:36We have incredible evidence that we want to show you.
38:39And during the course of our investigation,
38:41some things have happened that we can't really make sense of at the moment.
38:45And since you're the town historian,
38:47you have so much knowledge about the theatre and the area in general.
38:50Maybe you could join the pieces of the puzzle.
38:53Yes, I can't wait to hear them.
38:54Okay, great.
38:55Come on, let's go to the theatre.
38:58So, we have some things that we want to show you.
39:01We can start with the audio evidence that we've got.
39:03Yes, two interesting fragments that have been repeated several times.
39:06On the one hand, someone was saying that they needed money.
39:09They needed help and money.
39:11That makes sense, because it used to be a place of social help.
39:15It was an area of the community where people came to receive medical or financial assistance.
39:22There you have it.
39:23It was known as the social welfare centre for money.
39:27We heard sick, illness and medicine.
39:29They all seemed to be related.
39:32At the beginning, we thought of the asylum for the poor,
39:34because we knew from you that many people had died during that time.
39:38But now talking to you about this,
39:40it kind of seems that maybe it's connected to that time
39:43when it was used as a social service.
39:46There are two video evidence that we want to show you right now
39:49and see what you think.
39:50Of course.
39:51We've set up an experiment on the stage that you see here.
39:54And so, I want you to watch the curtain.
39:58The lady in the grey that has appeared.
40:05Have you seen it?
40:06Yes.
40:07We don't have an explanation for it in a natural way.
40:10It's almost like someone was walking and touching the curtain with their hand.
40:20It's weird, isn't it?
40:21It's weird, yes.
40:22Last night, we did a big experiment
40:24to see if we could have visual evidence of what we just saw.
40:29This is the second video.
40:31That's the projector up on the stage.
40:36What the f**k is that?
40:38Hey, something has moved.
40:41It's almost like energy is coming out of something
40:43and creates this shape with the ability to take a form.
40:47It's fascinating because most of the people
40:49who claim to have seen Mary inside the kenton
40:52talk about an orb that seems to take shape.
40:55They describe it rising and increasing in size
40:57and then they can see a precise shape without knowing what it's trying to do.
41:02I think it's Mary, yes.
41:04The anomaly of the 3D map that we documented is incredible.
41:08But Elizabeth told us that Mary was starting to appear in the form of an orb
41:13and then she would manifest and you could see her legs and half of her body.
41:18Knowing that was totally present for me,
41:20that possibly this is Mary that we captured.
41:24I think Mary will always have something to say.
41:28Everyone who has seen her has been very afraid
41:31and I think because of that they cannot hear her.
41:35After confirming what we have documented,
41:37I think my mind is changing now
41:39and it could be that we have captured a little bit of Mary.
41:42That maybe it's time to tell her story one last time.
41:46Also, because of our investigation of the last two days,
41:49we think there are more people here.
41:51We don't think it's just Mary.
41:52When you go through an investigation like this,
41:54you know, maybe you keep an open mind
41:56about the fact that there could be other spirits coming in here,
41:59not just Mary.
42:00What are your stories?
42:01It's interesting that everything relates to what happens in the kenton to Mary,
42:05but I think a lot of things happened here before that time.
42:09Of course, the evidence that you have found
42:12gives more richness to the building
42:14and it will be interesting for me to investigate it
42:16so that my understanding of the kenton as a building evolves.
42:20I will be delighted to see it in another way
42:22with the evidence that you have shown me.
42:24Thank you very much, Elizabeth.
42:25Thank you very much.
42:26You're welcome.
42:27It's been great.
42:28Good luck with everything else you have for your future investigations.
42:30It was a pleasure to meet you.
42:31This is one of the oldest theaters in the United Kingdom
42:34and the most impressive thing is that we were able to reconstruct part of its history.
42:39Hearing Elizabeth say that we have helped her
42:42and that it helps her to see the paranormal activity of the place in a different way
42:46means a lot to us
42:48because our investigation has helped to change the opinion of what is here.
42:52I wasn't sure if we could make contact with Mary Blendy,
42:56but as we were leaving,
42:57knowing that we had captured Mary Blendy
42:59and knowing that her spirit was still there
43:01was really incredible.
43:03Knowing that the story was still alive in the kenton theater.