Paranormal Lockdown UK El teatro de Kenton
paranormal, fenómenos paranormales, actividad paranormal, investigaciones paranormales, fantasmas, espíritus, casas embrujadas, eventos inexplicables, apariciones, cazafantasmas, experiencias paranormales, lo sobrenatural, misterios sin resolver, vida después de la muerte, fenómenos sobrenaturales, evidencia paranormal, avistamientos de fantasmas, fenómenos inexplicables, entidades paranormales, sucesos extraños
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00:00I've heard about many enchanted theaters.
00:03Come on, show yourself!
00:05Is this Mary Blendy?
00:07The one who poisoned her father?
00:09Might not even be Mary.
00:11Could be someone else.
00:13What was that?
00:15Did she say murderer?
00:16Murderer, that's what I heard.
00:17Oh, f***!
00:18I just saw a shadow move.
00:19Is someone over there?
00:21Are you a murderer?
00:23What was that?
00:25Hey, did we just see Mary?
00:31I've seen the way
00:35Through all the pain
00:39I've walked through darkness, fire and rain
00:48They fill my grave
00:5172 hours of confinement.
00:54My soul remains
00:58In the most terrifying places
01:00In search of unusual proof
01:10Paranormal Lockdown
01:15The Kenton Theatre in Henley-on-Thames
01:17has been famous for decades
01:19for having one of the most enchanted scenes in England.
01:22Since it was built in 1805,
01:24the building has been a school, a church
01:26and a clinic for soldiers.
01:28But since the 1960s,
01:30when it was reopened as a theatre,
01:32the paranormal activity seemed to intensify.
01:34Many of these signs are centered
01:36around one of the most infamous inhabitants of Henley,
01:38Mary Blendy.
01:40After poisoning her father by pouring arsenic
01:42into his tea in 1751,
01:44they condemned and hanged Mary for murder.
01:47But in the centuries following her death,
01:50many claim to have seen her ghost.
01:53In 1969,
01:55in the Kenton Theatre,
01:57the play Hanging Wood was performed several times,
01:59which revolves around the life and death
02:01of Mary Blendy.
02:03During rehearsals and performances,
02:05the murderous lady of Henley
02:07was forever united with the Kenton Theatre.
02:09The members of the theatre
02:11saw a woman in a grey dress
02:13at the end of the hall,
02:15a ghostly figure stalking the stage
02:17and a cup of tea
02:19that rose from a table
02:21and then fell and broke
02:23as they talked about Mary Blendy.
02:25In the 50 years since the first performance,
02:27the paranormal activity
02:29has been maintained by the theatre.
02:31Katrina and I will spend 72 hours
02:33confined between the walls
02:35of this historic theatre,
02:37living together with the most famous
02:39ghostly inhabitants of Henley
02:41to try to establish
02:43if Mary Blendy
02:45really is here
02:47or there is something else
02:49that stalks the enchanted Kenton Theatre.
02:53I've always wanted to investigate
02:55the Kenton Theatre
02:57because it's one of the oldest
02:59in the United Kingdom.
03:01I've investigated many theatres
03:03and they've always been fantastic
03:05investigations.
03:07In addition, I was director
03:09of a theatre at the university,
03:11so this little world
03:13is very close to my heart.
03:15Hi Paula. Hi.
03:17My name is Katrina.
03:19Hi Katrina, nice to meet you.
03:21It's a theatre from the Regency period.
03:23It's the fourth oldest
03:25active theatre in the United Kingdom
03:27and I've been director for a year.
03:29During the year you've been here,
03:31has anyone come up to you and said
03:33I've lived a paranormal experience?
03:35I've met many people from all over Henley
03:37who have lived experiences here.
03:39Could you introduce them to us
03:41so we can talk to them?
03:43Of course. I think Elisabeth,
03:45as a local historian,
03:47is the most suitable
03:49Elisabeth Heyselding is a writer
03:51and a local historian
03:53and she knows more about this place
03:55than anybody.
03:57She's going to show us the theatre
03:59and she's going to talk to us
04:01about the apparitions and investigations
04:03that she's done.
04:05It's an impressive theatre.
04:07Tell us the story of this building.
04:09Well, it was a poor people's asylum,
04:11two houses that joined in one.
04:13They were in charge of the poor
04:15and the helpless and in 1805
04:17they moved to an asylum like this.
04:19Was it well looked after
04:21or was it something that people
04:23wanted to avoid as it was?
04:25At the beginning these asylums
04:27were beneficial places
04:29but then in Victorian times
04:31they started to look at them
04:33with worse eyes
04:35and they ordered the poor
04:37to work as hard as they could
04:39to show that they were making money.
04:41Were there many deaths during that time?
04:43Yes, because initially
04:45you don't stop seeing people
04:47from this type of asylums.
04:49It's going to be very difficult
04:51to decipher who we are talking
04:53to exactly because so many things
04:55have happened in this property.
04:57So many deaths have taken place
04:59and we don't know the real names
05:01of those who lived and died here.
05:03What do you know about the ghost here?
05:05Well, Mary Blendie was a very well
05:07instructed lady and her father,
05:09Francis, was a lawyer.
05:11Now, she went to a garden party
05:13with William Henry Cranstone.
05:15Now, they fell in love very quickly
05:17but Cranstone had a wife
05:19so his father forbade that relationship.
05:21Eventually they decided to poison
05:23Francis Blendie
05:25and Mary had to pour a powder
05:27on her father's tea.
05:29She later died of poisoning
05:31of arsenic.
05:33Mary was locked up in the Oxford jail
05:35and hanged on April 6th, 1752.
05:37And it was a very unpleasant
05:39hanging.
05:41There was a rope between the trees
05:43and they pushed her off the stairs.
05:45My God!
05:47People often got angry
05:49and thought she was still alive
05:51so they threw the body to the crowd
05:53to confirm that she was dead.
05:55So now, what is your relationship
05:57with this land and this building?
05:59Well, John Morgan wrote the book
06:01The Hanging Boots about Mary Blendie
06:03and in 1969 they turned it into a play
06:05and they performed it in the Kenton.
06:07And the following week, Mary began to appear.
06:09She's been here since then,
06:11she's never left.
06:13How do they know it's Mary
06:15and not some other ghost?
06:17That's what I was thinking.
06:19She's known as Lady Grey
06:21because of her dress as a prisoner.
06:23There are lithographs of her
06:25having tea with friends.
06:27And they match those lithographs?
06:29Yes, exactly.
06:31Pretty much everyone says
06:33they've seen a woman in white
06:35or a woman in grey
06:37and the Kenton Theatre
06:39makes my skepticism
06:41about the truth of history appear.
06:43What else has people experienced?
06:45Paranormal activity?
06:47In the pit of the orchestra,
06:49if you'll come with me.
06:51Is it under us?
06:53It is, yes.
06:55One gentleman in particular
06:57was rehearsing in the pit
06:59and he took a picture with his mobile phone
07:01and when he looked at it
07:03he saw the image of a woman's face
07:05when they're down there.
07:07I think there's a lot of energy
07:09in this area because normal people
07:11would stand here
07:13to see the representations.
07:15It's an important area we should investigate.
07:17Yes, of course.
07:19There are more stories up here.
07:21Alright, let's go.
07:23Some artists were heading to the dressing room
07:25and they thought they saw Mary Blendy
07:27going down the stairs,
07:29turning around and disappearing
07:31through the wall.
07:33Did people walk down the street
07:35before they saw the work?
07:37Shortly after she hanged herself,
07:39a gentleman said he saw Mary
07:41near the execution site.
07:43A lot of people have seen her
07:45over the decades,
07:47which is always interesting
07:49for us as researchers.
07:51People didn't start seeing Mary
07:53until they saw the work
07:55of Hanging Wood about her life.
07:57We know that people
07:59saw her in the 18th century
08:01and if something is told about her life
08:03and people pronounce her name,
08:05could that attract her to a place?
08:07Elizabeth, thank you so much
08:09for showing us the theatre.
08:11You have a lot of knowledge.
08:13I think you know more about this place than anyone.
08:15Yes, of course.
08:17You're welcome.
08:19I think if we find something
08:21that we can't connect,
08:23we can actually bring you back
08:25to help us connect all the pieces of the puzzle.
08:27Great, I'm looking forward to seeing
08:29the theatre, but there's a lot of stories
08:31about a lady named Mary.
08:33I'm intrigued to know
08:35that a spirit could have travelled to this location.
08:37It's really important
08:39to always try to talk to people
08:41who have lived these experiences.
08:43You want to always avoid that
08:45because it brings out the rumours.
08:47So Nick and I are going to be seeing
08:49actors and actors who have been here
08:51over the years.
08:53Nice to meet you, Lottie.
08:55Hi, nice to meet you.
08:57How long have you been acting here?
08:59About two years full-time,
09:01and I've done a couple of plays here in Kenton.
09:03What's the part that gives you the worst
09:05vibrations of all of them?
09:07In the wings.
09:09You feel the presence of something there.
09:11Someone has seen the figure of a shadow
09:13rushing around while they were working.
09:15Supposedly it's a woman.
09:17There's a recurring ghost in Kenton,
09:19and it's Mary Blendy.
09:21Where else in the theatre have you had
09:23paranormal experiences?
09:25Can you tell us what happened?
09:27What's really interesting
09:29is the ghostly figure.
09:31A lot of people say they've seen ghostly figures.
09:33Is it Mary, or is it something else
09:35that appeared in this theatre?
09:37So down here is dressing room two.
09:39One occasion, I was the last one to leave.
09:41I realized I had forgotten my keys.
09:43So I came back for them,
09:45and the door was open,
09:47and the light was on.
09:49Again, I felt like there was
09:51someone else around.
09:53I felt like there had to be something else here.
09:55We'll spend some time investigating,
09:57and we'll see what happens.
09:59There's night concerts here.
10:01People go out to perform on stage.
10:03The employees are working.
10:05There's so much energy in this building.
10:07I'm glad to meet you. I'm Nick.
10:09Hi, I'm Katrina.
10:11How was it when you used to work here?
10:13One of my obligations as a stage director
10:15was to close the theatre every night
10:17when the performances were over.
10:19But one night, I definitely had an experience
10:21while I was walking to the exit of the auditorium.
10:23Guide us along the path you took
10:25when you were about to close.
10:27I was walking down this corridor,
10:29and I got to the point
10:31where you turn the corner.
10:33So right here?
10:35Right here.
10:37Probably the first thing I felt
10:39was that the temperature dropped,
10:41and I heard the sound of a bag
10:43or something sliding by.
10:45So I said, excuse me,
10:47and I looked, and there wasn't anything there.
10:49But I felt a movement
10:51near my right hand.
10:53I didn't tell anyone for a long time.
10:55Really?
10:57Yeah.
10:59How come?
11:01Because I didn't want people to think
11:03that I was crazy,
11:05that I was imagining things,
11:07or anything like that.
11:09Thank you for telling us this story.
11:13It seems to be a lot of things
11:15going on in the theatre.
11:17Is Mary here, or is Mary not even here?
11:19There's so much energy
11:21from the living and the dead here.
11:23So we're going to have to use our equipment
11:25to try to validate some of the experiences.
11:27So we need to get one-way readings
11:29of the entire building
11:31to figure out what the hot spots are.
11:33I think this is a good area to start
11:35because a lot of people have had experiences
11:37with Mary here.
11:39So we'll be using a digital camera
11:41hoping to capture something
11:43that's moving between us.
11:45We're going to be using these
11:47static sensory antennas
11:49that attract energy
11:51so that the entities
11:53can produce smart answers
11:55to our questions.
11:57Let's set up one of the devices
11:59down there.
12:01Oh, wow.
12:03We're going to be using
12:05the vibration box.
12:07It's going to detect vibrations
12:09inside the space that it covers.
12:11If someone walks by,
12:13now that it's completely dark,
12:15the room is different.
12:17It's scary.
12:19It's so still.
12:21It doesn't seem natural.
12:23Let's activate the Geoport
12:25and see if we can talk to whoever's here.
12:27Mary?
12:29Can you hear us?
12:31If you're still here
12:33in the building or walking by
12:35or there's someone else here,
12:37you can make noise.
12:39You can talk to us.
12:43Wow.
12:45There was something right there.
12:47Holy shit.
12:49What was that?
13:01What was that?
13:03There was something right there.
13:05Holy shit.
13:07What was that?
13:09I saw a shadow move like that
13:11very quickly.
13:13It's like flashes.
13:15You see them for a second and they disappear.
13:17When we were talking to Lottie,
13:19it almost felt like there was
13:21someone in the sound booth.
13:23Every now and again I saw flashes up there.
13:25Is there anyone here with us?
13:29William?
13:31I think so.
13:33Can you hear that?
13:35Yeah.
13:37Can you hear those cries?
13:41Who's crying?
13:43I mean, the plague was here
13:45and it killed 500 people.
13:47This is also where the poor shelter was
13:49and we know it was hard.
13:51Imagine all the people who came here.
13:53Due to the different phases
13:55and the raw history of this property,
13:57it will be a challenge to figure out
13:59who we are communicating with exactly.
14:01It's important that we go through the whole space
14:03to better understand this paranormal activity.
14:05Whose room is this?
14:07Are you getting ready to go on stage?
14:09Get out of there now!
14:13He said, can you hear something?
14:15Wait, I've heard thumps.
14:17I've heard them here.
14:19Yeah, it's been...
14:21Hold on.
14:23I've heard thumps right up here.
14:25To me, they seemed very consistent.
14:27It was like...
14:29Yeah, that's what I've heard.
14:31It's like they're going down the stairs
14:33or walking down the stage.
14:35Yeah, you're right.
14:37I've seen a figure moving.
14:39Let's go to the stage.
14:41Are you over here?
14:43On the stage?
14:47Let's just try to increase the energy
14:49to see if we can make something.
14:51One of the techniques that we've used in the past
14:53when we've been investigating different places
14:55is recreating events that could have happened
14:57in different places.
14:59Here there were actors
15:01and we've tried to do some acting.
15:03I've tried to teach Nick the Mirror Game
15:05but it didn't work out.
15:07This is my theatre!
15:09Nick is...
15:11He's a unique actor.
15:13Wow.
15:15I'll tell you something.
15:17It's really weird in a way
15:19when you see someone back in their seat
15:21and they don't want to obstruct the viewer's vision
15:23and they're like, oh, it's something like that.
15:25That's what it's been like.
15:27Let's take the Geoport and go up there.
15:29We couldn't stop seeing ghostly figures
15:31all over the theatre
15:33What are those figures? Where do they come from?
15:35Who are they?
15:37Do you feel that?
15:39It's a strange feeling.
15:41Up here it feels completely different.
15:43It's a space and a different energy.
15:45Absolutely.
15:47As we go up on the stage
15:49there is a sudden change of environment.
15:53It is a feeling of being very alive
15:55and it just feels
15:57to be more interactive
15:59than other places that we've seen in the theatre.
16:03Is it okay up here?
16:07Katrina, have you seen someone up there?
16:09She did.
16:11She did, yeah.
16:13Who did I see? Do they have a name?
16:17Mary, are you a murderer?
16:19Murderer is what I heard.
16:25Who's the murderer?
16:29We heard you say murderer.
16:31Who is it?
16:33Who did you say murderer?
16:39It's been a long time.
16:41There's been a moment where it feels a little weird.
16:43We catch a glimpse, we hear precise words
16:45and then it's gone.
16:47For now, we've seen a lot of activity tonight.
16:49But we're not close to
16:51discovering who appears in the theatre.
16:53We've decided to separate and isolate ourselves
16:55to sleep, with the aim of
16:57establishing contact with the spirits on their own.
16:59The absolute best place to sleep
17:01and experience paranormal activity
17:03is right on the stage.
17:05I'm hoping that Mary
17:07or any other spirit or energy
17:09that's still here will show up
17:11through this spot.
17:13I'm going to leave this recorder on
17:15while I sleep to see if we can capture
17:17voices when we're silent.
17:19You never know what could happen.
17:23Tonight I'm going to sleep on the stage
17:25because in the rest of the places
17:27that I've been with you so far,
17:29I felt pretty peaceful.
17:31There was a totally different energy
17:33on the stage.
17:35There was a lot of life, a lot of activity.
17:37I'm going to sleep here to see if anyone
17:39is trying to make contact with me.
17:45I just thought I heard someone
17:47moving around here.
17:49Mary?
17:57Oh!
18:03You can't even tell
18:05if it's day time or night time outside.
18:07It's always the same inside the theatre.
18:09It's very dark.
18:11I'm going to wake up Katrina now.
18:13I'm going to see if anything's happened to her.
18:17How's it going, Katrina?
18:19How are you?
18:21Well, I'm here in a lovely theatre.
18:23Has something happened?
18:25I fell asleep and turned on the recorder.
18:27We have to check it.
18:29When I first fell asleep
18:31and I was starting to fall asleep,
18:33I thought I heard something move.
18:35That's strange.
18:37It sounded like someone was moving around here.
18:39We should get up and start investigating.
18:41Yes.
18:43Day two.
18:45We decided to take a breath
18:47and check the recorder
18:49that I left on while I was sleeping
18:51to see if anything was captured.
18:55Wake up!
18:57Wake up!
18:59This is like steps.
19:01It's like, wake up!
19:03Wake up, Nick!
19:05Wake up!
19:07Listen to it.
19:09Wake up!
19:11Wake up!
19:13Oh, yes.
19:15Wake up!
19:17Wake up!
19:19It's smart.
19:21The wake up sounded very clear.
19:23It's not the typical confused sound.
19:25It's more like a murmur.
19:27Yes, it's very clear.
19:29Yes.
19:31We've been looking at the recorder
19:33and we've found that what should be silence
19:35is not.
19:37And you can hear steps and murmurs.
19:39I think that the energy is starting to ramp up here.
19:41So we'll go set up the 3D mapping camera
19:43to try and get visual evidence
19:45of whatever was talking to me while I was sleeping.
19:47Is everything ready?
19:49Yes, the 3D mapping is set up.
19:51We're going to the airport
19:53to try and clarify what he said.
19:55Who did Nick and I hear last night around here?
20:01Mary.
20:03Has someone said Mary?
20:05Mary.
20:07Let me know if anything shows up, Kat.
20:09OK.
20:11I'm going to go up to the platform
20:13in which I've seen this ghostly figure.
20:15OK.
20:17Shall I go up?
20:19Are you up here?
20:21Yes.
20:23I can feel a lot of energy up here.
20:25It's completely changed, yeah.
20:27Who's coming through right now?
20:29What's your name?
20:33What the f***?
20:35The door's closed.
20:37Oh, I thought I heard it.
20:39Close it.
20:43What the f***?
20:45Who's she?
20:47Who's she?
20:49I'm Katrina.
20:51Shh.
20:53OK, I'm coming down.
20:55OK.
20:57What did you feel up there, Nick?
20:59Just a surge of electricity
21:01that went through the whole area.
21:03And all of a sudden,
21:05there was an immense amount of sound
21:07that started to sound really loud.
21:09So I think at this point,
21:11and with more evidence that we can gather,
21:13we can try to figure out who this spirit is.
21:15Do you agree?
21:17I agree.
21:19I think something is going on here.
21:21But we can't really put our hands
21:23on who that is yet.
21:25So let's get our asses ready for tonight
21:27and see if we can get any further communication.
21:29It's been 24 hours of investigation.
21:31We haven't captured anything yet
21:33to confirm the ghost stories
21:35and the appearances that have occurred in the theatre.
21:37But I hope that tomorrow,
21:39with a new team,
21:41we can find out what's happening in this location.
21:43On the second night,
21:45we'll use the vibration box
21:47that will tell us if it detects any movement on the floor,
21:49like steps, for example.
21:51All right, so just to confirm
21:53that there are no gusts of wind here,
21:55I thought it was important
21:57to place these ping-pong balls
21:59just in case the curtain moves
22:01or anything else happens on the stage.
22:03It can rule out this type of environmental element.
22:05We also put a motion detector
22:07on the curtain
22:09to tell us only if it moves.
22:11I'm glad to hear this.
22:13It's not always so precise, to be honest.
22:15You have to move them directly.
22:17What? What happened?
22:19I just saw a shadow.
22:21Is there someone over there?
22:23Let's go down and check it out.
22:25Is everything on?
22:27In that corner.
22:29Where did you see it? Right here?
22:31Right here.
22:33The energy is really intense in here.
22:35So yesterday, up here,
22:37it made me feel strange.
22:39Did you see something?
22:41Yeah, I did.
22:43What?
22:45I think I just saw a shadow up there.
22:47Really?
22:49It looked like a person.
22:51It just passed by.
22:53A shape?
22:55Yeah, it looked like a person.
22:57And there's nothing there.
22:59The sensation that we have
23:01on the second night is very different.
23:03In my experience, when you experience that
23:05and you know you're not alone,
23:07you have to get ready,
23:09because usually it's a moving night.
23:11Can you move down
23:13to one of the sides
23:15and move to the stage, please?
23:17When you see a shadow,
23:19anybody in the changing room, come on, come on.
23:21Can you try to move the curtain?
23:23And it's just more and more sun.
23:27He said medicine.
23:29What do you need medicine for?
23:31What kind of disease do you have?
23:33He said a disease.
23:35Who's been coming to the theater
23:37and showing up in front of the people?
23:39Were you in the pit of the orchestra?
23:41A lady?
23:43The Lady of Grease
23:45that's been seen?
23:47Rob, what was that?
23:49What was that?
23:51Shhhh!
23:55Shhhh!
23:59Shhhh!
24:01Shhh!
24:07Who's been coming to the theater
24:09and showing up in front of the people?
24:13Were you in the pit of the orchestra?
24:15A lady?
24:17The Lady of Grease
24:19Rob, what was that?
24:25I think that was the curtain.
24:29That curtain moved.
24:30Get in.
24:31Yeah, it was the curtain.
24:32It was the curtain.
24:33The alarm went off, and the motion detector on the curtain, something physically moved
24:44the curtain to make the alarm go off.
24:47Holy ****.
24:48Something.
24:49I swear to God.
24:51I just saw a shadow right there.
24:55Right here, there was a shadow.
24:57It moved through this door.
24:58Right in the corner?
24:59It was perfectly visible.
25:00Right here.
25:01Look at the hair.
25:02It's so cool.
25:03Oh, my God.
25:04Who is it that I see?
25:10Is there anything else you can do to help us?
25:17I'd like to tell people who you are and what you're doing here still.
25:24What the **** was that?
25:29What the **** was that?
25:32Did we just hear you on the stage?
25:37Right here.
25:39Hold on.
25:40Shh.
25:41I'll stop playing.
25:42Wait, wait.
25:43I hear it.
25:44It's moving.
25:45In the back, no.
25:49We're seeing so many things un-explainable that night.
25:53Sounds, things, steps, someone surrounding us.
25:56Were their spirits trying to get our attention?
25:59They want to tell us something.
26:01All right.
26:02So whoever's out here, use what I'm handling to communicate with us.
26:05Tell us your full name.
26:07Tell us, what are you doing here?
26:10Sarah, what is your last name?
26:35Can we see you again?
26:42Sick. She said sick.
26:44Yes, this is the second time this has happened.
26:46Why are you sick?
26:49As we investigate, we hear the name Sarah, but also the words sick and medicine,
26:55which could be related to the story of Mary Blendie.
26:58But we also know that the poor people's home used to be on this property.
27:02A lot of people were sick. It could be related to someone else.
27:06A lot has happened tonight. The sun is about to rise.
27:10Most of the experiences we've heard have been alone.
27:14So, if we split up, maybe we have more opportunities to have an activity.
27:18I'll go back to the place where we saw the figures. Something is happening in that area.
27:23So, I want to go back to the platform.
27:25Okay.
27:26Because we're seeing a lot of activity around the stage.
27:29When I slept here the first night, we heard all those voices.
27:32So, let's get our things and get started.
27:34Let's go.
27:37It's 8.30.
27:39Rob leaves, and Katrina and I split up to sleep.
27:42I go to the platform where the trap was closed before, and where a lot of people have seen shadows.
27:51There's barely any room here.
27:56Taking into account that we had very good recordings last night,
28:00Katrina goes back to the back of the theater to investigate more thoroughly with the recorder.
28:05Are you Mary Blendy?
28:10Did you work or live in the asylum?
28:18Are you Mary Blendy?
28:21Did you work or live in the asylum?
28:24What disease did you die from?
28:26Did you work or live in the asylum?
28:30When I ask about the asylum, that's when I get a clearer answer.
28:37If you want to come talk to me, I'm sleeping on the platform.
28:45Tonight I'm going to sleep in the orchestra pit, because I got an answer to the question about the asylum.
28:50And the lowest point is the orchestra pit.
28:53So, maybe if I go to that maximum point on the lowest floor,
28:58I'll have some sort of connection to whoever makes the orchestra.
29:03It's actually very trippy.
29:05Let's see.
29:13It's 8.42.
29:24Okay, I just woke up.
29:26I'm going to take a look at Katrina.
29:28I'm exhausted.
29:33Let's go.
29:42Katrina?
29:43Yeah?
29:44How are you? Are you okay?
29:46Yeah.
29:47This is crazy.
29:48You slept in the orchestra pit, under the stage.
29:52There's a weird mist here.
29:54It's weird.
29:58Look how she comes out of her cave.
30:03It's 4.46.
30:05We're going to review the evidence from last night's investigation,
30:08because we know that the sensor went off.
30:10So, now we need to check if, in addition to the sensor going off, the curtain moved.
30:14So, let's look at the rest of the footage and see if there's anything strange going on out there.
30:18Gris's girl has appeared.
30:22Did you see that?
30:23Wow.
30:24It moved.
30:25It's the same point that activated the sensor.
30:27Gris's girl has appeared.
30:31You can see how the curtain moves.
30:34Gris's girl has appeared.
30:39The ping-pong balls that we put on the stage didn't move.
30:43There's no air burst or anything that moved the curtain.
30:46Otherwise, we would have seen that.
30:48Yeah, it's really weird.
30:50The curtain moves.
30:52And it's really weird
30:54because it almost looks like someone has pulled it out from behind or touched it.
30:59And then another section moves
31:01and then the whole one big curtain starts to sway.
31:04At first, it looks like it's moving around here.
31:07That's what I was going for.
31:09That's where you see most of the movement.
31:11But when you watch it again several times, the top part also moves, it seems to wave a little.
31:17What's behind? Just a wall?
31:19Just a wall and a ladder.
31:21Just a wall.
31:23We asked him to move the curtain, to start the function.
31:27Look at the stage, please.
31:29Can you try to move the curtain?
31:32The energy has increased a lot all of a sudden.
31:34Having this happen, I think it confirms many of the experiences that we've had.
31:40But tonight, can we put a name on what happened?
31:44We've had a lot of experiences, but we still don't know what happens in the theater.
31:48We have one night to try and find out.
31:51I think the stage is the hottest point of this location.
31:54We have to focus on the last night on the stage and do an experiment to try to get more answers.
32:00We have activated the 3D mapping camera focused on the curtain
32:04to try to capture visual evidence or anything in the environment.
32:08We have activated the lights that capture movement along the last row of the first floor
32:13and also on the second floor.
32:15If anything crosses its path, the movement will make the lights activate.
32:19Can you move the curtain again?
32:21Can you do a function?
32:24Can you see me coming up here?
32:26This is Nick. He's going to act with you.
32:31Who are these shadows that we can't stop seeing?
32:36We're trying to figure out who Mary is,
32:39the one who poisoned her father.
32:42Mary, are you here?
32:45Can you come up here to the stage where I am?
32:49Can you use all your energy and manifest yourself by moving the curtain?
32:58You want to go up here, Katrina?
32:59Yeah.
33:01All right, go ahead.
33:06Where's the energy we felt last night?
33:09The intensity?
33:11Can we feel that energy again?
33:13Can you show yourself to us?
33:15It's weird because I feel it more in the armchairs than I feel it up here.
33:19Do you want to go up there?
33:20Yeah.
33:21All right.
33:27Are you back there?
33:29Are you getting ready to sit in your seat?
33:32What the fuck is that?
33:35Hey, something's moving up there.
33:50Are you back there?
33:51Are you getting ready to sit in your seat?
34:01What the fuck is that?
34:07Hey, something's moving up there.
34:09Katrina?
34:10In the curtain?
34:11Did you see that?
34:12Yeah.
34:13Holy shit.
34:14I saw something forming up here.
34:17Yeah.
34:20What the fuck is that?
34:23What the fuck is that?
34:25Hey, I was looking at you and I turned around and I saw something forming up here
34:30and then it just vanished.
34:32It was like a mass.
34:34Yeah, yeah, it was like a mass, right?
34:36And then it started to grow and then it just disappeared.
34:39What do you think it was?
34:40I don't know.
34:41It looked like energy.
34:42I'm going to grab the geoport.
34:43Okay.
34:44Well, let's try to make audio contact to tell who it is.
34:47Yeah.
34:52Can you use this as a signal to come and talk to us?
34:56What did you see up here, right over here near this curtain?
35:04Did we see Mary?
35:10You did.
35:15She said Mary.
35:16It was Mary.
35:20She said Mary.
35:21She said Mary.
35:22After seeing how this anomaly formed and then suddenly disappeared,
35:27I heard a clear voice that said Mary.
35:30Could it be Mary Blendy's voice that was appearing in this place?
35:35Let's go this way.
35:38Are you already here?
35:40Where we've been seeing these shadows?
35:42Can you try to move to that corner and make the lights go out?
35:48Come on, don't you want to play a game?
35:51We're in a theater.
35:52Let's have fun.
35:55She said money.
35:57What do you need money for?
36:02She said I need it.
36:04She said sick.
36:06We asked through the geoport who it is and what is its connection to this place
36:10and we started to get intelligent answers like sick, which we had heard before,
36:15and money.
36:16Something is manifesting and I don't think it's connected to Mary.
36:19Do you need money for medicine?
36:22She said yes.
36:23Oh, shit.
36:25I've got goose bumps.
36:26All of a sudden, in the stage, the sensors activated.
36:30Okay, let's go up.
36:32Stay there so we can see you.
36:42Is this the way up?
36:46Are you here with us?
36:55Are you still up there?
36:58I'm feeling a big boost of energy right there.
37:01Yeah.
37:02First, I feel a very intense energy, but all of a sudden it disappears.
37:07I mean, I don't think there's anything here at all.
37:10There's too many things happening and it doesn't make sense for it to be happening
37:14and it doesn't make sense for it to be just one time.
37:17Yeah.
37:18We have found many things during the investigation that don't fit with Mary.
37:23We also know that many other people have passed through these doors,
37:26have lived in this property, and maybe many things happen here at the same time.
37:34So, this is the last night we're going to be here.
37:36Is there anything you want to tell us?
37:38If you're still in there and you're still part of this building and its history,
37:42can you give us another signal before we leave?
37:47The sun's going to come out soon.
37:49We don't have much time until we leave.
37:52We're not living here anymore.
38:03We've got some really incredible evidence,
38:05certain phenomena that we don't quite understand.
38:08We're going to have to get together with Elizabeth to try and explain to her what's going on here.
38:12It's good about Elizabeth.
38:13She just has a lot of knowledge about this town.
38:17Maybe we can establish a connection that we can't see.
38:20All right, let's put everything away and get ready to leave.
38:30Hi, Elizabeth.
38:31Hi.
38:32I'm glad to see you again.
38:33Thank you for coming.
38:34We have had 72 exciting hours.
38:36We have incredible evidence that we want to show you.
38:39And during the course of our investigation,
38:41some things have happened that we can't really make sense of at the moment.
38:45And since you're the town historian,
38:47you have so much knowledge about the theatre and the area in general.
38:50Maybe you could join the pieces of the puzzle.
38:53Yes, I can't wait to hear them.
38:54Okay, great.
38:55Come on, let's go to the theatre.
38:58So, we have some things that we want to show you.
39:01We can start with the audio evidence that we've got.
39:03Yes, two interesting fragments that have been repeated several times.
39:06On the one hand, someone was saying that they needed money.
39:09They needed help and money.
39:11That makes sense, because it used to be a place of social help.
39:15It was an area of the community where people came to receive medical or financial assistance.
39:22There you have it.
39:23It was known as the social welfare centre for money.
39:27We heard sick, illness and medicine.
39:29They all seemed to be related.
39:32At the beginning, we thought of the asylum for the poor,
39:34because we knew from you that many people had died during that time.
39:38But now talking to you about this,
39:40it kind of seems that maybe it's connected to that time
39:43when it was used as a social service.
39:46There are two video evidence that we want to show you right now
39:49and see what you think.
39:50Of course.
39:51We've set up an experiment on the stage that you see here.
39:54And so, I want you to watch the curtain.
39:58The lady in the grey that has appeared.
40:05Have you seen it?
40:06Yes.
40:07We don't have an explanation for it in a natural way.
40:10It's almost like someone was walking and touching the curtain with their hand.
40:20It's weird, isn't it?
40:21It's weird, yes.
40:22Last night, we did a big experiment
40:24to see if we could have visual evidence of what we just saw.
40:29This is the second video.
40:31That's the projector up on the stage.
40:36What the f**k is that?
40:38Hey, something has moved.
40:41It's almost like energy is coming out of something
40:43and creates this shape with the ability to take a form.
40:47It's fascinating because most of the people
40:49who claim to have seen Mary inside the kenton
40:52talk about an orb that seems to take shape.
40:55They describe it rising and increasing in size
40:57and then they can see a precise shape without knowing what it's trying to do.
41:02I think it's Mary, yes.
41:04The anomaly of the 3D map that we documented is incredible.
41:08But Elizabeth told us that Mary was starting to appear in the form of an orb
41:13and then she would manifest and you could see her legs and half of her body.
41:18Knowing that was totally present for me,
41:20that possibly this is Mary that we captured.
41:24I think Mary will always have something to say.
41:28Everyone who has seen her has been very afraid
41:31and I think because of that they cannot hear her.
41:35After confirming what we have documented,
41:37I think my mind is changing now
41:39and it could be that we have captured a little bit of Mary.
41:42That maybe it's time to tell her story one last time.
41:46Also, because of our investigation of the last two days,
41:49we think there are more people here.
41:51We don't think it's just Mary.
41:52When you go through an investigation like this,
41:54you know, maybe you keep an open mind
41:56about the fact that there could be other spirits coming in here,
41:59not just Mary.
42:00What are your stories?
42:01It's interesting that everything relates to what happens in the kenton to Mary,
42:05but I think a lot of things happened here before that time.
42:09Of course, the evidence that you have found
42:12gives more richness to the building
42:14and it will be interesting for me to investigate it
42:16so that my understanding of the kenton as a building evolves.
42:20I will be delighted to see it in another way
42:22with the evidence that you have shown me.
42:24Thank you very much, Elizabeth.
42:25Thank you very much.
42:26You're welcome.
42:27It's been great.
42:28Good luck with everything else you have for your future investigations.
42:30It was a pleasure to meet you.
42:31This is one of the oldest theaters in the United Kingdom
42:34and the most impressive thing is that we were able to reconstruct part of its history.
42:39Hearing Elizabeth say that we have helped her
42:42and that it helps her to see the paranormal activity of the place in a different way
42:46means a lot to us
42:48because our investigation has helped to change the opinion of what is here.
42:52I wasn't sure if we could make contact with Mary Blendy,
42:56but as we were leaving,
42:57knowing that we had captured Mary Blendy
42:59and knowing that her spirit was still there
43:01was really incredible.
43:03Knowing that the story was still alive in the kenton theater.